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From the author of and comes a daring new collection that seethes with alienation, lust and rage. Bomer takes us from hospitals, halfway houses, and alleyways, to boarding schools and Park Avenue penthouses, exploring the complex relationships girls have with their bodies, with other girls, and with boys. The title novella tracks the ins and outs of an outsider’s life: her childhood obesity and kinky sex life, her toxic relationships, whether familial or erotic, and her various disappearing acts, of body and mind.<

From the author of is a fierce, honest and moving story of married life-its betrayals, intimacies, and secrets.

Augusta and Owen have taken the leap. Leaving the city and its troubling memories behind, they have moved to the country for a solitary life where they can devote their days to each other and their art, where Gus can paint and Owen can write.

But the facts of a past betrayal prove harder to escape than urban life. Ancient jealousies and resentments haunt their marriage and their rural paradise.

When Alison Hemmings moves into the empty house next door, Gus is drawn out of isolation, despite her own qualms and Owen’s suspicions. As the new relationship deepens, the lives of the two households grow more and more tightly intertwined. It will take only one new arrival to intensify emotions to breaking point.

Fierce, honest and astonishingly gripping, is a novel as beautiful and unsparing as the human heart.

"A House Divided," the third volume of the trilogy that began with "The Good Earth" and "Sons," is a powerful portrayal of China in the midst of revolution. Wang Yuan is caught between the opposing ideas of different generations. After 6 years abroad, Yuan returns to China in the middle of a peasant uprising. His cousin is a captain in the revolutionary army, his sister has scandalized the family by her premarital pregnancy, and his warlord father continues to cling to his traditional ideals. It is through Yuan's efforts that a kind of peace is restored to the family.<

Lucinda Delaney is a southern belle ruled by a vision of life that no longer exists. The Civil War has come and gone and her side has lost, yet she is determined to proceed as if nothing has changed — a denial that stokes the flames of her irrational angers. Despite her returned husband’s devotion, Lucinda is sure he is having an affair with one of their slaves. After all, his Union-sympathizing brother, Tom, did just that, scandalously running away with the woman and settling into contented family life in Philadelphia. Over the years, her racist feelings and fears only intensify, and when it’s time for her own daughter to marry, her chief concern is the color of the children.

While in Japan to observe the filming of one of her novels, Pearl Buck was informed that her husband had died. This book is the deeply affecting story of the period that immediately followed — the grief, fears, doubts, and readjustments that a woman must make before crossing the bridge that spans marriage and widowhood.<

Beginning in the 1890s, describes an American family’s involvement with India over four generations. Touched by the poverty he encounters in Bombay, self-made millionaire David MacArd establishes a seminary for Christian missionary workers, and in so doing shapes the fates of his son and grandson. The choices made by each generation parallel one another, distinctly marked by the passage of time — though the patriarch remains in New York, the second David becomes a missionary in India himself, while his own son, Ted, goes even further, opting to live in a remote village — and these choices come with unforeseen sacrifices. Nor does their religious journey necessarily mean any growing harmony with their surroundings — something that is powerfully brought home when Ted refuses to let his daughter marry across racial lines. Featuring an unforgettable rendering of India during Gandhi’s rise to power, is a family saga of rare power and sensitivity.

Sir Richard Sedgeley and Lady Mary are broke and without an heir to the castle that’s been in their family for centuries. Tourists are infrequent, and the offers they’ve received are not ones they can live with: a state-run prison or a museum in America. What is the remedy, and is it true that there’s treasure hidden somewhere under their noses? Featuring a cast of outsize characters — timid Mary, her possibly mad husband, Wells the Butler, and his mysterious daughter Kate— is a suspenseful delight by the author of .

Farmer Liang Tan knows only a quiet, traditional life in his remote Chinese farming community. When news filters in that Japanese forces are invading the country, he and his fellow villagers believe that if they behave decently to the Japanese soldiers, the civilians might remain undisturbed. They’re in for a shock, as the attackers lay waste to the country and install a puppet government designed to systematically carry out Japanese interests. In response, the Chinese farmers and their families form a resistance — which not only carries grave risk, but also breaks their vow of nonviolence, leading them to wonder if they’re any different than their enemy. Later adapted into a film featuring Katharine Hepburn, is a brilliant and unflinching look at the horrors of war.

Kwei-lan is a traditional Chinese girl — taught by her mother to submit in all things, “as a flower submits to sun and rain alike.” Her marriage was arranged before she was born. As she approaches her wedding day, she’s surprised by one aspect of her anticipated life: Her husband-to-be has been educated abroad and follows many Western ideas that Kwei-lan was raised to reject. When circumstances push the couple out of the family home, Kwei-lan finds her assumptions about tradition and modernity tested even further.

This deeply felt novel tells the story of William Lane and Clem Miller, Americans who meet in China as youths at the end of the nineteenth century. Separated by the Boxer Rebellion, they’re destined to travel wildly different courses in life. From a background of wealth and privilege, William becomes a power-hungry and controlling media magnate. By contrast, Clem, whose family survived on charity growing up, is engrossed by a project — which he works on ceaselessly, perhaps naively, together with his chemist wife — to eliminate world poverty. The two wind up in America and meet again, each successful in his own area, and as similar in their intensity as they are different in their values. is a rich and layered portrayal of lives set alight by ambition.

In , a sharp dissection of the expatriate experience, Pearl S. Buck unfurls the story of a Chinese family living in New York. Dr. Liang is a comfortably well-off professor of Confucian philosophy, who spreads the notion of a pure and unchanging homeland. Under his influence, his four grown children decide to move to China, despite having spent their whole lives in America. As the siblings try in various ways to adjust to a new place and culture, they learn that the definition of home is far different from what they expected.

Elizabeth and Gerald MacLeod are happily married in China, bringing up their young son, Rennie. But when war breaks out with Japan, Gerald, who is half-Chinese, decides to send his wife and son back to America while he stays behind. In Vermont, Elizabeth longingly awaits his letters, but the Communists have forbidden him from sending international mail. Over time, both the silences and complications grow more painful: Gerald has taken up a new love and teenager Rennie struggles with his mixed-race heritage in America. Rich with Buck’s characteristic emotional wisdom, focuses on the ordeal of a family split apart by race and history.

When Wu I-wan starts taking an interest in revolution, trouble follows: Winding up in prison, he becomes friends with fellow dissident En-lan. Later, his name is put on a death list and he’s shipped off to Japan. Thankfully, his father, a wealthy Shanghai banker, has made arrangements for his exile, putting him in touch with a business associate named Mr. Muraki. Absorbed in his new life, I-wan falls in love with Mr. Muraki’s daughter, and must prove he is worthy of her hand. As news spreads of what the Japanese army is doing back in China, I-wan realizes he must go back and fight for the country that banished him. is an engrossing story of revolution, love, and reluctantly divided loyalties.

At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought.

Young Peony is sold into a rich Chinese household as a bondmaid — an awkward role in which she is more a servant, but less a daughter. As she grows into a lovely, provocative young woman, Peony falls in love with the family's only son. However, tradition forbids them to wed. How she resolves her love for him and her devotion to her adoptive family unfolds in this profound tale, based on true events in China over a century ago.<

Second in the trilogy that began with The Good Earth, Buck's classic and starkly real tale of sons rising against their honored fathers tells of the bitter struggle to the death between the old and the new in China. Revolutions sweep the vast nation, leaving destruction and death in their wake, yet also promising emancipation to China's oppressed millions who are groping for a way to survive in a modern age.<

On a mountainside in Japan, two boys enjoy a humble life governed by age-old customs. Jiya belongs to a family of fishermen; his best friend, Kino, farms rice. But when a neighboring volcano erupts and a tidal wave swallows their village — including Jiya’s family — life as they know it is changed forever. The orphaned Jiya must learn to come to terms with his grief. Now facing a profoundly different life than the one he’d always taken for granted, he must decide on a new way forward. Written with graceful simplicity, won the Children’s Book Award of the Child Study Association of America when it was first released.

Pearl S. Buck’s groundbreaking memoir, hailed by James Michener as “spiritually moving,” about raising a child with a rare developmental disorder.

The Child Who Never Grew is Buck’s candid memoir of her relationship with her oldest daughter, who was born with a rare type of mental retardation. A forerunner of its kind, the memoir was published in 1950 and helped demolish the cruel taboos surrounding learning disabilities. Buck describes life with her daughter, Carol, whose special needs led Buck to send her to one of the best schools for disabled children in the United States — which she paid for in part by writing The Good Earth, her multimillion-selling classic novel. Brave and touching, The Child Who Never Grew is a heartrending memoir of parenting. As Buck writes, “I learned respect and reverence for every human mind. It was my child who taught me to understand so clearly that all people are equal in their humanity and that all have the same human rights.”

At forty-three, Edith has lost a husband, and has children who have children of their own. Living in a large Vermont house, her days are spent idly reading and playing music. But all of this is to change when two candidates for her affection arrive on the scene. The first is thirty years her senior, a philosopher named Edwin with whom she enjoys an enriching intellectual friendship. The second, Jared, is twenty years her junior: a handsome scientist, he attracts Edith in mind and body. But even if Jared shares her passion, does he have enough life experience to know whether such a union is in his best interests? In this exquisite and probing examination of desire, contrasting passions come to a head.