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Twenty-year-old Tassie Keltjin, the daughter of a gentleman farmer, has come to a university town as a student. When she takes a job as a part-time nanny for a mysterious and glamorous family, she finds herself drawn deeper into their world and forever changed. Told through the eyes of this memorable narrator, is a piercing novel of race, class, love, and war in America.
Gerard sits, fully clothed, in his empty bathtub and pines for Benna. Neighbors in the same apartment building, they share a wall and Gerard listens for the sound of her toilet flushing. Gerard loves Benna. And then Benna loves Gerard. She listens to him play piano, she teaches poetry and sings at nightclubs. As their relationships ebbs and flows, through reality and imagination, Lorrie Moore paints a captivating, innovative portrait of men and women in love and not in love. The first novel from a master of contemporary American fiction, is a revelatory tale of love gained and lost.
A long-awaited collection of stories-twelve in all-by one of the most exciting writers at work today, the acclaimed author of and Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.
From the opening story, "Willing"-about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being- unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America.
In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world-no flower or stone-as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is.
In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties.
In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Häagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.
In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.
Berie Carr, an American woman visiting Paris with her husband, summons up for us a summer in 1972 when she was fifteen, living in upstate New York and working as a ticket taker at Storyland, an amusement park where her beautiful best friend, Sils, was Cinderella in a papier-mache pumpkin coach. We see these two girls together — Berie and Sils — intense, brash, set apart by adolescence and an appetite for danger. Driven by their own provincial restlessness and making their own (loose) rules, they embark on a summer that both shatters and intensifies the bond between them.
In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time, and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.
In "Debarking," a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see-in all its irresistible hilarity and darkness-the perils of divorce and what can follow in its wake…In "Foes," a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown…In "The Juniper Tree," a teacher, visited by the ghost of her recently deceased friend, is forced to sing "The Star-Spangled Banner" in a kind of nightmare reunion…And in "Wings," we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths as Moore deftly depicts the intricacies of dead ends and the workings of regret…
Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud-the hallmark of Lorrie Moore-land.
Since the publication of 'Self-Help', her first collection of stories, Lorrie Moore has been hailed as one of the greatest and most influential voices in American fiction. This title gathers together her complete stories and also includes: 'Paper Losses', 'The Juniper Tree', and 'Debarking'.
From one of Iran’s most acclaimed and controversial contemporary writers, his first novel to appear in English — a dazzlingly inventive work of fiction that opens a revelatory window onto what it’s like to live, to love, and to be an artist in today’s Iran.
The novel entwines two equally powerful narratives. A writer named Shahriar — the author’s fictional alter ego — has struggled for years against the all-powerful censor at the Ministry of Culture and Islamic Guidance. Now, on the threshold of fifty, tired of writing dark and bitter stories, he has come to realize that the “world around us has enough death and destruction and sorrow.” He sets out instead to write a bewitching love story, one set in present-day Iran. It may be his greatest challenge yet.
Beautiful black-haired Sara and fiercely proud Dara fall in love in the dusty stacks of the library, where they pass secret messages to each other encoded in the pages of their favorite books. But Iran’s Campaign Against Social Corruption forbids their being alone together. Defying the state and their disapproving parents, they meet in secret amid the bustling streets, Internet cafés, and lush private gardens of Tehran.
Yet writing freely of Sara and Dara’s encounters, their desires, would put Shahriar in as much peril as his lovers. Thus we read not just the scenes Shahriar has written but also the sentences and words he’s crossed out or merely imagined, knowing they can never be published.
Laced with surprising humor and irony, at once provocative and deeply moving, takes us unforgettably to the heart of one of the world’s most alluring yet least understood cultures. It is an ingenious, wholly original novel — a literary tour de force that is a triumph of art and spirit.
As explosive and immediate today as when it was originally published in 1933, 'Man's Fate' ('La Condition Humaine'), an account of a crucial episode in the early days of the Chinese Revolution, foreshadows the contemporary world and brings to life the profound meaning of the revolutionary impulse for the individuals involved.
As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and free will, Andre Malraux's novel remains unequaled.
Catherine Pope has never been enough. Every man she has ever loved abandoned her—from her father to her fiancé. She finally accepted the fact she would never be enough to hold any man’s heart and soul.
When her world literally collided with the sexy former Navy SEAL, everything she always believed is turned upside down and left scattered. He made her feel alive and desirable, consumed her with fierceness and loyalty—which completely unnerved her. Jackson got her in a way no one ever had, giving him the power to destroy her.
If she breaks down and gives him what’s left of her battered heart—will he protect it? Or will Catherine become an irrelevant part of yet another man’s life?
Will she get the one thing that has always evaded her –
Cassidy Kincaide owns Trifles & Folly, an antique/curio store and high-end pawn shop in Charleston, South Carolina that is more than what it seems. Dangerous magical and supernatural items sometimes find their way into mortal hands or onto the market, and Cassidy is part of a shadowy Alliance of mortals and mages whose job it is to take those deadly curiosities out of circulation.
Welcome to Trifles & Folly, an antique and curio shop with a dark secret. Proprietor Cassidy Kincaide continues a family tradition begun in 1670—acquiring and neutralizing dangerous supernatural items. It’s the perfect job for Cassidy, whose psychic gift lets her touch an object and know its history. Together with her business partner Sorren, a 500 year-old vampire and former jewel thief, Cassidy makes it her business to get infernal objects off the market. When mundane antiques suddenly become magically malicious, it’s time for Cassidy and Sorren to get rid of these Deadly Curiosities before the bodies start piling up.
Looking for a fresh start, Peyton Clark becomes the proud owner of a piece of New Orleans history: an Antebellum-era two-story house in the Garden District. It’s going to take time and a fat wallet to restore the fixer-upper to its former glory, but after her recent divorce, Peyton could use the distraction.
It’s not long before Peyton discovers she’s moved into the haunted home of a flirtatious paranormal prankster. She’s receiving kisses from unseen lips and caresses from a ghostly hand, and soon she begins to have vivid dreams, bringing her face-to-face with the incomparably handsome ghost of Drake Montague.
When Peyton grows closer to her general contractor, Ryan Kelly—who is as charming as he is alive—the chill in the air could only suggest Drake’s jealousy from beyond the grave. But even though she’s definitely attracted to and interested in Ryan, Peyton also can’t get Drake out of her dreams, or her heart, as she begins to uncover the frightening truth behind his death a century ago…
Acclaimed author Katie McGarry returns with the knockout new story of two high school seniors who are about to learn what winning really means.
Champion kickboxer Haley swore she'd never set foot in the ring again after one tragic night. But then the guy she can't stop thinking about accepts a mixed martial arts fight in her honor. Suddenly, Haley has to train West Young. All attitude, West is everything Haley promised herself she'd stay away from. Yet he won't last five seconds in the ring without her help.
West is keeping a big secret from Haley. About who he really is. But helping her-fighting for her-is a shot at redemption. Especially since it's his fault his family is falling apart. He can't change the past, but maybe he can change Haley's future.
Hayley and West have agreed to keep their relationship strictly in the ring. But as an unexpected bond forms between them and attraction mocks their best intentions, they'll face their darkest fears and discover love is worth fighting for.
It’s Testing Day. The day that comes without warning, the day when all juniors and seniors at The Peel Academy undergo a series of intense physical and psychological tests to see if they’re ready to graduate and become government operatives. Amanda and her boyfriend Abe are top students, and they’ve just endured thirty-six hours of testing. But they’re juniors and don’t expect to graduate. That’ll happen next year, when they plan to join the CIA—together.
But when the graduates are announced, the results are shocking. Amanda has been chosen—the first junior in decades. And she receives the opportunity of a lifetime: to join a secret government organization called the Annum Guard and travel through time to change the course of history. But in order to become the Eighth Guardian in this exclusive group, Amanda must say good-bye to everything—her name, her family, and even Abe—forever.
Who is really behind the Annum Guard? And can she trust them with her life?
When a tragic shootout occurs, everything changes as once again their lives are intermingled. When you find your way back to the one person you are meant to be with, forgiveness should be easy. But sometimes, we hurt each other too much to ever be able to forgive.
Edwin Mullhouse, a novelist at 10, is mysteriously dead at 11. As a memorial, Edwin's bestfriend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, .
Young Martin Dressler begins his career as an industrious helper in his father's cigar store. In the course of his restless young manhood, he makes a swift and eventful rise to the top, accompanied by two sisters-one a dreamlike shadow, the other a worldly business partner. As the eponymous Martin's vision becomes bolder and bolder he walks a haunted line between fantasy and reality, madness and ambition, art and industry, a sense of doom builds piece-by-hypnotic piece until this mesmerizing journey into the heart of an American dreamer reaches its bitter-sweet conclusion.
From the Pulitzer Prize — winning author hailed by as “a virtuoso of waking dreams” comes a dazzling new collection of darkly comic stories united by their obsession with obsession. In , Steven Millhauser transports us to unknown universes that uncannily resemble our own.
The collection is divided into three parts that fit seamlessly together as a whole. It opens with a bang, as “Cat ’n’ Mouse” reimagines the deadly ritual between cartoon rivals in a comedy of dynamite and anvils — a masterly prologue that sets the stage for the alluring, very grown-up twists that follow.
Part one, “Vanishing Acts,” features stories of risk and escape: a lonely woman disappears without a trace; a high school boy becomes entangled with his best friend’s troubled sister; and a group of teenagers play a treacherous game that pushes them deep into “the kingdom of forbidden things.”
Excess reigns in the vivid, haunting places of Part two’s “Impossible Architectures,” where domes enclose whole cities, and a king’s master miniaturist creates objects so tiny that soon his entire world is invisible.
Finally, “Heretical Histories” presents startling alternatives to the remembered past. “A Precursor of the Cinema” proposes a new, enigmatic form of illusion. And in the astonishing “The Wizard of West Orange” a famous inventor sets out to simulate the sense of touch — but success brings disturbing consequences.
Sensual, mysterious, is a mesmerizing journey through brilliantly realized labyrinths of mortal pleasures that stretch the boundaries of the ordinary world to their limits — and occasionally beyond.
Cartoons that draw their creator into another world; demonic paintings that exert a sinister influence on our own. Fairy tales that express the secret losses and anxieties of their tellers. These are the elements that Steven Millhauser employs to such marvelous — and often disquieting — effect in , a collection whose three novellas suggest magical companion pieces to his acclaimed longer fictions.
In "The Little Kingdom of J. Franklin Payne," a gentle eccentric constructs an elaborate alternate universe that is all the more appealing for being transparently unreal. "The Princess, the Dwarf, and the Dungeon" is at once a gothic tale of nightmarish jealousy and a meditation on the human need for exaltation and horror. And "Catalogue of the Exhibition" introduces us to the oeuvre of Edmund Moorash, a Romantic painter who might have been imagined by Nabokov or Poe. Exuberantly inventive, as mysterious as dreams, these novellas will delight, mesmerize, and transport anyone who reads them.
The Barnum Museum is a combination waxworks, masked ball, and circus sideshow masquerading as a collection of short stories. Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman — and loses her to an imaginary man! — and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.
“Every reader knows of writers who are like secrets one wants to keep, and whose books one wants to tell the world about. Millhauser is mine.”
— David Rollow,
From the Pulitzer Prize — winning author: the essential stories across three decades that showcase his indomitable imagination.
Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story — in which a man who is dead, but not quite gone, reaches out to two lonely women — Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.
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