A dark and electrifying novel about addiction, fanaticism, and what might exist on the other side of life.
In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs—including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.
Jamie has demons of his own. Wed to his guitar from the age of thirteen, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-thirties—addicted to heroin, stranded, desperate—Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.
This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe.
Wonderfully gruesome. (New York Times Book Review) Delightfully diabolical...King once again proves to be the consummate storyteller. (Associated Press)In the introduction to Skeleton Crew (1985), his second collection of stories, King pokes fun at his penchant for "literary elephantiasis," makes scatological jokes about his muse, confesses how much money he makes (gross and net), and tells a story about getting arrested one time when he was "suffused with the sort of towering, righteous rage that only drunk undergraduates can feel." He winds up with an invitation to a scary voyage: "Grab onto my arm now. Hold tight. We are going into a number of dark places, but I think I know the way."
And he sure does. Skeleton Crew contains a superb short novel ("The Mist") that alone is worth the price of admission, plus two forgettable poems and 20 short stories on such themes as an evil toy monkey, a human-eating water slick, a machine that avenges murder, and unnatural creatures that inhabit the thick woods near Castle Rock, Maine. The short tales range from simply enjoyable to surprisingly good.
In addition to "The Mist," the real standout is "The Reach," a beautifully subtle story about a great-grandmother who was born on a small island off the coast of Maine and has lived there her whole life. She has never been across "the Reach," the body of water between island and mainland. This is the story that King fans give to their friends who don't read horror in order to show them how literate, how charming a storyteller he can be. Don't miss it. --Fiona Webster
In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?
In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare.
One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanting to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world.
Set in a small Appalachian town whose primary employer is a women’s prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.
“This delicious first collaboration between Stephen King and his son Owen is a horror-tinged realistic fantasy that imagines what could happen if most of the women of the world fall asleep, leaving men on their own. The authors’ writing is seamless and naturally flowing. Once the action begins, [SLEEPING BEAUTIES] barrels along like a freight train.” (Publishers Weekly)
“Another horror blockbuster, Mercedes and all, from maestro King and his heir apparent…In a kind of untold Greek tragedy meets Deliverance meets—well, bits of Mr. Mercedes and The Shawshank Redemption, perhaps—King and King, father and son, take their time putting all the pieces into play: brutish men, resourceful women who've had quite enough, alcohol, and always a subtle sociological subtext, in this case of rural poverty and dreams sure to be dashed…A blood-splattered pleasure.” (Kirkus (starred review))
“Following the renewed interest in Margaret Atwood’s The Handmaid’s Tale and an increasing climate of wolf-whistle politics, this examination of gender stereotypes, systems of oppression, and pervasive misogyny within American culture feels especially timely…The large cast of characters allows for a multitude of narrative perspectives—from both the affected women and the men they’ve left behind. Violent, subversive, and compulsively readable. The true horror of this father-son-penned novel derives more from its unflinchingly realistic depiction of hatred and violence against women than from the supernatural elements.” (Library Journal)
About the Author
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Mr. Mercedes, winner of the 2015 Edgar Award for Best Novel, Revival, Finders Keepers, End of Watch,Doctor Sleep and Under the Dome, which became a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Owen King is a graduate of Vassar College and the MFA program at the Columbia University School of the Arts, he is the author of the novel Double Feature, We’re All in This Together: A Novella and Stories, and the co-editor of Who Can Save Us Now? Brand-New Superheroes and Their Amazing (Short) Stories. His writing has appeared in Grantland, One Story, The New York Times Book Review, Prairie Schooner, and Subtropics, among other publications. Owen has also taught creative writing at Columbia University and Fordham University. He is married to the novelist Kelly Braffet.
There's something about a crippled, black, schizophrenic, civil rights activist-turned-gunslinger whose body has been hijacked by a white, pregnant demon from a parallel world that keeps a seven-volume story bracingly strong as it veers toward its Armageddon-like conclusion. When Susannah Dean is transported via a magic door on the outskirts of Calla Bryn Sturgis (the scene of much of The Dark Tower V: Wolves of the Calla) to New York City in the summer of 1999, the "demon-mother" who possesses her, Mia, has only one thing on her mind. She must give birth to her "chap" at a predetermined location in Manhattan's East 60s, as instructed by the henchmen-or "Low Men"-of the evil Crimson King. Pressed for time, Father Callahan, preteen Jake and talking pet "billy-bumbler" Oy follow Susannah and Mia's trail in an effort to prevent an act that would quicken the destruction of the Dark Tower and, in turn, of all worlds. Meanwhile, gunslingers Roland and Eddie travel to 1977 Maine in search of bookstore owner Calvin Tower, who is being hunted down by mobster Enrico Balazar and his gang, who first appeared in Eddie's version of New York in The Drawing of the Three Avid readers of the series will either be completely enthralled or extremely irritated when, in a gutsy move, the author weaves his own character into this unpredictable saga, but either way there's no denying the ingenuity with which King paints a candid picture of himself. The sixth installment of this magnum opus stops short with the biggest cliffhanger of King's career, but readers at the edge of their seats need only wait a few short months (Dark Tower VII: The Dark Tower) to find out how-and if-King's fictional universe will come to an end. 10 full-color illus. not seen by PW.
Stephen KingThe Dark Tower VI: Song of Susannah with 10 full-color illustrations by Darrel AndersonThe next-to-last novel in Stephen King's seven-volume magnum opus, Song of Susannah is at once a book of revelation, a fascinating key to the unfolding mystery of the Dark Tower, and a fast-paced story of double-barreled suspense.To give birth to her "chap," demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah...and terrifying to the "daughter of none," who shares her body and mind.Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining katet climbs to the Doorway Cave...and discovers that magic has its own mind. It falls to the boy, the billy-bumbler, and the fallen priest to find Susannah-Mia, who, in a struggle to cope -- with each other and with an alien environment -- "go todash" to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have carried to term.Eddie and Roland, meanwhile, tumble into western Maine in the summer of 1977, a world that should be idyllic but isn't. For one thing, it is real, and the bullets are flying. For another, it is inhabited by the author of a novel called 'Salem's Lot, a writer who turns out to be as shocked by them as they are by him.These are the simple vectors of a story rich in complexity and conflict. Its dual climaxes, one at the entrance to a deadly dining establishment and the other appended to the pages of a writer's journal, will leave readers gasping for the saga's final volume (which, Dear Reader, follows soon, say thank ya).
SUMMARY: The name on the covers was Bachman. But the imagination could only belong to one man. A compelling collection of three spellbinding stories of future shock and suspense - THE LONG WALK, ROADWORK and THE RUNNING MAN - in which Stephen King also explains 'Why I was Richard Bachman'.
The Man in Black is dead, and Roland is about to be hurled into 20th-century America, occupying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant work of dark fantasy inspired by Browning's romantic poem, "Childe Roland to the Dark Tower Came".
Stephen King's unparalleled imagination is in full force in this collection of four unabridged short stories originally found in the classic, *Nightmares & Dreamscapes*. An all-star cast of readers bring to life these timeless stories from the darkest places.
One man's pursuit of world peace turns deadly in *The End of the Whole Mess*. Stephen King puts his spin on the familiar duo of Holmes and Watson in *The Doctor's Case*. In *The Moving Finger*, menace arrives poking out of the drain of a bathroom sink. And a young, pregnant widow takes on a zombie attack inHome Delivery.
Matthew Broderick, Tim Curry, Eve Beglarian and Stephen King lend their voices to this haunting collection of classic stories that no Stephen King fan should be without.
Trisha McFarland is a plucky 9-year-old hiking with her brother and mom, who is grimly determined to give the kids a good time on their weekends together. Trisha's mom is recently divorced, and her brother is feuding with her for moving from Boston to small-town Maine, where classmates razz him. Trisha steps off the trail for a pee and a respite from the bickering. And gets lost.
Trisha's odyssey succeeds on several levels. King renders her consciousness of increasing peril beautifully, from the "first minnowy flutter of disquiet" in her guts to her into-the-wild tumbles to her descent into hallucinations, the nicest being her beloved Red Sox baseball pitcher Tom Gordon, whose exploits she listens to on her Walkman. The nature writing is accurate, tense, and sometimes lyrical, from the maddening whine of the no-see-um mosquito to the profound obbligato of the "Subaudible" (Trisha's dad's term for nature's intimations of God). Our identification with Trisha deepens as we learn about her loved ones: Dad, a dreamboat whose beer habit could sink him; loving but stubborn Mom; Trisha's best pal, Pepsi Robichaud, vividly evoked by her colorful sayings ("Don't go all GIRLY on me, McFarland!"). The personal associations triggered by a full moon, the running monologue with which she stays sane--we who have been lost in woods will recognize these things.
The foundation of the epic Dark Tower series This heroic fantasy, set in a world of ominous landscape and macabre menace, features one of Stephen King's most powerful creations-The Gunslinger, a haunting figure who embodies the qualities of the lone hero through the ages, from ancient myth to frontier Western legend.
This is a collection of four stories on the theme of 'midnight', the moment when the familiar world gives way to an alternative reality, and a new and terrifying world is revealed. It is written by the author of "Carrie", "The Shining" and "The Dark Half".