At a time when society conforms to the strictest rules and most proper etiquette, sixteen-year-old Camille Kennecott and her guardian, Dr. Bennett, live a most unconventional life. They hunt werewolves.When unwitting victim, Nathaniel Strider, wanders into one of their full moon pursuits, Camille and Dr. Bennett believe they have found a specimen for their study. Finding a scientific key to unlocking the mystery of lycanthropy would end their late night excursions. Yet beneath the irresistible exterior, Nathaniel is transforming into a flesh-tearing monster, and as each experiment fails, Camille loses another inch of her soul to him. In a month's time, she must face the prospect of destroying the boy who has stolen her heart.
A math genius, a tough courtroom adversary and an even tougher judge make the 11th legal thriller in the Nina Reilly series (Unlucky in Law, etc.) the most intriguing yet. Back in Lake Tahoe, Nina gets her next case from a masseuse whose aunt was killed during a motel robbery. Unless Nina acts, the lawsuit filed against the Ace High Lodge will be dismissed, as no one has been able to locate the witnesses. Reluctant to call on ex-lover PI Paul van Wagoner for help, Nina hires her assistant's PI son, Wish, who discovers that the witnesses are MIT students with a sideline counting cards. While the old case takes on new life, people connected to it are threatened and worse. O'Shaughnessy (lawyer Pamela and editor Mary O'Shaughnessy) takes the reader inside the beautiful mind of emotionally immature, occasionally delusional, quantitatively inspired Elliott Wakefield as he solves equations, cares for his father and plays blackjack. In thrillers as in math proofs, neatness counts. Here, the Internet and national security bring Elliott's story to an almost too-neat conclusion, while Nina ingeniously solves the problem of replacing Paul in her personal life. As always, O'Shaughnessy keeps legal procedure straight, language crisp and plot consistently absorbing.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
David Hanna witnessed the murder of his wife (and her unborn fetus) outside a hotel on the Nevada side of Lake Tahoe. Now it's two years later, and Hanna enlists the help of Nina Reilly, a formidable attorney of some local notoriety (and star of 10 previous O'Shaughnessy adventures). The plan is to hold the hotel accountable for its lack of security, which made possible the robbery that produced the stray bullet that, in turn, killed Hanna's wife. The perp was never caught, and the three robbery victims, who Nina feels are the key to the case, have been no help, purposely staying in California so that the Nevada court has no jurisdiction over them. Nina's search for the truth takes her all the way to Europe--and into the arms of her former husband. O'Shaunessy (pseudonym for a sister team) has a knack for plotting and for combining suspenseful action with a light and playful tone. Another fine addition to an appealing and popular series. Mary Frances Wilkens
Copyright © American Library Association. All rights reserved
“A tour de force....startling, enchanting.”
—Maclean's
“Ondaatje slowly unravels a tapestry of images and dramatic (and exotic) tableaux…. [He] creates fascinating visual and sensual effects.”
—Toronto Star
“Ondaatje’s most intimate yet.... Wonderful, offering all the best pleasures of Ondaatje’s writing.”
—Globe and Mail
“Ondaatje's most accessible, compelling novel to date. It may also be his finest...A breathtaking account not only of boyhood, but of its loss....Universal in its themes, heartbreakingly so, and a journey the reader will never forget.”
—Vancouver Sun, (Ottawa Citizen, Calgary Herald)
“Ondaatje here fashions an entire world…. Is there a novelist who writes more compellingly about tenderness than Ondaatje?... Breathtaking.”
—Montreal Gazette
“A convincing and genuinely moving narrative.”
—National Post
“Michael Ondaatje wows with his tale of three boys who find friendship and intrigue on a sea voyage carrying them to the brink of adulthood.”
—Chatelaine
“The mystery and magic of The Cat’s Table – and this can be said of all of Ondaatje’s writing, including his best-known novel, The English Patient (1992) – lies in its sinuous narrative weave between present, past and a future sometimes contemplated, sometimes fated, and then always inhabited…. As the latest of Ondaatje’s artful and glowing geographies and histories of the human heart, this vessel makes another, differently disposed, but related voyage across several strangely familiar seas.”
—Winnipeg Free Press
“A story so enveloping and beautifully rendered, one is reluctant to disembark at the end of the journey…. Though the ocean journey in The Cat’s Table lasts a mere 21 days, it encapsulates the fullness of a lifetime.”
—Quill and Quire
“[Ondaatje] is justly recognised as a master of literary craft….As we read into The Cat’s Table the story becomes more complex, more deadly, with an increasing sense of lives twisted awry, of misplaced devotion….The novel tells of a journey from childhood to the adult world, as well as a passage from the homeland to another country…. All that was seen and experienced, is carried ashore by the passengers in memories, damaged psyches, degrees of loss, evanescent joy and reordered lives.”
—Annie Proulx, The Guardian
“No one who has read a novel or poem by Ondaatje can easily forget its powerful imagery…. His wondrous prose feels more alive to the world than ever before.”
—Financial Times
“Three children mapping the hidden regions of a floating world – a world of displaced people, of travelers between lands…. The Cat’s Table deserves to be recognized for the beauty and poetry of its writing: pages that lull you with their carefully constructed rhythm, sailing you effortlessly from chapter to chapter and leaving you bereft when forced to disembark at the novel’s end.”
— The Telegraph (UK)
“Ondaatje’s great achievement is demonstrating that fiction can be stranger than truth.”
— The Spectator (UK)
“An eloquent, elegiac tribute to the game of youth and how it shapes what follows…. Sheer brilliance of characterization on show. The bit players on board The Oronsay are almost Dickensian in their eccentricity and lovability….. Ondaatje has created a beautiful and poetic study here of what it means to have your very existence metaphorically, as well as literally, at sea.”
—The Independent on Sunday (UK)
“The Cat’s Table is an exquisite example of the richness that can flourish in the gaps between fact and fiction…. It is an adventure story, it is a meditation on power, memory, art, childhood, love and loss. It displays a technique so formidable as to seem almost playful. It is one of those rare books that one could reread an infinite number of times, and always find something new within its pages.”
—London Evening Standard
“In a novel superbly poised between the magic of innocence and the melancholy of experience, Mr. Ondaatje probes what it means to have a cautious heart.”
—The Economist
“The* Cat's Table* shimmers with the freshness of a child's wide-eyed and openhearted perspective….a yearning tribute with an almost fairytale-like aura to the memories of awe that pervade our dreams (and nightmares and fears), and the memories of sometimes unlikely affiliation and love and what we mistake as love that pervade and haunt our hearts, guide us or sometimes lead us astray.”
—Bookgaga (blog)
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.
As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
Throughout his career, Gregg Olsen has demonstrated an ability to create a detailed narrative that offers readers fascinating insights into the lives of people caught in extraordinary circumstances.
A New York Times bestselling author, Olsen has written eight nonfiction books, five novels, and contributed a short story to a collection edited by Lee Child.
The award-winning author has been a guest on dozens of national and local television shows, including educational programs for the History Channel, Learning Channel, and Discovery Channel. He has also appeared on Dateline NBC, William Shatner's Aftermath, Deadly Women on Investigation Discovery, Good Morning America, The Early Show, The Today Show, FOX News; CNN, Anderson Cooper 360, MSNBC, Entertainment Tonight, CBS 48 Hours, Oxygen's Snapped, Court TV's Crier Live, Inside Edition, Extra, Access Hollywood, and A&E's Biography.
The Deep Dark was named Idaho Book of the Year by the ILA and Starvation Heights was honored by Washington's Secretary of State for the book's contribution to Washington state history and culture.
All of his books are available in the Kindle format.
SUMMARY: Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The idea really came to me the day I got my new false teeth. I remember the morning well. At about a quarter to eight I'd nipped out of bed and got into the bathroom just in time to shut the kids out. It was a beastly January morning, with a dirty yellowish-grey sky. Down below, out of the little square of bathroom window, I could see the ten yards by five of grass, with a privet hedge round it and a bare patch in the middle, that we call the back garden. There's the same back garden, some privets, and same grass, behind every house in Ellesmere Road. Only difference- where there are no kids there's no bare patch in the middle. I was trying to shave with a bluntish razor-blade while the water ran into the bath. My face looked back at me out of the mirror, and underneath, in a tumbler of water on the little shelf over the washbasin, the teeth that belonged in the face. It was the temporary set that Warner, my dentist, had given me to wear while the new ones were being made. I haven't such a bad face, really. It's one of those bricky-red faces that go with butter-coloured hair and pale-blue eyes. I've never gone grey or bald, thank God, and when I've got my teeth in I probably don't look my age, which is forty-five.
The Complete Novels Of George Orwell
SUMMARY:
Animal FarmBurmese DaysA Clergyman's DaughterComing Up for AirKeep the Aspidistra FlyingNineteen Eighty-FourDescribed by Anthony Burgess as 'the best-loved of all twentieth-century British writers', George Orwell still has as much power to move, amuse and provoke today.His best-known novels, Animal Farm, describing a revolution that goes horribly wrong, and Nineteen Eighty-Four, portraying a world where human freedom has been crushed, are two of the most famous, well-quoted and influential political satires ever written. The other novels in this volume also tell stories of people at odds with repressive institutions: the corrupt imperialism of Burmese Days, disaffection with materialistic society in Keep the Aspidistra Flying, the perils of modern suburban living in Coming Up for Air and surviving on the streets in A Clergyman's Daughter.All the novels brought together here display Orwell's humour, his understanding of human nature and his great compassion.
It came on a Friday afternoon, wiping everything good from the land. It came, followed by Hell on earth, bands of brutes and nightmarish creatures, the hopeless and… The Damned.
Scott thought it had to be a joke when a raving lunatic heralding the end of the world broke onto the airwaves. Then an incident of bullets and blood left him in a place devoid of light, where rasping screams and whispered moans bubbled up from the darkness.
Now Scott has woken next to a bloated corpse in a deserted rehabilitation center. Outside, the world is dust and ash. People are screaming, people are dying.
And Scott Freeman’s nightmare has just begun.
Siempre me han dicho que el amor es una enfermedad, y que he de curarme para vivir feliz y en calma. Siempre los he creído. Hasta ahora. Ahora todo ha cambiado. Ahora prefiero estar enferma durante una fracción de segundo, que vivir cien años ahogada por una mentira.Una vida sin amor es una vida sin sufrimiento: segura, medida, predecible y feliz. Por eso cuando los habitantes de esta ciudad del siglo XXII cumplen los 18 años, se someten a la intervención, que consiste en la extracción de la parte del cerebro que controla las emociones. Lena espera ese momento con impaciencia, hasta que un día se enamora...
Deceptive
The houses in Willow Tree Court are sleek and modern—the kind designed to harbor happy families and laughing children. No one would guess the secrets that lurk beyond the neat lawns and beautiful facades.
Depraved
Molly Dennehy is trying to fit in to her new surroundings, though her neighbors are clearly loyal to her husband's ex-wife. But that's the least of Molly's worries. Her stepson's school has been rocked by a brutal slaying, and a psychopath known as the Cul-de-Sac Killer is murdering families in Seattle homes. Homes just like Molly's.
Disturbed
With each passing day, Molly grows more convinced that someone is watching her family, someone consumed with rage and vengeance. On this quiet road, a nightmare has been unleashed, and the trail of terror will lead right to her door. . .
Praise for the Novels of Kevin O'Brien
"Deftly woven plot twists. . .the pace of the novel is strong and the story intriguing."...
When Candra Ember wakes up in hospital after a dangerous encounter with a red-haired woman, she is shocked to discover that seeing a winged boy wasn’t her imagination. Candra is exposed to a world of rivalry and sacrifice she never knew existed, and the aftermath of a war to save humanity thousands of years ago. Soon she finds herself relentlessly stalked by Sebastian, a beautiful and arrogant Watcher Angel and romantically pursued by his darkly seductive rival, Draven. Ultimately, dubious about her own goodness, Candra’s very existence compromises a tentative peace in the city of Acheron.
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.
A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.
Canadian author Ondaatje offers a poetic novel set in a desolate Italian villa in the final days of WWII--a one-week PW bestseller--and an evocative account of a visit with his family in Sri Lanka.
Copyright 1993 Reed Business Information, Inc.
Everything that rises must converge
SUMMARY: Flannery O'Connor was working onEverything That Rises Must Convergeat the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
Starred Review. In his seventh novel, Olmstead (Coal Black Horse) delivers another richly characterized, tightly woven story of nature, inevitability and the human condition. In 1916, the aging Napoleon Childs assembles a cavalry to search for the elusive bandit Pancho Villa in Mexico. The ragtag group includes Napoleon's brother, Xenophon, and America's eager export of losers, deadbeats, cutthroats, dilettantes, and murderers. Riding on horseback for months at a time, Napoleon finds himself and his men always just a few hours behind Villa, whose posse navigates the unforgiving terrain with ease. When a band of marauders descend upon the group, many of Napoleon's men are brutally slaughtered and Napoleon himself is left beaten and emotionally broken. After the attack, Napoleon proclaims to his brother that the person he was died out there. But this revelation doesn't last long, and soon Napoleon sets out on yet another date with destiny on the open plains with his followers. Reminiscent of Kent Haruf, Olmstead's brilliantly expressive, condensed tale of resilience and dusty determination flows with the kind of literary cadence few writers have mastered. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Described by the Dallas Morning News as a "thinking-reader's western," Olmstead's latest novel, which features some characters from Coal Black Horse, is not for the faint of heart. Still, critics were riveted by this gruesome, bloodcurdling, and thoroughly masculine book, where women are virtually nonexistent and war is a constant, prevailing theme. Critics hailed Far Bright Star as a tightly woven tale with terse, dispassionate prose, characteristics that may also be used to describe the laconic Napoleon. Reviewers also compared Olmstead favorably to acclaimed novelist Cormac McCarthy (The Road). Only the Oregonian felt that the novel was "over-written" and "congested" in parts. But overall, Far Bright Star is a masterful, mesmerizing portrait of one man facing oblivion.
Brave, brawny, and ready for action, these firefighters know how to set their women ablaze...
"Fight Fire with Fire" by Lorie O'Clare
Mary Hamilton has had a crush on Nate Armstrong since they were kids. But she's told herself to get over it-as a firefighter Nate is in mortal danger every day. But when their friend and Nate's fellow firefighter dies young in a suspicious house fire, Mary decides life is too short to let cold fear beat out hot desire.
"Heat Wave" by P.J. Mellor
Summer Wadsworth is dangerously close to overheating. Her house has burned down, and Thorne Paxton, the firefighter who rescues her from the flames, is blazing hot. She's ready to call him in for a little off-duty fun. But "duty" has a nasty way of following him home. And with a man like Thorne, the pleasure can't hide how easy it is to get burned...
"Smoldering Lust" by Lydia Parks
Local girl Hannah Hayward has made a name for herself in the mayor's office. But when her...
Grade 9 Up-Chloe Wilder lives with her grandparents in a quiet middle-class neighborhood. Some say she is angry, others think of her as quiet, but in reality, she is finally learning to replace some of the demons in her nightmares with a sense of normalcy. She has loving guardians; an eccentric but true friend, Marian; safety; and the friendship of her grandparents' maid, Silvia, an illegal immigrant from Mexico. She almost believes everything is going to be OK when her mother's husband kidnaps her and turns her world into a living nightmare. When her abusive mother forces her to help rob her grandparents, Chloe stages her own death with an explosive fire. Then she and a very pregnant Silvia embark on an adventure similar to that of Mark Twain's Huckleberry Finn. As they attempt to get to California, they drive in circles, run across tricksters, and end up in the dangerous projects. Stereotypes of ethnic, religious, and racial groups abound; some fit in the context of Chloe's observations of her surroundings, while others are left for readers to ponder their purpose. The book is written in short chapters that will appeal to reluctant readers. Chloe is a spirited, resourceful, observant, and humorous heroine who will keep readers interested until the end, when things are wrapped up neatly, but believably.
Lynn Bryant, formerly at Navarre High School, FL
Copyright 2001 Reed Business Information, Inc.
Gr. 8-12. Teenage Chloe has gotten a new start. With the help of her grandparents, she has left her violent childhood behind. But when her stepfather and abusive mother reappear, she must start again, this time by going on the run. Accompanied by her grandparents' pregnant Hispanic maid, Silvia, who is also seeking a new life, Chloe embarks on an adventure through slums and suburbs, revealing that people, places, and experiences aren't always what they seem. Set in a thoroughly modern context, this inventive, affectionate homage to Mark Twain's classic about Huck Finn clearly illustrates that prejudice still affects human understanding, behavior, and language. Like Huck's journey, Chloe's is both a multilayered story of personal growth and an entertaining, provocative satire that explores society, culture, and humankind's occasionally ironic notions of freedom and progress. And like Huck, Chloe is awakened to injustice and hypocrisy before she finds hope in human connections and good hearts. Olshan's creative prose shines in Chloe's sharp, intimate, funny narrative, which is filled with vivid observations, philosophical musings, and insights into the world and people around her. Teens who have read Twain's book will appreciate Olshan's direct references and parallels; those who haven't will like the action and the heroine's resourcefulness. The book's satire and cynicism may create controversy and strike some readers as harsh, but the novel effectively raises awareness of contemporary social concerns and, like the classic, is certain to invite both thought and discussion. Shelle Rosenfeld
Copyright © American Library Association. All rights reserved