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War can get a fellow killed.
The fearless draconians of the War of the Lance have retired from the field of battle to a pleasant valley in the Kharolis Mountains. Well, it would be pleasant, if it weren't for some dwarves, whose irritating feuding prevents the draconians from realizing their greatest hope -- the ability to continue their doomed race.
When the dwarves discover a map leading to a fortune buried in the dwarven kingdom of Thorbardin, the draconians are swept up in a feverish race for treasure. Little do both sides realize that they are part of the strange and terrible destiny descending upon Krynn during the Summer of Flame.
A desinty that includes the children of Chaos . . . the fire dragons
"The Doom Brigade" is the first installment in The Chaos War series, stories set during the war of the "Dragons of Summer Flame," the "New York Times" best-selling novel co-authored by Margaret Weis.

SPARE THE ROD. In the bleak Khalkist Mountains on a stormy winter night, a child is born amid hard words, ill will, and the ominous prophecy of a druidess. Young Verminaard grows up unlovely and unloved, trading friends and family for a dark romance with an evil, mysterious Voice and the sinister weapon it comes to inhabit.<

STORM OF PROPHECY. In a vision from her prison in the Abyss, the dark goddess Takhisis watches Fordus Firesoul, leader of a ragged band of desert rebels, assault the city of Istar and threaten her plans to reenter the world of Krynn. But the goddess is known for having her own way. How can a mute slave, an ancient druid, and a cursed bard and her magical hawk-aided by a band of strange, gem-encrusted elves-resist the magic of Takhisis and withstand her fury? Known for their stories and novels set in the best-selling DRAGONLANCE saga world, Michael and Teri Williams have fashioned the first full-length tale about Takhisis, the evil-most queen of the world of Krynn. The Villians Series explores the corrupted origins of the malevolent minions of Takhisis, Queen of Darkness.<

Old companions and fresh heroes. New and ever more fantastical creatures and monsters. Banished gods and lost magic. Dragon overlords are taking over the world of Krynn. The Chaos War is ending. The Fifth Age is beginning. A collection of fantastical short stories exploring the new Fifth Age setting from the best known Dragonlance writers.<

Welcome to Krynn, where magic and fantasy are commonplace. In this collection, Don Perrin offers the story of a family of minotaurs cursed by Sargonnas to repeat their heinous crime of betrayal year after year after year. The god himself enjoys materializing to savor their torment. Until one year, Sargonnas doesn't show up . . . Plus tales of rebels, tyrants, and other inhabitants of the wondrous world of Dragonlance by best-selling authors Margaret Weis, Richard A. Knaak, Nancy Varian Berberick, Paul B. Thompson, Chris Pierson, and Linda P. Baker in a new installment of the long-running short story series celebrating its fifteenth anniversary.<

"Wanna bet?" The three adventure-seeking sons of Caramon Majere lose a bet to a flamboyant, magnificently bearded dwarf, and wake up, shanghaied, on an incredible gnomish sailing vessel questing after the legendary Graygem. Who is the mysterious Dougan Redhammer, and what perils are in store for Sturm, Tanin, and Palin, the young mage haunted by the legacy of Raistlin? In nine short stories by superlative writers, the companions confront wizards and dragons, magical spectacles and daggers possessed, and survive memorable encounters with the minor races of Krynn. Plus, a rollicking new novella by Margaret Weis and Tracy Hickman chronicling the outrageous fortunes of the next generation of heroes.<

SUMMARY: The Book of the New Sun is unanimously acclaimed as Gene Wolfe's most remarkable work, hailed as "a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis" by "Publishers Weekly," and "one of the most ambitious works of speculative fiction in the twentieth century" by "The Magazine of Fantasy and Science Fiction." "Shadow & Claw "brings together the first two books of the tetralogy in one volume: "The Shadow of the Torturer" is the tale of young Severian, an apprentice in the Guild of Torturers on the world called Urth, exiled for committing the ultimate sin of his profession -- showing mercy toward his victim. Ursula K. Le Guin said, "Magic stuff . . . a masterpiece . . . the best science fiction I've read in years!" "The Claw of the Conciliator "continues the saga of Severian, banished from his home, as he undertakes a mythic quest to discover the awesome power of an ancient relic, and learn the truth about his hidden destiny. "Arguably the finest piece of literature American science fiction has yet produced [is] the four-volume Book of the New Sun."--"Chicago Sun-Times" "The Book of the New Sun establishes his preeminence, pure and simple. . . . The Book of the New Sun contains elements of Spenserian allegory, Swiftian satire, Dickensian social consciousness and Wagnerian mythology. Wolfe creates a truly alien social order that the reader comes to experience from within . . . once into it, there is no stopping.""--The New York Times Book Review" Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by "The Washington Post." A former engineer, he has written numerous books and won a variety of awards for his SF writing. "The Book of the New Sun," a series of four novels, is unanimously acclaimed as Wolfe's most memorable work, hailed by "Publishers Weekly" as a "masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis"--and by "The Magazine of Fantasy & Science Fiction" as "one of the most ambitious works of speculative fiction in the twentieth century." "Shadow & Claw" collects the first two novels in this Nebula and World Fantasy Award-winning tetralogy: "The Shadow of the Torturer" and "The Claw of the Conciliator." ""The Book of the New Sun" establishes [Wolfe's] pre-eminence, pure and simple . . . "The Book of the New Sun" contains elements of Spenserian allegory, Swiftian satire, Dickensian social consciousness, and Wagnerian mythology. Wolfe creates a truly alien social order that the reader comes to experience from within . . . Once into it, there is no stopping."--"The New York Times Book Review" "Arguably the best piece of literature American science fiction has yet produced."--"Chicago Sun-Times"<

SUMMARY: I Master of the House of Chains “It was in my hair, Severian,” Dorcas said. “So I stood under the waterfall in the hot stone room—I don’t know if the men’s side is arranged in the same way. And every time I stepped out, I could hear them talking about me. They called you the black butcher, and other things I don’t want to tell you about.”“That’s natural enough,” I said. “You were probably the first stranger to enter the place in a month, so it’s only to be expected that they would chatter about you, and that the few women who knew who you were would be proud of it and perhaps tell some tales. As for me, I’m used to it, and you must have heard such expressions on the way here many times; I know I did.”“Yes,” she admitted, and sat down on the sill of the embrasure. In the city below, the lamps of the swarming shops were beginning to fill the valley of the Acis with a yellow radiance like the petals of a jonquil, but she did not seem to see them.“Now you understand why the regulations of the guild forbid me from taking a wife—although I will break them for you, as I have told you many times, whenever you want me to.”“You mean that it would be better for me to live somewhere else, and only come to see you once or twice a week, or wait till you came to see me.”“That’s the way it’s usually done. And eventually the women who talked about us today will realize that sometime they, or their sons or husbands, may find themselves beneath my hand.”“But don’t you see, this is all beside the point. The thing is…” Here Dorcas fell silent, and then, when neither of us had spoken for some time, she rose and began to pace the room, one arm clasping the other. It was something I had never seen her do before, and I found it disturbing.“What is the point, then?” I asked.“That it wasn’t true then. That it is now.”“I practiced the Art whenever there was work to be had. Hired myself out to towns and country justices. Several times you watched me from a window, though you never liked to stand in the crowd—for which I hardly blame you.”“I didn’t watch,” she said.“I recall seeing you.”“I didn’t. Not when it was actually going on. You were intent on what you were doing, and didn’t see me when I went inside or covered my eyes. I used to watch, and wave to you, when you first vaulted onto the scaffold. You were so proud then, and stood just as straight as your sword, and looked so fine. You were honest. I remember watching once when there was an official of some sort up there with you, and the condemned man and a hieromonach. And yours was the only honest face.”“You couldn’t possibly have seen it. I must surely have been wearing my mask.”“Severian, I didn’t have to see it. I know what you look like.”“Don’t I look the same now?”“Yes,” she said reluctantly. “But I have been down below. I’ve seen the people chained in the tunnels. When we sleep tonight, you and I in our soft bed, we will be sleeping on top of them. How many did you say there were when you took me down?”“About sixteen hundred. Do you honestly believe those sixteen hundred would be free if I were no longer present to guard them? They were here, remember, when we came.”Dorcas would not look at me. “It’s like a mass grave,” she said. I could see her shoulders shake.“It should be,” I told her. “The archon could release them, but who could resurrect those they’ve killed? You’ve never lost anyone, have you?”She did not reply.“Ask the wives and the mothers and the sisters of the men our prisoners have left rotting in the high country whether Abdiesus should let them go.”“Only myself,” Dorcas said, and blew out the candle.* * *Thrax is a crooked dagger entering the heart of the mountains. It lies in a narrow defile of the valley of the Acis, and extends up it to Acies Castle. The harena, the pantheon, and the other public buildings occupy all the level land between the castle and the wall (called the Capulus) that closes the lower end of the narrow section of the valley. The private buildings of the city climb the cliffs to either side, and many are in large measure dug into the rock itself, from which practice Thrax gains one of its sobriquets—the City of Windowless Rooms.Its prosperity it owes to its position at the head of the navigable part of the river. At Thrax, all goods shipped north on the Acis (many of which have traversed nine tenths of the length of Gyoll before entering the mouth of the smaller river, which may indeed be Gyoll’s true source) must be unloaded and carried on the backs of animals if they are to travel farther. Conversely, the hetmans of the mountain tribes and the landowners of the region who wish to ship their wool and corn to the southern towns bring them to take boat at Thrax, below the cataract that roars through the arched spillway of Acies Castle.As must always be the case when a stronghold imposes the rule of law over a turbulent region, the administration of justice was the chief concern of the archon of the city. To impose his will on those without the walls who might otherwise have opposed it, he could call upon seven squadrons of dimarchi, each under its own commander. Court convened each month, from the first appearance of the new moon to the full, beginning with the second morning watch and continuing as long as necessary to clear the day’s docket. As chief executor of the archon’s sentences, I was required to attend these sessions, so that he might be assured that the punishments he decreed should be made neither softer nor more severe by those who might otherwise have been charged with transmitting them to me; and to oversee the operation of the Vincula, in which the prisoners were detained, in all its details. It was a responsibility equivalent on a lesser scale to that of Master Gurloes in our Citadel, and during the first few weeks I spent in Thrax it weighed heavily upon me.It was a maxim of Master Gurloes’s that no prison is ideally situated. Like most of the wise tags put forward for the edification of young men, it was inarguable and unhelpful. All escapes fall into three categories—that is, they are achieved by stealth, by violence, or by the treachery of those set as guards. A remote place does most to render escapes by stealth difficult, and for that reason has been favored by the majority of those who have thought long upon the subject.Unfortunately, deserts, mountaintops, and lone isles offer the most fertile fields for violent escape—if they are besieged by the prisoners’ friends, it is difficult to learn of the fact before it is too late, and next to impossible to reinforce their garrisons; and similarly, if the prisoners rise in rebellion, it is highly unlikely that troops can be rushed to the spot before the issue is decided.A facility in a well-populated and well-defended district avoids these difficulties, but incurs even more severe ones. In such places a prisoner needs, not a thousand friends, but one or two; and these need not be fighting men—a scrubwoman and a street vendor will do, if they possess intelligence and resolution. Furthermore, once the prisoner has escaped the walls, he mingles immediately with the faceless mob, so that his reapprehension is not a matter for huntsmen and dogs but for agents and informers.In our own case, a detached prison in a remote location w<