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In 1985 in a North Texas backwater, two teenage boys made a chilling pact that would unite them forever in a dark and twisted loyalty. Now one lies dead. And the man responsible is going to pay.
When a routine investigation comes to a violent and tragic end, Detective Joe Lucchesi takes leave from the NYPD and moves with his wife and son to a quiet village on the south east coast of Ireland. They’re happy. They’re safe. And they’re about to enter a nightmare more terrifying than the one they left behind.
When a young girl goes missing and the village closes ranks, Detective Lucchesi sets out to find the truth and uncovers a sinister trail that leads from the other side of the Atlantic and cuts directly to the very heart of his family.
His wife is lying. His son is lying. And a killer is lying in wait.
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For Dave Robicheaux, there is no easy passage home. New Orleans, and the memories of his life in the Big Easy, will always haunt him. So to return there — as he does in “Last Car to Elysian Fields” — means visiting old ghosts, exposing old wounds, opening himself up to new, yet familiar, dangers. When Robicheaux, now a police officer based in the somewhat quieter Louisiana town of New Iberia, learns that an old friend, Father Jimmie Dolan, a Catholic priest always at the center of controversy, has been the victim of a particularly brutal assault, he knows he has to return to New Orleans to investigate, if only unofficially. What he doesn’t realize is that in doing so he is inviting into his life — and into the lives of those around him — an ancestral evil that could destroy them all.
The investigation begins innocently enough. Assisted by good friend and P.I. Clete Purcel, Robicheaux confronts the man they believe to be responsible for Dolan’s beating, a drug dealer and porno star named Gunner Ardoin. The confrontation, however, turns into a standoff as Clete ends up in jail and Robicheaux receives an ominous warning to keep out of New Orleans’ affairs.
Meanwhile, back in New Iberia, more trouble is brewing: Three local teenage girls are killed in a drunk-driving accident, the driver being the seventeen-year-old daughter of a prominent physician. Robicheaux traces the source of the liquor to one of New Iberia’s “daiquiri windows,” places that sell mixed drinks from drive-by windows. When the owner of the drive-through operation is brutally murdered, Robicheaux immediately suspects the grief-crazed father of the dead teen driver. But his assumption is challenged when the murder weapon turns up belonging to someone else.
The trouble continues when Father Jimmie asks Robicheaux to help investigate the presence of a toxic landfill near St. James Parish in New Orleans, which in turn leads to a search for the truth behind the disappearance many years before of a legendary blues musician and composer. Tying together all these seemingly disparate threads of crime is a maniacal killer named Max Coll, a brutal, brilliant, and deeply haunted hit man sent to New Orleans to finish the job on Father Dolan. Once Coll shows up, it becomes clear that Dave Robicheaux will be forced to ignore the warning to stay out of New Orleans, and he soon finds himself drawn deeper into a viper’s nest of sordid secrets and escalating violence that sets him up for a confrontation that echoes down the lonely corridors of his own unresolved past.
A masterful exploration of the troubled side of human nature and the darkest corners of the heart, and filled with the kinds of unforgettable characters that are the hallmarks of his novels, “Last Car to Elysian Fields” is James Lee Burke in top form in the kind of lush, atmospheric thriller that his fans have come to expect from the master of crime fiction.
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With Calvin Baker’s first novel, , he was named a “Notable First Novelist” by Time magazine. Since his second novel, , Baker has continued to be acclaimed by the major media from the to. Now, with Dominion, Baker has written a lush, incantatory novel about three generations of an African American family in the years leading up to the Revolutionary War. Dominion tells the story of the Merian family who, at the close of the seventeenth century, settle in the wilderness of the Carolinas. Jasper is the patriarch, freed from bondage, who manages against all odds to build a thriving estate with his new wife and two sons — one enslaved, the other free. For one hundred years, the Merian family struggles against the natural (and occasionally supernatural) world, colonial politics, the injustices of slavery, the Revolutionary War and questions of fidelity and the heart. Footed in both myth and modernity, Calvin Baker crafts a rich, intricate and moving novel, with meditations on God, responsibility, and familial legacies. While masterfully incorporating elements of the world’s oldest and greatest stories, the end result is a bold contemplation of the origins of America.<
Harper Roland has abandoned his job as a war correspondent, and returned home a weary, jaded 37-year-old. Uncertain of the future but determined to move forward with his life, he begins a search for enduring love-hoping he will also regain the ability to see the beauty of the world.
Along the way, he meets an intellectually gifted but emotionally absent doctor, a beautiful Parisian artist who burns too hot to the touch, and a human rights lawyer who has left New York in search of a more centered life.
The novel's sweeping tale encompasses four continents-where prior assumptions are constantly tested, and men who cling too passionately to certainty unleash destruction-and ultimately leads Harper back to the chaos he was trying to escape. The result is a startlingly fresh view of the contemporary world, in which place and history are mere starting points for the deeper journey into the geography of the human heart.
Calvin Baker is the author of the brilliantly-acclaimed novels Naming the New World, Once Two Heroes and Dominion, which was a finalist for the Hurston-Wright Award, a New York Magazine Critics’ Pick and New York Daily News Best Book of the Year. He has taught at Columbia University, in the Graduate School of the Arts, and at the University of Leipzig, Germany as Picador Professor of American Studies. He grew up in Chicago and currently lives in New York.
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The sequel to the classic memoir I Saw Ramallah, I Was Born There, I Was Born Here takes up the story in 1998 when Barghouti returned to the Occupied Territories to introduce his Cairo-born son, Tamim, to his Palestinian family.
Ranging freely back and forth in time between the 1990s and the present day, Barghouti weaves into his account of exile poignant evocations of Palestinian history and daily life — the pleasure of coffee arriving at just the right moment, the challenge of a car journey through the Occupied Territories, the meaning of home and the importance of being able to say, standing in a small village in Palestine, 'I was born here', rather than saying from exile, 'I was born there'.
Full of life and humour in the face of death, I Was Born There, I Was Born Here is destined, like its predecessor, to become a classic.
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On May 16, 2003, fourteen suicide bombers launched a series of attacks throughout Casablanca. It was the deadliest attack in Morocco’s history. The bombers came from the shantytowns of Sidi Moumen, a poor suburb on the edge of a dump whose impoverished residents rarely if ever set foot in the cosmopolitan city at their doorstep. Mahi Binebine’s novel follows four childhood friends growing up in Sidi Moumen as they make the life-changing decisions that will lead them to become Islamist martyrs.
The seeds of fundamentalist martyrdom are sown in the dirt-poor lives of Yachine, Nabil, Fuad, and Ali, all raised in Sidi Moumen. The boys’ soccer team, The Stars of Sidi Moumen, is their main escape from the poverty, violence, and absence of hope that pervade their lives. When Yachine’s older brother Hamid falls under the spell of fundamentalist leader Abu Zoubeir, the attraction of a religion that offers discipline, purpose, and guidance to young men who have none of these things becomes too seductive to ignore.
Narrated by Yachine from the afterlife, portrays the sweet innocence of childhood and friendship as well as the challenges facing those with few opportunities for a better life. Binebine navigates the controversial situation with compassion, creating empathy for the boys, who believe they have no choice but to follow the path offered them.
Winner of the 2010 Prix du Roman Arabe and Prix Littéraire Mamounia
"The novel provides context and perspective to often little-explored issues, offering incredible insight into the complex lives of poor boys who are groomed to kill themselves for a cause and commit violent acts in the name of religion. Binebine portrays these young men as supremely human, victims of powers much larger than themselves, and like any Kafkaesque anti-hero, cogs in an incomprehensible and monstrous machine."
— Starred Publishers Weekly
"Moroccan painter, novelist, and former math teacher Binebine (Welcome to Paradise) writes with humor and pathos amid the novel’s grinding tragedy but never allows the narrative to veer into self-pity or cheap sentimentality. The book is based on the 2004 suicide bombings in Casablanca, and Binebine’s unblinking eye for detail makes this a haunting tale."
— Library Journal
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A landmark of postmodern American fiction, Letters is (as the subtitle genially informs us) "an old time epistolary novel by seven fictitious drolls & dreamers each of which imagines himself factual." Seven characters (including the Author himself) exchange a novel's worth of letters during a 7-month period in 1969, a time of revolution that recalls the U.S.'s first revolution in the 18th century — the heyday of the epistolary novel. Recapitulating American history as well as the plots of his first six novels, Barth's seventh novel is a witty and profound exploration of the nature of revolution and renewal, rebellion and reenactment, at both the private and public levels. It is also an ingenious meditation on the genre of the novel itself, recycling an older form to explore new directions, new possibilities for the novel.<
Laugh aloud even as you look at life anew with these stories from the bestselling author of
In 108 brief stories with titles like “The Bad Elephant,” “Girlfriend Power,” and “The Happiness License,” Ajahn Brahm offers up more timeless wisdom that will speak to people from all walks of life. Drawing from his own experiences, stories shared by his students, and old chestnuts that he delivers with a fresh twist, Ajahn Brahm shows he knows his way around the humorous parable, delighting even as he surprises us with unexpected depth and inspiration.
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After a failed study mission in France, Abd al-Rahman returns home to Iraq to launch an existentialist movement akin to that of his hero. Convinced that it falls upon him to introduce his country's intellectuals to Sartre's thought, he feels especially qualified by his physical resemblance to the philosopher (except for the crossed eyes) and by his marriage to Germaine, who he claims is the great man's cousin. Meanwhile, his wealth and family prestige guarantee him an idle life spent in drinking, debauchery, and frequenting a well-known nightclub. But is his suicide an act of philosophical despair, or a reaction to his friend's affair with Germaine? A biographer chosen by his presumed friends narrates the story of a somewhat bewildered young man who like other members of his generation was searching for a meaning to his life. This parody of the abuses and extravagances of pseudo-philosophers in the Baghdad of the sixties throws into relief the Iraqi intellectual and cultural life of the time and the reversal of fortune of some of Iraq's wealthy and powerful families.<
Conceived as a murder mystery, a political reportage, a personal odyssey of a man who refuses to succumb to the need to define himself and his Baghdad in terms of one identity. First published in Arabic in 2008, "The Tobacco Keeper" relates the investigation of the life of a celebrated Jewish Iraqi musician who was expelled to Israel in the 1950s. Having returned to Iraq, via Iran, the musician is thrown out as an Israeli spy. Returning for the third time under a forged passport, he is murdered in mysterious circumstances. Arriving in Baghdad's Green Zone during the US-led occupation, a journalist writing a story about the musician's life discovers an underworld of fake identities, mafias and militias. Even among the journalists, there is a secret world of identity games, fake names and ulterior motives. This is a novel written as investigative journalism, including apparently authentic sources, meticulously researched in Baghdad, Teheran, Istanbul and Damascus.<
Through the treason of a handful of men, contact between Earth and the Moon had become a nightmare. The world became the tool of the Lunarians, whose plundering and cruelty reduced thieving nations to poverty stricken wastelands.
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In the 25th century, as Julian XX, the fierce Red Hawk, he will lead humanity’s final battle against the alien invaders. A majestic adventure with political overtones & great science fiction. Book 3: The American people are now a nomadic horse nation, painted and feathered. Their chieftain is Julian—the Red Hawk—and he is planning the final defeat of the hated Kalkans after centuries of oppression.<
Walter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to ’33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin’s thinking and his enthusiasm for popular sensibilities. His celebrated “Enlightenment for Children” youth programs, his plays, readings, book reviews, and fiction reveal Benjamin in a creative, rather than critical, mode. They flesh out ideas elucidated in his essays, some of which are also represented here, where they cover topics as varied as getting a raise and the history of natural disasters, subjects chosen for broad appeal and examined with passion and acuity.
Delightful and incisive, this is Walter Benjamin channeling his sophisticated thinking to a wide audience, allowing us to benefit from a new voice for one of the twentieth century’s most respected thinkers.
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When an Ancient prodigy gives the Atlantis expedition Charybdis — a device capable of eliminating the Wraith — it’s an offer they can’t refuse. But the experiment fails disastrously, threatening to unravel the fabric of the Pegasus Galaxy — and the entire universe beyond.
Doctor Weir’s team find themselves trapped and alone in very different versions of Atlantis, each fighting for their lives and their sanity in a galaxy falling apart at the seams. And as the terrible truth begins to sink in, they realize that they must undo the damage Charybdis has wrought while they still can.
Embarking on a desperate attempt to escape the maddening tangle of realities, each tries to return to their own Atlantis before it’s too late. But the one thing standing in their way is themselves…
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Ben is devastated by the sudden death of his wife, and her son, Jacob, is a joy to him despite his autism. But while cleaning out his wife’s cupboards, Ben finds proof that Jacob was never her child. Horrified, he sets out to find Jacob’s real family — and is drawn into an deadly obsession.<
New York’s a tough town. Hard to impress. Shrugs off hype, casts a cold eye on glitz. But once in a blue moon a killer with street smarts and a sense of theater will reach out and take the city by the throat. Maybe he’ll write letters to a popular tabloid columnist, proclaiming himself the answer to a failed criminal justice system. Maybe he’ll point a finger at the kind of villain the law can’t touch. A child killer who got off on a technicality, say. A top mobster with decades of blood on his hands. A rabble-rouser who incites others to murder. Maybe he’ll sign himself “Will,” as in “The Will of the People.” Then suppose he takes aim at a respectable lawyer, a defense attorney with a roster of unpopular clients. Suppose the lawyer’s a friend of Matt Scudder. Scudder is New York to the bone. He’s as tough as the big town itself, as hard to impress. And now he’s up against the self-styled Will of the People in a city with eight million ways to die, a city where not just the good guys but even the wicked get worse than they deserve.<
Dolly, as you’ll see, is a person who finds it hard to let go of those things she holds dear...<
There’s nothing more troubling than having your child break down on the side of the road, leaking oil, overheating, and asking tough questions like, “What is death?” and “Why did Mom leave?”
But stay calm!
Because is not only a dizzyingly beautiful novel, it’s also a handy manual with useful chapters on “Tools and Spare Parts,” “Valve Adjustment,” “How To Read This Novel,” and, most important of all, “How Works a Heart.”
Welcome to Christopher Boucher’s zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, is an astonishing tour-de-force that tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?
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