Koji Suzuki returns to the genre he’s most famous for after many years of “not wanting to write any more horror.” As expected from Suzuki, the chills are of a more cerebral, psychological sort, arguably more unsettling and scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do “Suzuki” — as it were — but rather push the envelope on what…
