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This new anthology presenting a selection of some of the very best, and most chilling, short stories and novellas of horror and the supernatural by both contemporary masters of horror and exciting newcomers. As ever, the latest volume of this record-breaking and multiple award-winning anthology series also offers an in-depth overview of the year in horror, a fascinating necrology of notable names, and a useful directory contact information for dedicated horror fans and writers.

The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction on both sides of the Atlantic.

Nocturnos, primer libro de relatos de Kazuo Ishiguro, reúne cinco historias que pueden leerse como estudios y variaciones sobre unos cuantos temas, o como un concierto que los expone en el primer movimiento, los combina en los siguientes y los resuelve en el último.En «El cantante melódico», un guitarrista de oficio que toca en Venecia reconoce a un viejo vocalista americano y juntos viven una aventura musical que da una pequeña lección a ambos sobre el distinto valor del pasado.En «Come rain or come shine», la música es el telón de fondo de la grotesca humillación que sufre un maníaco-depresivo en casa de una pareja de antiguos progres que han pasado a la fase yuppie.El músico de «Malvern Hills» columbra su mediocridad cuando se va a las colinas a preparar un álbum a la sombra de John Elgar.En «Nocturno», donde se intensifica el tema de la inteligencia frustrada, un saxofonista que se opera la cara conoce a una vieja artista de variedades (la ex de «El cantante melódico»).En «Violonchelistas», que también remite a la primera historia, un joven prodigio del chelo encuentra a una mujer misteriosa que le da clases para perfeccionar su técnica.Las cinco, como era de esperar, barajan elementos que son habituales en el autor: la confrontación de las promesas de la juventud y los desengaños del tiempo, el maravilloso y decepcionante misterio del otro, los finales ambiguos y sin catarsis. Y la música, que está íntimamente relacionada con la vida y obra del autor. Por encima de todo percibimos un fuerte sentido del desarraigo en los personajes, que siempre están de paso.<

Después del suicidio de su hija mayor, Etsuko, una japonesa de cincuenta años instalada en Inglaterra, rememora momentos de su vida. Quizá la explicación de esta tragedia familiar se encuentre agazapada en aquel Japón de los años cincuenta que se recuperaba de las heridas de la guerra y del traumatismo de la bomba atómica…En la memoria de Etsuko aparece de forma obsesiva, recurrente la imagen de otra mujer, Sachiko, una amiga y vecina que vivía sola con su hija Mariko. Dos personajes enigmáticos, a cuál más inquietante. La pequeña Mariko parece haber vivido una cruel y dolorosa experiencia, que reduce a la nada, tanto para ella como para su madre, la esperanza de una vida tranquila, lejos de las ataduras de la rígida tradición japonesa.La relación ambigua de Etsuko con Sachiko y Mariko está en el centro del enigma del libro. ¿El examen del pasado conseguirá exorcizar los demonios del presente?<

La Segunda Guerra Mundial ha terminado y Japón comienza a levantarse de entre sus cenizas. En los meses que van desde octubre de 1948 a junio de 1950, el tiempo que media entre el comienzo de las negociaciones para casar a una hija y el matrimonio, Ono, un anciano pintor, recuerda su vida y reflexiona sobre su carrera artística, en un intento por comprender una realidad cada día más ajena. «No sé de ningún colega que pintara su autorretrato con absoluta honestidad», declara Ono, y la pintura que va trazando de sí mismo y de su época es una versión susceptible de múltiples y contradictorias interpretaciones, una trama compleja de instantes perfectos y decisiones erróneas, de heroísmos y traiciones. Los triunfos del pasado de Ono quizá son ahora, como insinúan sus hijas, que esconden sus cuadros, aquello de lo que debería avergonzarse. Ono eligió abandonar las tradiciones pictóricas de sus maestros, los pintores del mundo flotante de los barrios de placer, donde las cosas más bellas se construyen en la noche y se desvanecen en la mañana, para dedicarse a loar un presente más heroico y menos fugaz. Y ahora, el imperio militar que pintó no es más que otro mundo flotante, desvanecido para siempre en la mañana del Japón «democrático» de la posguerra…<

After the loss of his family farm, John Moon is a desperate man. A master hunter, his ability to poach game in-season or out is the only thing that stands between him and the soup kitchen line. Until Moon trespasses on the wrong land, hears a rustle in the brush, and fires a single fateful shot.

Following the bloody trail, he comes upon a shocking scene: an illegal, deep woods campground filled with drugs, bundles of cash and the body of a dead young woman, killed by Moon’s stray bullet.

Faced with an ultimate dilemma, Moon has to make a choice: does he take the money and ignore his responsibility for the girl's death? Or confess?

But before he has a chance to decide, Moon finds himself on the run, pursued by those who think the money is theirs. Men who don't care about right and wrong and who want only one thing from John Moon: his body, face down in a ditch.

Matthew F. Jones’ is a rare, visionary thriller reminiscent of the work of Tom Franklin, Ron Rash, Daniel Woodrell, and Cormac McCarthy.

2010<

It is 1321 and the King's favourite, Hugh Despenser, is corruptly using his position to steal lands and wealth from other lords. His rapacity has divided the nation and civil war looms.

In Tiverton rape and murder have unsettled the folk preparing for St Giles' feast. Philip Dyne has confessed and claimed sanctuary in St Peter's church, but he must leave the country. If he doesn't, he'll be declared an outlaw, his life forfeit.

Sir Baldwin Furnshill, Keeper of the King's Peace, and his friend, Bailiff Simon Puttock, arrive at Lord Hugh de Courtenay's castle at Tiverton for the feast. When a messenger arrives calling for the Coroner, Baldwin and Simon accompany him to view the body of Sir Gilbert of Carlisle, Despenser's ambassador to Lord Hugh. Not far off lies a second corpse: the decapitated figure of Dyne. The Coroner is satisfied that Dyne killed the knight and was then murdered: Dyne was an outlaw, so he doesn't merit the law's attention, but Sir Baldwin feels too many questions are left unanswered. How could a weak, unarmed peasant kill a trained warrior? And if he did, what happened to Sir Gilbert's horse – and his money?

When Baldwin and Simon are themselves viciously attacked, they know that there must be another explanation. A more sinister enemy is at large, someone with a powerful motive to kill. But there are so many suspects…

A century earlier, the Markovians were the meanest, nastiest, orneriest specimens in the entire Council of Galactic Associates. The worlds in their corner of their galaxy controlled a military force that outweighed anything the Council could possibly bring to bear against them.

With complete disregard interplanetary order they harassed and attacked peaceful shipping and inoffensive cultures throughout a wide territory. For years the Council debated and threatened — but nothing was ever done. Then, so gradually it was hardly noticed, the harassments began to die down. The warlike posturing was abandoned by the Markovians. Within a period of about seventy or eighty years there was a complete about-face.

What had happened? Cameron and his new wife Joyce are going into unfriendly regions to find out, in this classic adventure from one of the early novelists of science fiction, Raymond F. Jones.

For Sir Baldwin Furnshill, Keeper of the King's Peace, and his friend, Bailiff Simon Puttock, the Christmas of 1321 looks set to be one of great festivity. As a reward for their services in a previous investigation, they've been summoned to Exeter to receive the prestigious gloves of honour in a ceremony led by the specially elected Boy-Bishop. But the dead man swinging on the gallows as they arrive is a portentous greeting.

Within hours they learn that Ralph – the cathedral's glovemaker and the city's beloved philanthropist – has been robbed and stabbed to death. His apprentice is the obvious suspect but there's no trace of the missing jewels and money. When Peter, a Secondary at the cathedral, collapses from poisoning in the middle of Mass, the finger of suspicion turns to him. Yet if he was Ralph's attacker, where is the money now? And could Peter have committed suicide – or was he murdered, too?

When the Dean and city Coroner ask Simon and Baldwin to solve the riddles surrounding the deaths, they are initially reluctant, believing them to be unconnected. But as they dig for the truth they find that many of Exeter's leading citizens are not what – or who – they first seem to be, and that the city's Christmas bustle is concealing a ruthless murderer who is about to strike again…

The novel that launched Graham Joyce’s writing career, described as “Brilliant Sensual and Scaring”. explores the mysterious and frightening subject “lucid” dreaming, the ability to control on’e own dreams. This complete version contains a new Afterword by the author.<