L. E. Modesitt
Commerce weighs value, yet such weight is but an
image, and, as such, is an illusion.
The bell announcing dinner rang twice, just twice, and no more, for it never did. Rousel leapt up from his table desk in the sitting room that adjoined our bedchambers, disarraying the stack of papers that represented a composition doubtless due in the morning. “I’m starved.”
“You’re not. You’re merely hungry,” I pointed out, carefully placing a paperweight over the work on my table desk. “ ‘Starved’ means great physical deprivation and lack of nourishment. We don’t suffer either.”
“I feel starved. Stop being such a pedant, Rhenn.” The heels of his shoes clattered on the back stairs leading down to the pantry off the dining chamber.
Two weeks ago, Rousel couldn’t even have pronounced “pedant,” but he’d heard Master Sesiphus use it, and now he applied it to me as often as he could. Younger brothers were worse than vermin, because one could squash vermin and then bathe, something one could not do with younger brothers. With some fortune, since Father would really have preferred that I follow him as a factor but had acknowledged that I had little interest, I’d be out of the house before Culthyn was old enough to leave the nursery and eat with us. As for Khethila, she was almost old enough, but she was quiet and thoughtful. She liked it when I read to her, even things like my history assignments about people like Rex Regis or Rex Defou. Rousel had never liked my reading to him, but then, he’d never much cared for anything I did.
By the time I reached the dining chamber, Father was walking through the archway from the parlor where he always had a single goblet of red wine-usually Dhuensa-before dinner. Mother was standing behind the chair at the other end of the oval table. I slipped behind my chair, on Father’s right. Rousel grinned at me, then cleared his face.
“Promptness! That’s what I like. A time and a place for everything, and everything in its time and place.” Father cleared his throat, then set his near-empty goblet on the table and placed his hands on the back of the armed chair that was his.
“For the grace and warmth from above, for the bounty of the earth below, for all the grace of the world and beyond, for your justice, and for your manifold and great mercies, we offer our thanks and gratitude, both now and evermore, in the spirit of that which cannot be named or imaged.”
“In peace and harmony,” we all chorused, although I had my doubts about the presence and viability of either, even in L’Excelsis, crown city and capital of Solidar.
Father settled into his chair at the end of the table with a contented sigh, and a glance at Mother. “Thank you, dear. Roast lamb, one of my favorites, and you had Riesela fix it just the way I prefer it.”
If Mother had told the cook to fix lamb any other way, we all would have been treated to a long lecture on the glories of crisped roast lamb and the inadequacies of other preparations.
After pouring a heavier red wine into his goblet and then into Mother’s, Father placed the carafe before me. I took about a third of a goblet, because that was what he’d declared as appropriate for me, and poured a quarter for Rousel.
When Father finished carving and serving, Mother passed the rice casserole and the pickled beets. I took as little as I could of the beets.
“How was your day, dear?” asked Mother.
“Oh . . . the same as any other, I suppose. The Phlanysh wool is softer than last year, and that means that Wurys will complain. Last year he said it was too stringy and tough, and that he’d have to interweave with the Norinygan . . . and the finished Extelan gray is too light . . . But then he’s half Pharsi, and they quibble about everything.”
Mother nodded. “They’re different. They work hard. You can’t complain about that, but they’re not our type.”
“No, they’re not, but he does pay in gold, and that means I have to listen.”
I managed to choke down the beets while Father offered another discourse on wool and the patterned weaving looms, and the shortcomings of those from a Pharsi background. I wasn’t about to mention that the prettiest and brightest girl at the grammaire was Remaya, and she was Pharsi.
Abruptly, he looked at me. “You don’t seem terribly interested in what feeds you, Rhennthyl.”
“Sir . . . I was listening closely. You were pointing out that, while the pattern blocks used by the new weaving machinery produced a tighter thread weave, the women loom tenders have gotten more careless and that means that spoilage is up, which increases costs-”
“Enough. I know you listen, but I have great doubts that you care, or even appreciate what brings in the golds for this household. At times, I wonder if you don’t listen to the secret whispers of the Namer.”
“Chenkyr . . .” cautioned Mother.
Father sighed as only he could sigh. “Enough of that. What did you learn of interest at grammaire today?”
It wasn’t so much what I’d learned as what I’d been thinking about. “Father . . . lead is heavier than copper or silver. It’s even heavier than gold, but it’s cheaper. I thought you said that we used copper, silver, and gold for coins because they were heavier and harder for evil imagers to counterfeit.”
“That’s what I mean, Rhennthyl.” He sighed even more loudly. “You ask a question like that, but when I ask you to help in the counting house, you can’t be bothered to work out the cost of an extra tariff of a copper . . . or work out the costs for guards on a summer consignment of bolts of Acoman prime wool to Nacliano. It isn’t as though you had no head for figures, but you do not care to be accurate if something doesn’t interest you. What metals the Council uses for coins matters little if one has no coins to count. No matter how much a man likes his work, there will be parts of it that are less pleasing-or even displeasing. You seem to think that everything should be pleasing or interesting. Life doesn’t oblige us in that fashion.”
“Don’t be that hard on the boy, Chenkyr.” Mother’s voice was patient. “Not everyone is meant to be a factor.”
“His willfulness makes an ob look flexible, Maelyna.”
“Even the obdurates have their place.”
I couldn’t help thinking I’d rather be an obdurate than a mal. Most people were malleables of one sort or another, changing their views or opinions whenever someone roared at them, like Father.
“Exactly!” exclaimed Father. “As servants to imagers and little else. I don’t want one of my sons a lackey because he won’t think about anything except what interests or pleases him. The world isn’t a kind place for inflexible stubbornness and unthinking questioning.”
“How can a question be unthinking?” I wanted to know. “You have to think even to ask one.”
My father’s sigh was more like a roar. Then he glared at me. “When you ask a question to which you would already know the answer if you stopped to think, or when you ask a question to which no one knows the answer. In both cases, you’re wasting your time and someone else’s.”
“But how do I know when no one knows the answer if I don’t ask the question?”
“Rhennthyl! There you go again. Do you want to eat cold rice in the kitchen?”
“Rousel,” said Father, pointedly avoiding looking in my direction, “how are you coming with your calculations and figures?”
“Master Sesiphus says that I have a good head for figures. My last two examinations have been perfect.”
Of course they had been. What was so hard about adding up columns of numbers that never changed? Or dividing them, or multiplying them? Rousel was more than a little careless about numbers and anything else when no one was looking or checking on him.
I cut several more thin morsels of the lamb. It was good, especially the edge of the meat where the fat and seasonings were all crisped together. The wine wasn’t bad, either, but it was hard to sit there and listen to Father draw out Rousel.
Authority always trumps reason, unless reason is the authority.
The Council of Solidar opened the Chateau of the Council to the public exactly twice a year, at the last day of summer, the thirty-fifth of Juyn, and at the depth of winter, the thirty-fifth of Ianus. Father insisted that I come with him because I’d just turned fourteen and finished the grammaire. In another month I’d begin my apprenticeship with Master Caliostrus, one of the more successful portraiturists in L’Excelsis.
“Since you cannot and will not be a factor, Rhenn, you need to see what great art really is.” My father must have said that at least three times while we rode in the carriage along the Boulevard D’Este and across Pont D’Nord and then another mille along the Boulevard D’Ouest. Once we reached the base of Council Hill, we had to leave the carriage and wait in a long queue under a white sun that blistered down through the pale blue summer sky. The gatehouse ahead of us was built of alabaster, as was the Chateau above, but the surface of the stones of both had been strengthened by imagers centuries and centuries before, supposedly by those of Rex Regis after he had taken L’Excelsis from the Bovarians and made it the capital of the land he had unified and renamed Solidar. The walls shimmered white and inviolate, as pristine as the day they were laid, sort of like an eternal virgin, I thought, trying not to snigger at the thought.
“Rhenn, you are not to exhibit amusement at the misfortunes of others.” Father’s eyes darted toward a crafter who was looking down at a spreading dark brown stain across his trousers. He still held the handle of the clay jug that he had swung up to drink. Fragments of pottery and a dark splotch on the wall suggested he’d been less than careful in lifting his jug.
“Sir, I was thinking of a terrible joke that Jacquyl told yesterday. Seeing the gatehouse reminded me of it.”
“Likely story.” The good-natured gruffness of his response suggested that he believed me, or at least that he knew I was not laughing at the poor crafter, a mason’s apprentice or junior journeyman, I would have judged by the stone dust on his sleeves.
A good glass passed before we reached the head of the queue short of the burnished bronze gates and the gatehouse. The Council guard there stood in the shadow of the tiny portico, but sweat had dampened the pale blue linen of his uniform tunic into a darker shade.
“The next ten of you,” the guard announced.
Father strode ahead. He always walked quickly, as if he might miss something if he weren’t the first one. The paved walks were white granite, flanked by boxwood hedges in stone beds. “See those hedges, Rhenn. That’s what a hedge should look like, not with twigs and leaves sticking out haphazardly.”
“Yes, sir.” Rousel was supposed to have trimmed the little branches on our hedge, after I cut the larger ones, but he’d gone off to play. There’d been little point in saying so, because Father would just have said that it was my responsibility. But if I’d dragged Rousel back, he would have complained, and then Father would have punished me for being too strict.
After we walked up the wide white stone steps, Father cleared his throat. “There are three arches-a main arch flanked by two smaller arches. All three lead into the Grand Foyer.”
I didn’t say anything. We’d studied the Chateau in grammaire, and I knew that.
Father took the center archway and hurried inside, out of the blazing sun. It wasn’t that much cooler, but being out of the sun was a relief. I glanced up at the faux dome of the foyer.
Father followed my eyes and gestured upward. “You see the stonework there?”
“It looks well done.” It wasn’t stonework at all, but flat painting designed to trick the eye into believing it was stonework.
“You think you could do better?”
“No, sir.” Father was always doing that-comparing me to an experienced artisan or factor or crafter. Of course I wasn’t that good. That didn’t mean I couldn’t be in time.
Just in front of us was an older and all too bulbous man in a threadbare and once-white linen overshirt. He had planted himself before the first portrait on the wall on the right-hand outer wall of the foyer, cocking his head one way and then another. I started to move around him, but Father reached out and grasped my arm.
“Take your time. Study each one carefully, especially the portraits. You’re the one who’s going to be a portraiturist. You won’t have another chance to see these for a time.”
After the older man finally moved, Father pointed to the image of a trim black-haired man with sweeping mustaches in a black dress uniform with silver-banded cuffs. “That’s a portrait of Seleandyr. He was the one who led the Council in the trade war against Caenen and Stakanar . . .”
I’d seen Factor Councilor Seleandyr before, if only from the balcony when Father had hosted the cloth factors’ fall reception, and he’d never been that slender. Hs mustaches had drooped, as had his belly, and his thin hair had kept falling down over a low forehead.
“. . . managed to keep matters from getting out of hand and made sure that the taxes to support the war were only temporary. His death last Fevier was a great loss . . .”
I’d heard the rumors that his death hadn’t been from age, but from sweetmeats transformed into pitricine, after he’d eaten them, by an imager whose niece he’d procured for his son. Seleus had sworn it was true.
The next artistic object was a bust, and again we had to wait for the gyrations of the bulbous fellow before Father led me forward. “Charyn. He was the last rex of Solidar, and the one who founded the first Council . . .”
I knew all too well those details of history, but all I could do was listen.
We made half a circuit of the foyer and reached the point where it opened, through three arches that mirrored those of the outer entry, onto the landing at the base of the grand alabaster staircase leading up to the Council chambers. Father marched right up to where the guards were posted. On the pedestals that formed the base of the rose marble balustrade of each side were a pair of sculpted statues-a winged man and a winged woman.
“Angelias-they’re the work of the great Pierryl, Pierryl the Younger, that is. What do you think of them?” Father turned to me.
“The workmanship is excellent, sir.”
“They’re great art, Rhenn,” murmured my father. “Can’t you see that?”
“Father . . . the carving is outstanding, but they’re ridiculous. Those tiny wings wouldn’t lift a buzzard, let alone a child, and certainly not a man or woman.” I didn’t mention that each wing feather had been sculpted to a length of nine digits, not quite the ten of a full foot, and that wings that small would not have had individual feathers that large.
Father began to get red in the face. “We will have a talk later, young man.”
“A sea eagle has wings almost that broad, and the largest weigh but half a stone.”
“An angelia is not an eagle,” snapped my father.
“No, sir. They’re much larger, and they would need far larger wings to support themselves if they were truly to fly.”
I’d said too much, but Father’s opinions on art were limited by his own shortcomings and lack of understanding. I managed to placate him with pleasant inanities and agreements for the rest of our visit, consoling myself that, by the next time the Chateau was open to the people of L’Excelsis, I would be apprenticed and studying under Master Caliostrus.
In art and in life, what is not portrayed can be as a
vital as what is.
At breakfast that first Mardi in Juyn I sat near the end of the long table-as usual, because the only one junior to me was Stanus, who’d just become an apprentice. He sat on the other side and one place farther toward the end. Shienna was to my right, and Marcyl was across from me, with Olavya to his left and Ostrius on his father’s right.
“I’ll need some golds from the strongbox after breakfast,” Caliostrus said to his wife Almaya, seated to his left. “I can get some imagers’ green from Rhenius.”
“I’m certain it’s less dear than from Apalant.” Her voice cut like a knife.
“You’re the one who insists on the strongbox and keeping all the golds here.”
“After what happened to my father when the Banque D’Rivages failed, and the Pharsi lenders came to collect . . .”
“I know. I know.” Caliostrus looked down the long table. “Tomorrow, Craftmaster Weidyn will be here at the eighth glass of the morning. He will be here for two glasses.”
What Caliostrus was also saying was that he didn’t want the sitting disturbed, but why would he ask that for a craftmaster, rather than a High Holder or a factorius? I’d heard Weidyn’s name at my parents’ table, but couldn’t recall his guild.
“Why is he a craftmaster, Father?” Marcyl’s big black eyes fixed on Caliostrus.
“Because he’s one of the best cabinetmakers in all of L’Excelsis. That’s why.”
“It might be nice to have something of his,” suggested Almaya.
“It would indeed, but it’s less than likely,” replied Master Caliostrus. “A single sideboard of his, and that’d be one of the plainer ones, would fetch at least a hundred golds. That’s if it ever came up for sale, but his work never does. People commission him a year in advance.”
“They commission you in advance, dear,” offered Almaya.
Despite her words, Master Caliostrus was fortunate, I knew, if a patron commissioned a portrait a season in advance-and paid upon completion and delivery of the framed work. That was one reason why I was the only journeyman in the household, besides Ostrius, who would soon doubtless become a junior master, and who would in time inherit his father’s studio.
“But not so far in advance. People feel that cabinets and sideboards last longer than portraits. They do not. One only has to look at the artwork in the Chateau of the Council to see that. The chests and sideboards commissioned when Riodeux painted Rex Charyn have long since been turned to kindling and burned, but people still marvel at the portrait.”
“And the bust,” I added.
“The bust is by Pierryl the Elder and is far inferior to the portrait,” declared Caliostrus. “Pierryl and his son-Pierryl the Younger-were diligent hacks compared to Riodeux. Sculptors have but to remove stone from stone. It is tedious, but it is more a craft than an art.”
I’d heard Master Caliostrus declaim on that before. To create the impression of life and light on the flat surface of a canvas did take not only craftsmanship but an artistic sense. No one ever expected a bust or a statue to look alive, but merely to present an accurate representation, but everyone expected the best portraits to be good enough that the subject looked as though he could step out of the canvas and resume what he had been doing.
“Why do they get more golds than you, Father?” Marcyl persisted.
“Because what people will pay for often has no relation to its true value.” Caliostrus lifted a large mug of tea, slurping slightly as he drank, not that he didn’t slurp whenever he drank. Then he turned to me. “As for you, Rhennthyl, you also have a commission, far more modest, but one must begin somewhere.”
“Sir?” I inclined my head, as much to conceal my surprise as anything. At last, after all the studies, all the criticism from Master Caliostrus, and all the glasses spent grinding and stirring and watching simmering pots of oils and waxes and solvents and pigments, I would have a chance to show what I had learned and could do on a canvas for a real patron. I thought Ostrius might also have been surprised, since most junior commissions went to him.
“Craftmaster Weidyn’s youngest daughter has never had a portrait. She’s but eight, and I suggested you could do credible work.”
“When will I start, sir?”
“Tomorrow as well.” Caliostrus smiled. “You will have to work in her favorite doll and her cat.”
The doll certainly wouldn’t be a problem, but, for some reason, few cats cared for me, and that could pose a problem. “The cat . . .?”
“I suggested that the cat be added later, after you had designed the composition, but I wanted you to know that you would have to work in the creature.”
“I want several possible rough designs ready for me by the end of the day. Oh . . . she is a redhead, I’m told.”
That made everything worse. A redhead? Their color and complexion were difficult to capture on canvas without making them appear wan and pale. Once more, Caliostrus had presented me with something in a light that seemed far more charitable than it was in fact. A redhead-that was just the sort of portrait where an excellent effort would look merely adequate, and a good effort would come across as poor. That was another reason why I’d gotten the commission, instead of Ostrius. “I will most certainly have my work cut out for me, sir.”
“Nonsense, Rhennthyl. A portrait is a portrait, and each commission is an opportunity.”
“Yes, sir.” I would just have to deal with another one of Master Caliostrus’s near-insurmountable opportunities, that and Ostrius’s concealed smirk from across the table. Stanus just looked bewildered.
Even as a recent apprentice, Stanus should have known the problems of portraying redheads. I’d heard that those were even less than the difficulties involved in living with them, but I’d been unfortunate enough in dealing with young women that I had no experience by which to judge such a statement.
“The designs before dinner, Rhennthyl, remember!”
“Yes, sir.” How could I possibly forget?
The most critical are not the successful, nor the complete failures, but
those who might have achieved something of worth, save for small but
crucial faults within themselves, for they can seldom bear the thought
of how close they came to greatness.
Mistress Aeylana D’Weidyn twitched, then shifted her weight in the high-backed chair. After Aeylana’s first sitting, I’d accompanied Aeylana and her aunt back to their home-if a small chateau three times the size of my parents’ dwelling and grounds could be termed “home.” While at the Chateau Weidyn, I had not only made a sketch of the actual chair that would be in the portrait, but also made the acquaintance of Charbon-a rather oversized feline with sleepy yellow eyes and a deep black coat-and done several quick sketches of him as well, one with Aeylana holding him.
Aeylana Weidyn was anything but an ideal subject. Even at age eight, she was lanky, with big bones and hands, freckles and a fair skin, and fine orange-red hair that, despite the dark green hair band, had a tendency to fly in all directions. Her eyes were a warm brown that somehow clashed with everything, and her eyebrows were so light and fine that she looked to have none at all.
“If you would please look in the direction of the easel, Mistress Aeylana?”
“Oh, I’m sorry. I was thinking about Charbon. He will be in the portrait, will he not?”
“Yes, he will.” In fact, I actually had painted much of Charbon, as if he had been sitting erect and regal upon the edge of the seat of the chair beside Aeylana. “He is most handsome.”
“He’s my cat.”
I had some doubts about any cat being a possession, but did not have time to say anything because, at that very moment, Ostrius opened the studio door and marched over to my easel.
He did not even look in the direction of Aeylana Weidyn-or her aunt, who was accompanying her to the sittings. “Rhenn . . . did you finish compounding the deep brown?”
“No. There wasn’t time before the sitting.”
“When will you learn to finish things?” he snapped.
“I worked on it all morning,” I said quietly.
“You didn’t finish, and we don’t have enough of the deep brown.”
He didn’t. That was what he meant. “Your father expects me to do a sitting when the patron is here. I’ll get back to it once she leaves.”
“You’d better.” Without another word, he stalked off.
The aunt said nothing, but her eyes expressed more than any words she might have spoken as she watched Ostrius close the studio door with a firmness just short of slamming it.
“I don’t-” began Aeylana.
“That will be all, Aeylana,” the aunt said firmly.
“If you would please look at the easel, mistress,” I repeated.
“I can do that.”
She could. She just couldn’t keep doing it for long.
I looked at the left side of her head, just forward and above the ear. Her hair had been a problem, because it was too bright to be captured fairly by any of the earthen reds, and the madder red would fade, while vermilion would darken at the edges where it touched the skin tones. Calizarin red didn’t blend well with the naranje orange, unless mixed with at least a little of one of the ochres, but I’d worked in a tiny mixture of yellow and dull red ochre as a binder between the calizarin and the naranje. Even Master Caliostrus had nodded approval at that.
Had Ostrius been angry not just because I didn’t have the deep brown formulated when he wanted it, but because he realized I could do something with the pigments that he couldn’t?
I pushed that thought away. If I didn’t do well on the one portrait assignment I had, I wouldn’t get another any time soon. I concentrated on seeing Aeylana as she was, and on working on the hairline around her right ear.
By the time the glass chimed out from the nearest anomen tower, I thought I had that section right, and I smiled, both at Aeylana and her chaperone. “Two more sittings at most.”
“Good. It’s hard to sit still that long.”
“Aeylana . . .”
“I apologize, sir.”
“I can remember when I was your age,” I said with a smile.
That got me a giggle in return.
In moments, the two had gathered themselves together and departed for the carriage waiting below. In scarcely longer than that, Master Caliostrus had entered the studio, his brow knit in a frown.
“Ostrius said that you had not finished the deep brown formulation and that you were less than deferential . . .”
“Sir, I was most deferential. I started directly after breakfast, Master Caliostrus, and I took no breaks, until just before Mistress Aeylana D’Weidyn was due to arrive. You told me never to be late in dealing with a patron, and I could not have begun the compounding yesterday, sir, because the raw earth did not arrive until just before dinner last night.”
“Ah . . . yes . . .” Caliostrus paused. “You will get to it right away?”
“As soon as I clean up brushes and trays, sir.”
“Good.” Almost as an afterthought, he glanced at the partial portrait, his eyes going to what I had painted of the cat. “You definitely have a talent for the cat. In time, if you work on that, along with other skills, it might prove . . . remunerative. Some of the wealthier older women in L’Excelsis do dote on . . . such companions.”
He stopped at the door and looked back. “Don’t be too long. Ostrius does need the brown.”
If Ostrius needed the brown so much, why wasn’t he down in the shed working on the formulation? Or, if he didn’t want to get dirty, he could have taught Stanus how to do it. But then, that was still dirty work and required patience, both of which Ostrius avoided whenever possible.
Mistaking a name for its substance is one of the roots
of evil; holding to substance over names is a source of
I never understood why so many people made a fuss about weddings. I certainly wondered that once again as I stood there in the garden courtyard of Remaya’s parents’ dwelling beside Rousel as we waited for Remaya to appear.
Weddings are merely an affirmation of what has already happened. They’re necessary for most people, as are the rings that symbolize them, because public affirmations strengthen private commitments, but by the time of the ceremony they’re usually foregone conclusions. If they’re not, there shouldn’t be a ceremony. After eight years of courting and unblemished affection, for Rousel and Remaya both the ceremony and the rings were more for everyone else than for them, but that is certainly the case for all too many ceremonies.
Ceremonies can also provide a different kind of closure. I hoped this one would, because I had been the one to find Remaya, and from me she had found Rousel. Likewise, after all the years of distrust of those of a Pharsi background, my parents had been forced to accept Remaya. How could they have not? She was beautiful and intelligent and loved Rousel, and her parents, while only tradespeople, were far from impoverished. It didn’t hurt that Rousel was following in Father’s footsteps as a wool factor, either.
“You have the ring?” Like all bridegrooms, Rousel wore a formal green waistcoat, trimmed in deep brown, with a matching green neck scarf.
“Right here.” I kept my voice low.
We stood in front of the left side of the arched canopy of flowers. Behind it, wearing green vestments, was Chorister Osyrahm. Behind us stood our family, Father and Mother on the right, then Culthyn and Khethila. Even with them, but to the right, were Remaya’s parents, and her older sister and two younger brothers.
A pair of viols began to play, indicating that Remaya had left the house and was approaching, but neither Rousel nor I looked back because we were not supposed to see her until she stood beside him. I did hear a few whispered comments from the small group of family and friends behind us, and all were about how beautiful she looked, but I knew that without looking. I’d known it far longer than Rousel, and with far less effect.
Before long, Remaya stepped up beside Rousel, and they exchanged glances and smiles. She wore a white gown, along with the bride’s sleeveless green vest, also trimmed in the same rich brown as Rousel’s.
Chorister Osyrahm smiled beatifically at both of them, then began to speak. “We are gathered here today in celebration of the decision of a man and a woman to join their lives as one. The name of a union between a man and a woman is not important, nor should anyone claim such, for the name should never overshadow the union itself. Rousel and Remaya have chosen each other as partners in life and in love, and we are here to witness the affirmation of that choice.”
He nodded for them to step forward under the canopy, then waited until they stood under the arch of flowers.
“In so much as the only true and meaningful commitments in life are made without deception and without reservation, and without a reliance on empty names and forms, do you, Rousel, affirm in full honesty that you commit your body, your spirit, and your free will to this woman, and that you will put no other before her, so long as you both shall live?”
Chorister Osyrahm then turned to Remaya and repeated the same charge and vows.
“I do.” Her voice was warm and husky.
“The rings, if you will.”
I handed the ring to Rousel.
After taking the simple gold bands, one from Rousel and one from Remaya, Osyrahm held them up so that all could see them before lowering them and addressing the couple. “These rings are a symbol of love, for gold cannot be changed, nor imaged into what it is not. In exchanging and accepting these rings, you have pledged that your love will be as unchanging as the gold of which they are made, that no tyranny of names substituting for substance shall ever cleave you apart, and that your love for each other will endure in times good and evil, through sickness and health, and in darkness and in light, so long as your spirits endure.” Then he returned the rings to them.
Remaya, in the Pharsi tradition, was the first to place her ring, easing it onto Rousel’s finger. Then he slipped his ring upon hers.
“From two have come one, and yet that unity shall enable each of you to live more joyfully, more fully, and more in harmony with that which was, is, and ever shall be.”
The chorister stepped back, and Rousel and Remaya kissed under the canopy of late-spring flowers.
Then they turned and faced family and friends. Remaya’s sister Semahla stepped forward and handed the small green wicker basket of flower petals to Rousel. He held it while she scooped out a handful and cast them forward and skyward. Then she took the basket, and he scattered his handful.
After that, they walked back toward the roofed section of the courtyard, and Semahla and I followed.
We had barely stepped into the shadows when Remaya turned back to me.
“Thank you so much, Rhenn.” Remaya’s smile was dazzling, but it always had been, even when I’d first seen her at the girls’ grammaire when she’d been twelve. “Without you, I would never have met Rousel, and never known this happiness, foretold as it was.”
Foretold. She’d said that when she had first laid eyes on Rousel. Those with the Pharsi blood have always been said to be able to see what will be before it comes to their eyes. “I’m so glad everything worked out for you two.” What else could I say? I managed a wide grin as I looked at Rousel. “You heard that, brother.”
He grinned back. “How could I forget?”
I loosened my own neck scarf, because the late-spring afternoon was warm, even in the shade, especially in the formal waistcoat and matching trousers. They were the finest I’d ever owned, and a gift from Rousel.
He’d been kind, and very matter-of-fact about it. When he’d given it to me, made-to-measure, he’d said, “I’m the one who wants you beside me. You’re an artist, and I can’t ask you to purchase a wedding suit. Besides, you can keep it for good occasions.”
I’d just leave it stored with my parents. I certainly wouldn’t need anything that fine for anything involving Master Caliostrus.
At that moment, everyone surged around Rousel and Remaya, and Semahla and I stepped back. I’d only met Semahla a handful of times, and she was certainly bright and pleasant, if more angular than her younger sister.
“The past few days must have been crowded,” I observed.
She laughed. “Hectic, but fun. Everyone likes Remaya. She’s always been the kind one.”
“I’m sure you are, as well.”
“It comes naturally to her. I have to try.”
I supposed I could have said the same about Rousel, except it would have been about charm. He could charm anyone, just by looking at them.
Serving girls appeared, carrying trays with goblets of sparkling grisio. I picked two goblets off a tray and offered one to Semahla.
“Thank you.” She inclined her head, then took a sip.
So did I. The coolness helped a dry throat.
“Rousel said you are a fine artist.”
“I am an artist. Some days I think I might someday become a master with a studio.”
“The portrait you did of Remaya is lovely. Everyone says so. Mother looks at it and wishes that Remaya would leave it with her.”
“Thank you.” I’d done the best I could. It had been my wedding gift to them. What else could I have given?
“Oh . . . Remaya needs me.” With that, Semahla slipped away.
That was for the best. I’d about run out of pleasantries, not that Remaya’s family weren’t good people. Her father was a spice broker, which placed him between a factor and a shopkeeper, but meant he was still a tradesperson of sorts. Still, from the house, they certainly weren’t poor.
Rousel eased over to me. “How are you doing?”
“Fine. How about you?”
He grinned sheepishly. “I just wish the dinner and the toasts were all over.”
I could understand that. “You only have to do this once.”
“Twice. Once for me, and once for you. Maybe three times. Culthyn might want us.”
“You’re an optimist.”
“Now that you’ve made journeyman, you need to look around for someone,” Rousel said.
“I’m not ready for that. I only get my own commissions now and again.” I didn’t point out that I wasn’t a successful factor’s assistant, because both Father and Rousel would have noted that it had been my choice not to go into trade. But then, I would have made a botch of trade. “Besides, it will be almost another five years before I can even be considered as a master portraiturist. It might be years beyond that. The masters don’t easily approve other masters.”
“You can still look.”
I had looked, and she’d married Rousel. I just smiled. “We’ll see.”
“Rousel!” That was Remaya.
“You better go.”
“Don’t be too hard on me when you give your toast.”
“I won’t.” And I wouldn’t. We don’t choose where our hearts lead us.
An artist must appeal to perception, not accuracy.
Contrary to poetry and populisms, Avryl is far from the cruelest month of the ten. Rather Feuillyt is, for it is in the month after harvest when everyone comes to understand that the bounty of nature and man could have been far greater than it was, no matter how much better the gathering of grain and golds happened to be than in previous years. So it was no surprise to me when Master Caliostrus appeared on the twentieth of that Feuillyt, to stand behind my shoulder and peer at the uncompleted likeness upon my easel. The twentieth of every month is a Vendrei, of course, whether the year is 754, as it was, or any other year.
“That’s not an acceptable portrait, Rhennthyl.”
Without Factor Masgayl being present, I’d been working on the detailing of his crimson and gold brocade vest, a vest that, for all its richness, had seen better days, not that the portrait would show that. “Sir?”
“You can’t do that with the eyes.”
“But that’s the way the factorius looks, exactly the way he appears.” Incautious as that statement was, coming as it did from a journeyman portraiture artist to his master, we both knew that the portrait was far more flattering than the reality of Masgayl Factorius, one of the more junior, yet least self-effacing, factors in the city.
“It is not the way he looks,” replied Master Caliostrus, “not to himself and not to those who patronize his establishment, and not to his family.”
The problem was not with my eyes, but with those of Master Caliostrus, for his had become a slave to his desires for influential patrons, rather than lenses of artistic impartiality.
“You do not paint a man with deep-set beady eyes, even if his eyes are as hard and as tiny as those of a shrewt,” Caliostrus went on. “That is, if you wish to remain a portraiture artist in L’Excelsis. Without satisfied patrons, even if you become a master, you will not remain long an artist. You will not become a master, because I certainly cannot support or lend my name to a portraiturist who is insensible to the self-images of his potential patrons.”
“Then, Master Caliostrus,” I replied, gently setting my brush on the edge of the oils tray, “how am I to comply with the dictates of the guild? What of the goal of artistic precision?”
“Artistic precision, my dear Rennthyl, is the goal of obtaining the precise image that will please the patron. You most certainly did so in pleasing Craftmaster Weidyn and young Mistress Weidyn. So far, you also seem to be pleasing Mistress Thelya D’Scheorzyl and her parents.”
I had been able to please Master Weidyn because the true visage of his daughter had been pleasant enough and because he could not have cared less how true the portrait had been so long as his wife and daughter were content. The same looked possible with Thelya, although I had barely begun that portrait. I certainly had no problem with Caliostrus’s logic, nor with his desires to increase the girth of his wallet. My difficulty lay elsewhere. “As artists, do we not have a duty, in some fashion, to present an accurate and precise view of what lies before us?”
Caliostrus laughed, as I knew he would. “The only people in all of Solidar who reckon the need for a precision that grates upon all sensibilities are the Imagers of L’Excelsis. In fact, they might be the only ones in all of Terahnar. That is because power allows impartiality.”
“So you’re saying, master, that if I want to be impartial, I should not be a portraiturist, but an imager?”
“You don’t even want to try to be an imager, Rhennthyl. Renegade imagers, if they do more than minor imaging, risk their lives, even if the imagers do not catch them. In the outlying districts, imagers are considered disciples of the Namer, and people believe they create hidden names of ruin and despair with each image that they make real. Most of those who try to become true imagers die young, entering Imagisle by the Bridge of Hopes and departing in a cart over the Bridge of Stones. Most who do survive spend the rest of their lives slaving for their masters, trying to create images and devices that never were and never could be-or dying slowly as they fabricate parts of machines for the armagers of the Council.”
How was that so different from what I did, handling the portraits for those of lesser affluence for Master Caliostrus, mixing pigments, and combining oils, powdering charcoal, and a thousand other mundane and mind-numbing tasks?
“All you young artists think that you, too, could be great. . . .” Caliostrus let his words die away into silence before punctuating the silence with a snort. “Greatness isn’t what you think it is, Rhennthyl. Be content to be a portraiturist. And fix those eyes.” He turned away without another utterance.
My corner of the large studio was the one in the southwest-where the light was harshest and brightest and washed out everything. But it did have a single window, one that was open because the fall air was cool, but not cold, and, while I’d always loved the use of oils to create, I’d never much cared for the odors of the paint. Most artists didn’t seem to mind, I supposed, because they only created a visual image, not one that embodied touch and taste and scent, although the very best paintings could evoke a sense of that.
From the far corner, Ostrius said, “He’s right, you know, Rhenn. In the end, all that matters is reputation and golds.” Standing by his easel, he held a palette knife he had just wiped clean. “The test of a reputation is whether the artist’s golds last as long as he lives.”
That was easy enough for him to say, since, as his father’s eldest, he’d inherit the studio and the reputation, not that the stocky Ostrius was not a capable portraiturist, for he was, and he’d just made master, if tacitly under the understanding that he would remain within his father’s studio for the near future. He was also anything but artistically adventurous.
“That observation is discouraging, true as it may be,” I pointed out.
“It doesn’t make it less accurate.”
Thinking about what Master Caliostrus and his son had said, before I lifted the brush to get back to detailing the vest of Masgayl Factorius, I glanced out the second-level window. As with most artists, Master Caliostrus had placed his workrooms and studios on the second level, with the gallery and storerooms below, and the family quarters above. From the heights of Martradon, one could see Imagisle a good three milles to the west, a granite ship pointed upstream in the River Aluse, its masts the twin towers of the Collegium Imago. From that distance the three bridges looked as slender as hawsers mooring that ship to the city that surrounded it.
The world and its parts are as they are; accuracy is a term man applies to his small creations.
At precisely one glass before noon on Lundi, Masgayl Factorius arrived at the second-floor door to Master Caliostrus’s studio. I had barely gotten there myself, after washing up, because I’d been working on grinding pigment stock in the shed in the rear courtyard, and the Belishan purple had been more than difficult to get off my fingers and from under my nails. I had to grind and mix the pigments-or those requiring greater care-not only for myself and Master Caliostrus, but also for Ostrius, who certainly couldn’t be bothered with such, and Stanus, who seemed unwilling to learn anything of any great difficulty.
My fingers were numb, of course, because Master Caliostrus didn’t believe in spending coppers on coal for heating wash water for apprentices or journeymen, at least not until the turn of winter. Yet a thorough washing was necessary, because the purple could pervade anything else I touched, and I didn’t want to spoil the portrait or one of the smaller studies I was working on to enter in the annual journeyman’s festival in Ianus, barely more than a month away.
“Good morning, honored factorius.” I held the studio door for him as he eased his bulk past me.
“Good day, such as it is.” He forced a smile. “Before we start, let me see what you have there, young Rhenn.”
I closed the heavy oak door and followed the heavyset factorius to the easel in my corner of the studio. He stood before the easel, then brushed back his thick and oily gray hair and nodded. I had widened the eye spacing just a touch, as well as lightened the skin beneath the eyes a shade or so. That would reduce their apparent beadiness.
“Not so flattering as one might wish, but accurate, and adequate. You do have an excellent touch on the vest, as well as the fabric of the chair-even if I did bring you a sample.” He turned and moved toward the far plainer chair in which he sat for me, taking off his silver-trimmed traveling cloak to reveal the vest and jacket matching those in the portrait. “But my daughter insisted that I be depicted in a chair identifiable as mine. Daughters are a man’s joy and trouble. Sons are merely trouble.”
“We do our best to be more than adequate, sir.”
Masgayl laughed, a sound comprised of a certain emptiness as well as amusement and rue. “You’re more than adequate, young Rhenn, and adequate is more than sufficient. Now that I am a factorius, it will not do that my foyer is without a portrait, but one by a proclaimed master would only declare my arrogance. No . . . modesty suits me far better, and I will get a good work from you at a lower cost than from your master, and you will gain in reputation as others see your work.” He settled into the chair.
I adjusted the easel. “You do not fear that they will say you have no interest in great art, sir?”
“What they say and how they will act are not the same. They will act on the prices of my goods, not upon my appreciation of art. Besides, art is no more than a craft, one that takes talent, there is little point in denying that, but a craft nonetheless . . .”
As I worked to get the squint in his eyes better, and catch the little crease that ran above the main one than extended from his left eye upward for just a fraction of a span, I found myself thinking about the factorius’s point that art was but a craft. Could everything be reduced to little more than a craft, a set of skills that those with talent and determination could master? My brush almost wavered, and I pushed away the thoughts. For the moment, the portrait came first.
I had but worked less than half a glass when the studio door opened and Master Caliostrus entered, carefully carrying a canvas. A chill breeze swept into the studio, and with the wind came Stanus, lugging the master’s traveling case with its paints, oils, solvents, and brushes. Caliostrus let Stanus pass, then set the canvas on the nearest empty easel before closing the door. He turned and inclined his head to the rope factor. “Greetings, factorius. I had heard that you now have a new device for twisting and braiding cable for deep-sea vessels.”
“I’ve had it for two years. The demand is so great I have just completed installing a second.”
“That must have been what I heard. People are talking.”
Masgayl snorted. “They always talk. Only imagers never talk. They don’t need to. And artists and portraiturists shouldn’t say much, but let their work speak for them.”
“We do try, honored factorius. When you are finished with today’s sitting, would you like to see the work I am doing for the daughter of Imager Heisbyl?”
“I am certain it shows an excellently attractive woman. Whether or not it resembles the lady might well be another question.”
I almost missed a brush stroke at those words.
“All my work resembles those whom I portray, most honored Masgayl.”
“Oh . . . I’m quite assured that it does, perhaps on their best days in the best possible light.” The factorius offered an ironic laugh. “Your journeyman does you credit, Caliostrus.”
After what Masgayl had just said, I wasn’t certain that I wanted that credit, but I said nothing and switched my concentration to the drape and the play of the light on the right lower sleeve of the factor’s bastognan-brown jacket. There was something there. I could see it . . .
Then, it was there on the canvas, just as I had visualized it, but I wasn’t aware that I’d actually painted it. Still, the brushstrokes were there, if a touch more precise than usual, more the way I wished they were than they sometimes were.
“He has talent and promise, honored factorius, and, if he continues to listen,” Caliostrus added with a touch of asperity, “he might even have more commissions such as yours.”
That was a not-so-veiled reference to Masgayl’s beady eyes, and I attempted to work on the smaller left section of the sleeve, trying to get the fall of the light and the creases just right.
“He might indeed,” agreed the factorius politely. “Is that the portrait you mentioned, the one you put on the easel?”
“It is indeed. It is as of the moment most incomplete,” Caliostrus said before lifting the canvas and carrying to where Masgayl could see it.
“Ah, yes,” nodded the rope factor, “a most flattering image, but one certainly recognizable as the younger Mistress Heisbyl.”
“I’m glad that you find it so.” Caliostrus’s words were strained.
“Don’t mind me, master portraiturist. I’m cynical about far too much in life. I’d rather make cables for ships, but I also provide rope for the gaolers in at the Poignard Prison. We all have aspects of what we do that we could do without.”
Master Caliostrus retreated with the portrait. Once he had placed it on his working easel, he motioned for Stanus to leave and then followed, inclining his head to the factor just before he opened the studio door. “Until later, honored factorius.”
Once the door closed, I went back to working on the area around the factor’s eyes. Caliostrus had been right about one thing-the eyes were central to showing a true likeness.
When Masgayl finally rose at the end of the glass, he stretched, then began to don his cloak, which even he might need against a wind that was more indicative of the winter gusts of Ianus than reminiscent of the pleasant harvest breezes of Erntyn.
“Young Rhenn, you are most unusual for a portraiturist, even for a journeyman.” Masgayl smiled courteously, but for the first time, I could sense a ferocity behind the smile. “The advantage of commerce is that one can be accurate and prosper. Doing so is far more . . . difficult . . . when one’s craft depends on pleasing the perceptions of those who pay. Before long, you will doubtless have to choose between accuracy and perception . . . if you have not already done so.”
“Sir.” I just inclined my head politely. There was little I could or should have said, not given my position.
He smiled again, as if he had made a jest, then turned and left the studio. For a moment, I just stood with the chill wind of the coming winter gusting past me.
Those who would judge a work of art reveal more of themselves than of the artist under their scrutiny or of his work.
For some reason, Samedi mornings in Ianus seemed colder than other winter mornings. The ceramic stove in the center of the studio did radiate warmth, but the windowpanes sucked that heat out of the room. The corner windows and those at the other end of the studio were covered with thick hangings, but not the others, because I needed as much light as I could get in order to paint the girl seated on the chair.
“Mistress Thelya . . . if you would please keep looking toward the vase on that table . . . that’s it.”
Her governess refrained from uttering a word.
“Yes, Master Rhennthyl.”
I didn’t correct her this time. There wasn’t any point to it. Mistress Thelya D’Scheorzyl was all of nine years old. She was sweet and had the manners of a much older girl, thankfully, and the attention span of a gnat, not-so-thankfully. She stroked the cat in her arms gently. The cat had yellow-green eyes and a long silky white coat with tortoiseshell accents. Given that Thelya’s mother had insisted that her daughter be painted in a silver-gray dress, I’d had to find a blue-gray-shaded pillow on which the cat could rest in order to get enough contrast between the cat’s coat, Thelya’s pale complexion, and the dress. Even so, I’d had to change the shade of the pillow in the portrait to get those colors and contrasts so that they enhanced her prettiness rather than clashed with it. I still worried about the eyes . . . there was something there I didn’t have quite the way it should be.
“You’ll make Remsi look good, won’t you?”
“You and Remsi will look good together,” I replied, working on Thelya’s jawline.
In some ways, depicting her cat, the rather languorous Remsi, was the easiest part of the commission, because Remsi was almost totally white with the exception of tortoiseshell paws, tail, and ears.
The jawline still wasn’t quite the way I wanted it. I looked to Thelya, fixing the side of her face in my mind, then at the canvas, and the brushstrokes. The oils on the canvas shimmered, then shifted, ever so slightly. The brushstrokes were still mine, but the jawline was cleaner-and right. I’d only been able to do that recently, but I knew what I was doing bordered on imaging. Yet it was only with oils, and it was cleaner and faster than scraping and repainting and certainly better than overpainting. For all that, I wasn’t about to try it often, only when I had a very clear image in my mind-and definitely not when Master Caliostrus was around.
I worked to get the rest of the left side of her face finished before the ten bells of noon chimed-and managed to do so as well as finish the cat’s face as well, setting down the brush just as the first bell rang.
“Can I see?” asked Thelya, scampering off the chair, but still holding the cat.
“We still need two more sittings,” I said to the governess.
“Then . . . next Mardi afternoon, at the third glass of the afternoon, and next Samedi, at the ninth glass of morning.” She nodded brusquely.
Thelya scurried past me to look at the canvas. “That’s Remsi! It looks just like her.”
I forbore to mention that was the point of a portrait and just smiled.
Once I saw them off, I put in another glass of work on details for the portrait that did not require their presence. I used what little of the oils I had left on a small work, a still life, which I could not do for hire or sale, but only for open exhibit at the annual festival-the only venue where an artist could exhibit or sell out of his discipline-although it would be next year’s festival, since the final judging on this year’s submissions would be later in the evening.
Not more than a quarter of a glass had passed, just after I’d finished cleaning the fine-tipped brush that was my own, when Master Caliostrus entered the studio. “Don’t forget to bank the stove before you leave. I’ll not be using the studio this afternoon. Nor will Ostrius.”
Of course, the most honored heir and junior master wouldn’t be working on a Samedi afternoon. “I’ll take care of it, sir.”
“When will you finish the Mistress Scheorzyl portrait, Rhennthyl?”
“Two more sittings and then a few days of fine work after that, Master Caliostrus. She’ll be here on Mardi and next Samedi.”
“I suppose the delay can’t be helped.”
“Her parents have limited the sittings to once a week, and no more than a glass a time.”
He extended a thin cloth bag. “Factor Masgayl finally paid for the portrait, and here’s your share, Rhennthyl. Go out and celebrate.”
I eased the coins from the bag-eight silvers. I just looked at Caliostrus.
“Half of the fee goes to the master outright. You know that. Then there are the costs for the framing and canvas, not to mention the pigments and oils. There was that one brush you forgot to clean, and replacing it was two silvers.”
“Yes, sir. Thank you, sir.” All I could do was nod and agree. Masgayl Factorius had paid five golds for the portrait I’d done, and out of that I’d gotten eight silvers. Not only that, but I knew he’d paid Caliostrus on Lundi, and Caliostrus had waited almost a week to pay me. Charging me for the brush was mostly fair. Mostly. I’d mislaid it when Caliostrus had dragged me away from cleaning for some chore he’d thought important and I couldn’t even recall. And it had been an old brush. It seemed to me that after painting portraits for close to three years, while still doing almost all the chores for the studio, I ought to be receiving more than one part in five of the commission, especially since I received nothing else except room, board, and training.
Both Factor Masgayl and Factor Scheorzyl had come seeking my work, not that of Master Caliostrus. Yet . . . even though I did my best to save my coins, I certainly did not have enough to open my own studio-and that did not include the ten golds necessary for the bond to be posted with the Artists’ Guild, not to mention Master Caliostrus’s recommendation and the concurrence of the Portraiture Guild.
“Don’t forget the stove, Rhennthyl,” Caliostrus added before he left, climbing the steps up to the family quarters.
After finishing my cleanup and washing up, later on Samedi afternoon I made my way down toward the Festival Hall, walking out Brayer Lane to North Middle and then southwest on the Midroad.
I stopped at Lapinina. I did deserve a bit of a treat. It was little more than a tiny bistro, tucked between a coppersmith’s on one side and a cooper’s on the other, on the southeast side of Guild Square, between Midroad and Sudroad, just a little place with three windows and a half score of tiny tables. But they knew me.
A trace of rime ice clung to the outer doorframe, but when I opened the door and stepped inside, careful to close it quickly, the warmth and smells of cooking-garlic, baked bread, roasted fowl-enfolded me. All the tables were taken. They usually were.
“Rhenn! Over here!” At the smallest of the tables, squeezed in beside the brick casement separating two windows, sat Rogaris. No one else had such an elegant black spade beard, especially not another journeyman artist, but I supposed that came from working in the studio of Jacquerl, one of the most esteemed of portraiturists in L’Excelsis.
The table where Rogaris sat was so small that on the side across from him was only a stool. It was empty, and I eased onto it. “Thank you.”
“You’ve done the same for me more than a few times.” He grinned, then raised his mug. I could see the faint steam of the hot spiced wine.
“What will you have, Rhenn?” asked Staela, the wife of Ruscol, who owned Lapinina.
“The special fried ham croissant and the better spiced hot wine.”
“That’ll be half a silver.”
I extracted the five coppers from my wallet and handed them over-and she was gone.
“What are you doing here?” I asked.
“Getting warm. I was over at the exhibit. I saw your study. You didn’t enter a portrait?”
I shook my head. “I wanted to try something else.” I saw no point in painting a portrait for which I would likely not get paid. It was better to try something else and stretch my abilities.
Staela reappeared and set the hot wine on the table in passing. I cupped my hands around the mug, letting the heat warm chill fingers, before I took a first sip. Then I held it at chin level and let the warmth coming from the mug caress my face.
“Cold out there, even for mid-Ianus,” observed Rogaris.
“Cold enough,” I admitted. “Are you going back over to the Festival Hall?”
Rogaris shook his head. “Master Jacquerl said there wasn’t much point in my entering any studies this year.” He smiled. “Besides, Aemalye has the night off, and the governess’s quarters to herself.” He stood a last swallow from his mug, then set it on the table.
“That sounds promising.”
“Most promising. We’re saving for the bond to open my own studio, and we’ll wed once I make master, a year from this coming Agostos.” Rogaris stood. “Until later, Rhenn, and best of fortune this evening.”
“Thank you.” I slipped around the table and took the narrow chair, just before Staela returned with the chipped brown crockery platter on which was my croissant, along with three fat rice-fries drizzled with balsamic vinegar.
“Eat hearty,” offered Staela as she hurried away.
I took a small bite. I wasn’t in any hurry. The judging results wouldn’t be announced until the sixth glass, and the bells of the fifth glass hadn’t yet rung. I couldn’t help but think about Rogaris. He was less than three years older than I was. I couldn’t conceive of being married soon, not after growing up with Rousel, and then Khethila and Culthyn.
I savored the golden-brown fried ham croissant, alternating with bites from the crunchy fried sticky rice. Then I sat at the tiny table and sipped the warm winter wine, enjoying the melded taste of wine and spices-cinnamon, cloves, and shaeric.
Eventually, I finally finished the last of the winter wine, as much because Staela kept glaring at me as because I was in any haste, and rose, leaving a copper for her and making my way back out into the cold and across the tightly set paving stones of the avenue to the square itself. Festival Hall dominated the Guild Square. Properly speaking, they were the Artisans’ Festival Hall and the Artisans’ Guild Square. Each of the four main artisans’ guilds had a wing of the building, and in the center was the Festival Hall proper. The north wing was the province of the masons’, stonemasons’, and sculptors’ guilds; the west wing was that of the cabinetmakers’ and woodcrafters’ guilds; the south wing belonged to the various representative artists’ guilds, including the portraiturists’ guild; and the east wing was that of the glassblowers’ and various metalcrafters’ guilds.
The guild wings were closed and locked, and I entered the hall through the door between the east and the south wing, nodding at the guard in gray just inside. The four huge ceramic stoves-one for each wing, so to speak-kept my breath from steaming, but the cavernous space was cold enough that I wasn’t about to loosen my jacket.
The display works were hung by guild, and I walked to where mine had been placed, on the far left end of those submitted, one of three-out of nineteen-that didn’t have a portrait component. My painting-a study, really-depicted a chessboard seen from an angle. In addition to the pieces still in play, one could see two goblets of wine, one on each end of the board. The goblet at the end with the fewest pieces taken off the board was more than half full and held a dark red wine, a claret almost as black as the pieces beside it. On the white end of the board, the goblet held but a trace of white wine, a grisio, in my mind. The white imager had been laid on its side, signifying resignation, because in three moves, black would have won by checkmate.
As I stepped back, someone coughed, politely, and I turned.
A tall figure, wearing a solid dark green woolen coat and scuffed but sturdy brown boots, looked at me. His face was thin, accentuated by a wispy white goatee and high cheekbones. His eyes looked to be watery gray in the fading light that sifted through the high clerestory windows. Only half the brass wall lanterns had been lit, but the lamplighter was making his way around the outer walls of the hall. “Ah . . . you’d be Rhennthyl, young Caliostrus’s journeyman.”
“I’m Rhenn.” Young Caliostrus? He was older than my own father, if not by much.
“Good work there. It won’t win, though.”
“Why do you say that?” I had my own ideas, but I wanted to hear what the old artisan might offer-if he was an artisan at all.
“It’s understated. Symbolic, too, and the symbol is the one that no one wants to face.”
“Defeat? A setback? The favor of the Namer?” Like it or not, we all faced setbacks, sooner or later.
“No . . . being forced to resign in the face of superior ability. Don’t you know that’s the greatest fear of any artist? It’s not the fear of death, but the fear of being forced to admit someone else is better. The mark of the Namer is nothing compared to that.” The old artisan laughed. “You’ll see, young fellow. That you will.” Then he turned and walked away.
I couldn’t say that I disagreed with his words, but why had he even bothered to speak to me? And who was he?
A rotund man walked toward me, and it took a moment to recognize Master Estafen. I’d been introduced to him once before, and I’d seen him from a distance upon several occasions. I didn’t know any of his journeymen or apprentices, but he had several of each, and perhaps the most successful portrait studio in L’Excelsis, with the possible exception of Jacquerl. Although the judges were never revealed, I wondered if he might be one of them.
I inclined my head in respect. “Master Estafen.”
“Journeyman Rhennthyl. I saw old Grisarius talking to you.”
“Was that who it was?”
“Oh . . . Grisarius is just the name everyone calls him. Once, he was Emanus D’Arte, and considered one of the best portraiturists in L’Excelsis. But he did a seascape of a beach near Erlescue. Nothing wrong with that, so long as he didn’t sell it. He not only sold it, but he sold it to one of the master imagers, a Maitre D’Esprit, no less, and then told everyone.” Master Estafen shrugged. “After that, the guild had no choice. He was expelled. He had enough put by, I guess, to keep some rooms off the Boulevard D’Imagers. He comes every year to look at the works entered by the journeymen.”
“I thought he might be an artisan of some sort, but . . .”
“He was one of the greatest, but, like many who are great or close to greatness, he thought he was above the rules that govern a guild. Or a city.” He paused, then added, “Or a land.”
“Rules are necessary,” I admitted.
“I saw your work, Rhennthyl. It is good. You could be an outstanding portraiturist. Do not make life harder for yourself than it has to be. A good artist has enough difficulty becoming both great and secure in his position.”
“Yes, sir.” I nodded most politely.
With a warm smile whose depth was more than a little suspect to me, Master Estafen nodded and moved away.
In turn, I nodded to some of the other journeymen walking around. Be-lius was a landscape artist, but his studies were too gray. Morgad had a piece that wasn’t bad, but it was a portrait of an older man that suggested both corpulence and greed, and accurate as it was, I doubted it would be considered for an award. Aurelean, as always, strutted around and avoided mingling with anyone who toiled for one of the “lesser” masters, such as Caliostrus, even though his master, Kocteault, wasn’t always considered among the “greater.”
On the other hand, Elphens, who was by far the best-dressed and most stylish of all the journeymen, smiled broadly and insincerely and even spoke. “It’s good to see you, Rhenn. I enjoyed your study piece. It was most thought-provoking.”
“Thank you. Your gardens were most intriguing.” That was the best I could do.
Before long, Arasmes, the scrivener for the Portraiture Guild, stepped up before the middle of the displayed works. He didn’t shout or yell. He just waited until the handful of journeymen standing around stopped talking and looked in his direction. I remained well in the back, in the shadows, doubting my work would be considered, but hoping nonetheless.
“The judges have decided on the prizes for this year’s journeyman competition.” Arasmes took a long pause, then announced, “Second recognition-and the prize of two golds-goes to Aurelean D’Kocteault for his portrait of Mistress Karlana D’Kocteault. The judges would note that this study is a fine example of a traditional portrait.”
I had to agree. It was indeed an example of tradition. There wasn’t a single item of originality or true artistry anywhere, and I hadn’t seen an original brushstroke in the entire painting. It didn’t hurt that Master Kocteault was the previous guildmaster of the Portraiture Guild and that the portrait had been a flattering image of Kocteault’s elder daughter, who did not look anywhere near so fair as Aurelean had depicted her.
“First recognition goes to Elphens D’Rhenius, along with the prize of five golds. The judges would like to commend journeyman Elphens for his creative use of light in his study of the lower gardens on Council Hill.”
I managed not to snort. Creative use of light was appropriate-since the indirect light he’d depicted in his view of the gardens through a fall mist would have required the sun to be in three places-or that there be three suns in the sky. But Elphens was the journeyman for Master Rhenius D’Arte, considered by some as an equal of Estafen or Jacquerl.
For all that I had expected something like that, the walk back to Master Caliostrus’s in the chill and the dark was less than pleasant. The wind had picked up, and tiny flakes of ice pelted my exposed face, head, and neck. Many of the lanterns outside doors had blown out, and with the storm above, the rays of neither moon penetrated the clouds to offer light.
When I finally reached my small room, my feet were close to numb, and I could not feel the tip of my nose. Even as a journeyman, my quarters were on the street level, between the storerooms and the gallery, where the noises, the odors, and the cold were always the greatest. It took me two tries to slide the door bolt into place. My fingers were so cold that I had to fumble with the striker for several moments before I finally lit the small lamp on the chest.
I pulled off shoes that were both cold and damp, undressed down to my drawers quickly, hung my shirt and trousers on the pegs beside the tall and narrow chest, then wicked down the lamp and blew out the last flicker of flame before clambering into bed. Fortunately, when I’d left home to apprentice to Master Caliostrus, Father had sent me off with heavy blankets and even an old but serviceable comforter. Occasionally, when I visited, Mother slipped me silvers, reminding me that they came from Father, but that he was too proud to hand them to me personally. I had the feeling she was telling the truth about that.
As I lay there in the cold in my narrow bed, slowly warming up, I tried not to think too hard about the patent unfairness of the Festival Hall judging. I’d known it wouldn’t be any different from what had happened, because it had been that way for the previous years, ever since I’d first been an apprentice. Even in the chill of my chamber, before long I was more than warm enough, even in the depths of a cold Ianus, and eventually, I drifted off to sleep.
I woke somewhere in the darkness, so black that I could see nothing. Had the freezing flakes of the night before piled up so high that they had covered and blocked all light from my single narrow window? I felt around, but my blankets and comforter were gone, not that I felt cold, and I sat up, only to discover that I’d been lying on a bench of some sort.
How could that have been? Where was I? Why was it so dark? I knew I’d gone to sleep in my own bed. I needed light. I needed a lamp, one that was lit!
Suddenly, there was light, and I was back under my blankets, peering at the bright glow of the lamp on the chest across from the bed. I just looked at it for a long moment, then to the door, but the bolt was still in place. The window hangings were also shut.
I knew I’d blown out the lamp. I’d even checked it, and I’d never turned the wick up that high because it burned oil too quickly. Was I dreaming?
Gingerly, I eased out from under the now-warm blankets and comforter. The chill, especially from the ancient cold tiles on my bare feet, assured me that I was awake as I crossed the short distance to the chest. The topmost part of the lamp mantle was not that warm, but the lamp had been wicked up.
Had I lit it in my sleep?
The chill of the floor tiles certainly would have awakened me. I’d been dreaming about needing light, needing a lamp, but just dreaming about light didn’t light lamps. I made sure I wicked down the lamp before blowing it out and hurrying back under my blankets. Then I watched the lamp, but it did not light itself.
Again, I slept.
Reality is an illusion based on the understanding of the perceiver.
The walk to my parents’ dwelling felt even farther than to the Guild Square, although the distance was about the same, except I had to walk east, rather than south, but that might have been because Solayi was even colder than Samedi had been, with a wind that howled and sucked every bit of heat out the paving stones and buildings along the Midroad. The angled pale white light of the sun, even in midafternoon, seemed to radiate chill rather than warmth. I finally thumped the bronze knocker on the door, and Nellica, the new servant, opened the door. As I handed her my coat and scarf, I was more than happy to be out of the cold.
Mother scurried into the foyer. “You’re looking well, Rhenn, if a bit chilled.” She wrapped her arms around me for a moment. “Come in and warm yourself by the parlor stove.”
I didn’t need a second invitation and followed her through the left archway and into the family parlor, not the formal parlor.
Khethila was curled up on the corner of the settee closest to the large ceramic stove, a thin book in her hand. She looked up and smiled. “Rhenn!”
“Khethila.” I eased around to put my back to the stove. “What are you reading?”
“Madame D’Shendael’s Poetic Discourse.”
I’d heard of her. She had gathered a group of High Holders’ wives and even some assistants to the Council to her evening salon, where all manner of topics were discussed, many of which reputedly suggested a certain lack of prudence in dealing with the Council. “She’s rather controversial, isn’t she?”
“She does ask questions. Lots of them.”
Khethila bounded to her feet, the book still in hand. “Listen to this.” She cleared her throat and began to read in a husky voice that reminded me that she was no longer a child.
“At hearth, in bed, with feet near bare,
agree with smile demure and fair,
our position’s home; is that where
our spirits, our role, and place declare?”
Just at that point, Father stepped into the parlor through the doorway from the lower study. “You’re not reading that trash again, are you, Khethila?” His eyes flashed, and I could sense he was even more angry than he’d been when I’d told him I’d never be a factor.
“She’s only telling Rhenn what’s in the book, dear.” Mother shot a warning glance to Khethila, before stepping forward and taking Father’s hands. “Besides, we don’t get Rhenn here that often anymore, and we’d all like a pleasant dinner.”
Father glared at Khethila, and she lowered her eyes, but her jaw was firm.
“Let me have Nellica bring you your wine,” Mother continued. “Would you like some of the Dhuensa, Rhenn? Or hot spiced winter wine?”
“The spiced, please. It was a cold walk here.”
“Rousel always hires a carriage when he and Remaya visit.” That was from Culthyn, who had slipped down the front main staircase from the upstairs sitting room.
“He’s a factor,” I pointed out. “I’m an artist.”
“Master Caliostrus has a carriage,” Culthyn pointed out. “Why don’t you?”
Culthyn clearly took after Rousel, but I only said, “Because I’m not a master yet, and don’t have my own studio. It takes longer when you’re an artist.”
“Father could help with the studio.”
“He can’t,” I pointed out. “You can’t open a studio unless you’re a junior master artist, and that takes at least five years as a journeyman, and you have to be approved by your master and by the guild board.” That approval required either great talent, or a certain amount of quiet “gifting,” but the five-year requirement was absolute.
“That’s awful when you’re as good as you are,” Culthyn declared.
“That’s the way it is, and I can’t change it.”
Nellica reappeared with a tray holding a goblet and two mugs, offering the tray to Father first. He took the goblet. I took the one of the mugs, and Mother the other.
“We’re having stuffed and sauced fowl,” she said. “With all the wind and chill, it seemed a good hearty meal.”
“It sounds wonderful.” Especially since my board at Master Caliostrus’s didn’t include dinner on either Samedi or Solayi nights, although I could have bread and cheese from the kitchen. I took a sip of the spiced wine, far better than that at Lapinina, not surprisingly, since Father always had a good cellar and Mother could make the best use of it.
“I even have a hot winter pudding for desert,” Mother added.
“Which all of us have had to keep Culthyn out of,” said Khethila.
“There was more than enough,” muttered my youngest brother.
“There wouldn’t have been,” noted Khethila.
Before long we had gathered in the dining chamber, where Father did allow me the grace of sitting at his right and motioning me to offer the blessing.
“For the grace and warmth from above, for the bounty of the earth below, for all beauty and artistry in the world, for your justice, and for your manifold and great mercies, we offer our thanks and gratitude, both now and evermore, in the spirit of that which cannot be named or imaged . . .”
“In peace and harmony.”
“That’s the artists’ blessing, isn’t it?” said Khethila. “I like it.”
“A blessing’s a blessing,” Father said dryly, gesturing for everyone to sit down. “So long as we respect the Nameless, the words can change a bit.”
Personally, I preferred the artists’ version, but then, I hadn’t heard the crafters’ version, or that of the imagers, assuming that they had a version.
After carving and serving the fowl, then settling into his chair, Father politely asked me, “How is the portraiture business coming?” He always referred to portraiture as “business.”
“I’ve had three commissions in the last month or so, that is, commissions where the patron asked for me to do the work. The one I just finished was of Masgayl Factorius.”
“Ah, yes, the rope factor. Does cables and hawsers as well. Turns a shiny silver or two on the heavy cabling.”
“You and he see many things in the same way.” That was fair enough, although I had the sense that Masgayl Factorius was far more ruthless than Father.
“Did he pay well?”
“After costs, my share was a gold.” I didn’t have to mention the charge for the ruined brush. “Master Caliostrus gets half the fee, before costs.”
“You’d . . .” He stopped at the glance from Mother. “Do you have other commissions?”
“I’m doing a portrait of Mistress Thelya D’Scheorzyl. That one will be done in about two weeks, because she can only sit for one glass, once a week.”
“Scheorzyl . . . Scheorzyl . . . Oh . . . he’s the principal advocate-advisor to the Council.”
I hadn’t known that, only that young Thelya’s parents were well connected and well off, since she had a governess and a special feline.
“Her mother was a beauty,” added Mother. “I suppose she still is, but she usually stays at their estate in Tiens. Something about the air in L’Excelsis. What about the daughter?”
“She’s but nine, and very polite. She’s pretty enough now and looks to be the kind who will turn heads in a few years. She might be too sweet, though.”
“That’s always a problem,” suggested Khethila.
“And exactly why might that be a difficulty, daughter?” asked Father.
Khethila ignored the glare and smiled politely. “You wouldn’t be half so well off or half so happy, Father, if Mother didn’t occasionally suggest that matters might be better handled in another fashion. Girls who are too sweet often merely agree.”
“I doubt that will ever be a difficulty for you.” Father did manage a rueful smile before turning to me. “What do you think about the threats that the Caenenan envoy made last week?”
“I hadn’t heard about them,” I had to admit after swallowing a mouthful of the juicy fowl. “What did he say?”
“You hadn’t heard?” asked Culthyn. “How could you not have heard?”
“I was working, unlike some young people,” I replied.
“He uttered some nonsense about our belief in the Nameless being blasphemy and then went on to say that, if any of our people in Caenen tried to blaspheme against their Duodeus god/goddess, they’d be burned alive.”
“What did the Council do?” In spite of myself, I was a bit interested.
“As usual, they dithered. We ship hundreds of tonnes of the fine woods from there-mahogany, ebony, rosewood, not to mention cotton and . . .”
“And elveweed,” added Khethila.
“That’s not a subject for dinner,” Father said firmly.
“Why not?” she demanded. “When the carriage takes me to grammaire, I can see some of the sansespoirs smoking or chewing it. Some of them just lie there-”
“Where?” asked Mother.
“On the stoops of the taudis below South Middle. The wall’s low enough to see over it.”
“I’ll have Charlsyn take you a longer way from now on,” Mother announced in a hard tone that brooked no argument.
“They’ll still be smoking it, and it comes from Caenen. The civic patrollers don’t do anything, either. They just ignore it.”
“Khethila . . . I cannot do anything about the degenerates of L’Excelsis, but I can do something about what you see. You are not being raised like a taudischild . . . or a . . .”
“A Pharsi?” Khethila suggested.
Father cleared his throat, loudly.
“Why does the Council let them sell elveweed here?” asked Culthyn, abruptly.
“They don’t,” replied Father. “It’s prohibited.”
“Then why do the sansespoirs have it to smoke?”
“That’s because sailors and smugglers sneak it in. They can get golds for small amounts,” I pointed out.
“Have you ever smoked any, Rhenn?” asked Culthyn.
“No. I wouldn’t want to.” Why spend golds on pleasure that was gone before you even knew it? Besides, I’d seen what the addicts looked like, and I never wanted to end up like that.
“Don’t some artists?”
“Some of the abstractionists do, but they’re not part of the guilds, and no one buys their works.” No one respectable, anyway.
“I think we’ve discussed this . . . filthy . . . subject enough,” Mother interjected.
After a moment of silence, I turned to Father. “How is the wool business?”
“We’re doing well. You know Rousel is doing well with the branch factorage in Kherseilles. That makes it easier to ship the heavier woolens to the north of Jariola and to the Abierto Isles. He’s already increased our shipments by a third.”
That sounded like Rousel. He could talk anyone into anything-anyone but me, at least. “He’s doing well, then.”
“Enough that our profits are up by a quarter.”
“And he and Remaya are expecting,” Mother interjected, “in early Juyn, they think.”
“I’m happy for them,” I replied, “and it’s good that Rousel is doing so well.” For now, I thought, hoping that Rousel was not sprinting the edge of the precipice. I was spared having to say more because Nellica cleared away the dinner platters, and then returned to set the winter pudding and dessert plates before Mother.
The pudding was as good as she had promised, and I did take seconds, but then, so did Culthyn. After he finished his second helping, he stared at the remaining pudding.
“Seconds are acceptable at times, Culthyn,” Mother stated. “Thirds are merely greed. Don’t act like a Pharsi.”
Culthyn counterfeited a disconsolate expression, then said. “Remaya’s not greedy.”
Khethila hid a smile.
“She’s different,” Mother said, turning to me. “Did you know that Armynd D’Sholdchild has offered a proposal to Khethila? For when she’s older, of course.” She smiled broadly.
“Mother!” exclaimed Khethila.
“Armynd has?” We’d been at the grammaire together, but he’d gone on to the university. His father held thousands of hectares of grainlands and vineyards out in the westlands. “He’s even older than I am.”
“An older husband is always better. He’s more established. And you’re not getting any younger, Rhenn. It wouldn’t hurt for you to keep an eye out for a likely wife.”
“As an artist?” murmured Father.
“Wealthy women have been known to prefer artists, dear. Look at Madame D’Shendael. She’s a High Holder in her own right.”
“But she had to marry another to keep her rights,” Khethila interjected.
“Do I have to hear her name all the time?” asked Father.
“Her husband is a landscape architect, not an artist, and he designs grand gardens.”
“He’s still an artist,” Mother affirmed, “and Rhenn is going to be a great artist.”
“He’d better hurry, then,” Father replied with a laugh, pushing back his chair.
As Father rose, Mother looked to me. “Will you go to services with us?” Her voice was not quite pleading.
Solayi night was when most families in L’Excelsis went to services, those who respected the Nameless, that is. I supposed I did, in my own way. I had nothing better to do, and Mother had never asked that much unreasonable of me, unlike Father. “Yes, but I’ll have to leave right afterward. Master Caliostrus . . .” I shrugged without completing the explanation.
“We understand.” Mother beamed.
Once everyone was bundled into their coats, we stepped out the side door where Charlsyn had pulled up, and I squeezed into the coach on the rear-facing seat with Khethila and Culthyn. At least, once the service was over, and it was never that long, I’d be much closer to Master Caliostrus’s dwelling.
“Isn’t this almost like old times? Now, if Rousel were just here,” Mother said.
“If Rousel were here, none of us would be able to move,” Culthyn observed.
Even Father smiled at Culthyn’s wry tone.
We arrived at the anomen early enough, a good quarter before the sixth glass, so that we didn’t have to hurry, but that also meant we had to stand in the cold until the service began with the small choir singing the choral invocation-“Paean to the Nameless,” I thought.
Chorister Aknotyn had been at the Anomen D’Este since I could remember. His high tenor pierced the gloom as it always had in the wordless ululating invocation. Then he spoke.
“We are gathered here together this evening in the spirit of the Nameless and in affirmation of the quest for goodness and mercy in all that we do.”
The opening hymn was “Pride Leadeth to a Fall.” I merely mouthed the words, mainly because I was in fact proud and unwilling to have others hear just how badly I did sing.
After that was the Confession.
“We do not name You, for naming is a presumption, and we would not presume upon the creator of all that was, is, and will be. We do not pray to You, nor ask favors or recognition from You, for requesting such asks You to favor us over others who are also Your creations. Rather we confess that we always risk the sins of pride and presumption and that the very names we bear symbolize those sins, for we too often strive to arrogate our names and ourselves above others, to insist that our petty plans and arid achievements have meaning beyond those whom we love or over whom we have influence and power. Let us never forget that we are less than nothing against Your nameless magnificence and that all that we are is a gift to be cherished and treasured, and that we must also respect and cherish the gifts of others, in celebration of You who cannot be named or known, only respected and worshipped.”
“In peace and harmony,” we all chorused.
Then came the offertory baskets, followed by Chorister Aknotyn’s ascension to the pulpit for the homily. “Good evening.”
“Good evening,” came the reply.
“And it is a good evening, for under the Nameless all evenings are good, even those that seem less than marvelous . . . and we all know that there are many of those . . .”
Aknotyn’s dry aside brought low murmurs of laughter to the congregation.
“The other day a youngster asked me why we do not name the Nameless, and I almost repeated the Confession to him, but I realized that he was asking what really was behind the Confession. While our meeting place, the anomen, means place of no name, in fact we name everything, and so often when we name it, we assume that we know it. The name becomes the identity, and it is always a limited identity. Look at it in this fashion. You have a friend. Let’s call him Fieryn, and we’ll say that he has red hair and a certain lack of patience. Each time that you encounter Fieryn or talk to him or watch him, you build a more complete picture in your mind, and when Fieryn is not around, in effect, to you, that picture is Fieryn. But is the picture really Fieryn? Does it include the time he spends with his crippled cousin, whom you do not know? Does it include the glasses he has spent telling stories to his failing aunt who cannot leave her bed? Or the time he drank too much and kicked a poor simpleton? Yet, by calling up his name, we think we know Fieryn. But do we?
“Using names to excess and thinking that the name is the individual is often called the mark of the Namer, because one of the great sins in life is to accept that a name is all that there is of reality . . .
“Now, if there is so much we do not know about those we call family or friends, how much more is there about the Nameless, who created all that there is, that we cannot know and will never know? . . .”
Chorister Aknotyn went on to describe the magnificence of the Nameless and the unmitigated presumption of mere mortals to offer a name and think that they might know even a fraction of what the Nameless might know or understand. I’d heard similar homilies before, and I couldn’t say that I disagreed. The only thing I might have added, if only in my mind, was the question of whether the Nameless, with all that magnificence, would even have cared what I thought or did.
While the walk from the Anomen D’Este to Brayer Lane and Master Caliostrus’s establishment, even by the winding Bakers’ Lane, was only half the distance I’d walked to get to Father’s, I didn’t even have to do that. Mother had Charlsyn go that way-and she slipped me two silvers as well, when Father wasn’t looking, just before I got out of the coach. So I wasn’t all that chilled by the time I reached my room.
A good portrait reveals what is seen; a great one also
reveals what is not.
I was halfway into the last sitting with Thelya on a far warmer and more pleasant Samedi morning-and the second one in Fevier-when I found myself looking at her eyes again. I’d been worried about them-not the shape or the shadows, but the color of the irises-for the last several sittings. The problem was simple. Her eyes were green, but I was limited to zinc blue-green and verdigris, and the zinc green wasn’t intense enough, and the verdigris was far too fugitive to be used for Thelya’s eyes, even if I used a touch of a clear varnish-glaze.
What I really needed was imagers’ green, but only Master Caliostrus had that, along with the lapis blue, and they were so costly that I’d never see them, not as a journeyman, and certainly not so long as I worked in his studio. The most I’d ever seen were tiny dollops here and there. Still . . . I wouldn’t need all that much. I glanced toward the converted ancient armoire that held his pigments, then shook my head.
If I could just have used the tiniest bit of that brilliant green, and then shaded the eyes from yellow-flecked zinc green to the brighter imagers’ green on the sides of the pupils-right there . . .
I swallowed. I’d done it again. What I’d visualized, seen so clearly in my mind, had appeared on the canvas before me. That was a form of imaging. There was no doubt about it, but exactly what use was imaging that could only make small changes in oil paints on a canvas?
I couldn’t help smiling as I studied the face on the canvas. That little change had made all the difference, bringing her eyes alive, and creating a subtle but clear linkage between all the elements of the portrait.
I finished just before noon, after refining just the hint of an errant curl above her left ear. Then I set down the fine-tipped brush and stepped away from the easel.
“Thank you, Thelya. We’re finished for now, and today was the last sitting. The portrait should be ready in a few days.”
“It isn’t done now?” She bounced off the chair, holding Remsi so tightly that the cat gave a meow of protest.
The governess raised an eyebrow. She never spoke when a gesture would do.
“Some of the background isn’t finished, but I don’t need you to sit for that.”
“Can I see?”
“You can . . . if you really want to.”
She stopped well short of the easel. “You’re saying that I shouldn’t.”
That stopped me. For a pampered nine-year-old to catch that suggested more perception than I’d thought she had. After a moment, I said, “You certainly can, Mistress Thelya, but I’d rather that you be surprised when you see the fully completed portrait.”
“Like presents at Year-Turn?”
“Something like that.”
She nodded. “I can wait.” Her words were more about her than about the portrait, and, for some reason, I thought about Chorister Aknotyn’s homily the week before, about thinking we understood people because we knew their names and had seen them often enough to believe that what we had seen was all that they were.
“I’m sure you can.” I smiled. “It won’t be long. Thank you for being so good at the sittings.” I turned to the governess. “Thank you.”
“The quiet was most restful.” Her lips did not quite smile.
Once Thelya, her governess, and Remsi left, I spent a bit more time just looking at the canvas. I had a few things to finish along the edges, but it was a fine portrait, probably the best I had done.
At that moment, Ostrius stepped into the studio, bringing with him a gust of cold air that suggested the past several days of comparatively mild weather were about to end. Almost as if to say that he didn’t have to follow his father’s rules about keeping the door closed in winter, he stood just inside the studio, holding the door open. “We need a little fresher air in here.”
“Suit yourself,” I replied. “My sitting’s over.”
He closed the door and walked toward my easel, where he stopped and glanced at the portrait. After a moment, he said, “Not bad. You almost got the skin perfect.”
Much that he knew. I had gotten Thelya’s pale skin perfect. He would have added the faintest touch of earth brown and yellow to flatter her, but that would have left anyone with any discrimination who saw the portrait vaguely unsatisfied without knowing why. “That’s the way I saw it.”
“You need to see them the way they see themselves, Rhenn. That’s what makes a portraiturist a master.”
After all the years with Master Caliostrus, I was getting to hate the way Ostrius tried to sound like his father. Master Caliostrus might be demanding or picky, but most of the time he was looking to improve what I did-or at least make it more attractive to a patron. Ostrius was just using his father’s mannerisms to assert himself, and that trait had worsened since he’d been confirmed as a master, if a junior master. “It’s certainly what brings many of them golds.”
“Golds last, Rhenn, if you have enough of them. Reputation is fickle, and skills vanish with age.”
He was doubtless right, but the way he said the words was annoying. I forced a laugh. “You’re suggesting that we need to use our skills to amass golds before those skills fade.”
“What else?” He walked to his pigment chest, unlocking it and putting several new brushes inside. Then he locked the chest again. “Don’t forget to bank the coals in the stove.”
“I’ll take care of it.”
“I’m sure you will.” Ostrius flashed an insincere smile as he left the studio.
It wasn’t that long before Master Caliostrus appeared, while I was finishing the last touches on the rust-brown hangings at the left edge of the portrait.
“Where did you get that green?” Master Caliostrus pointed to Thelya’s eyes.
I knew I shouldn’t have left the eyes that way, but they were perfect. “Sir?”
“That’s imagers’ green. Were you in my paints, Rhennthyl?”
“No, sir. I thought about it, but that would have been wrong.” I gave him an embarrassed smile. What else could I say? “When I was cleaning the studio last Meredi . . . there was a little dollop of it on the edge of the side table, and it was hard, but I worked at it with oils over the past few days, and I managed to work in just a little bit . . . I thought . . . well, for her eyes, it seemed perfect.”
“Hmmmph.” Caliostrus walked to the old converted armoire that held his pigments.
That didn’t bother me-if he were honest-because I hadn’t touched his pigments. I wouldn’t have dared. I could hear him mumbling. “Not here . . . there . . . hmmmm.”
After a time, he returned and scanned the portrait of Thelya D’Scheorzyl minutely, then nodded. “It is quite good. I would have softened her skin a touch, but you chose to render what you saw. That might be best for a child.” He smiled. “That way, if you do one later, you can soften it.” He paused. “You’ll pardon my concern about the eyes, but imagers’ green is almost as valuable as liquid silver. You must have worked very hard to stretch that small dollop.”
“I did, sir. It would have been better if I could have used a touch in the corner of the cat’s pupils, but . . .” I shrugged helplessly. “I wouldn’t have tried so hard, but I kept looking at her eyes, and they needed to be more intense, and the zinc green, even with a glaze . . .”
“You did what you could, Rhennthyl, and I’m certain Madame Scheorzyl will be pleased with the portrait.” Caliostrus paused. “I’m glad that you didn’t try to use verdigris. The effect would have faded in a few years, even with a glaze.”
“I’d thought so, sir.”
“Even without that little bit of imagers’ green, you could have heightened the effect with a little yellow ochre there . . . and there.” His stubby forefinger pointed.
“I still could . . . and should, then, sir.”
“I still have a few skills you haven’t picked up yet, Rhennthyl.”
“More than a few, sir.”
“You’ll be finished by Meredi, ready for framing?”
His eyes did linger on the portrait for a time before he turned. “You’ll bank the coals?”
“Once I’m done, yes, sir.”
I did take his suggestions about the ochre yellow, and it took almost a glass to get it right. By then I was ready to leave. I did have enough coppers to go to Lapinina, and who knew, there might even be a pretty face there.
Happiness cannot be pursued through art, nor art
The younger unmarried crafters and artisans got together in the Guild Hall the next to the last Samedi of every month, the twenty-eighth of the month. It wasn’t anything organized by the guilds, exactly, but they did let us use a corner of the hall without a charge, even for the two guards. There were musicians, and we’d pass a hat for them, and everyone usually had a good time-or at least a time away from the worries of the week.
That Fevier Samedi, I was standing by the outer wall of the hall, talking with Rogaris and Dolemis, while we shared a bottle of Fystian, a white vintage perhaps a half step above plonk. Rogaris held the bottle, as always, no matter who had bought it-me, in this case.
“. . . you think this Caenenan thing will lead to war?” Dolemis kept looking past us at Yvette, as she swirled past in the arms of someone I didn’t know. Yvette had been his girl for years-until she’d suggested formalizing the arrangement.
“What Caenenan thing?” asked Rogaris, taking a swig of the Fystian.
“The Caenenan envoy threatened that they’d kill any of our people who blasphemed their god or goddess or duality or whatever,” I said. “That was weeks ago.”
“No . . . they did,” Dolemis explained. “It was in the newsheets this afternoon. Some clerk in the embassy in Caena burst out laughing at one of their religious processions, and their armites lopped off his head on the spot. The Council is debating the matter.”
“Cut off his head for laughing?” asked Rogaris. “You can’t be serious.”
“What do you expect from people who are arrogant enough to name their god?” I had more than a little scorn for people who thought a god cared whether they ate certain foods on certain days or who believed that people would be blessed or cursed or live forever or be tortured for eternity if they didn’t follow a set of rules laid down by some dead prophet or another. If there happened to be an all-powerful and almighty deity-and I had my doubts-he or she or it or whatever wasn’t about to care about who followed what dogma.
“Everyone’s not like us,” Rogaris said. “Most of them are stupider, and that’s not giving us Solidarans much credit.”
“You think the Council will send imagers?” asked Dolemis.
How would I know that? I didn’t even know what an imager could really do in a war, except I knew no one much wanted a strong one against them-but there hadn’t ever been that many war imagers, not from what I’d read in the histories, not since Rex Regis, when his unknown imager had done strange things with walls. I had no idea if there were any at the Collegium Imago now. I supposed that wasn’t something anyone would want to reveal.
“Rhenn! Come dance with me!” called Seliora. She had jet-black hair and eyes to match, and she wore a black jacket with crimson trim above a crimson skirt and black dancing boots. I’d heard that she worked as an upholsterer and embroiderer for one of the furniture crafters in the artisans’ area off Nordroad north of the Boulevard D’Este, but she’d never said, and I hadn’t asked. “You’ve talked long enough.”
“If you would excuse me,” I said, “I’m being summoned by a pretty woman, and that doesn’t happen that often.”
“It would if you’d let it,” quipped Rogaris.
“You never said what you thought would happen in Caenen,” protested Dolemis.
“We’ll send ships and troops, and people will fight and die, and they’ll still lop off heads, and then we’ll either kill enough of them that they’ll stop doing it, or they won’t, and then we’ll lose more troops until we quit and declare victory.” I called the last words over my shoulder as I hurried toward Seliora.
“Declare victory about what?” Seliora asked as I slipped my arm around her waist and began to dance with her, ignoring the fact that the waltz seemed a bit fast to me.
“The Caenenans . . . politics, again.” I really didn’t want to talk about it. I supposed I could be conscripted if the Council declared war, but they usually didn’t conscript journeymen artisans or crafters. Apprentices were often conscripted, as were journeymen without masters.
“Dolemis always talks politics. Yvette said he even mumbled about them in his sleep.”
“She actually listened?”
“I think that was the trouble.”
“Well, he can’t do anything about it, not unless he works and becomes a craftmaster, because the Council is elected from the guilds, the factors’ associations, and the High Holders, and you have to be a craftmaster to be eligible, and he never will be because he spends too much time talking about politics rather than crafting cabinets for Sasol,” I added with a laugh.
For a time, I did not speak, just enjoyed dancing and holding Seliora. She wasn’t slender, but certainly not heavy, rather muscular. I enjoyed seeing her smile. Over the past year, we had talked and danced occasionally, and I knew she was interested in me . . . at least a little bit.
When the musicians stopped, so did we, but she didn’t move away, and neither did I.
She looked up at me. “Everyone says you think you’re too good to have a girl who might have actually lived within a few streets of the taudis or the Pharsis.”
I had to laugh. “The first girl that I fell in love with was a Pharsi.”
“How old were you? Five?” Seliora quipped back.
“More like thirteen.”
“And I suppose you threw her over for some factor’s twit?”
“No. She threw me over for some factor’s twit, rather quickly. She married my younger brother almost two years ago. She said that when she saw him, it had to be.”
Seliora looked hard at me. “Is that a joke?”
“No. They’re expecting their first child this summer. They live in Kherseilles now.”
The musicians began again, this time a fast variana, and Seliora took my hand. “Another dance.” Her words weren’t a request, but I was happy to comply, and she said nothing more as we moved to the beat of the music.
When the musicians stopped, I was breathing a little faster than usual.
“You shouldn’t let that spoil things,” she said. “You’re good-looking. Rogaris says your work is good enough that before all that long you’ll be a master artist with your own studio.”
“At least three more years, and he’s being kind.”
“Rogaris?” Seliora laughed.
She had a point, but I shook my head. “It’s not just that. I’m just beginning to get commissions, and they’re still not all that frequent. How could I support a wife or a family?”
“Some women do make more than a few coins in honest work.” She smiled warmly.
“I’m most certain you do.”
“And being married doesn’t mean you have to have a family right away.”
“That’s true.” I grinned at her. “Are you asking me to propose to you?”
Seliora actually lowered her eyes, if only for a moment. “I am part Pharsi, if that helps. My grandmother was one. She came to L’Excelsis as a servant.”
“If you take after her, I doubt she stayed one very long.”
“No, she didn’t. She was the one who started the business.”
“You . . . your family . . .?” I hadn’t realized that.
“Papa and Aunt Aegina are the master crafters. They make the chairs and the settees. Mama and I choose the fabrics and do the additional embroidery designs.”
I had wondered about the fact that Seliora was usually better dressed than the other young women, but I’d learned that some women spent every last copper on clothes.
I inclined my head. “I’m-”
“Please don’t tell anyone, especially Dolemis. He’s a terrible gossip.”
The music resumed, another waltz, a slower one, and I turned to her. “I still would have asked for another dance.”
She smiled. “I know. I do foretell more than I say.”
We spent most of the evening dancing, and I did walk her and two of her friends home, even if it meant an even longer and colder walk back out the Boulevard D’Este to Master Caliostrus’s establishment. The entire way, I wondered what she had foretold that she hadn’t said.
Flattery is almost always perceived as either accurate
On Jeudi afternoon, I was in the work shed powdering red ochre, using the ancient mortar and pestle that looked as though they had been in Master Caliostrus’s family for generations. Despite the sunlight outside, a chill breeze seeped through the bare plank walls. Powdering hard red ochre was sweaty work. The chill made it even less pleasant, especially if I crushed it and twisted the pestle too hard, because then some of the powder seeped into the air and then stuck to my sweat. Later, it got cold and itchy, and scratching just made it worse.
I consoled myself that the situation was only temporary because Stanus had finally run off, after throwing a bucket of hot ivory-black scraps at Ostrius. The scraps had burned holes in Ostrius’s shirt and given him several welts on his neck, but it would have been worse had not Ostrius been wearing a leather working vest. If the civic patrollers caught poor Stanus, he’d spend at least a year in the mines, but, in the interim, assuming that Master Caliostrus could find and accept another apprentice, everyone expected me to do all the apprentice chores as well as my own, not to mention painting whatever commissions might come my way, not that I had any at the moment.
Still . . . the Scheorzyl portrait had turned out well, and I’d even gotten a half-gold bonus. I had to wonder how much extra the Scheorzyls had paid Caliostrus. But my name was getting around-at least to families with daughters who liked cats.
Everyone in the household was edgy that morning. As I’d left the table after breakfast, Madame Caliostrus had murmured something to her husband that had sounded like “your worthless brother skulking around here again.” I’d known Caliostrus had a brother, and I’d even seen him a few times over the years-and smelled him, reeking of plonk so cheap that not even the poorest apprentice would have drunk it. That morning, Caliostrus had snapped back, but I hadn’t heard what he’d said. I’d just wanted to get away before Ostrius made another comment about my lack of foresight, especially since it was really his shortsightedness, not that he’d ever admit it.
I checked the powder. Still too coarse, but getting closer to what was necessary to mix with the oil and wax that were melting over the small iron mixing stove in the corner. I went back to grinding, wishing that Stanus were still around, or that Caliostrus would get another apprentice so that I didn’t have to do everything.
The shed door opened, and a gust of wind swirled ochre powder up around me, and I began to sneeze.
Ostrius stood there, glowering at me. “How long will it be before you can mix up the pigment?”
After I could stop sneezing, I just looked at him, noticing that he’d replaced the dressing covering the burn on his neck.
“Answer me. When will we have red ochre pigment?”
“Not until tomorrow. I won’t have enough powder until later today, and then it will have to be blended and cooled . . .”
“You should have gotten to this earlier.” He glared at me. “We’re both waiting for the pigment.”
“No one told me until this morning.” I didn’t point out that talking to him slowed me down-or that he’d been the one to use all the red ochre pigment for his portrait of High Chorister Thalyt and that he hadn’t bothered to tell anyone that there hadn’t been more than a palette knife’s worth of it remaining.
“You should have known.”
What could I say that wouldn’t make him even angrier? Especially since Ostrius had never been the type to listen to reason or consider himself the cause of anything. He’d been the cause of the problem with his attitude and his mistreatment of Stanus, not that he’d ever been pleasant to me, either, but I had the advantage of having parents who had some position, unlike poor Stanus, whose father was dead and whose mother was a seamstress.
With a last glare at me, he stalked off, leaving the work shed door open. Of course, the wind gusted again and blew some of the finer powder I’d just ground right out of the pestle and up around me. I began to sneeze more, and by the time I got the door closed, I’d probably lost half a cup’s worth of ground ochre powder. At that moment, I would have liked to strap Ostrius to a worktable and then slowly pour fine ochre powder down his throat and nostrils until he choked to death.
I recovered some of the powder from the bench top beside the mortar, and then went back to work. But I kept having to stop and sneeze. There was no help for it. I needed to brush the fine grit and powder off me and wash my hands and face, or I’d never get much done.
After carefully and quickly opening and closing the shed door behind me, I walked toward the service pump house in the corner, past the low wall that separated the garden from the more mundane and less attractive working areas of Master Caliostrus’s establishment.
Despite the chill and the wind, Shienna was pruning the bare-branched grape vines-even the leaves were used, mainly for the dolmades her mother made and which one enjoyed the first several times they were served, but which became less than entrancing by the onset of spring. Some of the less perfect leaves were used with copper plates for making verdigris, but that green pigment was used only for quick treatments, because it was so fugitive if exposed for long to bright light.
Shienna was a sweet girl, unlike her elder brother, but to say that she was plain would have been an exaggeration that not even an imager could have transformed into truth.
Still, she was sweet, and I did smile. “Mistress Shienna, how lovely your cheeks today, like the paleness of a fresh white peach . . .”
“They’re wind-chapped and red, but you’re always so dear, Rhenn. I don’t believe a word, but the kindness is appreciated.”
“And your hair shimmers with a lustre beyond that of the greater moon in the fullness of harvest.” I have never held myself to be bound by the dictates of foolish consistency, particularly when dealing with young women-except, strangely, for Seliora-since most so often professed what they esteemed in a man, and then bedded his exact opposite, while refusing the man who embodied what they said they professed.
Inconsistency I did not condemn, nor even foolishness, but the hypocrisy of professing an ideal, whatever it might be, and defending it verbally and vociferously, while secretly betraying it by behavior, I generally found disgusting. Unless such betrayal was accomplished with such wit and grace that it might be termed admirable, and then it was what one might call polished evil.
“Rhenn!” Ostrius called from one of the studio windows overlooking the rear courtyard. “You are not grinding or powdering when you are jawing!”
I looked up and smiled politely. “I can’t powder when I’m sneezing because someone opened the door and blew powder all over me.”
Caliostrus appeared in the window beside his son. “No excuses, now, Rennthyl!”
“Yes, sir.” I managed not to grimace or grit my teeth, but I would have liked to submerge both of them in powered ochre.
“Don’t mind Father,” Shienna murmured. “He likes to shout because it proves he can.”
“He is the master portraiturist,” I replied.
“Well, just don’t stand there!” Caliostrus shouted down.
I kept my lips together and resumed my progress toward the service pump house, imagining both Caliostrus and his worthless elder son being consumed by an explosion of paraffin from a container heated too hot on the studio stove because Ostrius was too lazy to check it . . . flaming wax everywhere, and fire washing over them . . .
I turned to see flames exploding through the open window where Caliostrus had been a moment before.
For a moment, I just stood there, frozen.
Crumpp! Some sort of explosion, a small one, shook the upper level. As fragments of glass and some tile fragments pattered on the pavement, my mouth dropped open. The entire second floor of the building-the studio level-had become a mass of flame, and the flames were rising higher.
“Mother! Marcyl!” screamed Shienna.
I ran toward the outside steps and sprinted up them, trying to ignore the heat radiating past me as I scrambled upward past the second level up to the family quarters.
Olavya stumbled out of the upper doorway. “Father!”
“Where’s your mother?” I demanded.
“Inside . . . Marcyl’s sick.”
I only took two steps into the kitchen area before I almost ran into Almaya, who was half-pulling, half-dragging Marcyl. I just grabbed him from her and staggered back outside and down the steps. I could feel and smell my hair being crisped as I hurried down past the second level. I could also smell another sickeningly sweet smell, and I could barely keep from retching as I carried Marcyl into the far corner of the courtyard, where I set him down.
Somewhere in the distance I could hear the fire bells ringing. I knew that nothing would stop the conflagration already raging through the building. Then . . . I did retch.
Images create their own memories.
The fire brigade arrived, but all that they and we could do was to pump water over the rest of the courtyard to keep the fire from spreading. The fire consumed everything so quickly that, well before sunset, only the blackened stone walls stood, the bare remnants of what had once been Master Caliostrus’s studio, dwelling, gallery, and apprentice and journeyman quarters. Madame Caliostrus had lost her husband and eldest son, all the paintings, and possibly all the coins in the strongbox. Compared to them, I’d lost nearly nothing-my clothing, what brushes and paints were mine, and close to two golds in coin.
I’d thought about paraffin exploding all over Ostrius and consuming him in fire . . . but . . . how could I have imaged that? All I’d ever done in the way of imaging were tiny things like changing the position of a few brushstrokes of oil on a canvas. It didn’t seem possible that I’d done that. How could I have done it? Paraffin and wax could explode into fire if not watched closely-and Ostrius was seldom as careful as he should have been. Yet . . . there had been the lamp I’d found burning on the dressing chest. But what about that second explosion? What had been up in the studio that could have exploded so quickly?
In the twilight, colder than usual for early Maris, the water on the courtyard stones was beginning to freeze in corners that had been shaded, and I had to step carefully as I approached Madame Caliostrus. Her face was more lined than I recalled, and her eyes were focused somewhere else.
“I’m so sorry.”
She shook herself. “You did what you could. I don’t know if I could have gotten Marcyl out without your help.” She paused. “What will you do? There’s nothing . . . nothing here.”
“I can live with my parents for a little while. Perhaps I can find another portraiture master. Or . . .” I didn’t know what else I might do, because I’d have to start over as a journeyman with someone else-if they’d even have me. But I didn’t really want to go into the wool trade. I’d end up working for Rousel, because he was better at it. That just would have been too much. “What about you?” I had to ask.
“My sister . . . she can help. They have space.” Tears began to well in the corners of her eyes. “Caliostrus . . . Ostrius . . . how could it have happened? Caliostrus was so careful.”
I didn’t want to point out that Ostrius wasn’t, not because her son had been careful, because he seldom was, but because . . . had it really been his doing? I had a hard time believing that a wishful, if hateful, mental image of mine had created a fire and then an explosion, but I also had an equally difficult time thinking paraffin could explode so violently and quickly without Master Caliostrus noticing something before it happened.
“I don’t know. I was down in the shed grinding ochre, and I had been almost all day.”
In the end, I said good-bye and slipped away, walking through the cold twilight, shivering as I did, because my warm coat had also gone up in smoke. Spots on the back of my neck offered hot and painful twinges.
My ears and fingers and nose were numb by the time I used the knocker at my parents’ house. Even the burns on my neck were numb.
Nellica opened the door. “Young sir.” She looked askance at me. “Ah . . . were you . . . there is a dinner.”
“Just tell my parents that I’m here because of unexpected circumstances . . . very unexpected.” I didn’t ask to come in. I was too cold to ask. I just stepped into the front foyer.
“Yes, sir.” She eased back toward the dining chamber, where I could hear laughter.
Almost immediately, Father bustled out, and I could sense his glare even before I could see it. Mother trailed him, her brows knit in worry.
“Rhennthyl! What are you doing here?” demanded Father. “Did Master Caliostrus throw you out? I told you-”
“Chenkyr . . . let him speak. He’s shivering, and he’s not even wearing a jacket. And his clothes are covered in soot.”
I hadn’t even really noticed that. “There was a fire. I was in the courtyard grinding and powdering pigments. There was an explosion and the entire second level-that was the studio level-exploded in flames. Master Caliostrus and Ostrius died in the fire or the explosion. The whole building was destroyed, the studio, the quarters, the family spaces. I helped the family escape the flames, and tried to assist the fire brigade.” I shrugged. “I have what you see.”
Father, for once, was taken aback enough that he was silent for a moment. “I see.”
“If you would not mind my sleeping somewhere here . . .”
“Culthyn has your old room. You knew that,” Mother said quickly, “but the chambers where Rousel and Remaya stayed are available. They’re a bit musty . . . because we weren’t expecting them until the first week in Avryl. Rousel doesn’t want to leave her alone while she is expecting, and he has to come back to work out the rest of the year’s shipments.”
“Musty is fine,” I said. Anything was fine at the moment.
She turned to Father. “You take care of the guests. I’ll be with you shortly.”
“Ah . . . yes.” He nodded to me. “I’m glad to see you’re all right. We’ll talk later.”
Mother waited a moment, until Father had closed the door off the hallway into the dining chamber. “Are you all right?” She looked intently at me.
“As right as I can be.” Considering that I might have imaged the explosion that killed my master and his son, considering I’d lost everything I had personally-except for the clothes on my back and a wedding suit-and considering that I had no idea whether I could find a place with another master artist . . . or what I might do, given the fact that, if I had imaged the explosion, what I had done was effectively murder, as well as an offense against the Collegium Imago.
“You’re freezing. I’ll have Nellica get you a plate and some hot food, and some spiced wine. You can eat in the family parlor, right in front of the stove. It’s still warm, and I’ll have her find you some dry and warm clothes. We’ll see you after our guests leave. They’re most important for your father. He’s interested in a large contract for the Navy.”
“You’d better see to them.”
“After I make sure you get fed and warm.”
Before long I was wrapped in a heavy wool robe in front of the parlor stove with a platter of chicken naranje and basamatic rice with orange sauce. I ate slowly, trying to think matters through.
Even if I had imaged the fire into being, I had not really meant to kill Master Caliostrus, but I could not say that of Ostrius. Yet intended or not, the deed had been done, and I needed to discover what else I might image, for I was not about to travel the Bridge of Hopes and make my case to the imagers that I should be considered for their Collegium on the basis of an image that had killed two men.
“Here is some more of the hot spiced wine, sir . . .” offered Nellica, pouring some into the mug on the side table.
“Oh . . . thank you.”
“Was it a terrible fire, sir?”
“I’m afraid it was, Nellica. Master Caliostrus and his son Ostrius died. I was working down in the grinding shed when it happened, or I might have been burned or injured.”
“Sir . . . there’s a burn or two, little ones, it looks like, on the back of your neck. After I serve the dessert, I can get some ointment . . . and some warm water.”
“Thank you. That would be good.”
When she left, I took another sip of the hot spiced wine.
My parents would house me for a few weeks, but certainly not longer, not unless I had something firm in mind, and not without more than a few questions, and more than a little pressure to return to the fold, so to speak.
I tried to wait for them, but their dinner went on and on. So I decided go back to the main-floor guest chamber. Nellica had set out water and towels, and the water was still warm. I washed up and then sat down in the one armchair. I thought I might try to see if I could image something, but I was so tired that my eyes kept closing, and I finally just stumbled over to the bed and climbed under the covers and went to sleep.
Before I knew it, Nellica was knocking on the chamber door on Vendrei morning.
“Your parents would like to know if you would care to join them for breakfast.”
That was as close to a summons as possible, and I struggled awake, finally mumbling, “If you’d tell them that I’ll be there in just a few moments.”
“That I will, sir.”
I just pulled on the heavy robe and some slippers that had been left and padded down the back hallway. They were both in the breakfast room.
Mother set down her tea. “Are you feeling better this morning, dear?”
“I’m still tired and sleepy,” I admitted, settling into the chair at the side of the oval table.
Nellica immediately set a large mug of steaming tea in front of me, too hot even to sip.
“I can certainly understand, dear, seeing a fire like that and helping fight it, and then walking all the way here in the cold.” Mother sniffed, but sympathetically.
Father finished chewing a mouthful of what looked suspiciously like trout and egg souffle, took a swallow of tea, and cleared his throat.
I put my hands, still cold, around the mug of tea and waited for the onslaught.
“It’s clear the portraiture business wasn’t for you,” Father said briskly. “These sorts of things, tragic as they may be, aren’t to be ignored as portents. I also heard you had the best painting in the journeyman’s competition, but that it wasn’t picked because it was too . . . unconventional.”
The reference to my painting of the chessboard surprised me. I hadn’t mentioned it to him or to Mother or Rousel. “Who told you that?”
“I do have my sources, Rhenn. Merely being good at figures and trade isn’t sufficient to succeed, especially not in L’Excelsis.”
“I take it that your dinner was successful last night?”
“That’s likely, but only time will tell.” He fixed both of his slightly bulbous eyes on me. “Let us not change the subject. What do you plan to do?”
“I could say that I hadn’t thought about it,” I admitted, “but that wouldn’t be true. I have thought about it, but I haven’t come to a decision.”
“What’s to decide?” He snorted. “You don’t have two silvers to rub together, let alone the five golds necessary to pay for another journeyman’s position with a master, and that’s if you could find one willing to take you on.”
“I’m a good portraiturist,” I pointed out.
“No, son . . . you’re better than good. I saw the one you did of Masgayl Factorius. He boasted of what a great portrait it was and how little it cost him. Your ability is your problem. You’re better than many who are masters. Why would they want to raise up someone who could compete against them for patrons as soon as you became a master? You’re good enough that the guild couldn’t possibly turn you down, even now. That means that no one will take you as a journeyman. Those who might will fear retaliation from the others, and I couldn’t afford the gifts required to get you accepted. It was costly enough when you were just a talented student coming out of grammaire. Now . . .” He shook his head.
“I wasn’t asking.”
“I know you weren’t. That wasn’t my point. What I was trying to get across was that if I can’t afford that . . . you couldn’t, either.” He took a deep breath. “But you’ll likely not listen to me, not yet. I’d suggest that you make the rounds of some of the other masters and see what reaction you get. Then, we’ll talk.” He pushed back his chair. “Take your time. You’ll need to be sure, and I need you to understand how matters stand.” Then he stood and smiled, and it wasn’t a cruel smile, but one that was almost sad.
How matters stood? Even with his sources, he hadn’t half the idea of where matters truly stood. Yet . . . what if he were wrong? I was a good artist. What if someone would take me on? How would I know if I didn’t at least ask?
“All of us, all of us, Rhenn, we do what we can. You’ll find that’s true for you as well.”
I just watched as he turned and left.
“He’s just trying to be helpful, Rhenn.”
“I know.” And I did, but I wasn’t finding his attitude as helpful as he thought it was. What was I supposed to do? Come crawling back to the factoring business and work for my younger brother at something for which I had little talent and even less inclination? Or throw myself on the mercy of the imagers of Imagisle? Who knew if they even had mercy?
After finishing breakfast, silently, I washed up, and changed into some older clothes that had been someone’s, possibly my father’s or my late uncle’s. I’d have to get another razor, and more than a few other items, assuming I could beg or borrow the coins from my parents.
Then I sat down in the chair and tried to image a small box. Nothing happened.
I walked over to the dressing table and picked up a polished bone hair comb-probably one of a pair of Remaya’s that she’d left on one of their visits because she’d broken or lost the mate. I set it down and studied it, then concentrated, trying to image its mate, lying on the polished wood of the dressing table beside the first. I didn’t see anything happen, but then, as if it had been there all along, a pair of combs rested on the wood.
I’d leave them, of course, if only to confound Rousel and Remaya, except that they’d probably just assume that someone had found or repaired the broken comb.
That proved to me that I could image something beyond oils on canvas. It also reinforced the likelihood that I’d been guilty of killing two men, even if it had been unintentional.
If I wanted to keep painting, I still needed to talk to some of the other portraiturist masters.
In truth lies falsity, in falsity truth.
Chasys’s studio was the closest of any of the portraiturist masters’ studios to my parents, but it was still a long walk to Daravin Way, Thankfully, the morning was sunny, and the blustery wind of the day before had died down. Even so, my feet were cold by the time I stopped outside the small two-story dwelling that held quarters and studio.
I used the bronze knocker on the outside studio door, expecting Sagaryn to be the one to greet me, but Chasys himself appeared. He was a thin figure, slightly taller than I was, but no one would have thought so, because he was always stooped over. His graying brown hair was frizzy all over, but trimmed short. He wore a leather apron.
“Rhennthyl, is it?” He stepped back and held the door open. “Might as well come in and get warmed up.”
Chasys closed the door. Beyond him was the studio, a space less than a quarter the size I had worked in with Master Caliostrus. On the easel was a portrait, scarcely begun, but I could tell that it was of a young matron, not that I would have recognized many with the golds to commission such a work.
“After I heard what happened to old Caliostrus . . .” He shook his head. “Always knew he was spoiling that boy . . . man, I guess he was.” Then he looked squarely at me. “Sagaryn thought you might be asking around. I liked that study you entered in the competition, that I did.”
I had the feeling I knew what was coming, but I just said, “Thank you, Master Chasys.”
“It’s not that I couldn’t use another journeyman, especially one with your skills, but . . . we’ve barely got enough work these days for Sagaryn and me. I haven’t seen so little work in maybe ten-twelve years, and it’s not just me. Jacquerl and Teibyn were saying the same.”
That didn’t surprise me, because Sagaryn had mentioned that times were sometimes tight, but I had to start somewhere. “Is there a master you might suggest?”
Chasys cocked his head, then frowned. “I don’t know about Estafen or Kocteault.”
“I’ve seen Kocteault’s place, but not Master Estafen’s . . .”
“Estafen . . . you walked within fifty yards of his place coming here. He’s on Beidalt-the short place just beyond the end of Bakers’ Lane.”
Since Estafen was nearer, that was where I went next, a far shorter walk.
An apprentice opened the side door to the studio, painted white and trimmed with the thinnest line of green-zinc green, but green, nonetheless. Most doors in L’Excelsis were either stained and oiled or painted one color. “Might I say who’s seeking the master?”
“Rhennthyl, from Master Caliostrus.”
“If you would wait in the foyer . . . sir.”
“Thank you.” I stepped inside and looked around while the apprentice scurried through another door. Estafen’s studio had a foyer, bare, except for a single portrait hung there on the wall facing the door. It was a most flattering image of a redheaded young woman, a subtle but direct indication that he could indeed portray redheads with skill. Still, I didn’t think it was that much better than the ones I’d done.
“Yes, Rhennthyl, you do portray redheads well. It’s one of your many talents.” Master Estafen had slipped into the foyer so silently that I had not even noticed him, far more quietly than I would have expected from such a rotund figure.
“If I might ask, sir, how did you know?”
“I was privileged to see the one you did last year of Mistress D’Whaelyn. High Factor Whelatyn, the brother of the girl’s father, asked my opinion. I told him that he could not have done better, except if he had commissioned one from a master.”
I smiled politely. The portrait had been better than some of the masters’ works with redheads, although I had to admit that the one Estafen had hung was quite good. “Thank you, sir. I imagine you know why I’m here.”
“I could pretend to be dense and quite solicitous . . . but I won’t.” Estafen’s smile was pleasant and cool. “I understand Master Caliostrus perished in a fire. Why no one suspects you of any part in it is, first, you were nowhere near where the fire started for half a day and, second, you have so much to lose, and nothing to gain. You, of course, could be my gain, but, alas, I already have two journeymen and two apprentices. None of them are quite so good as you, but they’re most competent, and even I do not have enough work for them . . . and you as well.” His smile turned apologetic. “Times are difficult, and with a possible war looming and trade and commerce profits being threatened, fewer of those with coins are likely to spend them on portraits.” He shrugged. “I wish I could offer you more encouragement, Rhennthyl, but that is how it must be. I trust you understand.”
“I understand your situation, sir, and I respect and appreciate your kind directness. You must understand that I must attempt to find a position. Do you have any suggestions, sir?”
“Would that I could suggest a master, Rhennthyl, but I cannot, and I fear that what you seek may prove most difficult. Because of your talent and aspirations, I would hope otherwise.”
“As would I, sir.” I inclined my head. “I thank you for your time, sir.”
“The best of fortune to you, and I would be the first to hope that you find the proper master for your abilities.”
I bowed again and took my leave.
As I walked back along the Boulevard D’Este, toward Jacquerl’s studio, I thought over Master Estafen’s words. They bore an ominous similarity to what my father had said. Estafen had as much as said that he wasn’t about to have someone as good as I was as a journeyman.
It was early afternoon, and my feet were getting sore, when I reached Jacquerl’s establishment on Sloedyr Way. I wished I’d had the coins for a hack, or the wealth for my own carriage, but if I’d had that, I wouldn’t have been trudging from master portraiturist to master portraiturist.
Rogaris met me outside, even before I could knock at the door. “You can talk to him if you want to . . .” He raised his eyebrows.
“But he’ll say no.”
“I’ll talk to him. I’d like to hear how he turns me down.”
“I thought so.” Rogaris shook his head, then opened the door-painted a dark brown-and stepped inside, waiting for me and closing it behind me. The wooden floors could have graced the foyer of many dwellings, far finer they were than most studios in which I had been.
Jacquerl stepped away from the easel, setting down a brush, and walked toward me. He was short and dapper, and even his leather apron was almost spotless. “Rhennthyl.” He smiled politely. “Rogaris said you would wish to speak to me. I was so sorry to hear about poor Caliostrus. He was a good man, and we’ll all miss him.” He paused. “I assume you are here to see if there is any possibility of becoming one of my journeymen.”
“That was my thought, sir.”
“Directly said, as might your father have put it, a direct man, as factors must often be.”
“He can be very direct, sir, more so than I.”
“That well may be, Rhennthyl, but you never did strike me as a young man amenable to the subtle. That can be both a strength and a weakness in Solidar. That’s particularly true here in L’Excelsis, where, at times, one must be subtle and perceptive enough to see what is and why no one will mention it, and yet strong enough to pursue what is necessary without seeming to do so.” Jacquerl paused. “Then, there are other times, such as these. Much as I would like to support an artist of your ability, I cannot. The commissions would not be there, and we would all suffer. You will pardon me, I trust, if after all the years I have been a master, I would prefer not to suffer.”
“I can appreciate that, sir.”
The dapper portraiturist smiled, if sadly. “I wish it were otherwise, but we artists do not make the times. We only live in them and portray others who do.” After a pause, he added, “My best to you.”
Rogaris followed me out onto the front stoop. “I told you . . .”
“Who told them not to take me on?”
“I’m not stupid, Rogaris. I may not be subtle, and I’m certainly not very good at being indirect, but your master as much as said he was told he’d never get another commission, or not many, if he took me on as a journeyman.”
Rogaris shrugged. “I don’t know. He didn’t even say as much to me as he just said to you. I think it’s a measure of respect to you that he said as much as he did.”
That kind of respect I could do without, especially if it kept me from being a portraiturist. “I know you didn’t have anything to do with it.”
“You’re still going to try others?”
“There aren’t that many more left, but I will.”
Rogaris nodded. “I thought you might. Best of fortune.”
He watched as I walked off down toward the corner and the winding lane that would take me back out to the boulevard. I thought about stopping at the confectioner’s on the corner, until I realized I had but a single silver and three coppers in my wallet-and no way to get more, except through the charity of my parents. That grated on my sensibilities, and I could feel more than a little anger churning inside me. Could it be that I was going to be forced to choose between being an ineffective wool factor or chancing the unknown world of Imagisle?
A half glass later, I stepped up to Master Kocteault’s studio door.
Aurelean opened it. “Ah . . . dear Rhennthyl. After I heard the news about Master Caliostrus, I’d thought you might make an appearance at Master Kocteault’s studio door. Alas, he simply has no position for a journeyman and is unlikely to have one for at least two years.”
“Oh? Two years? That’s rather precise, isn’t it, Aurelean?”
“His very words were that one journeyman was more than enough difficulty and obligation, and since you-he was referring to me, of course-have two years before I’ll recommend you for master, there’s no point in talking to the poor fellow.”
“Is he in?”
“Alas, he is not. He is doing a sitting at High Factor Zatoryn’s-his wife. She is striking, quite beautiful, you know?”
“When will he be back?”
“I couldn’t say, dear Rhennthyl, and I doubt that he would be able to tell you any more than I have. He might say it more diplomatically, but the message would be the same.” His smile was oily, supercilious, and simpering. “We all wish you the very best.”
He closed the door as I stood there.
There were still some of the lesser masters I could talk to, but I was getting a very strong feeling that my father had been all too accurate in his assessment of my prospects.
Still . . . there was no point in leaving any stone unturned.
I took a deep breath and began to walk the three blocks to the Boulevard D’Este. I had several milles to go along the Nordroad and then the Sudroad toward the Avenue of Artisans in order to reach the other cluster of master portraiturists.
The longest journeys are the ones where one fears the
By noon on Samedi, I had visited every portraiturist master in L’Excelsis, and not a single one had an opening for a journeyman, or at least not for me. Then I did some inquiries about the possibilities in the Representationalists’ Guild, and the indications there were even less encouraging, because the guild rules required a full apprenticeship under one of their masters.
On Solayi, I kept mostly to myself, except for a short time when Khethila slipped into the guest chamber. She was concerned, but I had the feeling her concerns were not totally about me, and I wondered if she were having second thoughts about the proposal from Armynd, but she didn’t say, and, the way I felt, I didn’t ask.
After she left, I tried imaging more small things, such as the comb, and encountered more than a few difficulties. Anything metal was difficult, if small, and impossible, for me, if large. Familiar items were the easiest, but only those not too familiar, perhaps because really familiar objects I had taken too much for granted and not really studied. I did convince myself that I had some small imaging talent, but I still wasn’t certain how I could have imaged a fire and explosion when I had such trouble in imaging small household objects.
But then . . . whether I had or not wasn’t the question. The question was what I would do.
On Lundi morning, well before breakfast, I gathered together the few belongings I had and slipped out the side door of the house when no one was looking. I couldn’t pretend that I wanted to be a wool factor, or any other kind of factor, and at twenty-four, I was already too old to enter the Military Institute or Marine Academy, even if I had wanted to be an Army or Navy officer-which I most certainly didn’t. The craft at which I was best was painting, and that didn’t seem to offer much future, at least in L’Excelsis. While I might be able to find a position in another city, I didn’t have the coins to travel anywhere, and I doubted I could get the references I needed, not after what had just happened. Even if I could, I was looking at another five years as a journeyman, assuming I could find someone willing to take me on in cities I didn’t even know, and most other cities couldn’t support nearly so many portraiturists from what I’d heard. On top of that, I’d doubtless need Father’s support, again, and I didn’t want to ask more. I also doubted that he’d give it, not the way he’d been talking over the end of the week.
Yet . . . did I really want to go to Imagisle? Did I have a choice, really?
The air was chill, but the sun rose and warmed my back before I’d gone more than half a mille. Thankfully, the air was so still that it felt warmer than it really was. The stretch from the house to the Plaza D’Este wasn’t bad, nor was the walk down the Midroad to the Guild Hall, but my feet and legs were getting sore by the time I was on the Boulevard D’Imagers heading toward the Bridge of Hopes, and I sat down on a stone bench a half mille short of the bridge and looked at the gray granite towers of the Collegium Imago rising above the bare limbs of the oaks that lined the riverside park on the east side of the River Aluse. In another month, they might be showing traces of green.
I’d always wondered why the Collegium had used gray granite for buildings, while the buildings on the Council Hill were hardened white alabaster. The imagers had been responsible for building both. As I sat at the edge of the parkway that bordered the boulevard, the wind began to rise, and the marginal warmth provided by the white light of the winter sun disappeared.
I stood, stretched, and resumed my progress toward the Bridge of Hopes along the wide stone walkway paralleling the Boulevard D’Imagers. Just before the boulevard reached the river and the bridge, it intersected East River Road, and all the wagons and carriages and the handful of riders took East River Road north or south.
I darted across the road and stood on the causeway approaching the Bridge of Hopes, a granite span over the eastern channel of the River Aluse only slightly wider than necessary to accommodate a large wagon or a stately carriage. There were no stone markers announcing its name, nor any guardhouses. The roadbed, paved with smooth granite stones, arched slightly upward, so that the middle of the bridge, some fifteen yards out, was about a yard higher than the causeway at each end. At each side of the span was a wall a good yard high. There were no sidewalks, and the roadbed ran flat from wall to wall.
No one crossed any of the three narrow bridges to Imagisle unless they wanted to go to the Collegium, and not that many did. Both the Nord Bridge and the Sud Bridge, so called because one was north of Imagisle and one south, were the main city thoroughfares for those who wished to cross the Aluse.
I stopped once more, just short of the bridge proper. Did I really want to try to become an imager? I swallowed, forcing myself to think about how little I wanted to hear about what great work Rousel was doing in Kherseilles.
I took a deep breath and began to walk slowly and steadily across the bridge. Once I had crossed, I was faced with a choice. The causeway debouched into three stone lanes. One went north, one south, and one directly toward a single-storied granite building with a gray slate tile roof. I followed the lane to the building.
Outside the building I paused before a stone archway of the style called Glacian, supposedly because it was so spare and cold, just like the Monts D’Glace that separated the fertile and prosperous southlands of Solidar from the northern wastelands. Under the arch was a single door of gray-stained oak bound in shimmering brass. I took a deep breath and stepped forward, pressing the door lever down, then opening the door.
Inside was a foyer, square and five yards by five. The walls were smooth sheets of bare gray granite, without a seam in the stone. The floor was of the same seamless granite, and there was no sign of a join or of any mortaring of any sort where the floor and walls met. The ceiling was of featureless white plaster. Two square arches led from the foyer into short hallways-one to the right and one to the left. Directly opposite the entry was a table, also entirely of granite, except the top surface was polished so smooth that it shimmered. Behind the table sat a young man, wearing a light gray collared shirt, with a waistcoat of a darker gray that seemed to match his trousers, from what I could see. His boots were black. His brown hair was cut short, like that of a soldier or sailor. I walked to the table and stopped.
“Might I help you?” he asked.
“I think I need to see if I’m suited to be an imager.”
“What makes you think you might be an imager? You’re . . . rather older . . . than most who come across the bridge.” He looked younger than I did.
I managed a shrug. “Because I can image small things.”
“Oh? Would you mind showing me?”
I thought for a moment, then decided that a replica of the comb I had done the first time wouldn’t be too difficult. I concentrated, creating the mental image of Remaya’s comb. It appeared on the flat surface, just short of his hand.
For some reason, he seemed surprised, especially after he picked it up. “That’s a rather good comb.” He paused. “If you wouldn’t mind waiting here for just a moment, I think Gherard Secondus might wish to speak with you.”
Taking the comb, he stood and slipped away from the table, walking quickly across the foyer and through the archway to my left. After a short time, he returned. “If you would come this way . . .”
I followed him less than ten yards along the corridor-walled and floored in the same seamless granite-before we came to an open door. He stood back and gestured for me to enter.
Gherard Secondus stood beside the end of a long conference table in a chamber that held nothing besides the table and the ten chairs that flanked it, four on each side and one at each end. He stood beside the chair at one end, and he was attired in the same gray garb as the first imager, insofar as I could tell, but he did look somewhat older, perhaps almost as old as I was, and his short-cut hair was limp and blond.
He gestured to the chair closest to the one behind which he stood. “If you would like to sit down . . .”
I was more than happy to seat myself. My feet were sore.
“Petryn showed me the comb you imaged. It’s fine work. What have you been doing?”
“You’re too old to still be in the grammaire, and you don’t look like an Institute or university student.”
“Oh . . . I’ve been a journeyman portraiturist, with Master Caliostrus.”
He stiffened, just slightly. “Rhennthyl D’Caliostrus? Is that you?”
“Not anymore. I’m just Rhennthyl.” I certainly was too old to claim myself as Rhennthyl D’Chenkyr. “Master Caliostrus died in a fire last Jeudi.”
He nodded. “Actually, you need to see Master Dichartyn. I’ll be right back.” He rose and left me sitting there.
A cold shiver went down my spine. Gherard hadn’t known me, but he had known my name, and he had been given some instructions. Yet . . . I hadn’t told anyone of my intentions to seek out the imagers.
Gherard did not return. Instead another man came. He was, not unsurprisingly, attired in exactly the same fashion as the other two imagers. Unlike them, however, he was older, graying, and radiated a certain sense of power. He also did not sit down. “I’m Master Dichartyn. You’re Rhennthyl, formerly Rhennthyl D’Caliostrus?”
“Yes, sir.” I stood quickly.
“Gherard said that you imaged a comb. I’d appreciate it if you would attempt to image this.” He set a small topless box on the flat table, almost small enough to rest on my palm.
“Might I examine it, sir?”
I picked it up. It was cast or formed from some sort of metal, but none that I knew, for although it was silvery in color, it was far lighter than either iron or silver or even tin, I thought. All I could do was hold it, try to feel it, before setting it on the table and then concentrating on its shape and size and the feeling of lightness. Visualizing the box was somehow both easy . . . and difficult. Even so, another box appeared on the table beside the first. To me, they looked the same, but I was so light-headed that I had to put out a hand to the back of the nearest chair and steady myself. I’d never felt weak before when I’d imaged things.
Master Dichartyn looked at both boxes, then picked up the one I had imaged, then the other, weighing them in his hands. After a moment, he shook his head.
I wondered what I’d done wrong.
“You’re an imager, and you could be a very good one. Given your background, Rhennthyl, I can’t say that you’ll like it, but you don’t have much choice.”
I already knew that.
Accepting what is not is the hardest aspect of imaging,
indeed, of any profession requiring great skill.
For the next few glasses, I felt like all I did was walk from one gray building to another, or from one part of a building to another, guided by Gherard, rather than Petryn or Master Dichartyn. In the process, I gathered three sets of gray garments, five sets of paler gray undergarments, black boots, imaged to fit my feet by a graying imager, as well as a stack of five bound books. I also got a heavy gray wool cloak for cold weather and a pair of gloves. One set of garments I donned immediately, and the other sets and the books were deposited in the narrow armoire in the stark gray room on the second floor of the building that housed imagers of the primus and secondus levels.
“For now,” Gherard told me, as he guided me back toward the first building, which I’d learned was the administrative building, “you’re a primus, but once you know the basics about the Collegium, they’ll probably make you a secondus.”
“You don’t have to serve a mandatory apprenticeship?”
He shook his head. “It’s all by ability. There are some imagers primus who are over sixty. It’s all they’ll ever be.” He frowned. “There are some masters in their late twenties, but no one’s ever attained a rank above Maitre D’Structure before around forty, and there are only two Maitres D’Esprit.”
I must have looked blank.
“There are three levels of regular imagers-primus, secondus, and tertius-and four master levels: Maitre D’Aspect, Maitre D’Structure, Maitre D’Esprit, and Maitre D’Image. Most imagers in the Collegium are either imagers secondus or tertius. Right now, I think there are perhaps fifteen Maitres D’Aspect, but there might be more.”
The number didn’t surprise me. There were only about that many master portraiturists in L’Excelsis. But with so few, I had to wonder why he didn’t know the exact number.
“I hope you read well and quickly, because you’re starting late, and you have a lot to learn. You’ll have to learn basic chemistry, something about metals, and how living things-trees and people, mostly-work, and all sorts of things about combustion, but that’s mostly for self-protection. Master Dichartyn will explain everything in more detail, including your duties.”
He didn’t say much more after that, but just escorted me back to the same room where I’d begun and left me there, where I sat for a time before Master Dicharytn appeared.
I immediately rose. “Sir.”
He waved me back to the seat I had taken. “You have garments, quarters, and books now, I take it?”
“Do you have anything personal that you would like to bring? You can have personal items like quilts, pillows, bedclothing, paintings or wall hangings, small rugs. No clothing, except nightwear, and no personal jewelry.”
“No, sir. Most of my personal things were destroyed.” And I certainly wasn’t about to ask my parents for anything.
Master Dichartyn nodded. “Now . . . let me go over some very basic rules. First, until you are told otherwise, and only by a master, you are not to leave Imagisle. Usually, this restriction lasts anywhere from one to three months, depending on how fast you learn a number of things. Second, after we finish today, you are to take the map I will give you, and you will spend the rest of the day learning where every chamber and building on the isle is. Do not enter any room where the door is closed. . . .
“The dining hall serves breakfast from the sixth glass of the morning, a midday meal between noon and the first glass of the afternoon, and dinner at the sixth glass of the afternoon. Seating is roughly by position. There is a table for imagers primus, one for imagers secondus and tertius, and a third for maitres . . .”
I listened as intently as I could while he outlined the regimen of Imagisle. It certainly didn’t seem any worse than being an apprentice.
“As for your duties . . . they’re very simple. For now, you’re to do what I tell you to do. I’ve given you your instructions for today. Tomorrow, at the seventh glass of the morning you are to appear and wait outside my study-it’s two doors down on the left-until I summon you. I suggest you bring the volume on the structure of the Collegium and the responsibilities of an imager and read it, in case you have to wait. For the next several weeks, your duties will center on learning everything in the books you were given.” Master Dichartyn smiled wryly. “I do have a simple question for you. Did you tell anyone you were coming here?”
“Why, sir?” The question made me wary.
“Because about half of the would-be imagers don’t tell anyone, and then the civic patrollers contact us to see if you’re here. It’s much simpler if you just write a note or two to those who might worry, one way or another. In your case, I’d presume, to your parents, since you no longer serve a master portraiturist. There should be some blank stationery in the armoire in your chamber, as well as a pen and ink. If you’ll bring the notes back to me this afternoon, I’ll have them dispatched immediately, and your parents won’t have to worry too long. Oh . . . and you do get a stipend. It’s not much, only a silver a week, but we do feed and clothe you. Once you learn the basics of the Collegium and pass a proficiency test, or the equivalent, most of which you’ve already demonstrated the ability to do, you’ll become a beginning imager secondus, and that’s worth two silvers a week. Stipends go up in accordance with your position and how long you’ve been with the Collegium. So does the amount of space allocated to you.”
A silver a week wasn’t grand, but it wasn’t absolute poverty, either, and the position already sounded better than attempting to be a wool factor under my father and Rousel.
“There are several other basics. First, we expect daily bathing and frequent laundering of your garments. This is for both safety and sanitary reasons, the rationale for which will become clear before long, I trust. The bathing is your responsibility; the laundering we have arranged, so long as you place your dirty garments in the proper place. There are two barbers in the building with the dining hall, and we expect short hair, as you may have noticed . . .”
When he finally finished what seemed a thorough overview of what was expected of me, he stopped. The smile vanished.
I waited, worried about what might come next.
“A word of caution, Rhennthyl. Imaging goes far beyond merely creating objects, and it can be dangerous,” Master Dichartyn said. “That is why I must ask you not to attempt any more imaging except under supervision of a master or at his or her direction. Most people have no concept of what we do, and we try not to let them know. That is one reason why some imagers primus leave by the Bridge of Stones.”
All guilds had secrets, or at least their practitioners did. Master Caliostrus had ways of combining waxes, oils, and pigments that he had sworn others did not know, and revealing such secrets could cost an apprentice or a journeyman his position, not to mention a stiff flogging. But . . . death? I tried not to swallow. I failed.
Master Dichartyn offered a crooked smile. “One advantage of dealing with someone older is that you understand fully the implications of what I’m telling you. Let me explain. We are not cruel, and contrary to what people may say, we do not arbitrarily or otherwise kill young imagers. Very few imagers face disciplinary hearings. Most who leave by the Bridge of Stones do so because they made a mistake in imaging. You have been a journeyman portraiturist. What will happen if you mix paraffin, oils, and waxes over a very hot flame-without care?”
“You’ll get a fire.” I wasn’t about to mention possible explosions.
“Or worse.” He nodded. “Now . . . what would happen if an imager attempted to image all three right on a stove or in a fire?”
“Exactly.” He paused. “Now, that’s really not a good example, but it should give you an idea of what can happen. There are many substances that should not be combined in imaging, and that is why you need to study the books you received and follow instructions most carefully-especially as you become more experienced.”
I couldn’t help but frown in puzzlement at his last words.
“In imaging,” he explained, “the more you learn to do, the closer you are to great danger, from many sources. You may not understand this now, but for your own safety, please believe me until you understand why it is so.”
There was no mistaking the earnestness or the direct concern in his words, but I did wish that he had not used the paraffin example, because it suggested that he had at least a suspicion that my imaging had led to Master Caliostrus’s death. Yet . . . if he believed that, why would they accept me even as a beginning imager?
Abruptly, he stood. “That is all for now.” He extended a folded paper, the map, I presumed. “Before you explore, please write those notes and bring them back. Knock on my door, once, then wait.”
He nodded, then turned and left me holding the map.
I walked slowly back to my new quarters, and I managed it without looking at the map. There I settled down at the table desk.
Writing the letter to my parents was hard, but better than having to tell them in person what I planned before I knew whether the Collegium would accept me. If I’d been rejected, what could I have said? Besides, then Father would have come up with another of his sermons on what was foreordained and how it was clear I was not meant to be a painter or an imager and how I shouldn’t have tried to escape my calling as a wool factor. Still I spent so much time trying to get the words just right that there was less than a half glass left before noon by the time I handed the letter to Master Dichartyn.
“You spent some time on it. Good. I’ll have it delivered this afternoon. Oh . . . you also have a letter box in the rear corridor outside the dining hall, next to the boxes that hold the newsheets. You don’t have to pay for them, but you are expected to read them-regularly. By this evening, your letter box should have your initials on it-IP-RH. That’s your position followed by the first two initials of your name. If someone else has those initials, you might have three or four letters following your position.”
“Thank you, sir.”
Master Dichartyn just nodded. “Tomorrow morning. Here.” Then he turned and closed the door to his study.
With the map in hand, I began to navigate my way to the dining hall. I had gotten up early and eaten nothing except some bread I’d pilfered from the kitchen on the way out. The dining hall was within a larger building at the west side of the quadrangle behind the administration building where I’d first entered the Collegium. It was not nearly so large as I had imagined, and it held but three tables, a small table set crosswise across the hall, and two longer tables parallel to each other and perpendicular to the smaller table. There was no one at the short table when I entered the hall just before the bells struck noon, but a number of younger imagers stood around the table on the right.
I eased toward a redheaded young man. “Is this the table for the imagers primus?”
“For us lowly primes, it is. You’re new, aren’t you?”
“About as new as one can be,” I admitted. “I crossed the bridge this morning.”
“Rhenn, or formally, Rhennthyl.” As I stood there, I realized that several of the figures were young women. I also saw two older women coming through the arched doorway, one of them gray-haired, and walking toward the adjoining table, and a third, also gray, moving toward the masters’ table with a white-haired man. I must have stared because Etyen spoke again.
“There aren’t that many women imagers, but Maitre Dyana is a Maitre D’Structure. She’s old, though.”
“She must be forty-some . . . or even older.”
Somehow, I didn’t think of someone my mother’s age as old, but Etyen couldn’t have been much more that fifteen, and he must have come to Imagisle right out of a grammaire.
“Where did you come from?” I asked.
Asseroiles was more than three hundred milles to the northwest. “Are all the imagers in Solidar here at the Collegium?”
“Oh, no, but most of them are. There are three other Collegia. There’s Mont D’Image to the north . . . well, it’s actually northwest of Asseroiles, somewhere off the Nord Pass through the Glaces, and Westisle outside the harbor of Liantiago, and Estisle near Nacliano.”
That did not seem like many imagers, not for a land the size of Solidar, stretching close to three thousand milles from coast to coast. How had the Council kept it all together before the steam engines of the ironway had made land transportation faster than horse and wagons?
“Rhenn here is new,” Etyen announced.
Several of the primes looked at me. Most didn’t, and people sat down as they came in without any blessing. I thought that odd.
“What room are you in?” asked Etyen.
“Fourteen, second level, south wing.”
“. . . Corsarius’s room . . .”
Several primes looked hard at the fresh-faced youth who had murmured the words.
“What happened to him?” I asked.
“Bridge of Stones,” replied Etyen in a low voice, adding even more quietly, “We don’t talk about it.”
Not talk about it? When someone died?
“You didn’t come here straight from the grammaire?” asked the prime across the table from me. “Oh, I’m Lieryns.”
“No. I’ve been an apprentice and a journeyman portraiturist. I didn’t realize I could image until a little while ago.”
“Sometimes, it’s like that.” Etyen nodded. “But I always knew.”
“You always know everything,” murmured someone.
There were low laughs from more than a few primes, and as I looked down the table, I was relieved to see that there were a few who looked as old as I was, if not older.
“You were a journeyman. You actually painted real portraits, then,” observed Lieryns.
“Some,” I replied, looking at the large bowl of rice being passed down the table. Behind it followed some sort of dish in sauce. “Mostly of girls and cats.”
“My master said I had a talent for painting cats, and I don’t think he liked dealing with girls and cats. I did do one portrait of a factorius.”
At that point, the rice arrived, and I served myself a solid helping, as well as of the tomato-sauced fowl chunks that followed. If the lunch fare was any indication, I was going to be better fed than I had been by Madame Caliostrus.
Sometime later, after several mouthfuls of food, and some swallows of a fair red plonk, I took another look around the table before speaking. “I haven’t had a chance to read anything. What do we do, besides study?”
“Whatever we can,” replied Lieryns. “I’m helping Master Schorzat in the chemistry laboratory, but mostly I image little things out of glass for his experiments.”
“I thought there was a counselor-advocate to the Council named something like that.”
“That’s his brother,” someone said. “Scheorzyl. Master Schorzat said his father wanted everyone to know the two were brothers.”
My eyes went to Etyen. “And you?”
“I’m still working on making shapes with metals. They’re harder.”
I couldn’t say that I learned all that much at lunch, but everyone was certainly friendly. Afterward, I left the dining hall and, map once more in hand, began to explore and try to memorize where everything was. No one seemed in the slightest interested as I wandered all over Imagisle and the buildings of the Collegium that Lundi afternoon. I still worried about why no one talked about it when someone died.
Imaging is based on what is, but, without great care,
what an imager feels can change what is.
As Master Dichartyn had intimated, I had to wait to see him on Mardi morning. I sat on a bench outside his study reading the thin volume on the Collegium. I’d made it through fifteen boring pages when he opened the study door and an older imager walked out, somewhat stiffly.
“You may come in, Rhenn.”
His study was small, not more than three yards by four, with a long narrow window, open just slightly. The space held two enormous bookcases, a small writing desk, two filing boxes stacked on top of each other, and two chairs, one with a cushion and arms and one straight-backed and not too comfortable. I sat in the straight-backed chair.
“Before we start, I’d like you to know that one of our messengers delivered your letter to your parents yesterday, late in the afternoon. They were relieved to know that you were safe.”
“Thank you, sir.” Mother was relieved at my safety; Father was more likely relieved I hadn’t embarrassed him or gotten into some difficulty that might have cost him in some fashion.
“Now . . . when was the first time you realized you might have imaging abilities?”
“Not until around the first of the year.” It was actually just a bit earlier, but not much. “I was working on a portrait, and I couldn’t get the area around the eyes right. I could almost see how it should be-and then it was right, even with my brushstrokes, as if I’d painted it just as I’d visualized it. I still wasn’t sure that it was imaging. I thought maybe I’d painted it and then imagined that I’d imaged it.”
“And . . .?”
“Maybe a month later, I was working on another portrait, and it happened again.”
“And you didn’t come to us then?”
“No, sir. I’d heard about how imagers had turned the alabaster walls of the Council Chateau into stone harder than granite, and how they could image parts of machines into being. All I could do was image just the slightest bit of oil paint.”
“All?” Dichartyn laughed. “There are some seconds that can’t do that and never will.”
“I didn’t know that, sir. It seemed very insignificant to me, and I was beginning to get commissions-the kind where patrons asked for me personally.”
He nodded. “What did your master say?”
“I never told him about the imaging. When he talked about the imagers, he was quite clear that I should never want to be one, that most died young, and most of the rest never amounted to anything.”
“He said that?”
“I can see where that might give you pause, Rhenn.” He leaned back in his chair and fingered his clean-shaven chin.
All the imagers were clean-shaven, I realized, unlike artists, most of whom had beards or mustaches, if not both. In that way, at least, I did fit in. I’d never liked beards.
“So why did you finally seek us out?”
“Master Caliostrus died in the fire. No one else would take me on. My father wanted me to become a wool factor. I thought that my small talents for imaging might gain me a place here.”
“At least you have no grandiose delusions about your ability.” Master Dichartyn laughed again, not totally unkindly, I thought. “It’s very good that you did. Before long, you would find yourself imaging in ways that could be most destructive. Perhaps you already have and do not even know it. Sooner or later, that imaging would have been noticed by others.”
“Not know it, sir?” I had an idea of what he meant, but I wasn’t about to say so.
He smiled, knowingly. “You know more than you reveal, Rhenn, but I will explain, because you don’t know as much as you think.”
I accepted the rebuke silently.
“All people have daydreams, or dreams or nightmares, or wishes. We wish that things would appear or disappear, but what happens if the person who wishes that is an imager?”
The lit lamp! I swallowed.
“Did that recall something, Rhenn?”
“Ah, yes, sir. Sometime after the first time I imaged the oils, I had a dream, and I dreamed that it was so dark that I could see nothing, and I wanted light. The lamp on the chest woke me, because it was lit, and I thought I’d wicked it off. I never believed that I’d imaged the light. I’d just thought I’d been so tired . . .”
“You are very fortunate you came here before any of the imaging you did came to light.” Master Dichartyn’s voice was stern. “You have quarters to yourself. Do you know why?”
“Every set of quarters in the Collegium is not only stone-walled but has a layer of very thin lead plate between the two courses of stone and under the floor tiles. The windows are all glazed with leaded glass, and those windows which open are designed with louvers so that there is no direct passage of air-or thought-in and out. Do you think that the Collegium went to that expense merely for your comfort?”
“No, sir.” I had a very uncomfortable feeling about where his words were leading.
“No imager ever sleeps with another person, even his wife, and I mean sleep, not lovemaking. The Collegium is here not only to educate and improve imagers, but to protect others from those very same imagers. Yes, we have privileges, and those who become masters can live quite comfortably, and those who do marry can live in pleasant dwellings on the north end of the isle, but never think that we do not pay a high price for those abilities and services that we provide. Imagers who must travel are accompanied by obdurates, and, if they cannot sleep within iron or lead, must take strong drugs of the type that do not permit dreaming when they sleep. Those who serve in the Navy have lead-lined cabins, very small cabins, because lead is heavy, and weight is critical on many vessels. Those who marry and live here have special separate sleeping chambers in their dwellings, and must indeed live here unless they have the wealth to build similar quarters elsewhere in L’Excelsis. You can never spend an entire night with a woman you love, or any lover, for that matter, not unless you remain totally awake, and when you are tired, even that could present a danger to her, especially if she has malleable tendencies.”
Master Dichartyn paused, letting me take in his words.
“One of the reasons for the initial restriction to Imagisle is so that you come to understand what damage even the least able of imagers can inflict upon others. A second reason is that you need to understand that we are so few that we could be wiped out to the last person. Yes, some of us do have the ability to kill or change others, and you are one of those who already possess that ability, whether you know it or not. But while we are individually powerful, for the most part, no one of us could face even a moderately large group of armed men and survive. We therefore do our best to show the Council our goodwill, our self-discipline, and our indispensability to Solidar. No imager can be allowed to jeopardize the others. Is that clear?”
“Yes, sir.” It was more than clear; it was frightening. I wanted to ask about the imager who had lived in my quarters before me, but decided it would be best to wait on that.
“Good.” The smile returned. “I’m going over to the laboratories this morning. I’d like you to accompany me. Then, this afternoon, I will give you a short talk on the introductory aspects of chemistry, and you will begin to read that volume. Tonight, after dinner, you are to read the first section of the book on the government and history of Solidar. You will find it is not like any history book you have read before, and I will be asking you questions about what you have read in both volumes when we meet tomorrow morning.” He bounded out of his chair. “Now . . . let us go to the laboratories. . . .”
Already, I was beginning to wonder about the two sides to Master Dichartyn’s being-the stern and the cheerful. He seemed to switch from one to the other both quickly and comfortably, but the change was more than a little disconcerting to me.
Learning requires unlearning.
On Meredi morning, right after breakfast, I picked up a newsheet and checked my letter box, not expecting to see anything, and found an envelope there. I recognized my mother’s handwriting. I opened it quickly and began to read.
Your father and I were most relieved to know that you are safe at Imagisle. While your father had hoped that you would see your way to following his example in the wool trade, he accepts the fact that you must follow your own destiny. We both wish you the best in becoming an accomplished imager. In the note that Master Dichartyn sent accompanying your letter, he said that you had great promise. He also said it could be several months before your initial training would allow you to leave Imagisle, but that, beginning in Avryl, you could have visitors on Solayi. I look forward to that.
I swallowed as I finished the note. The way I read it, Mother was relieved for me, and, since I wouldn’t be a wool factor, Father was glad to get me out of his hair.
At the thought that Master Dichartyn had sent his own note, I gathered the three books-Natural Science, History and Politics of Solidar, and Imagers’Manual-under my arm and hurried down the walk of the quadrangle toward Master Dichartyn’s study through a blustery wind, barely arriving before the seventh glass began to ring out from the tower of the Anomen D’Imagisle, located at the south end of Imagisle.
As on Mardi morning, I had to wait, but I immediately began to read more in the Manual, the part dealing with the responsibilities of an individual imager. I’d only read another page when Master Dichartyn opened the door and motioned me into his study and into the chair across from his writing desk. He remained standing.
“You’ve read the second section of the Manual, haven’t you?”
“I haven’t quite finished it, sir.”
That got a slight nod, but whether it was of acknowledgment or disapproval I couldn’t tell. “What is the first responsibility of an imager?”
“To follow the Imagers’ Code under all circumstances.”
“What does it mean by ‘all,’ Rhennthyl?”
The manual hadn’t gotten into definitions. “At all times and places, sir?”
“What if you can’t?”
“It’s a responsibility, sir.”
“You aren’t answering the question.” His voice remained patient.
“I’m only guessing, sir, because the Manual doesn’t say, but I would think that it means whenever and wherever it is physically and mentally possible.”
“A definition such as yours stands at the edge of a very deep precipice.”
“Yes, sir. People like to say that they can’t do something because they’re too tired or that they can’t think clearly. I don’t think the Code accepts those kinds of excuses. I was thinking more about broken bones or mortal injuries.”
“You think correctly on that. The Code is not for convenience. It is designed for the survival of both the individual imager and the Collegium. What is meant by the prohibition on creating any form of duress on any individual who is not an imager?”
That had seemed obvious to me, especially after what he’d said the day before. “One doesn’t threaten anyone, or say anything to give them cause for fear, and one doesn’t take actions which create fear of either the imager or the Collegium.”
“Very good. Why?” His questions from the Manual went on for a good half glass. Then, abruptly, he switched subjects. “That box I gave you to image? Do you know what it was made of?”
“No, sir. It was metal, but not a metal I’ve ever seen.”
“You didn’t think to look in your science book and see what it might be?”
“No, sir.” I knew what was coming next.
“Tomorrow, I want you to tell me what it is, and why we use it for imaging tests. Now . . .” He extended two objects and placed them on the edge of his writing desk. One was a simple carved hollow cylinder, no more than a thumb’s length in diameter and about the same in length. The second was also a cylinder, but solid and less than a quarter the size of the first. Both looked to be made out of bone or ivory, and neither had any markings on them. “I have an exercise for you.” He turned the larger cylinder sideways, then placed a ruler on one side and a book on the other so that it wouldn’t roll. He handed me the smaller cylinder. “Try to image a cylinder just like this exactly in the middle of the larger cylinder.”
“Won’t it fall?”
“It should, unless you know a way to stop gravity.” He smiled. “That’s not the point. You’ve already shown that you can image small things on a flat surface. One of the next steps is to image something into a place that’s not so easy.”
I took the cylinder and held it, letting my fingers run over it. Then I concentrated on imaging one just like it in the air in the middle of the larger cylinder. Nothing happened.
Master Dichartyn didn’t seem surprised. “Take both cylinders with you and keep trying. It may take a while, but you should be able to figure it out.”
I slipped both into the larger inside pocket of my gray waistcoat.
“This morning, you can accompany me on one of the small riverboats. Some of the primes are going to try imaging on the river. You might as well see if you can do it.”
“Yes, sir.” I didn’t ask why imaging was harder on a boat, not after failing at the exercise he’d just given me. I just followed him out of the building.
Master Dichartyn walked briskly along the east side of the quadrangle, right into the fangs of the wind, a wind that had gotten even stronger and colder. We crossed the open space at the northeast corner of the quadrangle and took the stone lane another half mille north past the walled herb and vegetable gardens, now mostly fallow, until we came to a set of three piers.
Five primes stood on the southernmost pier, clearly waiting for Master Dichartyn. The riverboat didn’t seem all that small to me-not at almost fifteen yards long. It had only one deck and the steam engine was in the rear, just forward of the paddlewheel, in a raised and covered enginehouse. The wheelhouse was roughly in the middle of the boat.
I looked out at the river, running as rough as I’d seen it, with whitecaps on the waves.
Master Dichartyn gestured for us to cross the narrow plank to the boat, then followed after me, because I trailed the other five. A bearded sailor vaulted off the bow and untied the line fastened around an iron cleat, then jumped back aboard before the boat swung downstream with the current. The paddlewheel began to churn as the boat headed out into the river. Once it cleared the calmer water around the pier, it began to roll, then pitch as the pilot turned upstream into the current. Spray sleeted over the bow, and some splattered down like fat raindrops where I stood with the others, just forward of the wheelhouse.
One of the primes, a chubby fellow who looked barely out of grammaire, was turning pale before the boat was even ten yards away from the pier, and another just stood frozen, his right hand clutching the railing so tightly that his fingers looked like a claw. I had to spread my feet a bit to keep my balance as the boat continued both to roll and pitch.
“The first exercise is to image a cube like this,” began Master Dichartyn, holding up a black wooden cube perhaps three digits on a side, “and to image it on the center of the third deck plank inboard. This one.” He pointed with the tip of his boot. “You first, Geoffryn.”
“Yes, sir.” The chubby prime closed his eyes and seemed to tense all over.
A misty shape appeared on the plank, then solidified into a muddy black oblong box.
“A cube, Geoffryn.” Dichartyn’s voice was louder, rising over the wind and the engine, but he did not sound angry. “Do you recall the shape of a cube?”
“Jakhob, you try.”
“Yes, sir.” The thin prime who had been clutching the rail just looked at the deck plank. His imaged creation was almost a cube, if slightly angled and muddy black, and it appeared above the next plank inboard, possibly because the riverboat was rolling.
The next three primes managed to image cubes, generally close to the center of the designated plank.
I didn’t like doing imaging in public, but those watching couldn’t have been any more critical than Master Caliostrus had been when I’d begun as an apprentice. First, I visualized the cube, shimmering and black, and then I added the positioning.
The cube appeared, almost mirror-like, right on the middle of the plank. As it did, I realized that it was a shade too large. Abruptly, it shimmered, then reappeared as the correct size. I did feel a trace light-headed, and had to put my hand out, steadying myself on the railing.
“You used too much effort,” observed Master Dichartyn. “You should have paid more attention to the size the first time.”
“Yes, sir.” Still, I was pleased, even if he didn’t happen to be. My cube looked better, and had been imaged in exactly the right position-even the first time.
“Now . . . you’re going to try the same thing-except I want you to balance your cube on the railing on the far side of the boat.”
Three of the other primes couldn’t image anything that far away, and one could only create a blob. The last one managed a decent cube on the railing, as did I, but they both slid off into the river when the boat rolled as the steersman made a turn.
“Take us back!” Master Dichartyn finally ordered.
That afternoon, Gherard took me on a quick tour of the various shops and laboratories, as well as showing me workshops in the large gray building north of the quadrangle. Then I went back to my quarters and began reading.
Already it was clear that Master Dichartyn’s assignments varied widely.
I had to stay up later than I should have on Meredi night, but I did discover that the box was made out of a metal called aluminum. The science book described it as a light whitish blue ductile and malleable metallic element almost never found in pure form in nature, but common in natural chemical compounds. It was extremely difficult to refine, requiring special techniques involving potassium, and the price was something like a hundred and fifty gold crowns a pound. The little box I’d imaged, if I’d done it correctly, might have been worth ten crowns or so. No wonder Master Dichartyn had pocketed it-except I knew that he wouldn’t have made off with it, even if the Collegium rules hadn’t prohibited using imaging for personal gain.
The science book was different, almost strange, because it mixed things I’d learned years before with things I’d never heard or thought about. One section had a detailed set of plans for a steam engine of the type used on the ironway, but the next diagram was of a mining water pump, and beyond that was the axle assembly for a carriage or coach. But there were also anatomical drawings of human beings, very detailed, and clearly taken from dissections of cadavers.
The book on history and governing was the thickest of all, and to me, the hardest reading, even just leafing through it. The book led off with the Five Rights of Citizens:
All citizens, whether they be men or women, are of equal stature before the law and as such may hold and dispose of property; unless an authority has reason and evidence to the contrary that is sufficient for indictment in a court of justice, they are presumed innocent.
The laws of the Council take precedence over any and all local or administrative regional laws, ordinances, or restrictions, but no law enacted at any level may identify as a criminal offense any action already taken, nor encumber persons or seize their property without just compensation, save taxes levied on all and approved by the Council.
No individual, whether a citizen or an alien, may be imprisoned without formal charges being posted and without being informed of those charges.
All citizens, unless under indictment for a crime or imprisoned for such, have the right to travel unfettered throughout all regions and territories.
All citizens have the right to petition the Council for redress of any harmful action taken by any level of government, including the Council itself, and all such petitions will be made public.
After that, there were sections on everything, but as I riffled through the pages, just trying to get a sense of what was there, some paragraphs stood out.
A minimum of three Council members must be from areas within fifty milles of either east or west coasts . . . and no more than three Council members can be from within 200 milles of L’Excelsis, with the exception of the sole representative of the Collegium . . . misrepresentation of domicile mandates immediate removal from the Council, loss of a master’s position, and a fine of 1,000 golds. In the case of a High Holder, such a violation will also include forfeiture of one-fifth of all lands and assets . . .
With fifteen Council members in all, those non-imagers from L’Excelsis could never comprise more than twenty percent of the Council-something that I remembered vaguely-but the penalties I didn’t recall ever seeing.
No refuse or waste, including any liquids, from a factorage or manufacturing facility, nor from any agricultural or commercial activity, nor from any watercraft, shall be allowed to flow or be placed into any waterway, nor shall any human refuse be so allowed . . . whether it be from an individual, a town, or a city . . .
According to that, if I read it right, even a cow couldn’t piss in a stream, not without bringing a fine down upon the owner.
Rates for freight on any ironway must be levied on the basis of weight and cubic displacement. Those rates must be approved by the transportation subcouncil and by the Council before taking effect and must be posted for one month before being imposed. Changes may not be submitted more than once a year . . . Freight or cargo accompanied by a Council representative or a representative of the Collegium Imago has priority over all other freight . . .
That was suggestive in more ways than one, but of what I wasn’t sure.
Imaging is as much an art in arranging perception as
in changing reality.
I woke early on the following Mardi morning, and after I bathed in the communal shower room-with water that I had the feeling was never less than chill-and shaved and dressed, I sat at the writing table in my room, looking at the two cylinders.
More than a week had gone by quickly, each day following a similar pattern. Breakfast, examination and instruction by Master Dichartyn, which could be over in half a glass or drag on for as many as two, followed by some sort of imaging exercises, lunch, some other activity involving observation or instruction, ranging from watching experiments in the chemistry laboratories to watching or learning how to handle machinery in either the woodworking shop, the metalworking shop, or the model shop. Then, when I was worn out, I had to read and study.
On Lundi, the day before, I’d had to admit to Master Dichartyn that I still hadn’t figured out the skill of placing a small cylinder in the empty space in the middle of the larger cylinder. It shouldn’t have been that hard, because some of the younger primes had been doing something like it, if unintentionally, during the imaging exercises on the boat.
Master Dichartyn had just looked at me as if I were truly stupid and then gone on to ask questions about what I’d read, and what I hadn’t, in the Natural Science book. He’d started by asking me how much air weighed. I’d never thought about air weighing something, but since a barometer worked by measuring the change in the weight of the air, I suppose I should have.
Air weighing something . . . had his question been as random as it had seemed? But if air weighed something, then I really wasn’t trying to image something into what I’d thought of as an empty space. Why was it easy to image something on a table? Because the air could be more easily moved? Or because I didn’t have to work to hold it up as it was being imaged?
I kept thinking about it, all the way to breakfast, where we had oat porridge, along with raisins and bread, and two thin strips of bacon.
I concentrated on the idea of imaging a raisin into the middle of a spoonful of the oat porridge. A small gout of porridge spouted up.
“Don’t let the masters catch you playing with your food,” murmured Thenard.
Someone else snickered.
I forced myself to eat the mouthful of porridge. The raisin tasted fine, but should I have swallowed it? I looked at the handful of raisins sprinkled on top of the porridge. Why couldn’t I image one of them into my spoon? Wouldn’t it be easier than trying to create a raisin?
Carefully, I took another spoonful, one without raisins, and then concentrated on the raisin on the top of the porridge farthest from me, visualizing it disappearing and then reappearing on top of the porridge in my spoon. The one raisin vanished, then reappeared on the spoon’s porridge. I could feel my forehead beginning to sweat, but . . . I’d done it.
That raised another question. I could feel the energy it took to do imaging, but why hadn’t I when I’d first begun to image? Or was it that what I’d done was so slight than it just hadn’t taken that much imaging? But then, there was the fire . . . Or hadn’t I noticed the effort then because I’d been so angry and then so involved in trying to help the children out of the house?
Later, as I walked across the quadrangle through the misting rain toward Master Dichartyn’s study, I couldn’t help thinking about what I’d done . . . and what it suggested. By using imaging to move something, I’d also proved that it was possible to remove things, at least to some degree. If one removed the cartridge from a pistol aimed at one, or if one removed . . . I winced. I wasn’t certain I wanted to explore those possibilities, not immediately. But I was beginning to understand exactly why the Collegium insisted on such strict rules and such secrecy.
As was usual, Master Dichartyn’s door was closed, and I sat down on the wooden bench and began to read the sixth section of the Natural Science book, which dealt with metals and various alloys. I couldn’t help but wonder how effective imaging might be in creating some of them, at least in small quantities.
Before long, the study door opened, and one of the older imagers, a secondus or even a tertius, departed.
I immediately closed the book, stood, and hurried into his study and took my place on the still-warm seat used by the previous imager.
Master Dichartyn came right to the point, as usual. “Only a few of you will ever work in the laboratories. So why does the Collegium insist that you study science and work and practice in the laboratories?”
I gave the best answer I could come up with. “So that we’ll be better imagers?”
“That’s true as far as it goes.”
I didn’t know what to say to that.
“Your brain knows more than you recall at any one point,” he went on. “If you have a friend, when you meet him, you don’t think about everything you know about him at that moment, do you?”
“But all your actions and all your words take into account everything you know, even if you don’t try to remember it all. What all this study about metals and science is designed to do is to provide the same kind of knowledge in order to improve your imaging skills.”
That made sense. I could see that I was already doing that.
“Do you have the two cylinders?”
“Let’s see what you can do.”
I had the two cylinders, but I hadn’t even thought about them. Still, was air any different from porridge, except thinner? I took out the larger cylinder and propped it in place sideways on Master Dichartyn’s writing desk with two books that had been on the far corner, then held the smaller cylinder. Could I just move it? I decided to try.
The small cylinder vanished from my hand and appeared in the middle of the larger one, hanging there for just an instant before clunking down onto the bottom side of the larger cylinder.
Master Dichartyn’s eyes flicked from my hand to the cylinder and then back to my hand. He nodded slowly. “I wondered when you’d make that connection. Some never do. They’re the ones who remain seconds.”
“Seconds?” I blurted.
“Right now, you have the raw talent of a tertius, but you don’t have the understanding necessary for a secondus of your ability. We’re going to have to work on that.”
“Yes, sir.” While I didn’t mind the work, I didn’t much care for the way in which he’d expressed the words.
“Why is there an absolute prohibition on an imager using his ability for any significant financial advantage for himself personally or for any other individual?”
I’d read that section. So I answered quickly. “That would give him or her an unfair advantage over others, and that would create anger against the Collegium.”
“That’s very true, Rhenn. It’s also very incomplete. Can you think of other reasons?”
“It might create conflict within the Collegium.”
“That’s also true. I’d like you to think about that for a while. Let’s look at it from another perspective. You mentioned that you’d used imaging in painting your own work, but what if you used your talent to copy an entire painting of a master?”
“It wouldn’t work, sir. There’s too much detail.”
Dichartyn sighed and gave a weary smile. “That’s a bad example, then. Let’s take something simpler, a gold crown. You could probably image one now. Doing so would leave you weak and dizzy, if not in far worse shape, and, even if I said you could, you shouldn’t try it, but in time you would be able to image a handful or so of them, at least in the right place. They’d be real gold, not counterfeit, and no one would be the wiser. Why would that be wrong?”
“Besides the fact that the rules of the Collegium forbid it?” I had to think about that. “I don’t know that I can answer that, because that sort of imaging is work, and if I imaged real gold pieces, what’s the difference between painting a portrait and receiving golds and creating the golds. I mean . . . someone mines the ore, and someone smelts it, and someone coins it, and they all get paid. So where is that any different from my imaging a gold crown?”
This time I got a cold look. I just waited. I really did want to know.
“Did you get a number of extra assignments in the grammaire, Rhennthyl?”
“I can see why. Let me see if I can make this clear with a different example.” He frowned. “You’ve heard of the Cyella Ruby, haven’t you?”
“The one that sits on the scepter of the Priest-Autarch of Caenen? Yes, sir.”
“He’s the High Priest. What about the Storaci Emerald?”
“What if you imaged an exact, an absolutely perfect duplicate?”
“Sir? How would I ever get close enough to see the originals?”
He gave me an even colder look.
“There’d be two,” I said slowly, trying to think what he wanted.
“Yes, there would be.” He paused, then asked, “What makes them so valuable? What would happen if you imaged two . . . or three?”
“Oh! They wouldn’t be so valuable because they wouldn’t be so rare.”
“That’s one thing. How would the owners feel about being robbed of that value? And if the valuable object has some religious context or value . . . does the duplicate? Who could tell which one happened to be the one with that value? What might the Caenenans do?”
“They could do . . . anything.” Of that, I knew enough to be sure.
“You need to think about what the imagers of the Collegium image-you’ve seen some of what we do-and why we’re so careful about what we allow to be imaged. Also, not all things imaged turn out to be true duplicates. I trust you can see what difficulty that might create.”
“Yes, sir.” I paused. “What laws would punish someone who could image who got caught by making a bad copy?”
“If that person happened to be an adult, older than eighteen, and the crime was a major offense, he or she would be executed. Committing any major crime through the means of imaging is a capital offense. Younger than that and they’d be sent to us for training. Some of them don’t survive training, but imagers are rare enough that it’s worth the effort. Some of the young ones don’t know it’s a crime, and some don’t see that they have any choice.”
I felt cold inside. I was older than eighteen, and I had been when the fire and explosion had killed Master Caliostrus.
“That should give you enough to think about for now. Today, I’m going to take you over to the machine shop for some instruction. Then you can help with cleaning duties.”
That sounded like an assignment I’d rather do without, not that I had any choice, especially after what I’d just learned.
Death always creates either guilt or fear, whether
either is acknowledged or accepted.
I’d been at the Collegium three weeks and three days, and on that Meredi morning, Maris eighteenth, I was shivering, even under my covers. I forced myself from bed and peered through the window. Outside, fat flakes of snow were drifting down from a dark gray sky, although not more than two or three digits’ worth of snow had piled up on the quadrangle. Spring was supposed to arrive in a week or so, but it felt like winter. I pulled on the robe that had come with the room and trudged out and down to the showers and bathing rooms. I did like being clean and clean-shaven. I just didn’t care much for the process, and not in winter-cold weather.
On the way back from the shower, as I climbed the steps from the lower level, I heard heavy footsteps. When I stepped away from the landing, I saw two obdurate guards in their black uniforms carrying a stretcher. They headed down the hallway to an open door two doors before mine. Before I reached that doorway they had entered and then come out, carrying a figure covered with a blanket. One of them closed the door one-handed, bracing the stretcher on his knee for a moment, and then they strode toward me. I flattened myself against the stone wall of the corridor, not that I really needed to. Neither looked at me, but most obdurates ignored those of us who were still learning.
Standing in the corridor between the now-closed door and mine were two imagers. Although they looked to be several years younger than I was, they were both seconds, and had said little to me. From what I could see, they were both upset and trying not to show it. The taller one’s cheeks were damp, as if he’d wiped away tears.
“Who was that? What happened?” I asked.
The two seconds looked at each other, then at me, before one replied, “Mhykal. On his way to the Bridge of Stones.”
All I knew about Mhykal was that he was an imager secondus, that he was of average height, a few digits shorter than me, and that he hadn’t bothered to speak to me when we passed in the corridor or on paths of the quadrangle. People that young just didn’t die in their beds. When they didn’t answer, I asked again, “What happened?”
“Who knows? It happens. Not often. We’re not allowed to say. Ask your preceptor.”
Ask my preceptor? Before I could say more, one had retreated to his room, and the other was headed for the stairs.
I returned to my room and dressed deliberately, trying to make sense out of what I had seen. An imager second was dead, and his body was carted off. No one acted as if it were strange. Sad, but not strange. I’d heard that more than a few would-be imagers died, but hearing that, and seeing it the way I just had-that was another thing.
After finishing dressing, I stuffed my books in the canvas bag I’d been issued and then made my way downstairs and through the snow to the dining hall. I managed to find Etyen and sat across from him.
“There were obs in the quarters this morning, and-”
“I heard that. Mhykal, they said. I could have guessed he’d be one. He was always talking about what he could do.”
“Like you?” quipped Lieryns.
“No. More like you.”
“Me?” Lieryns’s voice almost squeaked. “I wouldn’t be that stupid.”
“Why would Mhykal be one?” I pressed.
“You can get in real trouble imaging by yourself . . . least until you’re a third or a master. There are lots of things that can happen. Be best if you asked Master Dichartyn to explain.”
Lieryns and another prime nodded.
I ate slowly, but good as the fried ham, hot biscuits, and white gravy were, I had trouble finishing what I’d served myself. After breakfast, I had to wait almost a full glass for Master Dichartyn. I read the newsheet I’d picked up, glancing over the top story that mentioned the recall of the Solidaran ambassador to Caenen, and then took out the history text and started rereading the pages I’d already read three times.
“You look worried, Rhennthyl. Trouble with the assignment?”
“No, sir.” I straightened. “Sir . . . before we start . . . might I ask a question?”
“Sir . . . I was coming back to my room after my shower, and two obdurate guards had a stretcher coming out of a room . . . and there was a body under the blanket. The two seconds there wouldn’t tell me what happened. They said that they couldn’t and that I should ask you.”
“That’s something you’ll probably see again . . . unfortunately.” Master Dichartyn looked across the desk at me. “About a third of the imagers who arrive here as primes die before they complete their secondus training. Close to forty percent of the more talented ones die.”
Forty percent, and he’d already told me I was talented?
“Would you like to guess why?”
That was the last thing I wanted to do.
“There’s a saying about imagers. There are bold imagers, and there are old imagers. There are no old bold imagers. While it’s not totally true, it’s close enough. Tell me why.”
When he put it that way, I did have an idea. “Imagers who are bold try things that are different, or in different ways, and too many things can go wrong?”
“We all occasionally have to try to accomplish different things. It’s a matter of approach. The Collegium believes a graduated and cautious approach is the best one. We try to build on what you already know or have been taught. Some young imagers think they know better. Sometimes they do, but most of the time they don’t. If they keep trying things without enough knowledge and supervision, sooner or later something will go wrong, often very badly, in one of two ways. They either kill themselves doing what they’ve been told not to do, or they get killed when they go out in L’Excelsis and start boasting or carrying on.”
“Can’t you do something?”
“What else would you suggest? We caution you. We try to show you how to do things in the proper ways. Are you saying we should have a tertius or a master spend every moment of every day with those of you who are talented? Or accompany you every time you leave Imagisle? We don’t have enough masters or thirds for that. Besides, anyone who really wants to do something boldly stupid will find a way, and, frankly, we can’t afford to have imagers who are stupid or publicly arrogant. There’s too much at stake.”
Master Dichartyn felt that way about the Collegium, but that wasn’t much help to me personally.
“Now . . . tell me how the founding of the Collegium changed the history of Solidar.”
I pushed away my anger at his near-indifference and tried to think. According to the history book, because imagers could create certain chemical compounds and metals, the Collegium gained greater and greater power by supporting the emerging merchant class, until the last absolute ruler and rex of Solidar, Charyn, ceded power to the Council once he realized that the imagers no longer supported him and were prepared to back a violent change in government, if necessary. So, being wiser than most rulers, Charyn requested a position as head of the Council for life, as a “transition,” and everyone heaved a sigh of relief. Now, the book didn’t put it quite like that, and I had the feeling it had been nowhere near that neat and sanitary. “The Collegium allowed a growth of collective power of the imagers . . .”
I just hoped that Master Dichartyn wouldn’t be too critical, but I was still worried about what happened to Mhykal. I’d lit a lamp through imaging in my sleep and killed two men while not really trying to do so. Could I do something stupid enough to kill myself . . . and not even know it?
Love is both a name and an act; too often the name
On Solayi, the twenty-ninth, I struggled to get out of bed in time for breakfast. There was no requirement to go to breakfast-or any other meal, for that matter. But for me, there weren’t any alternatives. Even if I had been permitted to leave Imagisle, I’d earned something like four silvers since I’d been at the Collegium. That might have paid for two cheap meals off the isle-and neither would have been as good as what I was getting fed. At the noon and evening meals, we even had wine, a grade that was a good plonk.
At breakfast and dinner, even during the week, I seldom saw more than a few masters, and they were those who had various duties on that particular day, nor were there that many of the older thirds or seconds. On weekends there were even fewer, but that made sense, because even the junior imagers could leave Imagisle-except for primes in my position.
I was one of the older imagers there, except for Maitre Dichartyn. He was seated at the masters’ table with Maitre Chassendri, and she was the maitre of the day. I sat down at the primes’ table, less than half full, and a rather sleepy-eyed and groggy Lieryns staggered in and sat across from me.
“Too early,” he mumbled.
“But it’s a long time to lunch on an empty stomach.”
“Wouldn’t be here otherwise.”
I glanced around the dining hall. There were only twenty or so at the seconds and thirds’ table, and perhaps fifteen at the primes’ table. “You don’t go anywhere on weekends?”
“Nowhere to go. My people live out near Rivages. Ironway only goes partway, and it’s nearly a day trip each way. Besides, they’re all foresters.”
“You don’t have much to talk to them about?” I asked, before pouring tea into my mug.
“Never did. Less now, and everyone else in town, they all look the other way if they see me coming. Oh, they’ll talk if you greet ’em, and they’re nicer to me than they ever were when I was just Leam’s youngest, but they all look so uncomfortable.”
“They respect you, then.”
“More like fear. You’ll see.” Lieryns looked down into his mug of tea, inhaling slightly and letting the warm vapor caress his face.
“How did you discover you were an imager?”
“My da had too many pitchers of plonk one night, and he came storming in, tried to beat up Callia, and he ran into a door that wasn’t there. Our cot never had doors, just curtains. Didn’t take him long to figure it out, seeing as only Callia and I were there. Ma and the others were at Aunt Nuela’s-she’d just had her third. Anyway, drunk as he was, that stopped him.”
“Oh, he wanted to flog me into ribbons, but the masters don’t like it, and there’s a finders’ fee for letting the Collegium know about imagers. It’s a gold most places, maybe more if we’re not beaten. Master Ghaend said that it was cheaper than holding hearings or trials for people who killed young imagers. My da was more than happy to claim it, and I usually bring them a silver or two when I visit.” Lieryns shrugged. “It’s easier that way. Besides, I’ve got a feeling that Llysira just might have the talent. She’s nine now.” He took a mouthful of the rubber-like omelet and chewed slowly. “Anyone else in your family show up as an imager?”
I shook my head. “Not that I know, and the way my mother’s family keeps track of the bloodlines, I think they’d know.”
“Maybe they do know. Maybe they don’t say. Some folks don’t want it known. They say it’s a mark of the Namer.”
Was Lieryns right? How could I know if people never talked and I’d never known enough to ask? “You’re cheerful this morning.”
He yawned, then shook his head. “You ever have a girlfriend?”
“Once or twice. The first married . . . someone. The other . . . I don’t know.” That wasn’t totally true. I’d enjoyed the company of a few over the years, and, for some reason, the only two I’d thought of in response to his question were Remaya and, surprisingly, Seliora, yet I’d only danced with Seliora on two or three of the Samedi get-togethers. “What about you?”
Lieryns shook his head. “The first time I went home, her mother met me at the door and said that she was . . . indisposed. She’s been indisposed ever since. For me, anyway. You’ll be fortunate if your former girlfriend will even look at you.”
That hadn’t been one of my greater concerns. Even so, I had to wonder if I’d have that problem . . . or if I’d even have another woman friend. That was something else I’d find out.
After breakfast, I donned the heavy gray cloak and began to walk along the west side of the isle, on the gray stone walk just above the gray stone river walls. Council Hill was two and a half milles away, but the day was gray and hazy enough that I could barely make out the white walls of the Council Chateau, and they looked to be a lighter shade of gray in the distance. The gray everywhere was getting to me. I wondered how different it had looked in the days before Charyn, when L’Excelsis and Solidar had been ruled by a rex. Had any of the early rulers been imagers? None of the history books I’d read had said, only that the early imagers, especially those serving Rex Regis, had been a necessary adjunct to the power of the rex. But then, none of the books mentioned the Namer, either, or Rholan the Unnamer, or even the mark of the Namer.
I ambled north past the workrooms, the armory, and an area of dwellings, both large and small, seemingly placed with care in a park-like setting. North of the houses was a small park that covered the northern tip of the isle. Although it had benches and a small hedge maze, I saw only three people-a young woman with two small children, barely more than toddlers. I kept following the stone walk back down the east side of the isle. Just before I reached the Bridge of Hopes, I saw an imager, with broad shoulders and light brown hair, walking across the bridge. On the far side, waiting for him, was a magnificent black coach, trimmed in silver, with a matched pair of blacks. Standing beside the open door of the coach was a young woman, with long white-blond hair flowing out from a silver and black scarf. Even at that distance, I could tell that she was young and beautiful. I just stood and watched as the imager neared.
She leaned forward and kissed him on the cheek, but briefly, and with a certain stiffness. Then he helped her into the coach and followed. I couldn’t help but wonder not only who the imager was, but how he’d managed to have a lady friend so clearly wealthy. Perhaps there was more appeal to being an imager than I’d realized.
Those who do not understand imaging assume that
any rule of the world can be circumvented or changed
with enough skill; that is so erroneous that it cannot
even be termed wrong.
On Jeudi, the thirty-third of Maris, at the end of breakfast, when I’d been at the Collegium for over three weeks, Master Poincaryt stood and announced, “All members of the Collegium, except those with specific exceptions from me, will assemble in the gallery of the hearing room of the Justice Building at the eighth glass this morning.” Then he sat down.
“That’s trouble for someone,” murmured Etyen.
“More than trouble,” added Thenard.
According to the Manual, hearings were mandated only for serious offenses against the Council or the Collegium, but there was nothing written that indicated that the hearings were public and that all imagers were required to attend.
“Do you know who it is or what they did?” I asked.
“No,” said someone down the table. “We only find out at the hearing.”
If you did something against the Collegium, could someone just appear with guards or whatever and whisk you off to a cell and a hearing? Could they do that to me, for imaging the explosion that killed Master Caliostrus and Ostrius? I tried not to shiver, and instead looked down at the remnants of the egg-fried toast on my platter.
I slowly finished them, as well as my tea, then made my way to Master Dichartyn’s study, where I sat on the bench in the hall and began to leaf through the manual.
“Rhennthyl?” Gherard stood in the middle of the corridor. “Master Dichartyn is preparing for the hearing. He asked me to tell you to read the eighth section of Natural Science and the first section of Practical Philosophy. He will see you tomorrow morning.”
I went back to my room and struggled through five pages of the philosophy book before making my way out into the misty fog that covered the quadrangle and then to the Justice Building. The gallery consisted of wooden high-backed benches set on tiers that rose behind a low wall that separated the hearing area from the gallery. The benches flanked a central set of steps, coming down from the upper entry on the second level of the building. The lower level was very simple. At the east end was a dais a yard high, and from the middle rose a solid black desk with a high-backed chair behind it. The floor was of seamless stone, but a walkway of black stone, seemingly with no joins separating it from the gray stone around it, ran from the archway at the west end of the chamber to the foot of the dais. At the end of the dais, above where the black stone ended, was a black railing two yards long, supported at each end by black posts.
By the time all the imagers had filed in, the gallery was close to filled. From my best count, there were close to two hundred imagers there, ranging from primes just out of grammaire to graying masters.
“Is this most of the Collegium?” I looked toward Thenard, seated on my right.
He shrugged. “This is only the third hearing I’ve been to. That’s in two years. There have been about the same number at each hearing.”
Outside, the bells began to ring the glass.
“All rise.” The words came from a dark-haired master standing by the west-end archway facing the dais.
As we stood, the justice-or hearing officer-walked in and then settled himself behind the desk on the high dais. He wore a long gray robe, like the Council justices, except his was trimmed in both black and red, instead of just black.
“You may be seated,” announced the bailiff. “Floryn, Imager Tertius, step forward to the bar.”
Floryn didn’t have much choice about stepping forward. His hands were manacled behind him, and a thick black blindfold covered his eyes. Two large obdurates in black escorted him forward until he stood before the black railing. I wondered about the blindfold, but only for a moment. It would be hard to image anything if you couldn’t see, and the position of the manacles prevented him from lifting his hands to remove the blindfold.
“Who stands to defend the accused?” asked the justice.
“I do.” Master Dichartyn stepped forward and stood beside the small table on the right, facing the dais.
“Who presents the case for the Collegium against the accused?”
“I do.” The thin blond man who stepped up to the table on the left was a man I’d seen at meals, seated at the masters’ table, but whom I did not know.
“State the charges against the accused.”
“The accused faces three charges. The first charge is that of counterfeiting the coin of Solidar, to wit, by imaging a gold crown that was not pure gold and by attempting to use such to purchase goods. The second charge is that of employing imaging to obstruct a civic patroller in the course of his duties. The third charge is that of attempted murder in the use of imaging against a master of the Collegium.”
After the reading of the third charge, I could hear several indrawn breaths, particularly from a row of thirds seated below us.
“How does the accused plead? Guilty, Not Guilty, No Plea, or For Mercy?”
“For Mercy, Your Honor,” offered Master Dichartyn.
The justice looked directly at Floryn. “Floryn, your defender has offered a plea of For Mercy. Do you accept that plea?”
Even I could sense the defeat and resignation behind those two words.
“Seat the accused.”
The two guards led Floryn to the table on the right of the chamber, behind which were two chairs. After they seated him in the one away from the black stone walkway, they took position behind him, while Master Dichartyn seated himself in the other chair.
“Proceed, Advocate for the Collegium,” stated the justice.
The blond master nodded to the bailiff, who announced, “Sandyal, Imager Tertius, to the bar.”
A lanky and sandy-haired imager who looked to be close to my age walked from the west archway forward to the bar.
“Sandyal,” began the justice, “do you understand that you are required to tell the whole truth, and that your words must not deceive, either by elaboration or omission?”
“Sandyal,” began the Collegium advocate, “you had a conversation with Floryn on Solayi, the twenty-ninth of Maris. Would you please recount what Floryn said he was going to do?”
“Yes, sir. We had the afternoon off. We had to be back for chapel, but the afternoon was ours, and Floryn said that he wanted to have some spiced wine and pastries at Naranje. I told him that I didn’t have enough coin, and he said that he’d take care of whatever we bought. . . .”
Sandyal must have recounted every detail of the afternoon, and it took more than half a glass, but the gist was that Floryn didn’t have any coin and that he imaged a gold. The serving girl thought it felt wrong and put it in a water-tester. It came up false. She told the owner of the patisserie, and he summoned the patrollers. Because she had also said that it came from a young imager, they summoned the duty master. The summons didn’t reach the master before a patroller arrived. Floryn realized something was wrong and ran out of the patisserie. The patroller followed, and Floryn imaged something that tripped the patroller.”
“Did you see what happened after that?”
“No, sir, except that Floryn ran across the boulevard-the Boulevard D’Imagers, sir-and down an alleyway. I just waited there in the patisserie. I didn’t have any coins, and . . . I thought Floryn was going to pay. He said he would.”
“I have no further questions.” The advocate looked to Master Dichartyn.
“I have no questions.”
“You may leave the chamber for the anteroom, Imager Sandyal.”
Sandyal inclined his head, then turned.
“What will happen to Sandyal?” I whispered as he walked back down the black stone.
“He’s restricted to Imagisle for the next year, and then they’ll review it.”
I didn’t hear who said that, but it wasn’t Thenard.
“Master Ferlyn to the bar.”
The angular master who strode down the central black stoneway didn’t look all that much older than I was. He had dark mahogany hair and a sharp nose.
“Master Ferlyn,” asked the justice, “do you understand that you are required to tell the whole truth, and that your words must not deceive, either by elaboration or omission?”
“Yes, Your Honor.”
Ferlyn’s answers to the advocate’s questions paralleled what Sandyal had said.
“Did you see what happened to the civic patroller?”
“Yes, sir. Floryn imaged a timber right before his knees. The patroller wasn’t threatening Floryn. He was trying to keep him in sight until I arrived . . .”
That also made sense to me.
“. . . when I caught sight of him in Milliners’ Lane, Floryn tried to use imagery to block my vision of what was happening as well as making a personal attack on me. The details are in the documentation presented to the court. I request that those details not be stated in open court.”
The justice looked to Master Dichartyn, but Master Dichartyn did not object to that request. For an instant, I wondered why, but then realized that there was a greater disadvantage to Floryn in having the details made public.
After Master Ferlyn’s testimony, statements were read from the serving girl and from the patroller, and the patisserie owner.
Then the bailiff called out, “Vanjhant, Imager Secondus.”
In moments, the chubby and blond young imager was standing before the bar, having been exhorted to tell the truth.
“Vanjhant, you listened to something that Floryn said several weeks ago. I would like you to recount what you heard.”
“Yes, sir.” Vanjhant licked his lips. Then he swallowed. “We were leaving the dining hall, and it wasn’t that good that day. Least we didn’t think so. Morryset was wishing that he could have a real pastry, and Floryn said that was no problem, that all you had to do was image a few silvers or a gold, whenever you wanted to, and go out across the bridge and buy one. . . . Chastyn said it wasn’t that easy. Floryn said that so long as the gold was on the outside and it was heavy enough, anyone would take it . . .”
The advocate asked several more questions, then dismissed Vanjhant. After that, three more junior imagers were called, and all confirmed that Floryn had made similar statements.
“Are there any additional witnesses?” asked the justice.
“No, Your Honor.” The words from both masters were nearly simultaneous.
“Your statement, master defender.”
Master Dichartyn stood. “I cannot contest the facts in this case. Floryn did in fact image a gold that did not contain the proper gold content. Had the coin been of the proper weight, at most he would face a disciplinary hearing, assuming that his duplication of a coin would ever have been noticed. His life is at stake because his abilities were not equal to his self-confidence. As with many young people who realize that they have made a terrible mistake, he panicked. He attempted to stop a patroller from following him, but he did not use imaging in a fashion intended to do any permanent harm to the patroller. The same is true of his use of imaging against Master Ferlyn. Because his actions were based on poor judgment, and because his actions showed clearly his desire not to create permanent harm or injury to anyone, I request that he receive mercy, and that he be sentenced to five years in the duplication section of the machine works, and that he be restricted to Imagisle for ten years, and that any violation of either condition result in immediate execution of the sentence that would otherwise be imposed.”
The way Master Dichartyn put it, the request for mercy seemed fair enough. Certainly Floryn would not be getting off lightly, but it was clear that the alternative was his death.
“Your statement, Advocate for the Collegium.”
The blond master stood. “My colleague has presented an eloquent argument, and one that, in other circumstances, I would in fact endorse and support. Were Floryn an Imager Primus or Secondus, with perhaps a year or so at the Collegium, I would not hesitate to do so. Had he been here even two, or perhaps three years, I would probably support a plea of For Mercy. But Floryn has been at the Collegium for over five years, and his actions, as shown by the statements he made to all levels of young imagers, embody a thoughtlessness and a recklessness that, in time, could threaten the very Collegium itself. This was not the impetuous and isolated act of a young imager, excited over new abilities and unaware of the consequences. These acts were those of an arrogant and self-centered man who could only consider his own pleasure, and who created disruption and brought discredit upon the Collegium-all for a few mugs of spiced wine and two pastries. For those reasons, I must ask that the plea of For Mercy be rejected, that Floryn be found guilty of the charges levied against him, and that the appropriate sentence be carried out.” The Collegium advocate inclined his head, first to Master Dichartyn, then to the justice.
“Floryn, Imager Tertius, to the bar.”
The two guards half-urged, half-lifted Floryn from his chair and escorted him back to the bar, facing the justice. Then they retreated several paces and waited.
The justice stood.
“All rise!” ordered the bailiff.
I stood, feeling queasy as I did so.
“Floryn, Imager Tertius, this court finds as follows. First, the facts and testimony confirm that you did in fact commit the offenses with which you have been charged. Second, given your length of study at the Collegium, acceptance of a plea of For Mercy is not warranted. Third, the penalty for conviction on each of the three charges is death.”
Floryn winced, as if struck.
Silence filled the space, from the court area all the way up through the gallery.
Floryn shuddered, then collapsed on the black stone floor before the dais. He twitched several times. Then he was still. The two burly guards stepped forward and picked up the body, lifting it easily up and onto their shoulders, and then carried it out.
The robed master looked down from the dais. “The sentence of the Collegium has been enforced. Justice has been done. So be it.” After a moment, he turned and walked out through the smaller archway at the rear of the dais. Then, all of those below turned and departed.
I just stood there for a long moment, even as the imagers around me began to leave.
Guilt provides far more effective motivation than
greed, for greed can at times be satiated.
On Jeudi night, after too many glasses studying and worrying, I was particularly glad for my private quarters, because I did not sleep well, not with dreams of facing a hearing for the death of Master Caliostrus running through my nightmares. Not with the vision of the Collegium advocate reciting how I had imaged my portraiturist master to death because I hated his son. I also had visions of some master imaging poison or something like it into my body, and being unable to do anything at all against such an attack.
When I woke on Vendrei, far earlier than normal, with the early-spring light barely seeping from cloud-covered skies through leaded-glass windows, more questions rushed through my brain. Had in fact the justice imaged poison into Floryn as he had stood before the bar? Was that technique another reason for all the anatomy drawings in the Natural Science volume?
I shook my head. That technique could be applied to everything, if an imager happened to become strong and talented enough. But then, if that were so, of what use were obdurates?
Breakfast at the prime table was as quietly boisterous as usual. That bothered me as well, but I said nothing and did my best to enjoy the ham rashers that went with the omelet casserole. There were no letters in my box, not that I expected any, and I trudged through the misting drizzle that sifted down on the quadrangle as I made my way to Master Dichartyn’s study.
The door was open, and he was waiting for me. “Did Gherard deliver your assignments?”
That was a pleasant way of asking whether I’d read them.
“Yes, sir. The philosophy is hard.”
“If it weren’t hard, it wouldn’t be philosophy.” He closed the study door behind me. “You look tired. Are you all right?”
Rather than answer that, because I wasn’t certain how I was and didn’t want to say, I said, “Might I ask you about the hearing, sir?”
“You may ask. I may choose not to reply.”
“Why did Floryn not speak for himself? Is that forbidden?”
Master Dichartyn shook his head. “It is not, and most accused do speak for themselves. Floryn had a greater chance for mercy if he did not speak. It was not a great chance, but it was the only hope that he had.”
“Might I ask why?”
“I would deny that to most junior imagers, Rhennthyl, but I will answer you on two conditions. First, you are never to repeat my answer to anyone, and after this meeting, not even to me. Second, you will make an honest attempt to explain to me why I am allowing you this liberty.” He looked at me. “Do you accept those conditions?”
There was more there than I knew, but I also needed to know. “Yes, sir.”
“Floryn’s life was at stake, but what he did not understand is that his and every imager’s life is at stake every moment of every day. Now . . . it is not arrogant to believe in one’s true capabilities, but it is arrogant for an imager to declare those capabilities publicly, and it is unacceptably arrogant to overstate one’s capabilities, particularly when we exist on the sufferance of the people. Floryn was incapable of speaking without revealing his arrogance, and arrogance from junior imagers does not set well with masters, particularly not with Master Jhulian, who was serving as justice. I tried to coach Floryn as to how he should speak, but his anger was so great that anything he said would have ensured his death.”
“Was he a talented imager, sir?”
“Almost as talented as you may become, if you work hard at it.” He paused. “Why have I let you ask this?”
The answer was obvious. It was also painful. “Because I could become arrogant, as Floryn was.”
“Not quite. You would never be as blatantly, flagrantly stupid, and you are not the type to boast. You could be the type to boast to yourself and to act in anger, but in subtle and cool arrogance, when you feel yourself wronged or disregarded. How did you feel when you did not win the journeyman’s competition last Ianus?”
“Wronged,” I admitted, even as I wondered how he knew that, because I’d never mentioned it to anyone at the Collegium. “My work was better than those that won, and several masters admitted as much indirectly.”
“Then why did you not win?”
I wanted to blurt out that they had played favorites, but there was more behind it, and Master Dichartyn would not have asked the question if there had not been. “I would guess that part of the competition was to determine who would follow the traditions and the unspoken rules of their guild.”
“If that were so, then did you deserve to win?”
“I deserved to win on artistic merit, sir, but not if the prizes were to be given on blind compliance with unspoken rules.”
Master Dichartyn nodded. “You don’t like to admit that, do you?”
“What happened to you there is the same everywhere else. All groups, whether the guilds, the Council, the High Holders, or the Collegium, have both formal rules-and these can be spoken or written or both-and unspoken rules. The unspoken rules must be observed and deduced by each member of the group, and in large part, acceptance and success depend on recognition of and mastery of those unspoken rules. Young people usually understand that such rules exist within their own groups, but many have a harder time accepting that other groups have such rules and that at least some of those rules may differ greatly from the rules they have already learned. Often they get most angry when the rules of those older and more powerful do not follow their preconceptions.”
“Floryn didn’t like it?”
“He came from a part-taudis background where one has to boast and overstate to be respected. He could never overcome that early training.”
“What early training do I need to overcome?”
Master Dichartyn laughed, somewhat sadly. “I cannot say with certainty. I would judge that you need more to overcome your rebellion against early training. You may have become an artist because you disliked the constant counting and use of coins as a measure of success. Yet that is the measure of success in commerce, and you must accept the fact that such is the case with most people. Taxes and tariffs on commerce support all of Solidar, as well as the Collegium. Most people can reckon only with numbers, and they measure their worth by comparing their possessions and coins against those of others.”
I would have to think about that.
“Rhennthyl . . . I have another question. All techniques and questions about imaging, beyond the very basic exercises that you’ve already had, are handled in private discussions and exercises with a master. Why do you think this is so?”
“You want to see what we can do when no one else is around. That would keep others from getting hurt if I did something really wrong.”
“You could hurt me.”
“No, sir. I don’t think so. You wouldn’t give us the instruction and tools if you didn’t have some way of protecting yourself.” I paused. “I don’t know if I understand about obdurates, not after . . . yesterday. I mean . . . how can they . . . protect against . . .”
He just smiled. “There are two kinds of imaging. The process is the same, but the effects are not. If you try to change the way someone looks or their physical being through imaging, it will not affect an obdurate, and if you’re strong enough, the slightest suggestion will change a malleable. Most people won’t be affected, and the effect usually won’t last unless the imager is a master, generally a higher-level master. That is not the same as if one uses imaging as a weapon, if you will, but to do that, one must be able to see . . .”
I understood. The obdurate guards might have been close enough to be affected by personal shaping imaging, if they were not obdurates, and the blindfold provided the rest of the protection. “Are imagers obdurates to some degree?”
“Almost always, but there are a few who are not. You are definitely not one of those.” He cleared his throat. “Now . . . if we might return to my question. Are there any other reasons why we instruct you alone without others present?”
“You want to keep control of the situation?”
“What do you mean?”
“It could be that with more imagers around . . .”
This time, he shook his head. “No, one of the reasons for the isolation is for your protection. I can protect myself. You can’t yet. What if another junior imager made a mistake?”
“Oh . . . I should have thought of that, sir.”
“After you thought of my being hurt, you should have. One of the problems that young men have is that while they can think of what may happen to others, they don’t think how their actions or those of their peers may result in great injury to themselves. Think of it this way. After the hearing, didn’t you worry that someday some master might charge you with some offense?”
“Ah . . . yes, sir.”
“Did you think about the fact that if you avoided doing unwise or prohibited acts you wouldn’t have that worry?”
I hadn’t, not really.
“You see?” He raised both eyebrows.
“But, sir . . . most of us have done things we regret or worry about, sometimes before we knew better . . .” I wasn’t quite sure what I was suggesting was wise, but I had to know.
He nodded slowly. “That is true for many of you, generally for the most gifted, such as you. You are referring to the unfortunate death of your previous master, are you not?”
I just sat there, stone-cold. I shouldn’t have said anything, and yet . . .
“You’re surprised? I receive copies of all the patroller reports in L’Excelsis. We look at them carefully where deaths and strange occurrences are involved, particularly when a younger person is involved. It is often suggestive. Very few of the most talented imagers do not have a death or an injury to another that has come from their discovery or development of their ability. The only question is whether they worry about it or suffer for it. Those who do not suffer, or understand that they should, are useful only for the Army or the Navy, or for the machine works, for they have no restraints. I’m glad you brought the matter up, and even gladder that you did indirectly, at least indirectly for one who is not experienced in indirection.”
“You knew and let me become an imager?”
“Had you not come to us, Rhenn,” Master Dichartyn said quietly, “within the month, you would have been found dead on the street. You had the wisdom to understand what you had become, and the strength, even with the worry you carried, to cross the Bridge of Hopes. Why do you think it is called that?” His smile was wry. “Hope is always an expectation beyond anticipated reality, is it not?”
Put in that light, I had to agree with him. I nodded.
“You have learned what some never do. What you have not learned, but will, is that you will always bear the costs of what led you to become an imager, one way or another.”
I had the feeling that he might be right.
“Next Vendrei, at the noon meal, Master Poincaryt will include your name among those imagers being promoted from primus to secondus.” He smiled, but the smile vanished almost immediately. “Now that we have taken care of those issues . . . define a philosophical proposition for me, by its structure.”
I had to think about what I had read, but some of the dread I had carried for weeks had lifted. Some of it.
Those who believe consider themselves blessed; that is
their consolation and their burden.
The first Solayi in Avryl, the first of the month and the last day I was actually restricted to Imagisle, Mother came to visit me. The afternoon was partly cloudy, but the morning had been sunny, and the air was pleasant. Her coach crossed the Bridge of Hopes right at the first bell of the second glass of the afternoon. I was waiting just off the bridge on the isle side, because that was where the Manual stated visitors should be met.
Charlsyn eased the coach into the waiting area, but he avoided looking directly at me as I stepped forward and opened the door.
Mother stepped out, and I offered her a hand, because there was no mounting block, although the gray granite curbing was somewhat raised above the paving stones. She wore a long black skirt and boots, with a short maroon jacket over a cream blouse, with a pale green scarf and maroon beret-style hat. In her own way, she made it all look good together.
“You’re looking well, Rhenn.” Her smile was practiced as she inspected me, and wider after she saw no obvious faults in my dress and deportment. “The gray does suit you, although it is a bit severe. The cloth of the waistcoat and trousers looks to be choice wool.”
“I hadn’t noticed, not exactly.”
“Well . . . your father will be pleased to know that. It’s a good grade for imagers, very fine, but not ostentatious.”
“Master Dichartyn will be pleased to hear that.” As soon as I spoke, I wished I hadn’t said it that way, and I quickly added, “He feels imagers should never be arrogant or ostentatious.”
“You should listen to him. No one should be.” She smiled, and a twinkle appeared in her eyes. “I’ve even suggested that to your father once or twice, but don’t tell him that I told you so.”
“I wouldn’t think of it.” I couldn’t help but enjoy the thought of her suggesting that he was arrogant.
We strolled down the walkway to one of the stone benches. Mother produced a small towel from somewhere and dusted it off. “It never hurts to be prepared.”
“You’re prepared for everything,” I said with a smile.
“One can never prepare for everything, but when one prepares for what one can, it’s much easier to deal with the unexpected.”
“There’s some truth in that,” I conceded.
“So nice of you to admit that, dear.”
I winced. “I’m sorry.”
She straightened herself on the bench. “Rousel and Remaya will be arriving on Jeudi. Will you be able to come for dinner on Samedi, or will they need to come to see you here?”
“I’ll be able to come on Samedi. This is my last weekend to be restricted to Imagisle.”
“Good. I’ll send Charlsyn with the coach. What time would be good?”
I didn’t want to spend too long with Rousel and Remaya-or Father-but I didn’t want to seem ungrateful. “I’ve always been free by the third glass of the afternoon.”
“Should he meet you here?”
“I could meet him on the other side of the bridge. That way he wouldn’t have to cross and turn the coach.”
“That’s settled, then. It will be so good to have everyone home. You know that Remaya’s expecting in late Juyn?”
“I knew it was sometime this summer.”
“She is a lovely person.”
That meant that Remaya was far superior to her Pharsi background. “I knew that from the beginning.”
“That may be, dear, but she’s far better suited to Rousel. She enjoys talking about trade and wool, and she likes it as much as he does.”
Mother did have a point there.
“Oh . . . I forgot to tell you. I should have written you. We have your painting-the one you entered in the art competition. Master Reayalt had it sent to us. Would you like it?”
The guildmaster of the Portraiture Guild had sent my study of the chess game? But who else would have? “If you don’t mind . . . could you keep it until I’m a bit more . . . settled.”
“We’d love to. I know just where I’ll hang it until you’re ready for it.”
“I’d appreciate that.”
“Tell me about being an imager . . . what you can, that is. I know that there must be matters you cannot discuss. What do you do?”
“Study and practice, mostly. I suspect I’m getting close to a university education in science, chemistry, and philosophy.”
“Don’t mention the philosophy to your father. He’ll like the rest. What else do you do?”
“There are exercises in imaging, and I’m examined almost every day, except Solayi, by my preceptor. That’s Master Dichartyn. In the afternoon, I might practice something in the laboratories or workrooms, or study. I’m just been advanced to imager secondus, and starting tomorrow, I’ll have to learn more of what imagers do, but I haven’t been assigned yet.”
“What does being an imager secondus mean?”
“I get a little larger stipend, and I can cross the bridges to the city whenever I have the time, so long as I don’t miss any instruction or duties.”
She nodded. “That’s good. Are you getting enough sleep? What are your quarters like? Do you have to sleep in a bunkroom like the soldiers?”
I shook my head. “We each have our own rooms. They’re not large, but they’re comfortable, and the food is good. Not so good as at home, but far better than at Master Caliostrus’s.” Was my parents’ dwelling really home anymore? Had it ever been, really, after I’d left the grammaire?
“I’m glad to hear that.” There was a long pause. “Dear . . . this may be presumptuous, but can imagers marry?”
I couldn’t help smiling. “They can, but generally they have quarters on Imagisle or among other imagers, unless they’re very wealthy.”
“I don’t see why . . .”
“It’s compulsory, but I’m told that the quarters for those who are married are quite comfortable. Those who are older and have families live in houses on the north end of the isle.” I didn’t feel right about explaining the reasons beyond what I’d said.
“Oh . . . I’ve seen them. They’re well kept, and stylish, but a trace small, I would think.”
All I could do in response was shrug and say, “Since I’m not married, I wouldn’t know.”
“Do imagers usually marry other imagers?” After a moment, she added, “That can’t be. There aren’t any women imagers, or not very many, are there?”
“There are some. I’ve seen three masters who are women, and perhaps ten or fifteen who are primes, seconds, or thirds.”
“Then when you can, you should get out and meet some eligible women, some of the proper background.” She paused. “You realize that Rousel was extraordinarily fortunate, don’t you?”
What she meant was that most Pharsi girls would not meet her standards or fit in her world, but I only said, “I’m very aware of that. I can only hope to be that fortunate.”
“A good background makes it far easier, as I’m certain you know.”
I nodded, and after that, we talked of friends, and family and how my aunt Ilena-Mother’s sister-refused to travel to L’Excelsis, even on the ironway.
Then, abruptly, she stood, and I followed her example.
“I must be going, dear. It has been lovely to see you, and to know that you are doing so well. I had my doubts, but I do think this imager business is for the best. Your father will be happy to know that.” She leaned forward and kissed my cheek. “We will see you next Samedi.”
I walked her back to the coach and watched as Charlsyn eased the team and coach around the narrow roundabout and back over the bridge. Then I walked back to my room and read-or tried to read-another section of Practical Philosophy. Many of the arguments there seemed anything but practical, such as the section that read:
The ultimate philosophical principle is the advance from disjunction to conjunction, creating an entirely new entity other than the entities previously existing in disjunction . . .
After struggling through that, I closed the book and made my way to the dining hall, where I did appreciate the comparative relief of the evening meal on Solayi. Then, I and all of the imagers at the Collegium went to what the masters called chapel, but it meant the services held at Anomen D’Imagisle. They were a glass later than those at Anomen D’Este, to fit the Collegium schedule, I supposed. As at all services, we stood throughout-except for a handful of graying imagers emeritus, who had two special benches on the left below and forward of the pulpit. A small choir of imagers offered the choral invocation, and they sang well.
Chorister Isola was the only woman chorister of the Nameless that I’d ever seen, although I’d heard that there were others, because one could not know or presume whether the Nameless was male or female, or indeed both at once. Her voice did carry, and her soprano invocation following the choral one, wordless as it was, was far more pleasant than that of any other chorister I had ever heard. Then she opened the main part of the service.
“We are gathered here together this evening in the spirit of the Nameless and in affirmation of the quest for goodness and mercy in all that we do.”
The opening hymn was unfamiliar-“Save Us from Naming”-but that didn’t matter because I barely sang, with just enough sound so that I was not merely mouthing the words.
After the confession and offertory, Chorister Isola stepped to the pulpit for the homily. “Good evening.”
“Good evening,” came the reply.
“And it is a good evening, for under the Nameless, all evenings are good.” She paused for just a moment before going on. “We all know, and you all have been taught since childhood, the sin of pride that can accompany naming, and we have all heard the stories about achievements and the purity of Rholan the Unnamer. Who among us has not shied away from the possible disgrace of bearing the mark of the Namer, but how many of you have thought deeply about the greatness and majesty of those aspects of life that are without a name? We come into the world, born of woman and man through the agony of a woman, often so painful that no words can describe that birthing. Likewise, there are no words to describe death, for those who pass through it cannot speak of it to us. For each of us, these are the beginning and the end, as we know them here on Terahnar, and there are no words that will do justice to either.
“Words cannot describe the most magnificent of sunrises or sunsets, or even the greatest painting of the greatest representationalist or the most beautiful of statues, or the most stirring and harmonious of melodies. Words are all that we have to convey to each other what we see and what we feel, but never should we accept a belief that words truly or fully describe the world created by the Nameless. Even less so than words do names describe what is . . .”
Chorister Isola went on from there. I thought it was one of her better homilies, and one that made me think.
On the way back from chapel, I matched steps with Sannifyr, another second, not necessary because I’d disliked the younger primes, but as soon as I’d made secondus, they shied away from me. Sannifyr didn’t say anything, and I didn’t really know what to say to him, either. The walk back to quarters was fairly long, because the anomen was at the point on the southern end of Imagisle, but the night wasn’t that cold, especially compared to those when I’d first come to the Collegium.
Deduction is limited by knowledge, and knowledge is
limited by preconceptions.
On Lundi morning, when I made my way to Master Dichartyn’s study, the door was open.
“You can come in, Rhenn.”
I eased inside and closed the door, taking my seat opposite him.
He leaned back and fingered his chin. “How many people are there in Solidar?”
There had to be millions, but I didn’t recall the exact figure. “Forty million?”
“The last enumeration showed around fifty million. How many are in L’Excelsis?”
“There were over two million in 750 A.L.”
“How many imagers do you think there are here at the Collegium and in L’Excelsis?”
“If I’ve counted correctly, there are somewhere over two hundred and forty, sir.”
“Add another fifty or so, and that’s close enough. It doesn’t include those who can image just a tiny bit and haven’t been discovered, or those who have never discovered their talent, but most people with the ability get found out sooner or later. Later is seldom better, and very few survive. Let us just say that there are five hundred imagers in all of Solidar. What is that ratio?”
“One hundred thousand to one, sir.”
“Now . . . does that tell you why caution is necessary in every imager action?”
“Yes, sir.” It also told me that Floryn’s greatest failing was telling anyone anything.
“What else should it tell you?”
What else could there be? “There can’t be very many in the rest of the world, either.”
I’d had a moment to think. “If there were, we’d know about it. The Collegium seeks out imagers. If you can only find five hundred in Solidar, and we have more people than other countries . . .”
“You’re making several assumptions. What are they, and are they correct?”
“It would be hard to hide imagers in other lands, but if you could find out so much about me, how could they hide imagers from you?”
“That assumes we would be allowed to look. While places like the Abierto Isles are open enough, and so is Stakanar, Ferrum and Jariola don’t like snoopy outsiders and have rather unpleasant habits of making them disappear. The Tiemprans ban imaging and imagers, and the same is true of Caenen. You’re also making assumptions about people. What are they?”
“Oh . . . that people are the same everywhere.”
“Are they? If they are, what makes them that way?”
“Sir . . . I know I haven’t traveled far, but I have seen people who have come from many places, and they all seem to love or hate, or want to be better . . . and I think we’re all born with similar general abilities and wants.”
“Is imaging something people are born with, or something learned?”
I was definitely unsure what Master Dichartyn sought . . . or why. “I don’t know, sir, but I would say it’s something people are either born with or not, but that they have to learn whether they have it and how to use that ability.” I paused. “Does it have anything to do with . . . I mean there seem to be more men who are imagers.”
“That’s true, and women imagers almost always come from families where an older brother has the talent. Why that’s so, we don’t know, but there are traits that work that way. Very few women are bald, compared to men. But . . . back to the question at hand. If the imaging skill can arise in any people, why are there more practicing imagers in Solidar than in the rest of the world? If you can tell me that, it will provide the rest of the answer to the first question I asked and that you did not answer completely.”
I had to think for several moments. Exactly what had I failed to answer?
“I’ll give you a hint. Why are most bulls gelded and why is the Cyella Ruby valuable?”
After a moment, I answered. “Imagers are scarce but more plentiful in Solidar because we provide valuable and rare services and people are more willing to have imagers around so long as there aren’t too many of us?”
Master Dichartyn nodded. “We have created an institution that not only fulfills needs, but also has established a reputation for being trustworthy in carrying out those duties for Solidar and for the Council. Without unique services, we have no value, and without trust, our value cannot be relied upon. And if there were too many of us, then no one would trust us. Because the Oligarch of Jariola can trust no one, what we do is either not done there, or done in a more costly fashion, and any imager is either executed or exiled. In Ferrum, they use machines and exile imagers because they cannot quantify how to value trust.”
Abruptly, he looked up. “We have not gone over your philosophy readings, but I need to meet with the other masters.” He paused. “The Puryon believers of Tiempre have faith in an omnipotent, beneficent, and just god. Write me a logical proof of why this is either so or why it cannot be so. Have it ready for me in the morning. That should provide some practical application of what you’ve been studying.”
“Yes, sir.” How was I going to prove that logically? And why was a philosophical proof a practical application?
“We’ll meet outside the dining hall after lunch today, and I’ll take you to your work assignment from there.” He stood.
So did I, scooping up the unopened books and hurrying out of his study before him.
I had almost two and a half glasses before lunch, but, as I crossed the quadrangle under the first truly warm sunlight in days, I had no idea how I was going to prove or disprove the statement Master Dichartyn had given me.
“Where are you going so early?” called Johanyr from the stone walk intersecting the one where I walked. He was also a secondus, about my age, I thought, with short-cut curly brown hair and massively broad shoulders, as if he were better suited to be a stonemason or the like. We’d talked briefly over meals, and I had the feeling I’d seen him somewhere before, but I couldn’t recall where.
“Master Dichartyn had a meeting with the other masters, but he gave me a logical proof to figure out, and I have to have it all written out by tomorrow.”
“Some of the seconds are asking if you’re trying to make third before summer and master in a year.” He laughed, but the sound was hard. “You don’t spend much time with the others, except at meals.”
What he was saying was a warning . . . of some sort. “I’m sorry. I don’t mean to be standoffish.” I gestured toward a bench some five yards away. “Do you have a moment?”
“More than that. I didn’t even get to see Master Ghaend this morning. They’re all upset about something.” He tilted his head, looking at me speculatively. “Master Dichartyn is the only other Maitre D’Esprit besides Master Poincaryt. Did he say anything to you . . . anything at all?”
“He never does,” I answered as we walked slowly toward the gray granite bench. “He just asks question after question. This morning, he stopped in the middle of a question and said he had a meeting with the other masters, then told me my assignment and just about threw me out.” That wasn’t quite true, but I doubted anyone could have mistaken his abruptness.
“So he was worried?”
“I think so. He’s never been quite that abrupt before.” I stopped by the bench, gesturing. “We might as well sit down.”
“Might as well. You were saying . . .?”
“I don’t talk about it much, but I was a journeyman portraiturist. I was even getting my own commissions, and I was thinking it wouldn’t be too long before I could become a master, a junior master, and open my own studio. Then I imaged a little part of a portrait, just a little part, except it was green, and one thing led to another . . . and the girl I was interested in married my brother, and, all of a sudden, I can’t be anything but an imager.”
“Green? Why green?”
“Green pigment, true green, is almost as expensive as liquid silver. They don’t let journeymen use it often, and only when a master is watching, and I wasn’t a master yet.”
“You were close to being a master portraiturist?” Johanyr’s face softened slightly, but still bore a trace of incredulity.
“Several masters said I was good enough. I’d spent five years as an apprentice, and three as a journeyman.” I shrugged. “I don’t mean to be standoffish, but the change has taken some getting used to. When I started as a prime, I was five or six years older than most of the others. We didn’t talk about the same things.”
“I can see that.” He nodded.
“I’m just trying as hard as I can just to catch up. There’s so much I still don’t know.”
“Sarcovyt says that you’re good at imaging things.”
I managed a laugh. “How would I know? I know I’m good enough to be a second, but since I made second, I’ve never seen anyone else image anything. Before that, I never saw anyone but a prime even try. Master Dichartyn says that’s for my own protection.”
“It sounds like he’s trying to get you caught up with where the rest of us are.”
What Johanyr said made sense. “That’s what I’m guessing. I really don’t mean to be unfriendly . . . it’s just been hard.” That much was certainly true.
“None of us knew,” he pointed out.
I tried to look embarrassed. “It’s not something . . .” I shrugged. “It’s my fault, but . . .”
That got a sympathetic nod . . . of sorts. “We usually get together for a while in the evening, a half glass before the eighth glass, down in the common room. You might try it.”
“I didn’t even know . . . I mean, I’ve seen the common room, but only in the day . . .”
His laugh at my confusion was genuine, and when we parted, I felt that I’d managed to avoid, for the moment, another pitfall. But I was going to have to be very careful until I could figure out how to develop protections of the sort that Master Dichartyn had mentioned.
I still also had to figure out and then write up the proof for Master Dichartyn.
When I got back to my room, it took me more than a glass, and several drafts to write what I did. At lunch I made a point of sitting across from Johanyr and Diazt and making a special effort to be friendly. I felt that they were warmer, but I didn’t know, not for certain.
After I left the table, Master Dichartyn was already in the hallway outside the dining hall.
“We’re headed to the materials section of the workshops. You’ve already figured out some aspects of substitution. Now you’ll get a chance to learn another and put it to work.” He turned and strode quickly down the corridor and out through the doors, moving as quickly as I’d ever seen him.
As we walked, he said, “The materials for the workshops come over the Bridge of Stones. That’s where the name comes from. All the workshops have outside and inside entrances, and each workroom is lead-lined. That is so that no imager can affect the work of another. That is particularly important for some . . . efforts.”
I was beginning to sweat by the time we reached the large gray structure a hundred yards north of the quadrangle. The building held the various workshops, not that I’d been in more than a handful of them. The door where we entered was on the main level on the west side of the building, beside a raised loading dock, behind which was a set of sliding warehouse doors. They were closed.
As we stepped into the workshop, a space not much larger than ten yards by fifteen, I could see that the length of the room was filled with barrels, four lines of them, stacked on top of each other three deep. Four small topless wooden crates were set on a workbench a yard or so from the nearest line of barrels. That was it-except for the older imager in somewhat dingy gray who hurried through the door at the other side of the workshop.
“Grandisyn, this is Rhennthyl. He’s the new imager second I told you about.” Master Dichartyn turned to me. “This is Grandisyn. He’s a senior imager tertius. He knows more about imaging materials than most masters. I will leave you in his hands.” With that, he hurried away.
“You’re fortunate to have him as a preceptor,” Grandisyn said. “Fortunate, but he’ll make you work and think and then some.”
“I have noticed that, sir.”
“Just Grandisyn, Rhennthyl.”
“Rhenn, please. When people use my full name, I always wonder just what I did wrong.”
He laughed. “I can see that. My papa did the same.” After a moment, he began to explain. “Your task will not be easy at first, but it is simple. All you have to do is image some of these aluminum bars.” Grandisyn lifted a bar of a silvery metal out of the wooden crate on the right end, which had three of the small ingots in it, the only crate that did, then pointed to the barrels lined up along the wall. “It should be easier if you concentrate on imaging from the barrels. They’re filled with high-grade bauxite. Master Dichartyn said you might have to work at figuring it out, but that you could do it. Take your time.” He gave me a smile, then hastened off.
I was still holding the small aluminum bar, possibly worth several hundred gold crowns, and I was supposed to image more of them? In a way, from what I’d read, it made sense. Refining it was costly, and that made it very valuable, but why weren’t we refining gold? Or platinum?
I wasn’t quite sure what I was doing, but I concentrated on the image of the bar, the shining light metal, right on the workbench, and tried to visualize a vague link between the barrels and the bar I was attempting to image into existence.
A series of dull clanks followed.
Not only did I have a bar, somewhat larger than the one I’d been shown, but there was a line of aluminum fragments on the stone floor running spiderweb-fashion toward the barrels.
Obviously, my vague link needed to be far less direct.
I kept trying, and by the end of the fourth glass, I was exhausted, and my head was pounding. But there was a wooden box filled with the metal ingots, some of which had been refashioned from all the loose fragments I’d created before I’d figured out how to image without creating patterns of aluminum running from the barrels. Yet, in the end, refashioning from the fragments had been far easier.
I finally just sat down on the stool that had been tucked away under the bench. I was just too tired to do more. When I’d first imaged that small part of the Factorius Masgayl’s portrait, I had had no idea how exhausting imaging would turn out to be.
Before long, Grandisyn walked in and crossed the floor to the wooden crate. He looked at the crate, and then at me. “Hmmmm. We may have to find other things for you. I’ll be talking to Master Dichartyn. You look done in. Go get some rest.”
I didn’t need any more encouragement.
Back in my room, I slept for more than a glass and then had to hurry to the dining hall for dinner, where I ended up at the bottom of the table among several thirds I didn’t know, but I did my best to be cheerful.
After dinner I went back to my room and read some more, but I was careful to make my way down to the common room about a half glass before eight. The common room was in the lower level on the north end of the building, little more than a narrow space some fifteen yards long and seven wide with tables and benches spaced irregularly. The wall lamps were infrequent and wicked down to minimal light, so that the impression was of gloom. I found Johanyr and several others in a corner, with chairs pulled around a newishlooking table of a design centuries old. It should have been battered, but wasn’t. It took me several moments to realize why.
“Rhenn . . . pull up a chair.” That was Diazt. “We were talking about what’s got the masters all stirred up.”
I lifted a chair and set it between Johanyr and Shannyr, then sat down. My feet hurt, and I still had a trace of a headache.
“Only half the masters were at dinner, and neither Master Dichartyn nor Master Poincaryt was there,” said a short muscular secondus.
“They usually aren’t,” Shannyr said. No one looked in his direction.
“The newsheets said a Caenenan shore battery fired on one of our merchanters.”
“Why would they do that?” asked Shannyr. “Merchanters don’t carry cannon.”
“What would that have to do with the Collegium?” I inquired.
Diazt laughed. “The Collegium has something to do with everything in Solidar.”
“Master Dichartyn’s your preceptor, isn’t he?” asked Johanyr.
“Yes, but he didn’t say anything, except he cut my session short this morning, and then let Grandisyn tell me what to do in the workrooms. He left in a hurry.”
“They were all like that today.”
“Did he let anything slip, even indirectly?” pressed Johanyr.
“The only thing he said was that both Ferrum and Jariola had nasty habits in making snoopy strangers disappear.”
“I told you it couldn’t be just Caenen!” declared Shannyr.
“Does the Council have any problems with the Oligarch there?” I asked.
“There’s not a country in the world that doesn’t have problems with the Oligarch,” someone else said. I couldn’t tell who with the quietness of the words and the dimness.
“There’s not a country in all of Terahnar that doesn’t have problems with Solidar,” replied Johanyr.
“Because of imaging?” I suggested. “We don’t have that many imagers.”
“No one else has anywhere near as many.”
“You can’t have many imagers if you kill most of them as children,” added Shannyr.
Diazt cleared his throat. “We still don’t really know what has them worried. It has to be something important to have all the masters meeting twice in one day.”
“It can’t be just firing on a merchanter,” said Diazt.
In the end, no one added anything, and I had to wonder who knew what, if anything. Still, I’d been there, and I had the feeling that I’d better drop in at least a few times a week.
To every man, his cause is the one most just.
On Mardi morning, I spent a glass outside Master Dichartyn’s study reading Practical Philosophy because it was so boring that it seemed better to read it when I couldn’t do much else. At those times when my eyes threatened to cross, I spent a few moments with the newsheet-Tableta-but there was nothing of great interest, except for the massive avalanche near Mont D’Image and the speculation that somehow the imager Collegium there had been involved. Also, according to the captain of the Aegis, a Caenenan gunboat had fired on his ship, but missed.
When another imager left-I recognized the tertius as Engmyr, whom I’d met at the dining table-Master Dichartyn beckoned me to enter. He looked less tense than he had the day before, and he was smiling as I closed the door and took my seat.
“Grandisyn tells me that you imaged a week’s worth of aluminum ingots in two glasses. How do you feel?”
“I ended up with a terrible headache, and I almost fell asleep in the common room.”
“Take time in between imaging this afternoon, and see if you can find a better way. Try several ways. Even if you can’t, taking time between each effort will leave you less exhausted.”
“Sir . . . besides testing imagers, what is aluminum used for?”
“Its rarity, except that it’s not rare, except in pure form. It’s just that, except for imaging, it’s so difficult to refine and process that it is valuable. So the Collegium provides a certain amount to the Council, and they sell it discreetly to enhance revenues.”
“But . . . aluminum?”
“It’s unique, Rhennthyl. If you ever try to image gold, you’ll understand. Imaging actually requires energy from you and from everything around you. It’s a process of combining energy and material. A powerful imager has the ability to drain the life from everything nearby, including you, unless you have shields.”
I tried to conceal the chill I felt. “Sir . . . I wanted to ask about that.”
“In a moment, I’ll tell you how to begin thinking along those lines, and why you are never to mention it to anyone but a master. Anyone. But first, about gold and platinum. To begin with, they’re rare. Second, they’re very heavy. The heavier anything is, the harder it is to image, particularly a metal. It takes great skill and energy, and the fewer gold fragments or ore that there is nearby, the harder it is. Some would-be imagers have killed themselves trying to image the impossible.”
“Like trying to image gold in their chambers?”
“Exactly, but imaging certain metals-even in the midst of raw ore-can lead to death, and that death is lingering and excruciatingly painful. It takes several weeks, and the imager’s hair falls out, and he becomes like a leper all over.”
“Sir . . . if I might ask, why didn’t you tell me this earlier?”
“You were told what to image and where. You were given quiet cautions. If a young imager won’t listen, we keep him here on Imagisle and sooner or later, he’ll destroy himself.”
I couldn’t help swallowing.
“Now . . . about shields . . . it’s simply another form of imaging. You image an invisible shield . . . but one that only stops imaging.”
“If . . . if . . . someone pointed a pistol at me . . .”
“You could-and should-image a harder invisible shield between you. Holding the shield might force you several steps backward when the bullet hit it, but that’s better than getting wounded. By the same token, that sort of shield won’t do much against a cannon shell.”
I could understand that.
“Don’t hold a hard shield long, not now. It will exhaust you. An imaging shield . . . with a little practice, you’ll be able to hold that in your sleep.”
“How will I know whether I have it right?”
“I’ll start testing you. Beginning tomorrow.”
Before he could ask more, I said, “Sir? Does the Collegium have special enemies?”
He snorted. “Do you need to ask?”
“I thought that we must, but I’ve never seen anything in the newsheets, and no one I know has ever talked about it, and you haven’t, either.”
He sighed softly. “You deduce too much without knowing enough to understand the implications. Think about this. While at Imagisle or the few other imager enclaves across Solidar and while in L’Excelsis, we all wear the uniform of the Collegium. Without those uniforms, what would distinguish us from anyone else? We don’t look different; we don’t have a way of speaking that would distinguish us from others of Solidar.”
“So . . . some of us are spies? For the Collegium or the Council?”
He stiffened. “Where did you come up with that?”
“I’ve been thinking, sir. A master can kill someone in a way that doesn’t look to be tied to anyone. If Floryn had been walking down the street who would have known how he died? You said that I would have been found dead on the street had I not come here. You said I could develop shields against a bullet, but not against cannon. Those suggest that an imager can do things others can’t, but not things that would help much in any sort of battle. You also said that imagers provided value to the Council, and it has to be more than aluminum ingots.”
A wry smile appeared on his face. “I knew you were going to be difficult.”
I could feel a chill, and I was the one to freeze.
“Oh . . . you don’t have to worry, not yet. That will come later, after you finish your training, and that will take a while.”
That I would finish my training was a relief . . . in a way.
“I do think that you need to work on your shields, starting now. Try imaging something like an invisible fog between you and me.”
I tried, and I felt an unseen pressure on my chest.
“That’s not working. Try a curtain, a black curtain that stops all light, except that the curtain is one that you can’t see . . .”
We had to work up to an actual visual wall, and then work back down to an invisible muslin screen before I managed to figure it out. By that time, almost a glass later, I was sweating all over. Master Dichartyn could have pointed out that imaging was sometimes far more work than anyone thought. He didn’t have to. The effort spoke more eloquently than he could have.
He did raise his eyebrows. “Now . . . let’s see your logical proof, Rhennthyl. I assume you did the assignment.”
I handed him the single sheet with the few carefully written lines on it.
“Not very long for a proof.” His voice was noncommittal.
What I had written was simple, but I hadn’t been able to think of anything better.
If there is an all-powerful god, nothing is beyond that god’s power. If that god is beneficent, then there will be no evil in the world. If that god is just, the god will not allow injustice to befall the good and the innocent. Yet there is great evil in the world, and much of it falls upon the just and the innocent. A just god would prohibit or limit injustice, at least against the innocent, but injustice continues, so that if such a god is omnipotent, that god cannot be just. Therefore, if there is a god, that god cannot be omnipotent, beneficent, and just.
Master Dichartyn looked up from the paper. “This could be worded better.”
“Do you believe what you wrote?”
I hadn’t liked writing the proof, and I’d liked the conclusion less, but I had to believe that there was some truth in the matter. “Mostly . . . sir.”
“Well . . . if people aren’t marionettes, pulled by strings held by the Nameless, they have to be able to make some decisions. That includes bad decisions. Bad decisions can cause evil.”
“Then you’re arguing that your proof is incorrect because a good and beneficent god has to allow free will.”
I didn’t like that any better. “I don’t like the idea that so many people can be hurt by those bad decisions and that sometimes bad people are rewarded for their cruelty and evil.”
“What do your feelings tell you about your logical proof?”
“It isn’t logical? That I made a mistake?”
He laughed. “No. Your reaction was that you weren’t logical or that you made a mistake in logic. Behind your reaction is a feeling that whatever is ‘true’ must be able to be expressed logically. Men, in particular, have a tendency to confuse correct logic with an accurate assessment of a situation. Be careful of any situation that you have to reason through logically, because if you have to work to reason it out, you’re probably missing something.”
Again . . . I had to think about that for a moment.
“Another problem is that we want the world to be logical and understandable, and we want people to act in a way that feels right and makes sense to us. That’s true of most people in most countries. There are difficulties in that, though. Can you tell me what they are?”
“What makes sense to us doesn’t make sense to them?”
“Precisely. We have different beliefs about what we feel is right and makes sense. We take for granted certain beliefs or truths. Other cultures take for granted other truths. According to our truths, their behavior is not right, and according to their truths, our behavior is not right.”
That certainly made sense.
“So which is right?” he asked. “In the absolute sense, that is?”
“I can’t say, sir. I don’t know their truths.”
“That’s the logical answer, Rhennthyl. It’s also an answer you will need to keep to yourself. Why?”
“Because everyone around me believes our truths are right?”
He nodded. “People do not like their beliefs challenged. They want certainty, and they want everyone to follow their way, because they are convinced that their way is the only right way. Oh, there are a few open-minded people about, but far fewer than claim they are.”
I could see that as well, perhaps because I could recall all too well my father’s belief in the superiority of a life spent as a factor.
“Let me ask you another question. We are always cautioned not to attach too much weight or significance to a name. But isn’t calling the one who cannot be named ‘the Nameless’ just a convenient way of saying we’re following the rule of not emphasizing names while doing just that?”
“Isn’t ‘the Nameless’ as much a name as ‘Dichartyn’ or ‘Rhennthyl’?”
Once again, I had to think about that. He was certainly right and yet . . .
“Sir . . . how can we talk about anything without names? We name metals, the colors of the rainbow, the objects in everyday life.”
“Why are those different from the one who cannot be named? Or from you . . . or me?”
I finally grasped at an answer. “They’re not alive.”
“What about animals? We often name them. They’re alive. What does being alive have to do with names?”
I could feel that there was a difference, but I couldn’t find any words to express what I felt, and I finally shrugged, helplessly.
“Metals, objects, minerals . . . they cannot change what they are. All fundamental substances can only exist in three forms, like water, which we can see as steam, a vapor or gas, or as a liquid, or as a solid, as ice. The nature of most objects is limited, whereas we exist as solids, except we breathe air, which is a combination of gases, and blood and other liquids run through us. We are less fixed than the hard physical world in which we live, and yet naming suggests a fixity which is not true . . .”
But was it untrue? I doubted some people could ever change.
“. . . Names are a necessary convenience, but they represent only a small proportion of what anyone is, and the more alive, the more powerful, the more talented anyone may be, regardless of whether they are good or evil, the less their name tells of them.”
I understood everything Master Dichartyn had said, but the more questions he asked, the more I wondered why he continued to press me on so many matters.
“Tomorrow, we’ll go over the next section in the science book and sections nine and ten in the History and Politics of Solidar.”
I nodded politely.
“We’re almost done here, but there’s one last thing.” Master Dichartyn stood.
“Yes, sir?” I also rose, wondering what else he could say.
“You can tell the other seconds that there was a strange fire at the Collegium at Westisle. That’s the Collegium outside the harbor of Liantiago. That was what we were meeting about. We’ve decided on a course of action, but that is all you are to know or should know at this point.” He smiled. “Good day, Rhenn, and pace yourself at the workshop.”
“Good day, sir. Yes, sir.”
I had thought about sitting outside and reading some of the history and politics, but it was misty and cold, not that it was actually raining, and so I took everything back to my room and started in on section nine-the one dealing with the administrative districts of Solidar.
That reading was dull, so dull that I was one of the first at the dining hall for lunch, but Johanyr, Shannyr, and Diazt were right behind me, and we sat together at the long second table.
“Did Master Dichartyn say anything to you?” asked Johanyr.
“He said that I could tell you the masters were meeting over a strange fire at the Collegium at Westisle, and that they’ve decided what to do, and that was all I needed to know.”
“He said that?” asked Diazt.
“Close to word for word.”
“What did you ask him?” inquired Johanyr.
I shook my head. “I never had a chance to say anything. He wasn’t happy with my work in the workrooms, and he wasn’t happy with my logical proofs, and he didn’t like the way I handled some of the imaging exercises. I wasn’t about to ask him anything.”
Diazt and Johanyr exchanged glances.
“Not good,” said Diazt.
“That he knew what we were talking about?” I asked.
There was a pause, enough to show that my concern wasn’t all of what bothered them.
“They must have listening tubes in the common room, or someone told him,” Diazt said.
“Or both,” added Shannyr.
“He was delivering a message,” I suggested blandly, trying to get more of a reaction. “But why would he care what we talk about? We can’t have been the only ones who noticed that the masters were worried and meeting.”
“It’s not that,” said Johanyr in a lower voice.
“What, then? Warning us to keep our speculations to ourselves.”
The other three all nodded.
I didn’t think that was all, but I only said, “There aren’t enough of them to listen all the time.”
Johanyr shook his head sadly, as if to suggest I didn’t know what I was talking about.
I shrugged helplessly.
Diazt did grin, but only briefly.
Preparation is always an act of faith.
On Meredi and Jeudi, in addition to my studies and half-improving my ability to image the aluminum bars without exhausting myself, I worked on trying to develop stronger but invisible shields against imaging. I didn’t meet with Master Dichartyn at all, but Gherard gave me reading assignments. All he said was that Master Dichartyn was away. The common room was deserted both nights, and I didn’t see Johanyr and the others anywhere. Even though everyone was pleasant and cheerful at meals, that worried me, because it suggested that they thought I’d been the one to report what they’d said. At the very least, it didn’t show much trust.
On Vendrei, I waited half a glass before Master Dichartyn summoned me into his study.
“What is the difference between aqua fortis and aqua regia?”
“Aqua regia is the stronger, and it can dissolve even gold. Aqua fortis will dissolve silver, but not gold . . .” From there I managed to recall most of what was in the science text.
After that, he had question after question, all about aspects of science.
Abruptly, he stopped. “You know what’s in the books. After we finish here, go over to the laboratories and find Maitre Chassendri or one of her assistants. Tell her or them that you need to be shown and to learn the preparation of both aqua regia and aqua fortis.”
“Why is there but one imager on the Council?” asked Master Dichartyn.
“Isn’t it part of the reason why no more than three councilors can be from L’Excelsis?”
“Yes and no. He represents all the imagers in Solidar. Also, for administrative purposes, Imagisle is not part of L’Excelsis. It’s in the book, but even if you didn’t catch that, you should have known better, Rhennthyl.”
Reprimanded twice in one sentence. I hated feeling stupid. “Oh . . . because there are no patrollers on the isle, and because the Collegium has its own justicing system?”
Master Dichartyn nodded and asked again, “Why only one imager?”
“I don’t know, sir. I don’t recall anything in the book about that.”
“There isn’t anything in the book. I’m asking you to think about it. Is that so very hard, Rhennthyl?”
I was definitely not impressing Master Dichartyn. So I gambled and said what I thought.
“That’s all that is necessary. No one can make the Collegium do what it will not.”
“You give us too much credit.” But he smiled. “It’s more accurate to say that the Council has great respect for the Collegium and would prefer to work with the Collegium. If the Council’s imager opposes something, the Council reconsiders the matter.”
“Who is the imager on the Council now, sir?”
“Master Rholyn. He’s very good with words and thinks well on his feet.”
After a moment I recalled Rholyn had been the advocate for the Collegium at Floryn’s hearing.
“I’d like to test your shields. Are you maintaining imaging shields?”
“I think so.”
Abruptly I could feel myself pressed back in the chair.
Master Dichartyn shook his head. “You can detect someone, but you need a second level behind them.”
“How do I do that?” I wasn’t certain what he meant.
“You need to train your mind, just as you trained your hands and fingers as an artist, to react to situations. The moment your shields feel any imaging pressure, those second-level shields need to spring forward.”
I didn’t even have the faintest idea of where to begin.
“I’ll press at your shields gently, and you erect a stronger set . . .”
Once more, I was sweating and exhausted when he finally said, “Enough. You need to work on them more. Now that you’re a secondus and free to travel off Imagisle, you need the ability to protect yourself.”
“Sir, I don’t want to sound presumptuous or like a troublemaker, but what happens if . . . well . . . if I’m in a position where shields aren’t enough?”
“I’d say that you’d probably acted unwisely.” Dichartyn laughed genially, but the laugh died away quickly. “Still . . . there are times when ruffians will attack a single imager, particularly a younger one. We do lose some who are not careful. The rules for defense are simple. You must have exhausted every practical way to avoid attacking, and it’s preferable that you leave no traces of what you have done.”
“How can I avoid . . .” I paused. “Should I practice imaging rain or shadows or fog or mist?”
“I’d try it at night in secluded corners of Imagisle. You’ll get a splitting headache if you try rain, fog, or mist in your room, and you won’t see the shadows right inside. For those efforts, you have my permission, but only when no one is nearby.”
“Thank you, sir.”
“You’ll face other trials, as well, Rhenn. I can’t say what they are or where they’ll come from, and it’s best that I don’t try to guess, because those trials are different for every imager and if I give you details, then . . . it’s like naming-you’ll fixate on those. I can only say that if your life is truly threatened, no matter where you are, you have the right to use any imaging ability to defend yourself. Obviously, it’s better not to kill attackers unless absolutely necessary, and every situation facing you has a weakness that can be exploited-if you think quickly enough.”
The implication was that I well might be injured or dead if I did not think swiftly.
“Now . . . off to the laboratories.” He gestured toward the door.
I picked up my bag and books and slipped out, closing the door behind me. I wasn’t sure, but I thought I heard him mutter under his breath. It might have been “. . . Nameless save me . . .”
In reflection, as I walked down the corridor toward the door onto the quadrangle, I pondered one phrase Master Dichartyn had said. Why had he said “no matter where you are”? Did he mean that absolutely?
How could you disable someone effectively and reliably-using imaging? You would need something so painful and yet so small that it would be easy to image. And it would need to be comprised of substances common everywhere. On the way across the quadrangle toward the building that held the laboratories, it came to me. Common lye-imaged into someone’s eyes. They certainly wouldn’t be able to see or easily move, and it was made of relatively common substances.
With that revelation, I’d hoped to visit the kitchen and scullery before lunch, but Maitre Chassendri was in the laboratory, and, for some reason, she decided to personally instruct me. If I’d thought that Master Dichartyn had been picky, his strictness was lenient compared to hers.
“No! Do not ever place the beaker in any position where the fumes can rise to touch you or your skin . . .”
“The glass must be absolutely dry!”
I wouldn’t have said that I was shaking by the time I escaped from Maitre Chassendri’s tender instruction, but I felt that way when I walked into the dining hall for lunch.
Johanyr waved, and I walked over and took the seat across from him and Diazt.
I usually drank something cool at lunch, but I was more than ready for tea, as much to settle my stomach as to warm me. The beef ragout helped as well.
“What was your morning like?” Diazt asked Johanyr.
“Master Ghaend was pounding away at the structural differences of materials.”
I managed to keep from saying anything, but merely nodded. Master Dichartyn had moved me past that, and Johanyr had been at the Collegium far longer than had I.
“Old Schorzat wasn’t even around,” offered Diazt, “but he left word that I still didn’t understand section five of the science book well enough. I’ll have to go back over that.”
“What sort of questions does Master Dichartyn ask you?” Johanyr’s tone was idle, but he watched closely.
“This morning he was asking about the Council and why it was structured the way it was. He wasn’t happy that I hadn’t memorized the actual structure.”
A faint smile crossed Diazt’s face.
“What about science?”
“He sent me to the laboratories to learn some basics. I got some very direct instruction and too many warnings about handling beakers and how to clean equipment.” I shook my head. “What about you?”
“I didn’t have to go to the laboratories.” Johanyr laughed. “That’s always good. Sometimes the stenches there turn my guts.”
“Has Master Dichartyn said anything more about what happened in Westisle?” asked Diazt.
“He was gone for two days, but he hasn’t said anything.”
“You ask him?”
“I’ve already learned that, when he says he doesn’t want to talk about something, he gets unpleasant if you bring it up again. I don’t think I can afford to make him angry.”
“No . . . I wouldn’t think so,” said Johanyr in a musing tone. “There are more than a few you don’t want to anger, and it’s sometimes hard to tell who’s really important to your getting along and staying at the Collegium.”
“I’m working at understanding that.”
“We’re certain you are.” Johanyr smiled, then stood. “I need to get to the workshops.”
“Me, too,” added Diazt.
I’d definitely gotten their message, and I really would have liked to visit the scullery after lunch, but there wasn’t time. I had to get to the workroom to see if I could work out an even less exhausting way to image those aluminum bars.
The workroom was empty, except for the barrels, but it looked to me that most of them had been replaced with other barrels. So I sat down on the stool and thought about imaging, and began to try yet another way of doing it. A half glass or so later, Grandisyn barely looked in, then just nodded and ducked out.
Right after the Collegium bells struck the fourth glass, I headed for the scullery on the level below the main dining hall. The steps leading down were the same gray granite, and just as clean as any other staircase or corridor I’d seen on Imagisle. I’d taken no more than ten steps down the lower hallway when an older woman, an obdurate from her muted black shirt and trousers, appeared.
“Sir, you can’t be looking for anyone down here. Nobody here but us ob sculls.”
“Then, you’re the ones I’m looking for. My master gave me a project, and I need a little common caustic.”
She just looked at me.
“Lye, the soda you clean with. I only need a little, a half cup?”
After a moment, she nodded. “We could spare that little, but best you be careful. It burns fearful when it’s wet. You just wait here, sir.”
I stood in the underground hallway, half-wondering if she’d return with a master.
When she returned, alone, she handed me a battered and chipped crockery mug a little more than half filled with off-white lumpy caustic. “Here you are, sir.”
“Thank you.” I inclined my head. “Where would you like me to return the cup?”
“You can keep it. There are enough that get broke or chipped that we got plenty.”
“I appreciate it.” With a nod, I turned and headed back upstairs, and then outside.
While trying not to look over my shoulder, because I worried that someone might follow me, I walked to the west river wall, and then south across the causeway leading to the Bridge of Stones, and to the park-like grove of ancient oaks between the causeway and the grounds of the Anomen D’Imagisle. The oaks were showing traces of green and had not leafed out, but the trunks were massive enough that I felt largely concealed, at least from casual observers.
Then I got to work. Imaging the caustic wasn’t all that difficult. Imaging it in small quantities was harder, and image-projecting some of what was in the cup was even harder. Image-projecting it head-high on the oak trunks was yet more difficult. But I persevered . . . because I knew I had no real choices.
It was close to six before I was confident that I had mastered what I could with the caustic, but that was only half of what was necessary. I needed to work on shields more. I wouldn’t be in much shape to image lye into someone’s eyes after I’d been hit with a bullet or bashed with a cudgel or run through with a stiletto. According to Master Dichartyn’s rules, effectively I had to be able to withstand an attack in order to prove self-defense. After what I’d seen with Floryn, I definitely wanted to be sure it was self-defense. That meant far better shields.
At the same time, I was exhausted by the time I took the rest of the cup of lye to my room. That left just enough time to wash up and hurry back to the hall for dinner. When I walked in, I could see Diazt and Johanyr. I didn’t really want to sit near them, but I didn’t want to create the impression I was avoiding them. There was a seat empty to the left of Shannyr so that he would be between me and Johanyr. Since Diazt was seated to Johanyr’s right, neither could press me at the table, and I wouldn’t be obviously avoiding them.
There was a momentary look of surprise on Shannyr’s face as I stood behind the chair next to him, waiting for the masters at the head table to seat themselves.
Once we were seated, I asked him, “How was your day?”
“Like any other. I went to work at the armory machine shop, had lunch, and went back to work.”
It hadn’t occurred to me that many of the seconds, perhaps most of them, had finished all their instruction and were working for the Collegium. It should have, but it hadn’t. “I suppose they’ll assign me somewhere once I get caught up on what I have to learn.”
“Could be worse than the armory. They had me in the engine room of one of the riverboats. Wet and cold most of the time.”
I shuddered at the thought of being cramped into a riverboat engine room. “What do you do in the armory? Can I ask? I mean . . .”
Shannyr laughed. “You can ask. I can even tell you. I image the special powder for the percussion caps that the four-digit naval guns use.”
“You image it right into the cap?”
“That’s right. There’s no metal touching metal, no chance of a spark, and no explosions.”
Another one of those special services provided to the Council by the Collegium, I realized. How many were there?
“What about you?” he asked. “When you’re not under instruction?”
“Making metal bars.”
He winced. “That’s work.”
“I can only do so many, and I have to rest a lot.” I paused. “You know I’m new here . . . I was thinking about girlfriends. I used to have one, and some imagers are married . . .”
“They’re the lucky ones.” Shannyr shook his head. “Lots of women will give you a fling, even married ones, but not many want to marry an imager.”
“Why is that?”
“We scare ’em a bit. That interests ’em, but they won’t marry someone who scares them.”
I could see that, but I had to wonder if that happened to be true with all imagers, or if that had just been Shannyr’s own experience.
“You want to have fun with the women, when you’re free, don’t stay around Imagisle. Take a hack out to Martradon or out to some of the bistros on Nordroad or Sudroad . . .”
I listened politely, although I could see that I knew far more about where the women were in L’Excelsis than he did.
That night, after dinner, I had another idea. I went outside and imaged rubber, a thin layer of it, along the inside of a small cloth bag. Then I poured some of the caustic I had left into the bag, which I tied shut. For a while, anyway, until I was more confident in my abilities, I could carry that with me.
Then I tried to practice shields-and shadows-until I was truly exhausted. The shadows weren’t very good, and I was more than ready to climb the stairs and collapse into my bed.
Those in a family may well share the same dwelling,
but not the same home.
Both Vendrei and Samedi mornings were hard because Master Dichartyn kept pressing me on my shields. No matter how much I improved, he kept insisting that my efforts were not adequate. Then he offered an onslaught of questions, not only on what I read, but on how it all related to the Collegium and its role in Solidar. I kept those questions to myself and told Johanyr and his group of seconds only a few of the easier and more purely academic or technical ones.
On Samedi afternoon, I was waiting on the east side of the Bridge of Hopes a good half glass before three. The day was sunny, with the faintest haze, but there was a hint of chill, and I wore my cloak. On the roughly triangular space where the boulevard intersected the East River Road stood a flower seller with a weathered face, but a pleasant expression.
“Flowers, sir imager? Flowers for a lady, a friend, or family?”
For a moment, I couldn’t help smiling. “No, thank you.”
The tempting aroma of fowl roasting over charcoal on a cart across the boulevard wafted around me. For all that, it might as well have been gray and gloomy, given the way I felt. I shouldn’t have. I was healthy and had a profession, if not what I’d expected, that earned decent coins. Mother and Rousel certainly wanted to see me, and probably Remaya did. Even Father did, I suspected, even if he’d never admit it.
Two women, one in bright green and the other in scarlet, eyed me speculatively as they neared, but I wasn’t in the mood for either of their favors, even if I could have afforded them. After they passed, a mother in a worn brown coat dragged two children toward the wall separating the sidewalk from the narrow boulevard gardens in order to put as much space between the three of them and me as possible. Was she a malleable, or did she just fear imagers?
As the time neared three, the coach, with its glistening brown body and polished brasswork, appeared on the Boulevard D’Imagers. Before long, Charlsyn pulled up next to the curb, but well short of the flower seller, easily reining in the two matched chestnuts.
“Good afternoon, Charlsyn.”
“Good afternoon, sir.”
I climbed in and closed the coach door. Because of all the coaches and riders on the Boulevard D’Imagers, I surmised, Charlsyn took Marchand Avenue back to Sudroad, and then to the Midroad. It was close to half past the glass before the carriage pulled up at the side portico of the house, where Mother, Rousel, and Remaya were waiting as I stepped up under the portico.
“Good wool in that cloak and waistcoat,” observed Rousel, if with a grin.
“Mother already noticed that. Did she tell you?”
“She told me to look,” he admitted.
“You look dashing in that gray,” added Remaya with a smile. She had become rotund, and even chubby in the face, but her eyes sparkled, especially when she looked up at Rousel.
“Much more businesslike than when he was an artist,” added Father from the doorway where he stood. “Come on inside, all of you, especially you, young woman,” he added to Remaya. “The breeze isn’t good for my grandson.”
“She might be a granddaughter,” said Khethila from behind Father.
“Grandson!” yelled Culthyn from inside the family parlor.
Rousel just laughed. “He or she will be what he or she is.”
In moments, everyone was in the parlor, and Nellica was passing a tray with spiced wine, or chilled white or red. After slipping out of my cloak, I took the white.
Father had settled into his favorite chair. He didn’t wait for anyone else to sit down before he asked, “What can you tell us about this imager business?” As always, everything was business. Before I could answer, he added, “You know that last weekend a young graycoat was killed near the Nord Bridge.” He shook his head. “Shouldn’t have been there.”
I hadn’t seen that in either Tableta or Veritum. “I wouldn’t go anywhere like that.”
“I would hope not.”
“The Collegium at Imagisle is like a guild for imagers.” I settled into the straight-backed chair across from his upholstered needlepoint armchair. “When I started, I was an imager primus. Now I’m a secondus. Most imagers are tertius, I suppose just like most crafters are journeymen. There are four classes of masters.”
“Names . . . names . . . what do you do?”
“Chenkyr . . .” murmured Mother.
“It isn’t what you’re called that matters,” he replied amiably. “It’s what you do and what you earn.”
“I’m still learning,” I replied, “in the mornings, anyway. I have to learn more about science and about government and history. In the afternoons, I work.”
“What do you do?” A hint of exasperation colored his words.
“Imager things. I can’t tell you.”
“Can’t or won’t?”
“Chenkyr . . .” Mother’s voice was firmer and louder.
“I could, but I’m not allowed to. Since I don’t want to spend the rest of my life doing imaging drudgery in the workshops, I won’t. I get fed better than at Master Caliostrus’s and have a chance at earning a comfortable living.” I smiled politely. “How is the wool business?”
“Very well,” interjected Rousel cheerfully. “We’ve more than tripled sales and shipments out of Kherseilles this year. That won’t last, but with the shipping embargo levied on Caenen by the Council and by Ferrum and Jariola, we’re doing well.”
“If shipments to Caenen are embargoed . . .?” I asked.
“We just ship to factors in the Abierto Isles. They sell to Caenenan factors. We had to advance them a little credit, but the Caenenans send their own bottoms there.”
“Why won’t it last?”
Rousel shrugged. “I had a feeling things would get tense with the dualgodders. So I opened up trade with some cloth factors in the isles. They usually don’t deal that much in wool, and I had to give them . . . some considerations . . . last year, but no one else shipping out of Kherseilles had any arrangements in place. They’re all hurrying and scrambling, but for now, we’re doing nicely. More than nicely, and I’ve got an arrangement for some high-quality Caenenan cotton coming back the other way. We didn’t have that even before the embargo.”
“The Council won’t object?” I asked.
“How can they?” Rousel grinned. “We’re not selling to Caenenans. We’re selling to Abiertans. We can’t control who they sell to.”
“You can’t stop trade with laws,” added Father. “Even embargoes and warships aren’t effective. People want to buy what they want to buy, and they want to pay as little as possible.”
“Unless it’s rare, and then they bid up the price.” I paused. “Is there a difference in the tariff rate between what you’d pay if wool went directly to Caenen and what it costs going through Abierto?”
“You’re still sharp enough to be a factor,” said Rousel. “There’s only a one percent tariff between Solidar and the isles, and we have a reciprocal agreement.”
“And the difference in shipping costs?”
“The landed price per hundredweight is almost the same.”
I had to wonder why the Council bothered with the embargo.
“Can we talk about something else?” asked Mother. “Have you met anyone we know?”
“Not that I know of. There aren’t all that many imagers in all of Solidar.”
“What does that have to do with anything?” demanded Culthyn.
“It’s mathematics, stupid,” replied Khethila. “If there aren’t many imagers, then not many are born-”
“That’s enough . . . I understand, and I’m not stupid.”
I looked to Rousel and Remaya, sitting on the settee. “See what awaits you?”
“We’ll manage,” he replied.
“Are there any women imagers?” asked Remaya.
“Only a few.” Forestalling the inevitable, I quickly added, “I haven’t met any my age, but there might be one or two.”
“I hope you do.”
Behind her smile and the kindness of her words, I could sense the pity. I’d never wanted her pity, and I quickly asked, “How are you finding Kherseilles?”
“It’s charming,” she answered. “It is not too large, and we have a lovely small villa on the hills overlooking the harbor, with a pleasant breeze . . .”
After more chatter, mostly about Kherseilles, Mother rose. “Dinner is ready.”
As people began to move toward the dining chamber, Mother eased up beside me. “We’re going to have a dinner here on the thirty-fifth of Avryl. I think you’d like the people.”
“Who is she?” I couldn’t help grinning.
Mother did have the grace to blush. “She’s nice, and quite pretty, but very shy. You actually have met her younger cousin.”
“Quite a number of times.” Her face had a mischievous expression. “Aeylana D’Weidyn is her cousin. You painted her portrait. Her father is the renowned cabinetmaker, and his brother Tomaz is the largest produce factor in L’Excelsis. Tomaz is also a friend of your father, and we’ve invited them for dinner.”
“And the shy young lady? What’s her name?”
“Her name is Zerlenya.”
I couldn’t say that I’d met or remembered anyone named Zerlenya, and that was probably good, because few of the girls or women I’d met over the years had impressed me. Only a handful had-Remaya, Kalyssa, Larguera, and Seliora-and I hadn’t heard anything about Kalyssa in years, and Larguera had married some heir to a brewery fortune or something like that.
“I’ll be here, and I’ll be as charming as I can.”
“More charming than that, please, dear.” Her smile was affectionate. “Now . . . enjoy the dinner. It’s one of your favorites-the apple-stuffed pork crown roast.”
It was one of my favorites, and I did enjoy it. The conversation at dinner was pleasant. Even Father stopped being the businessman and told stories, including one I’d never heard about the time when he’d first been buying wool and didn’t know that sangora was coney hair.
When I left and Charlsyn drove me back to the Collegium-or the east side of the Bridge of Hopes-it was close to the eighth glass of the evening. I did realize one thing when I stepped out of the carriage just short of the Bridge of Hopes that night. For some people, home is always there. For others, while the structure and the family may still be there, and they may all still care for you, it’s no longer home. I was one of those. Was it that I was an imager? Or had it been that way from the time I’d wanted to be an artist?
I walked across the bridge quickly, alert for whatever or whoever might be around, but I saw no one, except a few figures in gray from a distance. Although Artiema was full, the faint haze dulled her luminous light. To the west the quarter disc of Erion seemed redder than usual, as if the lesser hunter were somehow lying in wait for the greater huntress. Was that because I felt that someone, or more than a single person, was watching? Yet no one appeared as I neared the quarters building.
I had time to work on my shields, and that I could do safely in my chamber. I’d already done the reading assigned by Master Dichartyn.
The greatest curse is to inherit wealth or position
There was nothing to keep me from leaving Imagisle on Solayi, except no one I wanted to see and no desire to spend my few silvers in L’Excelsis merely for the sake of spending them. Besides, I was still worried about my imaging shields, especially after having had the feeling of being watched the night before. So, after breakfast, which I ate near several thirds at a table with less than ten people scattered along a length that could hold close to a hundred, I walked back to my chamber and read my assignments, trying to think of the kind of questions Master Dichartyn might ask. After every few pages, I stopped and worked on my shields.
By late morning the overcast had lifted, and I decided to take a break from the indoor studying and try to work on fog and shadows. After leaving my room, I made my way down the steps to the main level and then across the quadrangle and southward to the grove north of the chapel. Once more, not only was someone watching me the entire way, I felt, but he or they kept watching while I struggled with concealment projections. Fog proved to be easier to create, but it tended not to last long, vanishing shortly after the sun struck it. It did linger in the shadows, but I had trouble making it thick enough to cloak me. What I created might work at night . . . maybe.
Shadows were something else. After perhaps a quarter glass, I figured out how to create shadows-an imaging shield that blocked sunlight without being visible-but that didn’t help much, because in any light bright enough to create shadows, I’d still be visible, and that meant I needed another approach. Even after a long glass of experimentation, I couldn’t think of one.
When I walked back north to the dining hall from the grove, just before the ten bells of noon began to strike, I saw Diazt and Johanyr talking some ten yards outside the main entrance. Johanyr’s voice was low and intent, but he stopped for a moment and glared at me, then snorted, before returning his attention to Diazt.
What had I done to make him angry, except try to avoid him? Or had they been the ones observing me? If they were, there wasn’t much I could do about it. So I went inside and sat next to Shannyr, who, unlike Diazt and Johanyr, gave me a friendly smile.
“Johanyr’s not in a very good mood,” I said quietly.
Shannyr shook his head. “He’s not. Hasn’t been since Vendrei. Stewing in his own sweat. Master Ghaend told him that he’d never make tertius if he didn’t study. Also said that if he didn’t learn more, he’d have to go to work with the seconds like me.” Shannyr’s tone was totally without rancor or bitterness.
“Master Ghaend said that?”
“No. Master Ghaend told him he couldn’t play at being a student, and that he’d have to learn or go to work. I heard Johanyr telling Diazt that. He was so angry that anyone in ten yards could have heard.”
“Why doesn’t he just study?” I had an idea why, but I wanted to hear what Shannyr said.
“He was born Johanyr D’Ryel. Might have something to do with it.”
“He comes from the High Holders, and he’s an imager?”
“Doesn’t matter where you come from.” He laughed softly. “Me, I’m one of the fortunate ones. Till I came here, never knew when I’d eat next. Ma was happy to know I’d get fed and happier to get the gold.”
“You don’t mind working in the armory?”
“Why’d I mind? I’d be slaving for some factor, lugging barrels and the like, or I’d already have been press-ganged into the Navy or conscripted.” He smiled. “Much better to work as a common imager. Diazt doesn’t see that. He thinks he’s so much smarter than Floryn. He’s just the same, but not as smart.”
“Did Diazt come from the taudis?”
That was the worst slum in L’Excelsis, except that-unlike the taudis below South Middle-it wasn’t actually in the city, but off the highway that Sudroad turned into some five milles south of the Avenue D’Artisans. “He’s better off here.”
“He doesn’t think so. He ran a ganglet-kids doing stuff for the elvers and stealing from the sansespoirs.”
“He was in control, and he doesn’t like it when other people are.” I paused, then added, “It sounds like Johanyr doesn’t much like it, either.”
“No matter who you are,” Shannyr said, “there’s always someone else tougher. Saw that growing up.”
“Or brighter or better-connected . . . or whatever.”
“You miss painting?” he asked.
“Sometimes,” I admitted. “But, in a way, imaging’s like that. I don’t know that I’d have ever discovered I could image if I hadn’t been a portraiturist. Did you ever . . .” I wasn’t quite sure how to ask whether he’d worked at anything. “. . . want to do anything besides be an imager?”
“Fieldwork or the mines-those were the choices out in Tacqueville. Didn’t care much for either, but I was working a ditch crew when I imaged a lousy copper for Ma. So bad that she knew I’d made it. Hadn’t seen that many.” Shannyr laughed. “Armory’s better any day.”
Diazt was the type who’d rather run a gang in the hellholes of Solidar than answer to anyone in twice the comfort. But weren’t more than a few people like that?
When I left the table and Shannyr, Diazt and Johanyr were standing beyond the archway. Neither looked at me as I passed, and I even offered a polite smile. Behind me, though, I could hear a few muttered words.
“Stuff’s too easy for him . . .”
“Rodie . . . got to be a rodie . . .”
Me? A rodent, a snoop, reporting back to the senior imagers? That didn’t make sense. Why would I give up being a portraiturist to become an imager, and then an informer for Master Dichartyn or any other master? I almost turned and snapped back that they were imbeciles and master imagers didn’t need toadies, but my guts told me that would only make matters worse.
Besides, if I didn’t react, they couldn’t be sure if I’d overheard them.
Arrogance makes a man stupid,
and stupidity can make him even more arrogant.
On Solayi evening and at breakfast on Lundi, Johanyr and Diazt stood outside the entrance to the dining hall and looked hard at me. I just smiled back. They didn’t return the smile, nor did they choose to sit anywhere near me. I sat with Shannyr. He was good company.
After breakfast, when I was finally admitted to Master Dichartyn’s study, he didn’t test my shields at all. Instead, he concentrated on asking me questions about the Council and governing. Once he’d determined that I’d read the pages he’d assigned, he smiled.
“In Jariola, the Oligarch rules absolutely, but the oligarchy votes every five years whether to replace him or not, and he can be replaced at any time if forty-six of the fifty members of the council vote to remove him. Forty-five members of the council are the wealthiest High Holders in the land and the other five are the high prophet of Khanahl and four others appointed by the ruling oligarch. The Abierto Isles are governed by an assembly, and the members are elected by a vote of all property holders, whether those holders are men or women, regardless of where they live or were born, and the assembly elects a speaker who makes day-to-day decisions. In Caenen, the high priest of their Duality is the ruler of the country. You know how we are governed. Which means do you think is more effective, and why?”
My immediate reaction was to prefer our system, but to say so would just invite more questions. “I’d say that the Caenenan system is the worst, because they are governed by one man, and there is no effective way to remove him-”
“Killing him would remove him effectively, but I don’t think that’s what you meant. Be more careful in your choice of words.”
“There are no accepted rules for removing him in the event that he proves a bad ruler.”
“That is true, but what is a bad ruler?” asked Master Dichartyn. “If taxes are high upon the crafters and low upon the landholders, is it not likely that the landholders will praise him and the crafters will declare him a bad ruler?”
“I’d say that the Jariolan system is the next least desirable, because power is held in the hands of so few men, and that is not good-”
“For all the rhetoric and common talk, government is not about good and bad, Rhennthyl. Nor was that what I asked. What is it about?”
“Creating the laws and rules under which people live.”
“Why is government necessary?”
“Things don’t work well among people without some form of government.”
“That’s true. Why not?”
“People would try to do whatever they could get away with. Unless you had golds and power, you couldn’t trust anyone. Even then . . .”
Master Dichartyn nodded slowly. “Effective governments set rules and limits on how power is used in a country. Now . . . that means some who have greater power must accept limits on their power. Why would they do so?”
“Because, otherwise, those with less power will band together and restrain or eliminate them?”
“That’s one possibility. Can you think of another?”
At that moment, I couldn’t.
“If you were High Holder Almeida, would you want to spend tens of thousands of golds on maintaining a private army to defend your lands or would you rather pay a few thousand golds in taxes to a government that generally protected them?”
“If the government rules weren’t too burdensome, I’d prefer the taxes.”
“So do most High Holders of Solidar. What does that tell you about government?”
“It provides a balance of power at a lower cost for the wealthy and greater order and freedom for those with little power.”
“An effective government does. If most people want effective government, why do governments vary so much from land to land?”
“They have different ideas about what is effective and how to make things work?”
“Do you think that a chorister of the Nameless and a priest of the Duality would think of power in the same way . . .”
Master Dichartyn’s questions seemed endless. I was all too happy to leave when he finally dismissed me, despite his assignment of the additional reading.
Again, at lunch, Johanyr had positioned himself where he could watch me, although I didn’t see Diazt. I walked over to him and asked, “How are you doing? I haven’t seen you around, except outside the dining hall.”
He didn’t say anything for a moment, clearly taken aback by my addressing him. Then he replied, “I’m fine. There are some things that have to be settled.”
I didn’t feel like saying anything to respond to the implied threat. “I’m sure things will settle out if you give them time.”
“I’m not very patient, Rhenn.”
“Most of us aren’t. I’m not, either, but I’ve learned that sometimes rushing things creates more problems than it solves.”
“Don’t threaten me.”
“I’m not threatening anyone,” I said, managing to smile. “It’s not wise, and it’s not polite. I hope you feel better later.” I nodded courteously and turned toward the dining hall.
I could still feel his eyes on my back, and I still didn’t understand why he was so angry. Was it just that he was angry and needed a target? I certainly hadn’t told anyone about what he thought or his nastiness to me, except telling Shannyr once that Johanyr didn’t seem happy.
I took a chair between Gherard and Whaltar and across from Shannyr.
Whaltar was speaking to Gherard. “. . . got Naquin Samedi night . . . warned him about the Nord quarter, but he said that was where the girls were . . .”
“Did someone get hurt?” I asked.
“Naquin. He was a third. They found his body on the street yesterday morning.” Whaltar shook his head. “Have to be twice as careful if you’re a graycoat.”
I didn’t quite know what to add. I hadn’t known Naquin.
“How is Master Dichartyn treating you?” asked Gherard, clearly wanting to change the subject. “Some of those assignments looked difficult.”
“The reading isn’t too bad,” I admitted, “but the questions he asks about what I’ve read make the reading seem easy.”
“Most of the thirds haven’t made it as far as you have,” Gherard said.
“I’m sure that they’re doing better elsewhere.” I decided on tea, filled my mug, and took a long sip. “That’s why they’re thirds.” The longer I’d been at the Collegium, the more I wondered why Gherard was still a secondus. “If you don’t mind . . .”
Gherard laughed. “I don’t. You’ve waited longer than most to ask. I have trouble reading. The letters don’t make sense to me, and I’ll never be a great imager. I can remember anything anyone tells me word for word, and Master Dichartyn tells me that I have a good feel for incoming imagers.”
Put that way, his position made sense. “Is Petryn still helping there?”
“No. He’s a second now, and another junior prime took his place-Beleart. You know . . . you scared the Namer out of Petryn.”
“I did? I was the one who felt scared.”
All three of them laughed, and Shannyr just shook his head.
They all thought it was funny that I’d felt scared? Did I really project that much confidence? I didn’t think so. I certainly hadn’t known that much about imaging when I’d arrived at the Collegium.
After lunch, when I went to the workshops, Grandisyn escorted me to another workroom, one also with barrels, and showed me a small bar of metal no bigger around than the body of a pen and no more than a digit in length.
“If you’re really good, you ought to be able to do four of these, but if you get really tired after two, stop. We are not certain of the concentration in the ore.” He paused. “Do you understand?”
I understood. I remembered what had happened to Mhykal.
After he left, I fingered the silvery metal, which seemed as heavy as gold. Platinum?
In the end, I managed three small bars, and decided against trying for a fourth. That took less than a glass, and Grandisyn said I was free to go. When I returned to my room, I took a short nap-and I’d never taken naps since I’d been small, not until I came to the Collegium.
At dinner, Johanyr and Diazt sat at the end of the table, with two other seconds I’d barely met. Johanyr never looked in my direction, but Diazt did, and did so more than a few times.
“What did you do to Diazt?” asked Clenard, one of the older seconds who was a friend of Shannyr.
“I asked Johanyr how he was doing. He wasn’t happy that I spoke to him.” My words came out a shade ironic.
“That’s because he likes to ask the questions,” Shannyr added dryly.
“What do you work at?” I asked Clenard.
“I help the machinists. It’s easier to image blanks than to cast them, and then they machine them down. Don’t have to have a furnace, either, but it works best for small parts. . . .”
Every time I thought I’d learned most of what happened at the Collegium, I found out something more. But at least I had a good conversation at dinner.
Afterward, I talked a bit with Shannyr, then walked through the deepening twilight across the quadrangle back to the quarters building-one of two, I’d also learned. Again, I had the feeling of being watched, but I didn’t see anyone. I wasn’t imagining things, and that suggested that whoever was watching and following was a very good imager.
When I got inside, I hurried up the stairs. No more had I stepped off the landing on the second level and into the corridor leading to my room than I heard heavy steps coming up the stairs behind me. I moved away from the staircase, but looked back.
“If it isn’t the painter boy.” Diazt stepped out of the staircase landing and stopped. He carried a metal bar.
Walking down the hallway in the other direction was Johanyr. He held some sort of blade, a sabre perhaps. He didn’t say anything. I moved toward him, because I didn’t want to be that close to Diazt. My fingers brushed my trousers. I still had the bag of caustic, but I couldn’t very well attack first. Master Dichartyn had made that very clear. Were the two of them trying to provoke me into attacking? That way, I’d be totally at fault-if I even survived whatever defenses and retaliation they had in mind.
I could hear several low sounds-door bolts snicking closed. Did Johanyr and Diazt have all the seconds cowed? At that point, I realized that most of the wall lamps in the corridor had been wicked off-or imaged out.
“How are you doing this fine evening?” Johanyr’s voice was sarcastic. “It’s dark out now, and that’s the best time for rodents.”
“I’m no rodent. You’re just looking for excuses.”
“All rodies say that they’re innocent.”
“So do all innocents.” I moved slowly toward Johanyr in order to avoid the metal bar Diazt carried, although I couldn’t move too far before I’d be in range of the sabre.
“You’re no innocent. We didn’t have any trouble before you showed up.”
“You mean that no one complained,” I suggested.
Then I staggered back as something slammed into my shields. Before I could recover my balance another blast struck me from behind, and I staggered in the other direction.
I couldn’t see what they’d imaged at me-but it was something that was designed not to leave any traces, because nothing had dropped to the stone floor. I would have heard it, even if I couldn’t see it in the low light.
“Rodie’s got shields . . . how sweet.” That was Diazt. “That will just make it so much easier.”
I didn’t know what he meant until the iron bar slammed against my shields, and I ricocheted off the wall. By beating on my shields, they could wear me down and still punish me, and leave few if any bruises.
Johanyr struck with the flat edge of the sabre. That rocked me, but not enough to unbalance me.
“You’d better stop,” I said.
“We’d better stop? You have a strange view of things, rodie.”
The iron bar hit my shields again, and I had to take several steps toward Johanyr to keep my balance. He struck with the sabre, and I was forced back toward Diazt. They weren’t going to stop. That was all too clear.
I managed to square my feet and look straight at Johanyr. I concentrated on imaging caustic, just like that in the bag, behind his shields, right in his eyes.
There was a moment of resistance-that was what it felt like-and then he blinked. “Kill him! Diazt! Ohh . . .” He collapsed on the corridor floor.
The iron bar struck the back of my shields with such force that I stumbled and had to take three or four steps and could barely stand before I whirled to face Diazt-imaging even more caustic into his eyes.
The bar flew toward me, and I ducked, and then Diazt was screaming, but only for a moment before he went limp.
Master Dichartyn and Master Ghaend both appeared from somewhere.
Ghaend looked to Dichartyn and nodded. Two obdurates in black hurried down the hallway toward us.
“What happened? What did you do?” demanded Master Dichartyn. “Spare me any niceties about accidents and the like.”
“They cornered me, and everyone on the floor locked their doors. I could hear the bolts snick shut. Then they claimed that I was some sort of spy and that the Collegium had no use for rodents like me. They began to image things at me-”
“What did you do?” Master Dichartyn’s question was hard and urgent.
“I imaged lye-caustic-into their eyes.”
“Through their shields?”
“Ghaend! Get them to the infirmary and start washing their eyes out with clear water. Have the staff keep doing it for at least half a glass. Get some water and a little of the basic elixir in them.”
Each of the hulking obdurates hoisted one of the two fallen imagers, and before I could say anything, Master Dichartyn and I stood alone in the corridor.
“You come with me, Rhennthyl.”
I followed him back to his study, hoping that his coolness didn’t presage even more trouble, but fearing that it did. I didn’t understand why Johanyr and Diazt had collapsed. I could understand burning or pain in their eyes, but they’d barely uttered anything before they fell.
Master Dichartyn said nothing until he had closed the door to his study behind us and offhandedly imaged the wall lamp into burning brightly. “Go ahead and sit down. You probably need to get off your feet.”
I sat. My legs were shaking. I didn’t want him to start in with more questions. So I spoke on what had been bothering me on the walk from the quarters. “I don’t understand why they collapsed. I was only trying to blind them so that they couldn’t attack.”
“Think about it, Rhenn. Where were you?”
“In the corridor.”
“You said all the doors were shut. What’s behind-”
“Oh, shit . . .”
“Exactly. Where do you think that caustic came from? You pulled some of it out of their own bodies. If they’re lucky, they’ll live, but they’ll never see well enough to image again.”
“What will happen to them?”
“They be sent to Mont D’Image. It’s a pleasant place, if isolated, and if they recover, they can take duties there. If not, they can live on a stipend in the village adjoining the Collegium. Master Ghaend and I both thought that this would happen. Neither of those two has been exactly a model imager, and you threatened them both.”
“I threatened them, sir?”
“Whether you know it or not, and you’d better learn to accept and train it, not only do you image, but you have a talent for projecting whatever you feel-or want to feel. That talent means that, given time, you can be very effective in managing people. Let me ask you this. When you want to be alone, does anyone ever bother you? When you feel friendly, does anyone not respond?”
I hadn’t thought about that, but I was still thinking about Johanyr and Diazt. Why had Master Dichartyn let them go so far? I almost blurted that question. Almost. Instead, I asked, “Was it a test of sorts? Or will I face a hearing?”
“Self-defense is always allowed, and you did attempt not to kill them. There will be no hearing. You will be restricted to Imagisle for the next few weeks, not as punishment, but as protection, of a sort, and you will spend one glass every evening practicing with shields and imaging against one master or another. That’s another form of protection, both for you and for others.” He smiled sadly. “You need to learn a few less lethal ways to use your abilities.”
Why hadn’t he taught me those before?
“Because, unless you could protect yourself in some way or another, or talk your way out of it, doing so would have been a waste of everyone’s time, because you’d have been crippled or died in the first confrontation. Tonight, we would have stepped in, if you’d managed to hold them off, or even if you’d reacted well, but not had the skill. You moved so quickly that all we could do was help them.”
“You knew they were planning something?”
“It was obvious. You knew, didn’t you?”
“Yes, sir. I didn’t know when, but I had the feeling that it wouldn’t be long.”
“We have a shade more experience, Rhenn. Now, gather all your gear. You’re moving over to the wing with the other thirds.”
“The other thirds?”
“What do you think distinguishes a second from a third? Or one factor, anyway.”
“The ability to use shields?”
“Let’s make it more general. Seconds don’t become thirds at your age unless they have very useful skills. Some seconds will never develop their skills beyond a certain point, but they will often become thirds later on when they have more life experience.”
“Seconds like Shannyr or thirds like Grandisyn?”
Master Dichartyn nodded. “And others. Experience in the Collegium is also valued, and sometimes it is more valuable than imaging skills alone.” He smiled, briefly. “Another matter which I’m sure you’ll appreciate is an increase in your weekly stipend to a half gold.”
Five silvers a week? That was more than all but the best master portaiturists made, and certainly more than journeymen made.
“You will more than earn it.” He rose, and his words were a promise close to a threat.
I got up more slowly than he had.
The more exalted the position, the heavier and yet less
obvious the burden of responsibility and the greater
the expectations of others.
One thing I noticed immediately about my new quarters. They were larger and actually consisted of two rooms-one that was both parlor and study and a second smaller sleeping chamber that held a much larger armoire as well as a separate chest of drawers. The other thing was that I was totally exhausted. I could barely put away clothing and books before I collapsed onto the unmade bed beside the clean linens I was too tired to use.
The next morning I was up early, arranging my new quarters. They were not only much more spacious, but the bed also had a larger headboard of golden oak with simple carving. In the sitting room were an armchair for reading and a desk chair in front of a writing desk.
Once I washed, shaved, and dressed, I stepped out into the corridor and started toward the stairs down to the main level.
An older third came out of the next doorway and smiled. “You’re Rhenn, aren’t you?”
“Ah, yes.” I was surprised by the friendliness in his voice, because everyone in the other quarters section had been far cooler.
“Claustyn. I heard that you took care of Johanyr and Diazt.”
“I was just trying to disable them. I didn’t do a very good job of it.”
Claustyn laughed heartily. “The way I heard, you did a very good job of it, and the masters were most relieved.”
“Because Johanyr was disabled when he was attempting to injure someone badly?”
“And because you’re the son of a noted factorius.”
Unhappily, that made sense. In the past, I suspected, most of Johanyr’s victims had parents of little status, and Johanyr had assumed that my inability to remain as a portraiturist had meant that my family had effectively abandoned me. That assumption had doubtless been strengthened by the fact that I had nothing of value with me, no golds, no pillows or bedding or anything that I could have brought. I had no doubt that as the son of High Holder Ryel, he had brought everything permitted. Because his assumption was incorrect, the masters could simply report to his father that his son had broken the rules of the Collegium and attacked another imager, one who was the son of a noted factor, and had been injured by my attempts to defend myself against an unprovoked attack.
I also realized something else. Master Dichartyn had known exactly what was likely to happen, and he and Master Ghaend had waited just long enough to make sure that neither Johanyr nor Diazt would be able to image again. “Has he been a problem for a while?”
Claustyn shrugged. “For long enough. High Holder Ryel is not on the Council, but a number of those on the Council are beholden to him. The factors on the Council are not.”
That would make my personal situation more difficult in the future, although I could not have explained why. So I just replied, “They attacked me, and I really didn’t have much choice.”
“That’s all the better.”
Claustyn and I walked to the dining hall together and sat with several other thirds-Reynol, Menyard, and Kahlasa.
Kahlasa was plump with bright light brown eyes and curly sandy-blond hair, and she was the first to speak after we sat down near the foot of the table and Claustyn introduced me. “You really were a portraiturist?”
“A journeyman, not a master.”
“Could you paint my portrait?” Her lips and face conveyed an expression that was half grin, half smile.
“I could . . . if I had paints, brushes, supplies, canvas, and the like, but I couldn’t take coins for it. If I did, the guilds would bring it before the Council, and I doubt that’s something the Collegium would look favorably upon.”
Reynol laughed. “The Council doesn’t look favorably upon much.”
“They favor more golds in the treasury,” suggested Meynard.
“But not those taken in taxes from their guilds or peers . . .”
All in all, it was one of the more enjoyable meals I’d had at the Collegium. After eating, I made my way to Master Dichartyn’s study, where the door was open.
“Come on in, Rhenn. How are you feeling?”
“Fine, mostly. I was so tired I collapsed last night.” I closed the door and slipped into the chair across the desk from him.
“That’s not surprising. Holding shields and imaging behind lead can be very tiring. As your technique improves it will get easier, but working in a restricted area is always more difficult.”
“Are Johanyr and Diazt all right?” I didn’t want to ask, but felt that I should.
Master Dichartyn shook his head slowly. “Johanyr will live. He’s likely to remain with such poor sight that he can barely make out shapes and light and dark, and he won’t regain all his strength, but he can have a productive life in Mont D’Image, if he chooses. Diazt died shortly after he was taken to the infirmary.”
I swallowed. “I didn’t intend-”
“That was most obvious, Rhenn. You allowed them to pummel your shields viciously, and you tried to tell them that they had no grounds for their attack. When you did attack, it was only after great provocation, and your intent was only to disable. Had they attacked you outside, they both would have lived. In that sense, they chose their own fate.”
I had a strong sense that Johanyr had lived and Diazt had died because of who their parents were and were not. I also had another suspicion that I wanted to voice. “Shannyr kept you informed, didn’t he?”
“Did he?” Master Dichartyn raised his eyebrows. “Does it matter now?”
That was as much of an acknowledgment as I was likely to get. “No, sir.”
“You realize that your duties will change? You won’t be going to the workshops anymore. Instead, you’ll be working with Clovyl for the next few weeks. He’s a senior imager tertius, and he will teach you the use of various weapons, but most important, how to defend yourself without imaging and without weapons. You’ll meet him in the exercise room at the first bell of the afternoon, every day except Solayi and Samedi, and you will spend two solid glasses with him, if not more. Before you do, you will obtain some exercise clothing from the tailoring shop. You will need it. Then at the seventh glass you will return here. Either I or another master will be here every night from Lundi to Vendrei, and we’ll be working harder on developing different kinds of shields and other imaging techniques. You’ll also need those.”
Before I could think much about the implications of his words, he went on, as if nothing significant had occurred. “Now . . . what is the primary purpose of taxation and tariffs?”
“To raise funds to support government services.”
“Is all taxation used for such purposes?”
Again, the text hadn’t mentioned much about other uses of taxation, but Master Dichartyn expected an answer beyond that. “Because governments are comprised of men, and men do not always do what they say they will or what may be best for those they govern.”
“That will do, but only for now. For what other purposes might taxation be used?”
“Some rulers and others in governments have used taxes to increase their own personal wealth. Others have used tariffs to protect the commerce and trade of their people.”
“How does increasing the cost of a good through tariffs protect commerce?”
“It often doesn’t. It benefits some people and hurts others.”
“Can you provide an example?”
At that moment, I was glad I had listened to Father and Rousel. “Caenen imposes a tariff on our textiles, and that increases the cost to their people. . . .”
Master Dichartyn kept the questions coming for close to a glass before he stopped and looked at me. “That’s enough for now. Read the appendix to the history, the one that outlines the development of Council precedent and procedures. You’ll need to go to the tailoring shop before lunch. Wear one of the exercise suits you get there when you meet with Clovyl. Also, in addition to the exercise suits, you’ll need special black and gray garb identifying you as a messenger.” He smiled. “One of the duties of imager thirds is to serve as silent guards in the Council chambers.” He smiled. “You might carry one or two messages in the course of a day, but the uniform allows you to walk anywhere in the Chateau. You won’t be assigned there for another month, depending on your training, but your uniforms will be ready when you are.”
“What exactly are the duties of silent guards?”
“You use all your skills in ways to protect the councilors and their assistants, in a fashion that no one will even know exactly how they are being protected.”
“People faint, or trip, or slip . . . things like that?”
“As well as a few others that are even less obvious.” Master Dichartyn frowned momentarily. “You’ll also have to learn the procedures by which the Council operates, because anyone intent on disrupting Council business will also know those and time their acts based on what is happening in the chambers. That is why you need to study the appendix, but that only provides the barest outline.”
“Does that happen often?”
“Disruptions seldom occur. Attempts are quite frequent because our defenses are so invisible that all too many who oppose Solidar think that there are none.”
That seemed strange to me. It was almost like encouraging attempts.
“I can see that puzzles you. I would like you to think about that and provide me an essay tomorrow explaining why the Collegium’s secrecy in this is either wise or unwise.” He stood. “Now . . . off to the tailor’s shop. I’ve left word that you’re to be fitted.”
I rose quickly. “Yes, sir.”
As I walked away from Master Dichartyn’s study, I saw Gherard coming the other way. “Good morning.”
“Good morning, sir.” His voice was pleasant, and he inclined his head slightly as he passed me and headed toward the study I’d just left.
Sir? I’d been Rhenn the last time we’d spoken. Why was he being so deferential? Did everyone know what had happened? Or was it my advancement to tertius?
I was still pondering those questions when I reached the tailoring shop, but I wasn’t given much time for musing.
“Ah, yes, you must be Rhennthyl, the new third,” began the graying, thin, and stooped imager who greeted me. “Must say you look innocent enough. Always an advantage in what you’ll be doing. Off with that waistcoat. We need to measure you, yes we do. . . .”
Before I could say more than a few words-at least that was the way I felt-I was headed back to my new quarters with an armful of exercise clothes and the promise that my other garments would be ready for a fitting on the following Meredi.
Back in my rooms, I inspected more closely the exercise clothes. They were gray and consisted of loose-fitting trousers and a thick collarless tunic made out of soft but heavy cotton. I also ended up with lace-up high ankle boots.
At lunch, I didn’t see Claustyn, but I sat with Reynol and Kahlasa. I mostly listened while Reynol talked about his position as one of the assistant bookkeepers for the Collegium.
“. . . and before I leave on detached assignments, I make sure every entry in the ledgers is up to date and documented. Jezryk’s a fine fellow, and the heartwood of any tree, but you should see the entries he’s left for me to make when I return. Now, sharing a position is fine, and rotating collateral duties is an evil we all live with, but fair is fair . . .”
I had the feeling that one didn’t inquire about detached duties, but since he was talking about bookkeeping, after taking a mouthful of a fowl ragout, I asked, “Is it because he’s uncertain about how to make those entries?”
Reynol laughed again. “No . . . it’s because those are the ones that require supplementary documentation in the masters’ review ledgers, and that takes care in writing.”
“He’s good at what else he does,” Kahlasa said.
“When are you leaving again?” Reynol asked her.
“Not until the twenty-seventh of Mayas. There were some difficulties.”
“When you’re dealing with the Caenenans, there always are.” Reynol turned to me. “Do you know what your new assignment will be yet?”
I shook my head. “Master Dichartyn just said I had some training ahead of me.”
“There’s always training.” Reynol nodded. “Have you heard about the new bistro on Beakers’ Lane off the East River Road? It’s called Felters. You both might like it.”
“Beakers’ Lane?” asked Kahlasa.
I knew that, even if I didn’t know the bistro. “That’s the second lane south from Boulevard D’Este.”
“Thank you. I still don’t know all I should about L’Excelsis.”
“Where are you from?”
“Shastoilya. No one has ever heard of it . . . .”
“How long have you been here?” I asked.
“Not quite four years. It took me a while to get adjusted to the Collegium.”
“She was a Nameless chorister in training,” Reynol interjected.
“Do you have to tell everyone?” Kahlasa’s voice carried a tone of mock irritation.
“Do all the women imagers have their own quarters?”
“We have the north end of the lower level of the tertius quarters building, and that’s all the women who aren’t maitres. When we’re here, of course.”
From what the two of them said in passing during lunch, I had the definite feeling that imagers did far more than I’d realized-and in many more different locales.
After eating, I hurried back to my quarters and changed into the exercise clothes, then hurried back to the exercise rooms. I had to look at a copy of the map, because I didn’t remember where they were. I still made it to the foyer outside the rooms before the first afternoon bell rang.
A muscular figure in the same sort of exercise clothes appeared. He looked closer to my father’s age, although he was far trimmer, but his black hair was streaked with gray.
“You’re the latest savior of the seconds?”
“I’m Rhennthyl, sir. Are you Clovyl, sir?”
“Most polite. I can see why Johanyr overstepped himself.” He nodded. “Have you ever been physically trained?”
“No, sir, except for grammaire.”
“You’re going to have a difficult few months ahead. The reason for this is simple, but I won’t make you guess. The duties Master Dichartyn has planned for you will take a great amount of physical strength and conditioning. You understand that imaging is work, don’t you?”
“Then let’s get started.” He turned abruptly and went through the middle door.
I hurried after him, closing the door behind me.
He gestured to the exercise mat. “You’ll see more of that than you’d like. After the first two weeks or so, you’ll join the other thirds in their workouts, but right now, all you’d end up doing is hurting yourself and getting frustrated. I’m going to show you a series of exercises, and you’re to do them exactly as I show you them. Exactly.”
“The first set is limbering and stretching. That’s so that the later ones don’t hurt you . . .”
When Clovyl said exactly, he meant exactly. At the end of the first half glass, I was soaked in sweat, and he’d corrected me a score of times.
“Your legs stay straight!”
“Keep your heels on the floor!”
I was trying to do the best I could, but I’d never even seen any of the exercises he showed me and then ordered me to do.
“You need a break.” His expression was close to disgust. “Follow me.”
I would have liked to say that I scrambled off the exercise mat, but my movements were more like a stagger to my feet as I walked after him and through a doorway into the adjoining exercise room.
What looked to be a cloth-covered mannequin hung from a rope attached to an iron ceiling bracket. Certain areas were marked in red, and several in maroon. Clovyl walked over to the dummy and pointed. “The red marks the places where, if you strike a man hard enough, you will disable or kill him. When I am finished training you, you should be able to know exactly how and where to strike without looking and without having to think about it-either through imaging or with hands or anything else. You will also have the strength to do so, even if you have just run a mille at full speed.” He paused. “Why do you think this is necessary?”
“Because I’ll be assigned to places where I may not be able to image or where it will not be wise to do so, and I won’t have any weapons at hand? Or even if I can image, I won’t have time to think about where.”
Clovyl nodded solemnly. Then he said, “That’s enough of a break.”
The first set of exercises had only been warm-ups compared to what followed, and I tottered back to the quarters building slightly before the fourth glass. My exercise clothes were soaked, and so was I. With a chill spring breeze blowing across the quadrangle I was shivering, even before I took a too-cold shower to clean up. After I dressed, I tried to read the appendix to the history, but the procedures were so dull that I fell asleep.
I woke at the fifth bell and managed to read some more . . . and I thought I might remember some of what I read.
At dinner, Kahlasa introduced me to two other thirds-Dierkyl and Sonalya. They asked me about portraiture, and I asked them about exercises. They laughed.
At the seventh glass, I was once more outside Master Dichartyn’s study.
He arrived shortly and opened the door.
“Clovyl says that your coordination and skill aren’t bad, but that your conditioning needs work. For him, that’s almost a compliment. How do you feel?”
“You’d better get used to it. Or as Maitre Deloityn said to me when I was about your age, ‘Welcome to the real world, where you never have enough time, energy, or golds.’ ” He paused. “You’re too tired to deal with shields tonight. So we’ll work on precision imagery.” He lifted a wooden ring about fifteen digits across, and then set four small wooden cylinders on his desk. “I’m going to hold this ring up, and I want you to image one of the cylinders into the open center of the ring.”
“Yes, sir.” That I could do, but I had a feeling that worse was coming.
He held up the ring.
I concentrated and imaged a cylinder. One vanished from the desk and appeared in midair in the middle of the ring. Master Dichartyn reached out and caught it with his free hand. “Now I’m going to move the ring back and forth slowly. You still have to put it in the middle of the ring.”
It was going to be a long glass-that I knew.
The difference between an explanation and an excuse
lies with the one receiving it.
I’d had to write the essay on the reason for the Collegium’s secrecy in protecting councilors after working with Master Dichartyn on imaging skills on Mardi night. That was more than a little difficult, because, first, I was so tired that I could hardly think and, second, I knew nothing about how the Collegium actually handled protection. Because I could not keep my eyes open any longer after writing the essay, I went to bed. Then, I’d had to get up early on Meredi to read the appendix on Council procedures and precedents. I had to read it twice, and I doubted that I understood a fraction of what I read, because it seemed so arcane. While I waited outside Master Dichartyn’s study, I even read the first ten pages of the procedural appendix again, but I still wasn’t sure I understood it any better.
Once he summoned me into his study, Master Dichartyn didn’t waste any time. “Let me see your paper on imager secrecy.”
I handed it over and sat in the chair opposite him while he read it.
Finally, he looked up. He did not look pleased. “This is not a good essay, Rhennthyl. There are mistakes in grammar and in logic, and your scrivening is sloppy.”
“Yes, sir. I know, sir.”
“If you know, why did you turn in something so bad?”
“I didn’t have enough time to do it better last night, and I was so tired that I couldn’t think straight, sir.”
“You will redo this and hand in a more acceptable effort tomorrow-a much more acceptable effort. Now . . . on to your reading assignment. What is the ostensible purpose of a call for quorum in the Council and what is the real purpose?”
The first part I recalled. “A call for quorum is made to assure that a majority of the Council is present so that important business may be brought before the Council.”
“That is indeed the procedural purpose. What is the real purpose?”
I had not the slightest idea. “I don’t know, sir.”
“Don’t you think that most members of the Council would be present if truly important matters were to be discussed?”
“I would think so, sir.”
“Then why would anyone need to require a call for quorum?”
“To keep someone from bringing up something else?”
“That is partly correct. It’s most generally used, however, to delay proceedings so that members can persuade others or reconsider strategy, or so that the entire Council can avoid making a decision.”
Avoid making a decision? Couldn’t they just not vote or decide? “Would that be to avoid even bringing up something that they were not ready to decide upon?”
“I think I just said that.” Master Dichartyn’s voice was sharp.
“I’m sorry, sir. What I was trying to say was that they might use it even to avoid the appearance of avoiding making a decision.”
“That’s more accurate, far more accurate.” The sharpness faded from his voice. “Now . . . is a point of order a procedural stalling tactic or a valid objection?”
“Ah . . . both?”
“Rhenn . . . you don’t seem all that certain about what you read. Why not?”
“I read that section twice, sir, and part of it a third time.”
“Surely, with that much perusal you could remember with more certainty.”
What did he want? I was doing the best I could do.
Master Dichartyn’s face turned even more stern. “Rhennthyl . . . you may have talent, but you definitely do not understand one basic thing about the Collegium and the world. No one cares whether you are tired, whether you had a hard day, or whether you have trouble thinking straight. In fact, if you let anyone know when you feel that way, it may well result in either your death or your immediate retirement to Mont D’Image with your friend Johanyr.”
I did hide a swallow at that.
“Being a fully-trained imager is one of the most difficult professions to master, and failure to master it will mean either that you will end up in the machine works or the armory or some lesser position or that you will be injured or die.” He paused for a moment. “I have the feeling that you do not wish to spend your life doing something beneath your potential. Am I wrong?”
“Then you will need to use your time more effectively. If you cannot think after a long day of effort, you need to rise earlier and do your reading and assignments then. Short naps also help. Long naps are worse than no naps, because they disrupt your sleep, and you end up more tired than ever.”
After that, he was slightly less sharp, but his questions were as probing as ever, and I felt like I knew almost nothing.
Finally, he stopped examining me on the procedures appendix and said, “Read the appendix again, and think more about it. I also want you to read the next section in the science text, the one about anatomy.” He paused. “Master Draffyd overheard something about your wanting to paint portraits.”
“No, sir. Not exactly. Some of the thirds asked if I could paint their portraits. I said that I couldn’t do that for coins . . . but I suppose I could let them give me supplies and brushes. Would there be anywhere I could set up a small studio?”
“You want to do more? You just told me you were having trouble doing what has been assigned to you.”
“I didn’t mean right now. It would take weeks even to obtain everything, and I wouldn’t even think of trying it unless I was doing well enough that you approved. But I wanted to know if it might be possible. If it is not, I understand, and I will not bring up the matter again.”
Master Dichartyn frowned for a moment, then suddenly smiled, and nodded. “I hadn’t thought of that, but it might be well for you to keep that skill. It could be most useful, and some of the masters here have not ever had portraits . . .”
That was the best part of the day.
I had to go back to my quarters and rewrite my essay on secrecy and then pore over the procedural appendix yet again. Lunch was one of the few meals I could barely eat-a strong liver and onion ragout whose smell nearly turned my guts inside out. Even the bread tasted like onions and liver to me. I hurried to get into my exercise clothing. Clovyl worked me hard for a glass with exercises, and then took me on a run-twice all the way around Imagisle, close to four milles. He was barely breathing hard, and I was panting and gasping and sweat-soaked when I tottered to a halt outside the exercise rooms.
Then came my first instruction in hand-to-hand fighting, where Clovyl demonstrated a move, and I had to mimic it exactly. Exactly.
After his instruction, which lasted well past the fourth glass, and left me almost as sweat-soaked as the run had, I showered again, and took a short nap and then read the next section of the science text, the one on human anatomy. Dinner was better, a rice and cheese dish with some sort of fowl.
Then I had to return to Master Dichartyn’s study by the seventh glass and work on imaging with and passing items through moving objects. At that point, my muscles were getting sore, very sore, and I tried not to think about the fact that I had a month of this sort of training ahead of me . . . if not more.
I did force myself to hang up my clothes and put everything in my quarters where it should be before I climbed under my blankets.
Those who speak of “good people” with great
conviction are to be feared.
The next two and a half weeks followed the same pattern of that first full day as an imager tertius in training, a day that could well have been called a Day of the Namer-except that each day except Solayis was more difficult than the day before, and it would have been repetitious to attribute the trials of each to the Namer. Along the way, I managed a visit to the barber, prompted by Master Dichartyn. By the time the morning of Vendrei the twenty-seventh of Avryl had arrived, I had to admit that I was developing muscles I hadn’t realized I had, and I could certainly run farther and faster, and I was so tired every night that I had little trouble falling asleep. The muscular soreness had also abated, and Clovyl had grudgingly admitted the afternoon before that my skills in defending myself had improved.
“You might be able to take down most common footpads now, but your knifework needs work.” Clovyl had shrugged. “You’re getting there, but don’t go getting any ideas.”
Most evenings I worked with Master Dichartyn on shields and specialized imaging, including the differences in handling powders and liquids, and even air itself.
After much more reading and rereading, and more than a few pointed questions from Master Dichartyn, I did understand the rules and procedures of the Council, finally. “Better than some of the councilors,” he admitted.
Still, that morning, he asked me another question that I’d never heard, just another in a seemingly endless series of such. “Do you know the ‘good people’ fallacy?”
“That wasn’t in anything I’ve ever read,” I said, adding quickly, “I don’t think.”
“That wasn’t a bad recovery,” he replied with a smile, “but I’d suggest saying something like, ‘There are a number of fallacies involving good people. Which one did you have in mind?’ Of course, to say that, you’d best have a few in mind.”
I didn’t have any in mind, and he knew it.
“The fallacy is that someone who is good cannot do evil. I get rather suspicious when someone talks about another as being a good person. A man may do good in every small way on every day, and yet be a part of great evil. Even a land cannot be accurately judged by the number of good or bad people within it. All lands have good and bad individuals. The goodness or evil of a land is determined by what that land does as a whole. A handful of evil leaders can pursue hatred and destruction, while the majority of so-called good-hearted souls do nothing. Less frequently, but still occurring, are the instances where good-hearted leaders lead a populace whose individuals are predominantly selfish and cruel, and the acts of such a land under such leaders are praiseworthy. All too often, the term ‘good people’ is used as an excuse, as in the phrase ‘but they were good people.’ ”
I could see that, and I’d even heard words like that from my parents.
“How would you judge Solidar, Rhenn? Is it a good land or less than good?”
“Compared to what, sir? I know only what I have read about other lands, and I haven’t even met that many different kinds of people in L’Excelsis. I’ve never really met a High Holder or many from the taudis or other countries.”
“That’s a fair answer. Not helpful, but honest. Shall we say . . . compared to what you think it could be.”
I wasn’t at all certain why Master Dichartyn pressed such questions, although I could understand his efforts to get me to think and to point out errors in my facts or thinking. “Ideally, any country could be better than it is, if people acted as well as they could, but they often do not. Solidar is like that, but I don’t see the kinds of cruelties that I read about in places like Caenen.”
“How do you know what you read is accurate?”
“I don’t, not for certain. But the reporters aren’t locked up for what they write, not often, anyway, and that would indicate there has to be some truth in what they write.”
“There is some truth in what you say, but your logic is weak. What if the reporters know what is acceptable to the Council and what is not? Then what?”
“I’d say that what is acceptable could not be totally inaccurate, because, if it were, then word would get around. It’s hard to hide something that’s wrong.”
“The first part of what you said is absolutely correct. The second part is half true. Can you tell me why it is only half true? Based on your own life and experience?”
For a moment, I had no idea what he meant. Then I did-Master Caliostrus and Ostrius. I managed not to show any reaction. “Some things, perhaps isolated events that few care about, can be hidden, but large and repeated patterns of evil cannot be kept secret forever?”
“That’s a fair approximation, although I would be leery of using the term ‘patterns of evil.’ Evil can be in the eye of the beholder. Some of what is evil to us is not to the Caenenans, and the other way around. Patterns contrary to the sensibilities of a people cannot be repeated without being noticed.”
That was a way of expressing it that I wouldn’t have thought of.
“How much, then, do you think that the Council controls what appears in the newsheets?”
“I don’t know, sir, but I would guess that there is very little direct interference.”
He nodded. “I’d like you to think about that and write a paper on it. You’ll have some time because I’ll be away for the next few weeks, beginning this afternoon.” He reached to the side of his desk and lifted a black-bound book, which he then handed to me. “Read the first two sections before Lundi.”
I opened the heavy tome to the title page-Jurisprudence. Now I was going to have to learn the actual legal code of Solidar?
“While I’m gone, you will work on learning more about the laws and how they work with Master Jhulian, but at half past seventh glass in the morning, starting on Lundi. His study is at the end of the hall on the right. You will meet with Maitre Dyana next Mardi evening and on whatever other evenings she sets. She asked that you wait outside the dining hall for her.”
“Yes, sir. Am I still restricted to Imagisle?”
“No, but I would suggest you avoid the more dangerous areas of L’Excelsis. Clovyl says you should be able to handle common dangers, but not large groups, or more than a pair of hired bravos. What did you have in mind, if I might ask?”
“I thought I might call on my family, and perhaps eat a meal in a bistro, things like that.”
“Those I would recommend. You need to see L’Excelsis again.”
I didn’t realize how strange those words were until after I left him to go study.
Too often friends fall away when one rises.
For the first time since I’d left my parents after the fire, I had more than a few coins, and that meant I could take a hack out to visit my parents on Samedi. Since Master Dichartyn was gone, I could also leave Imagisle earlier than on most Samedis. Even so, because I enjoyed taking my time, it was past the ninth glass when I walked across the Bridge of Hopes. The sun warmed the air, heralding late spring, and there was just enough of a breeze for comfort, and not enough to blow away the fragrances from the spring flowers blooming in the narrow gardens flanking the Boulevard D’Imagers. There weren’t many coaches for hire, but I found one and arrived at my parents’ house just before noon. I could only hope that someone happened to be there, because I hadn’t known I’d be able to come in time to dispatch a note and receive a reply.
Nellica’s eyes widened when she opened the door and beheld me in all my subdued imager glory.
“Is anyone here, Nellica?”
“Your sister and Madame Chenkyr, sir.” Her eyes avoided mine.
“If you’d tell them I’m here.”
“Yes, sir. If you’d come in, sir.” Nellica ushered me into the foyer and hurried off.
In moments Khethila appeared, wearing a severe green that made her face look far too pale. “Rhenn! You don’t have to wait in the foyer. You’re still family. Come into the parlor.”
“Are you still reading Madame D’Shendael?” I offered teasingly as I followed her.
“Father disapproves,” she said strongly, before glancing around and lowering her voice. “I have her treatise on Civic Virtue.”
“I wasn’t aware that there was such a thing.” I tried to keep the irony out of my voice.
“Neither is she. She claims those who profess a civic virtue are cloaking their self-interest in morality.”
“She doesn’t believe in virtue?” I kept my voice pleasantly curious.
“She espouses virtue as an individual value.”
“So we abandon virtue whenever we’re with others?”
“Rhenn!” Definite exasperation colored her voice. “That’s not it at all. Virtue or morality cannot be practiced by a group, but only by an individual. Each individual is different from every other individual, but a group pressures each individual to be the same. Otherwise, there is no group. The same is true of a society. The values of the strongest or most persuasive become the values of the group. The larger the group, the fewer the values those in the group share. In time, groups become mobs.”
“I think your logic is lacking there.”
“She says it better than I do.”
I hadn’t read Madame D’Shendael, but Khethila’s interpretation suggested that Master Dichartyn and Madame D’Shendael had considered the same questions and possibly shared some of the same views. Logically, that shouldn’t have surprised me . . . but it did.
At that moment, Mother bustled out of the kitchen. “Rhenn! What a pleasant surprise. We were about to have a small lunch in the breakfast room. You will join us, won’t you?”
“I hoped so.” I offered a grin.
Mother studied me. “You’ve lost weight.”
“A little.” I hadn’t, not really, but Clovyl’s exercises and running had turned any softness I’d once had into muscle.
“Aren’t they feeding you enough?”
“They’re feeding me very well, Mother.” I started in the direction of the breakfast room, hoping to forestall any more detailed interrogation.
“He looks stronger,” suggested Khethila.
“Laborers need to be strong, not imagers.”
“Imaging does require strength, more than one might think.” I stepped from the back hallway into the breakfast room, where Nellica had added another place to the table. Even with the two wall lamps lit, the breakfast room was gloomy, because the windows were on the east wall and allowed no sunlight past late morning. Lunch had been clearly informal, with the plates set on green place mats, rather than on one of the linen tablecloths used for guests-or family when one or more men were present. “Where’s Culthyn?”
“He’s with Father,” Kethilia replied. “Father says he needs to learn the business.”
“That’s why we’re having leftover fowl in pastry,” Mother added from behind me. “Neither your Father nor Culthyn cares much for it.”
Since I’d always liked fowl in crust and sauce, I had no objections. Then, as I turned, I saw my chess study, mounted in a far more ornate frame, on the always-shaded south wall. For a moment, I just looked. It was every bit as good as I remembered, if not better.
“It goes well there,” Mother said.
What I realized as well, and what she had not said, was that it was placed so that she could see it from her customary place at the table. It was behind where my father sat.
“It does,” I finally said. “Thank you for reframing it.”
Mother looked puzzled. “That was the way it arrived.”
“Oh.” Who had had reframed it, and why? It had been in a simple black frame for the competition, as was required, so that no painting had an advantage. “I must have forgotten.”
Khethila gave me a sideways glance, as if to suggest that wasn’t something I’d forget. She was right, but what else could I have said?
Once she was seated, Mother looked at me. “You could have sent a note, saying you would be coming.”
“I honestly didn’t know that I would have this afternoon free until it was too late.”
Mother just raised her eyebrows.
“I was given more training, and while it was going on, I couldn’t leave Imagisle. I finished it more quickly than I’d been told it would take. This is the first time I’ve left the Collegium since I had dinner with you the last time.”
“Even if you didn’t let us know, it was good of you to come here first. You’ll stay for dinner, won’t you?” asked Mother.
“Not tonight.” I could have, but it was the fourth Samedi of the month. I hadn’t seen any of my friends since I’d become an imager, and it was a certainty that some of them would either be at Lapinina or at the Guild Hall later in the afternoon. “I’ll be more free from now on, since I won’t be spending quite so much time in training.”
“Your father will be disappointed.”
“I can stay for a while after we eat.”
“He said he’d be later today.”
“Does the extra time off mean that you got advanced again?” asked Khethila.
I smiled. “I did get nicer quarters-two rooms to myself, a sitting room or study, and a sleeping chamber.”
“Perhaps everything is turning out for the best,” said Mother brightly. “But your father will be sorry to have missed you.”
“I think you’ve mentioned that before,” I said dryly.
“Rhenn . . . I know you two do not see the world in the same way, but that does not mean that he doesn’t care for you.”
“I know.” I still had the feeling he’d care for me more had I chosen to become a wool factor, but I wasn’t about to say that. I turned to Khethila. “What are you going to do now?”
“I’m learning to be an assistant clerk for Father, the one who makes all the daily ledger entries.”
There was a hint of a frown from Mother. “Until she finds a proper young man, anyway.”
“What happened to Armynd?”
Khethila laughed. “He discovered I was reading Madame D’Shendael. He didn’t put it quite that way, but when he said that it was clear we had interests too different for harmony, that was what he meant.”
Mother frowned, if briefly, and I knew she’d hoped for the match, as much for Khethila’s comfort as anything.
I managed a pleasant smile, although what had already happened confirmed that anyone Khethila felt interested in would not be someone for whom my parents would care much. “Do you find working at the factorage interesting?”
“You just have to be careful and thorough,” my sister replied. “What’s interesting is the way in which certain number patterns show up in the accounts. I’m studying Astrarth’s Theory of Numbers on my own, and seeing if any of what he postulates shows up.”
“Not yet, but I’ve only been working on the ledgers for the last two weeks. Rousel thinks it’s a good idea that I know more about business.”
“So does your Father,” added Mother.
“How are things going with Rousel?” I asked quickly.
“He and Remaya are doing well.” Mother smiled briefly. “He writes occasionally.”
Khethila shifted her weight in her chair, ever so slightly.
“And how is the wool factoring going in Kherseilles?” I looked to Khethila.
“I couldn’t say, because so far I’m only doing the ledgers for the factorage here, and not the master ledger that merges both accounts.”
Mother looked sharply at Khethila, who smiled pleasantly.
In short, matters weren’t going quite so well in Kherseilles, but Khethila wasn’t about to say or was guessing from what she’d seen so far, and Mother wasn’t about to say anything negative about Rousel . . . or allow anyone else to.
“Do you know what you’ll be doing as an imager?” Mother asked. “Can you tell us?”
“They say I may have some duties working for the Council, but very minor ones at first. No one’s given me any details, but I have had to learn all the Council procedures.”
“Your father would be very pleased if you became a Council advisor.”
“That’s not going to happen any time soon,” I replied with a laugh. “How is Aunt Ilena?”
“As stubborn as ever. I’m thinking of visiting her in Juyn, on the way to Kherseilles . . .”
From that point on, I just asked questions and listened. Although I stayed almost to the fourth glass of the afternoon, neither Father nor Culthyn appeared, and I took my leave. The late afternoon remained pleasant, and while it was more than two milles, I walked the entire distance to the Guild Square, taking my time.
Because I didn’t see anyone I knew around the square, I made my way to Lapinina. When I stepped into the bistro, the couple at the table nearest the door looked away. Rogaris and Sagaryn sat at a round table for four, and I stepped toward it.
“How are you two coming?”
Sagaryn’s eyes widened as they took in the gray waistcoat, shirt, and trousers. “Is that you, Rhenn?”
“You’re . . . an imager?”
I nodded. “Might I join you?”
“Oh . . . yes . . .” Rogaris said hastily.
Sagaryn nodded, a trace reluctantly, but I eased into the seat across from them.
Staela appeared. “What would you like, sir?”
I looked up at her. “I’m still Rhenn, Staela.”
Her expression didn’t change at all. “Yes, sir.”
“Just a glass of the Cambrisio white, if you have it.”
“We don’t see imagers up here very often,” Rogaris offered.
“You’re the first,” added Sagaryn, taking a swallow of dark beer.
“I’m probably the only portraiturist who’s ended up an imager.”
“That well could be.”
“How are you two doing?”
Rogaris glanced at Sagaryn, who remained stone-faced. “The same as always.”
“Have you heard anything about Madame Caliostrus?”
“She’s all right. He had some sort of assurance annuity or something . . . some patron paid for it, and the masons’ guild is rebuilding the place.”
“Lucky at that,” added Sagaryn. “You know anything about it?”
“No.” I shook my head. “He never talked coins with me-except to explain why he’d docked my pay”
Staela reappeared with a glass of amber-white wine, which she placed before me with far greater care than she ever had when I’d been a journeyman. “Your Cambrisio, sir. It’s four.”
Almost as soon as I’d put a silver on the table she scooped it up and had six coppers back before me. Then she was gone. I took a sip of the wine. It was cool, and not that bad, but I realized that what I’d been drinking at dinner at the dining hall was just as good.
“How is Master Jacquerl treating you?” I asked Rogaris.
“Nothing’s changed.” He sipped the dark red wine.
“And you?” I turned to Sagaryn.
“The same as always.”
Neither spoke for a time. Nor did I. Then I looked to Rogaris. “How is Aemalye?”
“Are you still planning to get married a year from this Agostos?”
“Something like that.”
After a few more questions, I smiled and stood, leaving most of the Cambrisio. “It was good to see you both. Take care of yourselves.”
“You, too,” replied Rogaris.
Sagaryn only nodded.
It was just past the fifth glass as I stepped out of Lapinina, wondering why I had come at all, when a voice called from behind me.
There stood Seliora, beside a taller, red-haired woman. This time Seliora was wearing a rich green skirt with a black blouse and a matching green jacket. She smiled at me.
“Seliora.” I couldn’t help but smile back, especially after the coolness of Sagaryn and Rogaris.
She took another step toward me, and another, stopping almost close enough that I could have reached out to embrace her. I thought about it, but didn’t.
“I’m glad to see you,” she began, her words warm. “You just disappeared, and no one heard anything. I heard that you couldn’t find a position. I worried about you.”
I was glad someone worried, but I didn’t want to say that. “I couldn’t leave Imagisle for quite some time,” I explained, adding, “You know that’s where I went?”
“I can see that. The gray looks good on you. I thought . . .”
“You thought what?” I looked at her. “Foretelling?”
She flushed, but kept her eyes on me. “I saw you in gray a long time ago. I didn’t know what it meant. Sometimes . . . it’s like that.”
I didn’t want to press her, and my smile turned wry. “It was either become a wool merchant or try to become an imager.”
She tilted her head, and her eyes sparkled, almost impishly. “I couldn’t see you as a wool merchant. I think you weren’t meant to be one. Are you an imager yet?”
“If they accept you, you’re an imager right away. You’re just a very low imager who’s restricted to the isle until you learn more.”
“I don’t imagine you’ll stay lowly that long.”
“I’ve been advanced since I’ve been there.” I could say that much without being boastful.
“I’m not surprised.” She smiled, tentatively. “Will you come to the dance with me?”
“I’d be pleased to . . . if you don’t mind being escorted by an imager.”
“Rhenn . . .” She shook her head.
“I’m sorry. I went in to Lapinina to talk to Rogaris and Sagaryn, and they barely said a dozen words. Staela kept calling me ‘sir,’ as if I’d never been in her bistro, and I’ve been coming there for almost five years.”
“I’m not them.” She smiled once more.
“I’m very glad.”
“Oh . . . Rhenn . . .” She turned and gestured to the tall redhead. “This is my big cousin Odelia.”
“I’m pleased to meet you.” I inclined my head to Odelia. She was definitely tall, within a few digits of me, not heavy, but muscular. Was everyone in Seliora’s family muscular?
Odelia smiled back politely. “I’ve never met an imager.”
“Three months ago,” I replied, “neither had I.”
Seliora looked at me, and I offered her my arm. “Shall we proceed?”
“You sound so formal.”
“It comes with the gray.”
She giggled-a sound so totally false that I knew she was jesting-and I laughed.
“That’s much better.”
Odelia stepped up on my left. I would have offered my other arm, but that didn’t feel right, and she didn’t seem to mind as we made our way across the pavement to the Guild Hall. In the west Artiema was about to set. I wondered if were just coincidence, or if the silvered moon happened to be a patroness of Seliora or Odelia. But that too was silly.
The guard who stood inside the hall looked at my grays, and then at Seliora and Odelia, then resolutely turned his head.
“You see,” I murmured.
“It doesn’t matter. You’re with us, and we’re still guild members.”
“I paid my fees for the first half of the year,” I added with a smile. “Doesn’t that still make me a guild member?” I didn’t think Guildmaster Reayalt would agree, but he wasn’t anywhere around, and, besides, Seliora was quite correct. She could bring anyone she pleased, although there were usually few outsiders.
The musicians were getting ready to play, and Odelia nodded to Seliora and slipped away.
“Kolasyn is over there with his friends,” Seliora said, “but he won’t be long.”
“Odelia gets her way?”
“We all do.” She offered that charming but mischievous smile. “You’ll see.”
By “all” I assumed she meant all the women in her family, but that wasn’t something I was going to ask. Maybe meeting her again under Artiema wasn’t exactly a coincidence, although that was just a superstition.
The music started, and I placed my right hand gently on the small of her back and took her right hand in my left. We began to dance. Seliora was a far better dancer than I was, even though Father had insisted that I learn the basics-even providing a dancing maitre, Madame D’Reingel-my last year in grammaire.
When the musicians paused, so did we.
“You dance better now,” she observed.
“I don’t know why. I haven’t danced since the last time we were here.”
“Did you think of me?”
“Yes. More than a few times.” That was certainly true.
She offered a false pout. “You tell all the girls that.”
“Only you,” I replied, immediately wishing I hadn’t phrased it quite that way.
“You only lie to me?” She flashed the mischievous smile.
“No. You’re just the only one I thought of-except women I’m related to, like Mother and Khethila.”
“I don’t know as I’d like to be considered a sister.”
I just groaned. “I can’t say anything right, can I?”
“At least you recognize that.” This time she laughed, softly, but not cruelly.
The music started up again, and I decided that silence was the better part of valor. We swirled out into the double handful of couples dancing.
“You’re stronger, too,” she said, after I twirled and lifted her, then set her back on the floor.
“That’s part of the training,” I admitted.
“It suits you.”
“What have you been doing, besides designing and embroidering and needlepointing chair fabric designs?”
“We don’t do the needlepoint by hand. We have several looms, including a small jacquard loom, but I have to punch out the cards once I work out the design. I’m also the one who keeps it running. Father isn’t all that mechanically inclined.”
“How tight can you get the weave?”
She looked up at with another smile. “How tight do you want it?”
I almost flushed at her words. “I guess I recall more of wool than I thought, or enough for you to pull it right over my eyes.”
She squeezed my fingers, just slightly.
We danced and talked until the musicians stopped playing for the evening. Then, I let go of her hand, reluctantly, I realized.
“Do you think I could persuade you to come next month?” she murmured.
“You could. I have Samedi afternoons and nights and Solayi afternoons off.” I realized I didn’t want to wait a month to see her again. “I’ve heard there’s a new bistro called Felters . . .”
“It’s quite good, Kaelyn said. I haven’t been there.”
“Next Samedi?” After I asked, I realized I was supposed to go to my parents’ for their dinner, but I knew I’d far rather spend the evening with Seliora.
“I’d love to, but Father is taking us to see his sister.”
“The seventh, then?”
“I’d like that very much . . . .”
“At fifth glass at your place?”
“That would be good.” A twinkle in her eyes accompanied the next words. “My parents will expect to meet you.”
“I’d be pleased.” I wondered if they would be, though. I didn’t know if all Pharsi families were as accepting as Remaya’s family had been of Rousel.
I did end up spending silvers-on a hack to drive her and Odelia back to the large building on the corner of Hagahl Lane and Nordroad that was clearly home and business to her and her family, and then to take me back to the east side of the Bridge of Hopes.
I was still smiling when I walked into my quarters.
Law is necessary because, without it, no one willingly
reins in self-interest.
Throughout the day on Solayi, as I struggled through the pages of Jurisprudence, my thoughts kept drifting back to Samedi. Why had Sagaryn and Rogaris been so distant? We’d been friendly for years, and I certainly hadn’t changed that much. Yet they’d been edgy and uncomfortable, as if they were suddenly afraid. Was their reaction one of the reasons why Master Dichartyn had said that I needed to see L’Excelsis again? But . . . Master Dichartyn had said that I projected what I felt, and I’d only felt friendly to them. Did that mean that they were so afraid that it didn’t matter that I was friendly? Yet Seliora had seemed happy for me, and Odelia had been more than pleasant.
The dining hall was nearly deserted at the noon meal, but I did see Reynol, and we ate together and talked pleasantly before I headed back to my room and the heavy pages of Jurisprudence.
By the time I rubbed my eyes and collapsed into bed on Solayi night, I thought I understood most of what I’d read, but I wasn’t so certain when I woke after a night filled with dreams of advocates and jurists uttering phrases that had no meaning at all to me.
On Lundi, after breakfast, and after half a glass spent reviewing the assignments in Jurisprudence, I left my quarters and headed across the quadrangle, wondering what Master Jhulian would be like in person.
Two seconds-Whaltar and one I didn’t know-were walking toward me.
“Good morning,” I offered.
“Good morning, sir,” returned Whaltar. The other secondus murmured the same.
I could hear a few low words after they passed.
“He’s the one . . . took Diazt down . . .”
“ . . . was always friendly to me,” said Whaltar. “Never pushed his way around.”
“ . . . good to know . . . helps to have friends like that . . .”
Friends like what?
I only waited something less than a quint of a glass before Master Jhulian opened his study door and beckoned for me to enter. His study was almost identical to that of Master Dichartyn, save that he had two chairs set before his desk. I took the one closer to the window.
Master Jhulian was more slender than I had thought, and his hair was almost white-blond, but I had only seen him from a distance, either in the dining hall or at the hearing for Floryn.
“Rhennthyl,” he began after closing the study door, walking to the window, gazing out, and then settling himself behind his desk on a chair covered by a wide and worn gray cushion, “Master Dichartyn has told me about you. He states that you are relatively direct and generally honest. I will attempt to be both with you.” He cleared his throat before continuing. “I would prefer that you ask me about those things you do not understand. Otherwise, you will waste my time and yours because I will assume that, if you have no questions, you will know the material.” He smiled politely, waiting for me to reply.
“Yes, sir. I will try to ask such questions, but some of what is in the text is so complex that . . . well . . . even though I’ve read all of it several times, I’m not sure that I understand enough to ask a question.”
“That is a fair statement, Rhennthyl, and if . . . if you tell me where you had trouble, even if you cannot articulate exactly what you do not understand, that is acceptable. Please begin by explaining what jurisprudence is and why it is of particular import to Solidar and the Collegium.”
“Jurisprudence is the study of the law itself, in terms of both its precedents in case law and in terms of the philosophical basis behind both laws enacted by the Council and those derived through the example of case law.”
“Close enough. What roots of traditional jurisprudence, indeed of law itself, did the establishment of the Juristic Courts of Solidar deny?”
I actually knew that. “Many scholars outside of Solidar claimed that the law historically had four basic roots-eternal, natural, human, and divine. Because the Nameless does not distinguish by appellation”-those words were not mine, but from the text-“but by function, the first judges of the Juristic Courts divided all legal precedents and existing codes into two basic categories, those of human and natural . . .” I went on explaining.
“What is the problem with the idea that laws are to promote good and restrain evil?”
I didn’t see a problem with that idea, and yet Master Jhulian was suggesting that there was. I had to think. “The idea isn’t bad, sir, but it seems to me that one could have problems in defining what is good.”
“Each person . . . well, most people . . . would tend to see good as what benefits them and evil as what does not. What benefits the High Holders most might not benefit the common folk nearly so much, and what benefits the factors-”
“All of that is true, without a doubt . . . but . . . what is the specific problem that this conflict engenders with the formal fundamentals of law itself?”
The term “formal fundamentals of law” jogged my memory. “Oh . . . one of the formal requirements of law is that the laws of the land must be impartial and apply equally to all, and if laws define good to benefit one group at the expense of another, they can’t be impartial.”
“Jurisprudence doesn’t discuss this, taking it as a given, but why must laws be impartial?”
I took a chance with my answer. “They don’t have to be, sir. That’s the ideal, but there are other countries that have lasted without impartial laws.”
Master Jhulian nodded and gave me a wry smile. “Master Dichartyn said that you might offer some . . . insights. Let me rephrase the question. Why must the laws in Solidar be as impartial as we can make them?”
“Because people are happier when the laws are fair and will obey them more readily?”
He just laughed. “People are probably less happy with impartial laws, but they will obey them because they see that others do not gain what they know are unfair advantages. Remember that each man perceives an advantage to himself as fair and deserved and any advantage to another as unfair and undeserved.” He smiled.
I didn’t like the expression because I suspected a difficult question was about to follow.
“With all the emphasis on fairness, why did the Council allow the High Holders to retain the right to low justice on their holdings outside any city or large town?”
I’d read about low justice, which basically referred to the process of dealing with petty theft, assault without weapons, criminal trespass when no other offense was involved-crimes like that-and I’d wondered why the High Holders had retained those rights and the ability to confine offenders for less than half a year or to apply corporal punishment within limits. Until I’d read the text, I hadn’t even realized that such rights existed. “I don’t know, sir.”
“Ah . . . because who else could enforce that on large holdings?”
“That’s partly true, but there is another reason. On whose side were the High Holders in the transition from rule by rex to the rule by the Council?”
“They supported the guilds and factors, didn’t they?” I paused. “Was that their price?”
“Whether it was their price, or whether the guilds and factors felt that that they could only push so far, it had to be something along those lines. Also, the guilds and the factors have always been more concerned about what happens in the cities and larger towns.”
That also made sense.
“Back to the essential questions of fairness, since we do operate largely in the cities. There is another reason why we as imagers have a great interest in assuring that the laws are fair and impartial. In point of fact, the penalties for imagers who break either the laws of Solidar or the rules of the Collegium are far stricter than any received by others. Why is this unfairness to our advantage? Or less to our disadvantage?”
I had no idea.
“When times are bad and things are going badly, people do not seek the causes. They seek someone to blame. Who do they blame? The first target is almost always the group that appears to be favored, that has more than they do, and whose numbers are small. Only if those in that group are powerful do they seek another group to blame, but even so their resentment and anger remain.” He looked to me.
“By subjecting ourselves to stricter rules and by not displaying overtly our prosperity and power, we attempt to avoid being a target?”
“As you will discover, anyone who attacks an imager is an enemy of the Collegium, and yet, as you will discover, while measures are taken to assure that such attackers or those who hired them do not survive, the Collegium seldom acts in a way so as to create an impression of might as an institution. Even so, while we occasionally are not successful in finding the attackers, we seldom fail in discovering those who hired them, although it may occasionally take years. Consequently, most attacks are not planned by those in L’Excelsis. But there are some.” He paused. “What does this mean in the context of the question I asked you?”
By the time I left Master Jhulian, there were so many thoughts flying through my head that nothing seemed quite as it had been. Equally disturbing were the two short papers he’d assigned, along with the reading. How was I going to prove or disprove that natural law was a contradiction in terms? Or that the second formal requirement of law-that laws must be knowable and understandable to all who are capable of understanding them-was in conflict with the first requirement?
And why did I need to know all that? Just to be a silent guard for the Council? That didn’t seem likely, but it also didn’t seem likely that I was being groomed to be a jurist or advocate for the Collegium either.
A true imager sees beyond the eyes and hears beyond the words.
On Mardi night at dinner, I was sitting with Kahlasa and Menyard, exhausted in both body and mind, because Clovyl had continued to increase the severity and intensity of my physical training, both in terms of exercise and running and in learning greater physical self-defense skills. In order to gain weaponless combat skills, I was now sparring with several other thirds, all of them older and more experienced. Not only was I exhausted and bruised, but that had come on top of another long morning with Master Jhulian.
“You look a little dazed, Rhenn,” Kahlasa said. “You haven’t said much this evening.”
“I’m sorry. It’s been a long day. I had my first session with Master Jhulian yesterday, and he gave me two essays and more than fifty pages of reading in the Jurisprudence book. Today, he criticized those essays and told me to rewrite them, and added another longer one, and forty pages more.” I wanted to take a long swallow of wine, but I only sipped. I had to work with Maitre Dyana later, and I didn’t want my senses or abilities wine-dimmed.
Menyard looked as blank as my mind felt, but Kahlasa nodded knowingly.
“And Clovyl has me doing a half glass of exercises and running six milles before we even get into everything he’s trying to teach me.”
That surprised Kahlasa. “They’re pushing you hard. That’s not good.”
“You’re telling me it doesn’t feel good? I hurt most of the time.” I finished my last bite of the crumb pudding.
She shook her head. “You’re not the only one. They’re stepping up training on several levels, and they’re cutting short return leaves for field imagers. That suggests troubles ahead.”
“The newsheets reported that emissaries from the High Priest of Caenen and from the Oligarch of Jariola were meeting in Caena last week,” Menyard interjected. “The Abiertans have been refitting some of their merchanters with heavy weapons, and bought several old cruisers from Ferrum that they’re also refitting.”
“Tiempre and Stakanar have signed a pact for mutual defense,” added Kahlasa.
“Do any of them really think they’ll end up gaining anything?” I’d read about all the pacts and the arming and rearming. Tiempre and Stakanar bordered Caenen, and both worried about the High Priest and his efforts to spread the gospel of Duality. My thought was that the gospel was merely a front to get his people to support a war of expansion, but maybe I’d been too steeped in the more practical religious approach of the Nameless. Then the Otelyrnan League, composed of the smaller nations on the continent of Otelyrn, had agreed to allow the Tiempran forces rights of passage on major highways and waterways. That had incensed the High Priest of Caenen, and one thing was leading to another. But I still didn’t understand why; wars almost always cost the winner more than the winner gained, and the loser-and its leaders-could lose everything, including their lives. But most leaders clearly didn’t believe they’d be the losers.
“The High Priest wants to save the world from the damnation of the Nameless and any other faith in conflict with Duodeus, and make a profit while doing so,” suggested Kahlasa.
“And Ferrum wants to make a higher profit by selling arms to both sides, and the edgy neutrals,” said Menyard.
“And our factors want to sell to everyone, I suppose?” I added.
“Of course, but these things can get out of hand,” replied Kahlasa. “That’s why the Collegium is preparing.”
She just smiled. “For whatever may be necessary. Right now, I don’t know, but Master Dichartyn will tell you, and Master Schorzat will tell me.”
“And neither of you will be pleased,” added Menyard. “I’m just glad I don’t have to do what you two do.”
“What do you do,” I said, “if I might ask?”
“I’m an equipment designer and imager. Very special equipment. At some point, Master Dichartyn may send you to me. I’ve worked with most of his imagers.”
“Do you two know what I’m being trained for?”
“No,” replied Kahlasa. “Except in general. You’re being trained by Master Dichartyn. He’s in charge of Collegium and Council security, but he never tells imagers in training what their final assignments will be until they’re through training, or until he’s sure that they will get through training. He’s in charge of the Council guard force, the Collegium security section, the covert/overt section, and imager reception.”
I couldn’t help but frown at the last. “Reception?”
“What better way to find out what we do than send an imager spy into the Collegium?”
Put that way, it made sense. I decided against asking about the covert/overt section, not because I didn’t wish to know, but because I knew I wouldn’t learn any more.
As I left dinner, I thought about a term Kahlasa had used-“field imagers.” The fact that she came and went from the Collegium suggested that she was one of them. The handbook on the Collegium didn’t mention specifics. It just said that imagers had a wide range of duties, both at the four Collegia and elsewhere. But Kahlasa didn’t report to Master Dichartyn, and that meant field imagers weren’t directly connected to Master Dichartyn.
I almost started out the dining hall doors to my quarters, out of force of habit, then stopped. It was still before seven, and I was supposed to wait for Maitre Dyana.
Everyone had left the corridor, and the first bell was striking when I saw her step through the rear door and walk toward me. I just watched, politely, as she approached, taking in her iron-gray hair and bright blue eyes. She wore imager grays, but in addition, she had draped herself with a brilliant blue scarf that matched her eyes. The skin on her face was pale and smooth, younger than her hair would have suggested, and she offered a pleasant smile.
“Rhennthyl . . . you’re Dichartyn’s protege.” She nodded. “I can see why. You look like a well-mannered young fellow, could be a junior son of a High Holder or a merchant heir or, with a beard, a struggling artist. That’s not so surprising, since you’ve already been two of those.”
Except I’d never had a beard. I’d tried, once, but it came in curly and itchy, even though my hair only had a slight wave in it.
“There’s a small conference room off the entrance. That will do.”
She turned, and I followed her. She walked briskly, for all the gray hair and her almost fragile frame. When I entered the room with the oval table and six chairs, she was standing by the window, looking out into the twilight. She said nothing.
I closed the door and moved closer to the conference table. Finally, she looked at me. Those blue eyes were as cold as lapis, yet seemingly without judgment.
“Good. I detest unnecessary chatter. Conversation is useful only in certain settings, and for certain purposes. Master Dichartyn has requested that I attempt to teach you how to improve your shields. I do not know how you developed your shields. So . . . I will make several brief attacks, and we will proceed from there.”
“Yes, maitre.” I inclined my head slightly.
The first attack was more like a jab, so light that my heavier secondary shields did not spring into play. The second was harder, but easy enough to repulse. The third was strong enough that I was forced backward a step. The fourth and last was aimed more at my shields, but was powerful enough-even though off-center-that I had to move back once more.
Maitre Dyana looked at me sadly, as though I were a truant grammaire student. “Finesse, dear boy . . . finesse. You’ll exhaust yourself in a fraction of a glass defending yourself like that. The last attack was at an angle. You used your entire shield to stop it. Almost all attacks come from an angle, if a small one. When you can, let your shields collapse a little. Let the attacks slide off. The object is to protect yourself with the least effort possible. Imagers are too few in number as it is. We don’t need to lose more because you spent too much energy defending yourself unnecessarily vigorously.” She waited for a response.
“We’ll start over again. This time I’ll stand over here and image force at you. It will be direct. Please make an effort to slide it past you . . .”
I wouldn’t have said my efforts were a total failure, but my successes were few and far from complete.
As the outside bells struck eight, Maitre Dyana raised her hand. “That will be all for this evening. Now that I’ve gotten your attention and you understand your deficiencies, dear boy, tomorrow evening I will expect a better performance from you.”
She offered a brief and perfunctory smile, then nodded and walked past me, leaving me standing in the conference room, sweating and exhausted once more. So far as I could tell, the seemingly frail maitre had not even raised a drop of perspiration while wearing me out.
The best traders weigh their words as carefully as their
The week ended as it began. No matter how hard I worked for Master Jhulian, Clovyl, and Maitre Dyana, and no matter how much I improved or learned, there was always more to learn and do. By Samedi, I was more than ready to leave Imagisle, even for a dinner at my parents with a factor I hadn’t seen in years and his daughter, a young woman I’d never met.
I didn’t leave at ninth glass or even noon. Instead, as the ten bells of midday struck, I was seated in my study poring over Jurisprudence, the section dealing with tort claims. According to the text, the Council itself was immune to juristic claims of damages, as were the Juristic Courts, and all branches of government. Individual councilors, or anyone in any branch of government, could be subject to a suit under tort law. At that point, I closed my eyes and rubbed my forehead.
After several moments, I opened my eyes and looked down at the listing of acts for which an official was not liable, followed on the next page by a listing of those where he might be. I slipped a leather bookmark in place and closed the book.
I still had another essay to write for Master Jhulian, this one on the theoretical and practical limits of sovereign immunity as exercised by the Council and the government over which it presided, and I had to explain why the first Council had created the malfeasance and misfeasance sections of the Juristic Code.
I’d asked Master Jhulian why imagers needed to read about law, and his answer had been direct and troubling. “All imagers need to know some of this. Anyone who works with Master Dichartyn needs to know more than I can teach. I have to prepare you to keep learning.” Then he’d smiled. “After I’m satisfied, Master Dichartyn will explain why what you are learning is applicable. That’s because, unless you do learn it, you won’t keep working with him, and you won’t need to know why.”
From the time I’d first come to Imagisle, I’d known that there was a darker side to the Collegium, but with every day that passed, I was getting the feeling that I was getting closer to it. Finally, I began to reread the pages in Jurisprudence. I stayed at my desk, more or less, until just before the fourth glass, when I hurried out of my quarters.
Even so, I was at my parents’ door at half past four, where Nellica ushered me in.
“Sir . . . everyone will be meeting in the formal parlor at five.”
“Is anyone there?”
“Then I’ll slip into the family parlor and wait there.”
She wasn’t totally pleased, but she didn’t have to be. I settled into one of the armchairs-not my father’s-but I didn’t have to wait long before Culthyn appeared, a slightly sullen expression on his face.
“What’s the matter?” I asked.
“Father says I’m not invited to dinner. Khethila isn’t either.”
“Where is she?”
“She went to Brennai’s for the evening. Brennai’s her best friend. This week, anyway.”
“That’s what Mother says.” He looked at me. “What do you really do as an imager?”
“At the moment, I’m studying the laws of Solidar and L’Excelis.”
“You’re going to be an imager advocate? That’s freezing!”
“We all have to study law . . . and science, and history, and philosophy.”
“Oh . . . Can you do imaging? Can you show me?”
“Not yet. I can do it, but the masters don’t let us do it off Imagisle until we’re more experienced.”
“Come on, Rhenn. No one would know.”
I offered a smile. “I would, and sooner or later, so would Master Dichartyn. He’s my preceptor. He’s very perceptive.”
“What good is being an imager if they don’t let you image?”
“Culthyn,” I said slowly, “imaging is more dangerous than I ever knew or dreamed. That’s why almost a third of all imagers die in training.”
That stopped him, but only for a moment. “You haven’t died.”
“That’s because I’ve paid attention to those who know better than I do.”
“That’s a lesson you still need to learn, Culthyn,” announced Mother as she entered the family parlor. “Off to the kitchen. Your dinner is on the table in the breakfast room. Don’t bother Nellica or Kiesela. When you’re done, up to your rooms.”
“Yes, Mother.” He looked to me. “Someday, will you show me?”
“I will. It might be a while.”
After he left through the archway into the rear hall, Mother asked, “Show him what?”
“Imaging. Right now, I’m not supposed to image off Imagisle.”
“I can see that.” She nodded. “Zerlenya and her parents are most anxious to meet you.”
“Rhenn!” My father’s voice boomed across the parlor. “You’re even early!” He looked at me. “You look more like a guard officer every time I see you.”
“He looks just fine, Chenkyr.”
“That’s what I meant. He stands taller.”
Shortly, there was another knock on the front door, and the three of us moved to the formal parlor while Nellica ushered the guests into the house.
In moments, Tomaz was stepping toward me. He was a short and stocky man with an engaging smile. “You’re Rhenn, I take it, and an imager to boot. Wager your father never planned on that.”
“No, sir, he didn’t, but he’s fortunate to have Rousel and Culthyn to carry on.” After I’d said that, I realized I should have mentioned Khethila.
“Oh!” Tomaz turned and gestured. “This is my daughter Zerlenya.” He beckoned again. “Zerlenya, come and meet Rhennthyl. It’s not every day you get to meet an imager that you know personally-or his father, anyway.”
Zerlenya stepped forward, offering a tentative smile. She was thin, almost painfully so, but she had wide cheekbones, and a clear pale complexion, with tight-curled jet-black hair that would have dropped to midshoulder had it not been swept up and curled into a swirl at the back of her long neck. Her eyes were pale gray, and in the off-white gown and shoulder scarf, she gave the impression of a beautiful swan, if one ready to take wing at the slightest danger.
“I’m pleased to meet you.” I offered a smile with my words.
“Father has spoken of you. I’ve never met an imager.”
“You have now. I’m a very recent imager, though.”
“What can you image?”
“So far I’ve managed a copy of my brother’s wife’s comb, a box, and all sorts of small objects in training, including a metal bar or two.”
“That doesn’t sound terribly dangerous.” Her voice was thin and bright, the kind that could be heard across a room.
“I hope not. Time will tell.”
“It always does.”
I just nodded to that.
“Do you like being an imager?”
I hadn’t really thought about that, unlike being a portraiturist. I’d wanted to paint, but since I’d never considered being an imager until I discovered I had the talent, it hadn’t been a question of liking, but of doing the best I could. “I hadn’t thought about it. It’s not an occupation you dream about as a child.”
“But do you like it? Father’s always saying that you cannot be good at something unless you like doing it.”
“Do you believe that?”
“I do. That’s why Uncle Weidyn is so good a cabinetmaker.”
“I haven’t met him. I’ve only met Aeylana.”
“Oh . . . yes. You did the portrait, didn’t you? It’s very pleasant.”
I couldn’t help but bristle inside. When someone refers to a work of art, even one that is not superb, as “nice” or “pleasant,” it means that they don’t know art or that they think it’s terrible. “She seemed to like it.”
“I’m sure she did.”
“She was very good at the sittings.”
“She’s very good, and very well mannered.”
Before long, Nellica rang the dinner chimes, and we repaired to the dining chamber, where we stood behind our chairs. The dinner settings were not strictly formal, because Father was flanked by Madame Tomaz and Zerlenya, while Mother was flanked by Tomaz and me, but with just six it really didn’t matter. Anyone could converse with anyone else.
Father rested his hands on the back of his chair and offered the blessing.
“In peace and harmony,” we all murmured when he finished, then seated ourselves.
Father carved the side of beef with his usual dispatch and efficiency, and before long, plates and goblets were full.
“How is the produce business these days?”
“Slow . . . so slow, Chenkyr. We’re almost through our stored stocks of root vegetables and the like. The spring vegetables and fruits from the South won’t be in for another month, three weeks if we’re fortunate. You can sell cloth at any time.”
“Ah . . . my friend . . . I can sell at any time, but I have to buy the wool and arrange the weaving almost a year in advance, and pay much in advance, and if I judge wrong . . .” Father shrugged expressively. He always showed more emotion when he talked about business.
“You can always sell wool; it does not spoil.”
“The price. It is always the price at which one buys, not the price at which one sells.”
I looked at Zerlenya and offered a helpless shrug.
A ghost of a smile was her reply.
“Father is most at home talking business,” I added, “wherever he is.”
“Business is what supports the home,” said Tomaz enthusiastically. “Why shouldn’t we talk about it? We’re not High Holders who talk about music no one can understand or books no one has read.”
Khethila would have disputed that, but I doubted that Tomaz had ever seen a copy of Madame D’Schendael’s book. I looked to Zerlenya. “Do you follow the produce business?”
“It would be difficult not to. Father insists we know everything.”
“And why not?” replied Tomaz. “If anything happened to me, the Nameless forbid, if you didn’t know the business, how would you all get by? Even you, Zerlenya, know more than I did at your age, and a good thing it is, too.”
“Are all of your children following in the business?” asked Mother.
“All but Thurlyn,” answered Madame Tomaz. “He’s an ensign in the Navy. He’s stationed on the Rex Charyn. He’s always loved the water . . .”
From there the conversation remained firmly fixed in the areas of the mundane, and no one said anything about imagers and Imagisle.
Once the guests had left, nearly two glasses later, Mother closed the front door and turned to me. “What did you think of Zerlenya?”
“She’s very nice.”
“You didn’t like her, then.”
“She is pretty, in an ethereal way. I don’t think she’d be happy with me.”
“That’s not the question,” interjected Father. “Could you be happy with her?”
“It is the question, Father. Imagers cannot marry those who are not happy with them.”
“Marriage isn’t just about lust.”
“No, it’s not,” I agreed. “I didn’t say that. It’s just that it’s very important that an imager and his or her spouse get along well. More important than with other couples.”
There must have been something in my voice. They exchanged glances.
After a moment, Mother said, “You know best.”
Her tone suggested that I knew anything but. “It’s something that all the senior imagers have stressed, Mother. I might not know, but I have to trust that they do.”
“I see.” This time, there was resignation in her voice. “I hope you find someone.”
So did I, I reflected as I left.
At least they provided Charlsyn and the coach for the ride back to the Bridge of Hopes. For better or worse, Artiema had set and Erion-the grayish red lesser hunter-stood almost at its zenith, ruling the night sky.
One cannot love truly without loving truly the words
of one’s lover.
The second week with Maitre Dyana was even more rigorous than the first, but I felt that I was learning a great deal, especially in how to focus imagery and to use the least amount necessary. But she still kept demanding more and more finesse.
“Dear boy, you are but one imager, and at times, you could face far more than a ruffian or two. Without precision and finesse, you will be lost.”
Precision and finesse! How often I heard those words, but I could take consolation in the results, even if my performance was seldom to the level she demanded. The same was true of my work with Clovyl. I could feel my skills improving, steadily, if not dramatically.
With Master Jhulian, I had no such consolation. As soon as I learned one aspect of the law, we pressed on to the next. The assignment that had concerned me the most had been on murder, as defined in the Juristic Code. Master Jhulian had examined me in great detail on that. When I had asked why, his response had been direct.
“Contrary to your unstated belief, I am not trying to make a nomologist out of you. I am trying to instill the knowledge you may need to survive. Because any unexplained death in these times tends to be laid at the feet of the imagers, it is important for every imager to understand what murder is, in both real and legal terms, and to make sure that he or she is never involved in something that could be termed murder, either by the newsheets or the civic patrollers.”
Because I felt every word meant something, I committed the phrase to memory and wrote it down as soon as I returned to my room that Vendrei. “Never involved in something that could be termed murder” was a phrase that could cover a myriad of meanings-and sins.
By the time I returned from the dining hall after lunch on Samedi, I was more than ready to leave Imagisle. I’d been looking forward to that afternoon and evening, particularly after the long evening the week before at my parents’ house. I had written them a short note thanking them for their thoughtfulness and kindness, and the wonderful food-which it had been. I doubted that would much appease my mother, who definitely wanted her eldest son married to someone from the “right” background, certainly not another Pharsi girl, and before all that long . . . and never mind the imager business.
Ready as I was to depart Imagisle right after lunch . . . I didn’t. Instead, I sat down and attempted to organize my thoughts on my final essay for Master Jhulian-an analysis of the applicability of the Juristic Code to imagers. Two glasses later I had three pages of notes and an outline-as well as a profound desire to leave Imagisle as soon as possible. Since I had the feeling that I might be meeting Seliora’s parents, I did wear my best uniform and make sure that my boots were well blacked and shining. I had also squeezed in another haircut on Jeudi.
Outside, the day was pleasant, if overcast, with a slight breeze out of the northwest. I did have to wait almost a quarter of a glass before a hacker stopped to pick me up.
“Nordroad and Hagahl Lane, on the east side.”
He nodded, and I stepped up into the cab. The inside was clean, but threadbare.
When I descended onto the pavement close to a half glass later, I found that the building that served Seliora and her family as factory, factorage, and dwelling was far larger and more impressive in the daylight than in the lamplit gloom of late evening. The walls rose three stories, and the yellow brick was trimmed with gray granite cornerstones. Even the wood of the loading docks at the south end was stained with a brown oil and well kept, and the loading yard itself was stone-paved. The entrance on the side street to the north was the private family entrance, and it had a square and pillared covered porch that shielded a stone archway.
The hacker looked at me, and my grays, then at the stone entryway, but he said nothing. I gave him two coppers extra, then made my way up the steps. In the middle of the wide eight-panel door was an ancient and ornate brass knocker. Both the knocker and the plate had seen much wear, but both were brightly polished. I gave the knocker one hefty blow, then prepared to wait, but the door opened immediately.
Odelia stood there in the modest foyer, dressed in a pale green dress and darker green shawl that set off her coloring well. “Do come in, Master Rhennthyl.” She grinned at me.
“Thank you, Odelia, but I won’t be a master for some time.”
The only exit to the foyer was the polished oak staircase behind Odelia, and she turned and gestured toward it. “Everyone’s waiting upstairs.”
“Then I’ll let you lead me.” I added, “Who’s everyone?”
“Besides Seliora? Uncle Shelim and Aunt Betara, of course, and there’s Hanahra and Hestya-they’re the twins, my sisters-and Methyr, Seliora’s younger brother. Bhenyt’s off somewhere. Then, there’s my mother. You’ll recognize her.”
Odelia nodded, adding, “And there’s Shomyr. He’s Seliora’s older brother, and he very much wants to meet you.”
I found myself squaring my shoulders as I followed Odelia up the steps.
The staircase, ample as it was, with its carved balustrades and shimmering brass fixtures, opened at the top into a large foyer or entry hall, a space a good eight yards wide and ten deep. The walls were paneled in light golden oak, and the floor was an intricate parquet, mostly covered with a lush carpet of deep maroon, with a border of intertwined golden chains and brilliant green leafy vines. Set around the foyer were various chairs and settees of dark wood, upholstered in various fabric designs. At the far end was a pianoforte.
The group standing in a rough circle at the edge of the carpet, beside a long settee, all turned as Odelia announced, “Rhennthyl D’Imagisle.”
I had barely picked out Seliora, in a crimson dress with a black jacket, when a broad-shouldered, black-bearded young man a half head shorter than I was stepped forward. “I’m Shomyr. I’m Seliora’s brother, and she’s said so little about you that I wanted to meet you.”
Said so little?
“Now, now, Shomyr, you’ll have confused him totally.” A dark-haired and wiry woman in green silk trousers and a matching jacket, who could easily have been Seliora’s older sister, moved toward us. “The less my daughter says to us, generally the more she’s interested, and the less we know.” Her smile was identical to Seliora’s.
I inclined my head. “I’m very pleased to meet you, Madame D’Shelim.”
“Betara, please. Please. We’re not that formal here.”
They could have fooled me, given the furnishings in that grand upper entrance hall.
Seliora eased forward and around the others. She took my arm gently, as if to suggest a certain restrained possessiveness. “Rhenn is very talented. He’s an outstanding portraiturist as well as an imager, and his family owns Alusine Wool.”
“Ah . . . you’re Chenkyr’s boy, then?” asked Shelim.
“He’s my father. My brother Rousel runs the factorage in Kherseilles.” Even as I explained, I wondered how Seliora had known. I’d never said more than my father was a wool factor, and there were more than a few in L’Excelsis, and even more throughout Solidar.
“How did you get to be an imager?” The question came from the single boy in the group, standing beside the red-haired twins, who looked to be two or three years younger than Khethila.
“Methyr,” someone murmured.
“When I discovered I could image, I walked across the Bridge of Hopes and told the imagers. They tested me and decided I was an imager.”
“It couldn’t have been that simple,” suggested Shomyr.
I managed a short laugh. “It was just that simple. Everything that came after that wasn’t at all that easy. They didn’t let me leave Imagisle for over a month.”
“Are there are any girls?” asked one of the twins.
“Some. One of the maitres I’ve been studying with is a woman, and there are others.”
“Can imagers marry?” That was Odelia, and the question was delivered with a grin.
I could feel Seliora stiffen just slightly, and I had a definite sense that the question hadn’t pleased her. “They can. That’s if anyone wants to marry them.”
That brought smiles to several faces, including to the face of the older and taller redheaded woman who had to be Odelia’s mother.
“Generally, they usually live on Imagisle after they’re married,” I added.
“What exactly do imagers do?” pressed Shomyr.
“Whatever our duties are.” I paused for a moment. “I’ve worked at certain things, but right now I’m being trained for a position at the Council Chateau.”
“With the Council?” asked Shelim.
“I haven’t been given all the details, but young as I am, I suspect it’s far more like working for them.” I tried to keep my tone wry.
“Do imagers make lots of coins?” asked Methyr.
“More than journeymen, and a great deal less than your father makes.”
At that, Betara nodded slightly, and there was a quick set of glances between Seliora’s parents. Before anyone else could ask another question, Betara spoke up. “Rhenn came here to take Seliora to dinner, not to see all of us. I think we’d best let them go.”
Seliora gave her mother a quick glance that I wasn’t about to try to decipher, then turned. Since she was still holding my arm, we turned and moved toward the steps, and then down them.
More surprising, there was a hack waiting outside, and a youngster standing on the steps. He grinned at Seliora.
“Thank you, Bhenyt,” she said.
“My pleasure,” he replied, nodding to us both.
“Felters, sir?” asked the hacker.
“If you would,” I replied, looking at Seliora.
“Bhenyt is Odelia’s younger brother,” she replied, taking my hand as she stepped up into the coach. “I just thought it might be nice not to wait for a coach. You were very gallant,” she added.
“Thank you.” Had I had any real choice?
Once we were settled in the coach and moving south on Nordroad, I turned to her. I couldn’t help but notice that, despite the similarity in colors to what she had worn the night we had truly danced for the first time, the dress and the jacket looked fresh-and had probably just been tailored and delivered. “How did you know who my father was?”
She laughed. “I didn’t. Mama was the one who wanted to know about your family. She had you investigated as soon as Odelia admitted I’d spent all of last Samedi with you.”
“Is Odelia your guardian?”
“We’re close, but she likes you.”
“You know I’m not likely to ask for money or anything else from my parents. So why do they matter?”
“The money doesn’t matter, even to Mama. She was impressed that you made journeyman and then became an imager. She says that you come from solid stock.” Seliora squeezed my hand. “I could tell that.”
“How could you know that from a meeting a journeyman artist a few times?”
“You were always neat, clean, and with short hair and no beard, and after I saw the study you painted, I could tell you had talent to go with that ambition. I worried that you had too much ambition for a portraiturist.”
“Too much ambition?”
“I didn’t say that right.” She tilted her head slightly. “Too much honesty for a portraiturist with that much ambition.”
A faint scent of flowers emanated from her, not too much, a light scent.
Before that long, the coach stopped, we stepped out, and I paid and tipped the hacker.
Felters was ensconced in what had been a graystone row house on the south side of the lane that angled off East River Road. The oversized lamps that flanked the door were already lit, although the sun had not quite set.
The harried-looking server who greeted us looked at Seliora, then at me.
I did my best to mentally press friendliness upon her. “For two, please.”
“Ah . . . this way.”
We ended up at a small window table, crowded between two much larger tables, one occupied by three older men in suits of a cut I did not recognize, and one empty, but the smaller table was fine with me.
“What would you like to drink?” asked the server.
I inclined my head to Seliora.
“Do you have a white Sanellio?”
The server nodded.
“Cambrisio, white,” I added.
The server left a slate on which the three specialties of the evening had been written in small script-Chicken Asseroiles, Pork Samedi, and Flank Steak Especial.
“Are any of these favorites of yours?” I asked.
“I think I’d like the chicken. You?”
“The steak. I’m partial to both mushrooms and parsley.”
When the two goblets of wine came, right after two couples were settled in at the table behind me, I ordered for us, adding a crab bisque as an appetizer and choosing the walnut and shaved apple and cheese salad. They were probably winter-kept apples, but it was worth a try.
After the server left, Seliora looked at me. “You don’t have to impress me.”
“I just wanted to have a good meal with you and enjoy it. That’s not something I get to do often.”
“If you do it often, you won’t be able to afford anything else.” But her words were said warmly.
I lifted my wine goblet. “To you and to a delightful evening.”
She lifted hers. “I’ll return that. To you . . . and the evening.”
The Cambrisio was good, but looking at Seliora was better.
“Why did you ask me to dance, that first time?” I asked.
“I wanted to. Rogaris told Odelia that you were too serious for me.”
“He didn’t know you well, then.”
“Do you?” A hint of mischief colored her words.
“No, but I know that there’s more to you than meets the eye . . . and I’m interested in learning more about you.”
For just a moment, her eyes flickered past me, looking outside.
“What is it?”
“Nothing. Someone going past, but he was looking this way.”
“Do you know him?”
She shook her head. “From what I saw, he’s not someone I’d wish to know.”
The server arrived with the salads. I took a bite, gingerly. “The salad is good, especially the cheese.”
A faint smile crossed Seliora’s lips, but she nodded, before saying, “It is.”
“Why did you smile?”
“Not that many men would worry about the salad. They’d either eat it or ignore it.”
I shrugged. I wasn’t about to say I’d wanted it to be good for her. “I enjoy a good meal.”
“You couldn’t have eaten that well at Master Caliostrus’s house.”
I hadn’t. “Why do you say that?”
“Last summer, I was with Odelia, and Ostrius was talking to her escort-the one before Kolasyn-about how he skipped as many meals as he could.”
“He could afford to. I couldn’t. It wasn’t that bad.”
“I like that about you.”
“You’re not the complaining type. You do what’s necessary until you can make things better. That’s why you’ll do well as an imager.”
“Complaining doesn’t do any good,” I pointed out. “If the person you complain to is the kind who would listen, they’ve already done what they can, and anyone else either won’t listen, doesn’t care, or can’t do anything.”
“Most people aren’t that practical.”
I’d never thought of myself as that practical. How practical was trying to be a portraiturist when you came from a family of wool factors?
The server reappeared, took the empty salad plates, and placed the entrees in front of us. I cut into the flank steak, and then ate several bites, enjoying the combination of mushrooms, buttered parsley, and seasoned tender beef. “How is your chicken?”
“Very tender, and tasty. It reminds me of Aunt Aegina’s.”
“Yes. She’s a good cook, better than Mother. That might be because she enjoys it.”
“Your mother eats because she has to.”
“She has a certain . . . determination, like someone else, I suspect.”
Seliora flushed, just a touch. Then she stiffened and looked up and out the window. “That man . . . out there, in the dark brown cloak and a square beard. He’s walked past twice, and he’s looked at you.”
“At you, I’m most certain. You’re the one worth looking at.”
“You’re kind, but he wasn’t looking at me.”
If Seliora said the man wasn’t, then he wasn’t, but why would anyone be looking at me? From what I’d seen so far since I’d become an imager, no one gave imagers more than a passing glance-and that more to avoid us than anything else. “There’s not much I can do about it now.”
“I suppose not.”
“Enjoy your chicken.” I almost added that she should enjoy my looking at her, but that would have been too forward.
“And what else? You were about to add something.”
“The company, if you can.”
“I’m enjoying that very much.”
After several more bites and another swallow of wine, I asked, “Do you like designing the patterns for the upholstery?”
“The designing I like very much.” Seliora’s smile turned wry. “Working with some clients is sometimes less enjoyable.”
I kept asking her questions through the remainder of dinner and through dessert-an apple cream custard-and the tea that followed.
Finally, as much as I’d enjoyed the dinner, both the food and the company, there were people waiting outside, and the server kept looking at us.
“I suppose we had better go. I wouldn’t want to be accused of keeping you out too late.”
“You would have been anyway, even if we’d left a glass ago,” she replied.
All in all, the dinner cost four silvers, counting what I left for the server.
We stepped out of the bistro and were walking toward the pair of hacks waiting for fares, when Seliora stiffened again, glanced to my right, and then tugged my arm.
“Over there,” she whispered. “It’s the same man.”
I turned my head and saw the glint in the bearded man’s hand, and then what looked to be a spark or flash. I was too slow in trying to throw up shields, and something smashed into my shoulder. Despite the pain, I was furious. I concentrated on imaging caustic into his eyes and inside his chest, around his heart, or where I thought his heart was.
There was a single shriek, and he pitched forward onto the pavement of the sidewalk.
I stood there dumbly for a moment.
Seliora looked at me. “You’re bleeding.”
Before I could speak, she’d started to open my waistcoat and shirt and had jammed something into the wound.
“You!” Her voice penetrated the night as she pointed toward the lead hacker of those waiting outside Felters. “We’re headed to the Bridge of Hopes. Now.”
“But . . . that’s . . .”
“Someone’s shot an imager. Do you want the imagers after you?”
Getting into the coach wasn’t too hard. I didn’t even need Seliora’s help.
Once we sat down on the hard seat of the coach, she resumed pressing the handkerchief against and into the wound. “You’re still bleeding too much. I can’t stop it all.” She turned her head and yelled, “Faster!”
I tried to image something like a shield around the wound.
“Whatever you’re doing, Rhenn, keep doing it. The bleeding’s almost stopped.” She didn’t lessen the pressure on my shoulder, though. To keep the pressure on the wound, she had to be very close to me, and if it hadn’t have been for the pain-and the fear-I would have enjoyed that closeness a great deal more.
The ride toward the bridge seemed to take a long time, and no time at all, in a strange way, but before that long the hacker called down, “I’m not supposed to cross the bridge, Mistress!”
“But . . .”
A small pistol appeared in her gloved hand, and she leaned out the open coach window, pointing the pistol. “Cross it.”
The clatter of hoofs on stone was almost reassuring.
“Where should he go?” asked Seliora
I was having trouble thinking, and maintaining the shield over the wound, but it had to be the infirmary. Someone was always there. “The right . . . lane after we cross the bridge. The second building, and the first door, the one . . . staff and a green leaf on the door.”
Seliora shouted the directions to the driver, then turned back to me. “Hold on. Keep doing that.”
Then, the hacker brought the coach to a stop.
“Hold this in place, Rhenn.” She pressed my hand against the wadded handkerchief and the warm dampness, then pushed open the coach door and darted out, snapping something at the hacker.
I kept trying to stay awake and alert, trying to push back the encroaching darkness, as I heard doors opening and voices, but then . . . darkness was all there was.
. . . except a darkened twilight that I was carried through . . .
The room where I woke, if becoming vaguely aware of one’s surroundings meant awakening, was small and gray, and I lay on a hard and narrow bed or pallet. I had a vague recollection of being carried somewhere, and then someone standing over me, and pains shooting through my shoulder.
Seliora was standing there beside the bed. So was someone else, but she was closer.
“You’re here . . .” My voice was barely a whisper.
“I’m here. Where else would I be?” She reached out and squeezed my fingers-the ones on the hand of my uninjured side.
“Thank you.” I had to squint to see the figure behind her. “Master . . .?”
“Draffyd,” he supplied. “I took care of the wound, but you’ll have to lie still for a time. You won’t have a choice. You’re strapped to the bed, but that’s so that you don’t do anything to rip open the stitches and reopen the wound. Please don’t try to move against the restraints. Later, we’ll remove them, but for the next few glasses, you’ll need to be still.”
I didn’t like that at all, but there were both dull and sharp pains in my shoulder and chest, and both felt like I’d been run over by a draft horse with spiked shoes.
Master Draffyd turned to Seliora. “You cannot stay here for the evening.”
She just looked at him as if to ask why not.
“In Rhennthyl’s case, it wouldn’t be safe for either of you. There are imager reasons why this is so.”
She turned her head back to me.
I had to think for a moment before I realized why. Who knew what I’d do in my sleep? Or in a delirium. “He’s right . . . wish you could stay . . . but . . .”
“We’ll send you back home in a Collegium carriage. You’ll be quite safe,” added Master Draffyd. “We’re very thankful you were there, and both the Collegium and Rhenn owe you a great deal.”
“What about Rhenn?”
“He’ll recover. You got him here while he still had enough blood. If he were going to die, he’d already be dead. He’ll be very weak for a few days, but he’ll recover. You stay with him while I send for the carriage.” Master Draffyd nodded to Seliora, then slipped out of the room.
She moved closer. “That man outside Felters . . . I knew he was after you.”
“I . . . won’t dispute you . . . again.”
“You killed him, didn’t you?”
I started to nod, but even that hurt. “Yes. I think so . . . anyway . . . tried to disable him . . . Hurt too much . . .”
She bent over and brushed my forehead with her lips. She was so close I could see the redness in her eyes. She still looked lovely.
“ . . . be all right . . .”
“I expect it. Now . . . you be quiet. You don’t need to talk. Save your strength.” She squeezed my fingers again as she straightened, but she did not let go of them, not until Master Draffyd returned.
“The carriage will be outside in a few moments.”
“So soon?” she asked.
“There’s always one ready, at any glass.”
I hadn’t known that, not that it would have made any difference. The hacker had gotten us to Imagisle as fast as anyone could have. “The hacker . . .?”
“I had him paid,” said Master Draffyd. “The Collegium paid, actually. We also gave him a goodwill token. It’s worth a gold when he renews his medallion.” He paused. “I hear the carriage outside. It’s rather late, Mistress D’Shelim, and I’m certain your family has been worried.”
“They will understand.” Seliora bent over and kissed me, gently, but on the lips. “Take good care of yourself.” Then she stepped away.
After she left the room, Master Draffyd stepped closer. He held a small vial. “I’m going to give you something to deepen your sleep a little. You’ll have to open your mouth.”
I did, and he poured close to a cupful into me. Despite a mint-like scent that wasn’t unpleasant, the liquid itself tasted like acidic peppermint laced with cheap plonk, and I couldn’t help but grimace.
“It tastes terrible. I remember. You don’t forget.“ He stoppered the vial and slipped it into a pocket of his waistcoat, then looked back at me. “You wouldn’t be alive without the young woman, you know?”
“Nor . . . without you, either.”
“That’s true, but she had the presence of mind to get you here. How did she know?”
“I gave her directions.” I realized that I was a little stronger. Not much, but a trace.
He frowned. “You were awake?”
“Until after we crossed the bridge and got to the infirmary door. I was holding a shield tight against the wound . . . until the end when I got too light-headed to concentrate.”
“In that case, it did take both of you. She said so, but . . . it’s still amazing.”
That irritated me, weak as I was. “If Seliora said so . . . it’s true.”
“No. I’m certain she told the truth. I meant your holding a shield against a wound like that. Most wouldn’t think of that.”
I wouldn’t have thought of it without Seliora’s suggestion, but I wasn’t going to tell Master Draffyd that. “You imaged the bullet out, didn’t you, and then imaged some sort of dressing or patch in there.”
“It’s more complicated than that, but something like that.” He paused. “What about the man who shot you?”
“He’s dead, I think. I imaged caustic into his eyes and chest . . . inside his chest, near the heart. That was hard. He screamed and dropped over.” I could feel my eyes trying to close.
“You need to rest. Don’t worry. Someone will be watching.”
I was worried, but that didn’t stop my eyes from closing.
No one survives in the world without wounds; the
lucky and the determined are unfortunate enough to
survive more of them.
When I woke on Solayi, barely after dawn, with gray light seeping into the gray room, I ached all over, and my head was pounding. I’d barely opened my eyes when an obdurate in a plain black uniform appeared, holding a tall glass filled with clear liquid.
“Master Draffyd said you are to drink all of this.” He held it to my lips.
I drank. So far as I could tell or taste, the liquid was just water, but water with no taste whatsoever. Water or not, in less than a quarter glass, the worst of the pounding in my head had subsided to a dull ache. That was a mixed blessing, because I was still strapped in place, and most uncomfortable, as well as able to think about it.
Before all that long, thankfully, Master Draffyd appeared. “I’m going to remove your restraints, but please don’t move until I tell you to.”
“Yes, sir.” I would have agreed to anything to get clear of the straps.
I forced myself to look down as he changed the dressing. There were two wounds, less than four digits apart. The area around each was bruised. Both were sutured with wide stitches.
“So far, so good. You’ll have some interesting scars there, Rhennthyl.”
Whatever he used to clean the area stung. Then his face tightened in concentration, and I could feel stinging in my chest, then stabbing pain that slowly subsided.
“You were carrying some shields, weren’t you?”
“Just ones with triggers against imaging. I tried to raise full shields, but I was too slow.”
He nodded. “The shields you did have saved your life. Those bullets would have gone right through you, and the exit wounds would have bled even more.”
“I wouldn’t be alive if we hadn’t come here.”
“No, but please don’t test your luck again.”
I had no intention of that-except I hadn’t been testing anything.
“Obern will be here and help you clean up and get into a set of dry sleepwear and get you some clean bedding. Just lie here quietly for at least a glass. After that, you can move, but only slowly and carefully and not often. And don’t use the arm on your wounded side. Not at all. You’ll get something to eat in a while.”
“Yes, sir. When I can return to my quarters?”
“That won’t be for several days, possibly a week.”
After Master Draffyd left, Obern-the very same obdurate who had given me the water earlier-reappeared with linens, sleepwear, and bedding, and before too long I was cleaner and drier. I tried to rest, but too many thoughts kept running through my head. Who could possibly have wanted me dead? The most likely possibilities were the High Holder Ryel or some former friends of Diazt, but how would they have known where I was? That left someone to whom Seliora had talked . . . or someone that Odelia had talked to . . . or . . . someone they had talked to who had talked to someone else . . . That was pointless. Gossip in L’Excelsis went everywhere.
Another thought struck me. If I’d really wanted to get clear of the restraints, couldn’t I just have imaged them elsewhere? That thought alone told me that I still wasn’t thinking as clearly as I thought I was. I also realized that I would have been safer against an imager, because I’d have gotten full shields without thinking. I needed more work on shields, so that I barely had to think to get them.
Why was it that I could figure out things afterward, when it would have been so much better beforehand? I didn’t have an answer to that question either, but then Obern came back with breakfast on a tray, actual egg-fried toast with a syrup and tea. I ate all of it.
I was feeling better-until I saw Master Jhulian walk into my infirmary room.
“Good morning, Rhennthyl.”
“Good morning, sir.”
“You had quite an evening, I hear. I’ve heard quite a bit from everyone else, but it might be best if you told me exactly what happened. Talk slowly, please, and take your time. Stop whenever you want. I’ve asked Obern to bring you more tea. That will help relax you, and it will also help the healing.” He pulled up the single chair beside the narrow bed. “Whenever you’re ready.”
“I had taken a friend-Seliora-to dinner at Felters . . .” I went through the entire story, including Seliora’s notice of the man in the brown cloak, and ended when I lost consciousness outside the infirmary.
“Did you ever see the man closely?”
“No, sir. Well . . . just for a moment. He didn’t look familiar.”
“Did the young woman know him? She saw him more clearly, didn’t she?”
“She didn’t know him. I teased her about him looking at her, not me, but she said she didn’t know him.”
“Rhennthyl, keep this in mind. No matter how pretty the woman at your side, if a man looks in your direction, the odds are that he’s looking at you or for you. Don’t ever forget that.”
His voice was firm, almost cold.
“No, sir. I won’t.”
“Did you say anything to the man?”
“No, sir. Seliora saw him and whispered that he was there, and I turned and saw him raise the pistol. That was when I tried to increase my own shields. But I never said anything.”
“Someone in the bistro saw it, and they summoned the civic patrollers. They had close to the same story.” He frowned. “You said you imaged caustic at him. He died in great agony. He might have been blinded, but that doesn’t usually kill someone. What exactly did you do?”
I started to answer, then coughed, and almost doubled over even more in pain before I could reply. “I guess I wasn’t clear, sir. I imaged caustic into his eyes and somewhere into his chest. At least, that was what I was trying to do.”
“You did it well enough to kill him.” Master Jhulian held up a long-fingered hand. “There’s no question that it was self-defense, and the man you killed was already being sought for two other murders, and is thought to have committed a number of others. The civic patrollers were happy not to have to keep looking for him. So is the Collegium.”
“He killed another imager?”
“A very junior one over a year ago. That is what we know. There have been two other killings of junior imagers over the past three months, and his act against you might raise several other questions, except for one thing. He was definitely looking for you. Do you know why?”
“The only thing I can think of is the business with High Holder Ryel-you know, with his son Johanyr?”
“Oh . . . that?” Master Jhulian frowned. “That is possible, but most unlikely. The High Holder would not wish there to be any traces to him, and that particular assassin was one . . . not suitable for someone like Ryel. Nor would Ryel act so quickly.”
“At the moment, sir, I really can’t think of anyone . . . well, except Diazt came from the taudis, I think, and I suppose it could have been some relative or friend of his.” I couldn’t think of any other possibilities, but that might have been because I was still most uncomfortable at best, and in some considerable pain at other times.
“That is more likely, but still unlikely.” He stood and closed the small black book in which he had been writing. “Once you can write, you will owe me that final paper.” He set a book on the chair. It was a copy of Jurisprudence. “I took the liberty of retrieving this from your desk. Your outlines are tucked inside. I would suggest that you consider that there are two meanings of’presumption.’ The legal definition is not the same as personal presumption, and your notes do not reflect that.”
“I’ll . . . keep that in mind, sir.”
“After you get some rest.” He nodded and slipped out of the room.
Obern entered immediately with a large mug of steaming tea. “The master said . . .”
“I know. I need to drink it.” I felt like there were so many things I needed to do . . . but I wasn’t feeling up to doing any of them.
Attempting to teach forethought is a thankless task.
Master Dichartyn did not appear until Lundi morning, since he’d been away. He showed up in my infirmary room after Master Draffyd’s ministrations and my breakfast.
“Good morning, Rhennthyl.” He settled onto the chair.
“Good morning, sir.”
“I have a letter for you.” He set the envelope on the bed, as his eyes took in the Jurisprudence book I’d laid aside when he had come in, although I’d only reread a few pages after eating. “Hard at work, I see.”
I hoped the letter was from Seliora, but I couldn’t tell from the writing. I’d never seen her hand, but the script looked feminine, and it wasn’t Khethila’s, or Mother’s. I wanted to pick it up, but I didn’t. “Master Jhulian reminded me that I still have an essay due to him. I’m not supposed to do anything like writing for another day or so, but I can read and think.”
“Thinking is always useful, especially if you do it before you get into difficulties.” He fingered his chin. “I’ve talked to both Master Jhulian and Master Draffyd.”
I winced slightly, even if his words had been delivered gently.
“Rhenn, because imagers work alone, of necessity, great necessity, we need to pay attention to what others say, what they see, and what they hear. Even someone who is trying to deceive you will reveal much that he does not intend. Those who favor us will do far more.”
“I should have listened to Seliora more closely.”
“You should have, and that is a lesson you will not forget.”
I knew. The lessons I remembered best were the ones that hurt, in one way or another.
“I have some other questions for you.”
After nodding to him, I waited.
“You were wounded, and in a great deal of pain, weren’t you? Yet you stood against two bullets and then imaged caustic into the attacker’s eyes and heart. Might I ask how?”
“I didn’t want him to hurt Seliora, and I wasn’t by the Nameless going to let the bastard escape, and I couldn’t have restrained him in the condition I was in.”
“Quite a lot to think about in a few moments, I’d say. Did you, really?”
“Not that logically, sir,” I admitted, “but I knew all that even as I was imaging at him.”
Master Dichartyn nodded. “Admirable . . . and effective. How did you know that caustic would cause his heart to swell and stop?”
“I didn’t know. I just thought it would, or that if it didn’t, he’d be blind and in so much pain he wouldn’t be going anywhere.” Besides, I hadn’t known any other quick way to react, because I hadn’t practiced any kinds of imager attacks-just defenses. “Will this keep me from being a field imager?”
“If you’d been trained for that, no . . . but that’s not what your position is likely to be. This incident will help you understand just how important what you’ll be doing is, and it will also give you a feel for the dangers and consequences that no amount of training will. For you, since you’ve survived it, that’s probably for the best, but we certainly didn’t intend for anything like this to happen.” He frowned. “There’s been a bit too much of this sort of thing recently, but as Master Jhulian and I discussed, this assassin was after you and no one else.”
As sore as my shoulder was, I was still irritated that Master Dichartyn hadn’t said what I was being trained for. “So what will I be? An imager who tracks down those in L’Excelsis who might harm the Council and the Collegium? One who kills as necessary?”
“Only if ordered to-or in self-defense,” he agreed. “We work as what you might call counterspies, although our group has no name and does not officially exist in the records of the Collegium. We’re all technically assigned as part of Council security. There are only around ten of us who work as counterspies. There’s no limit on the number, but imagers who meet the requirements are extremely hard to find. They show up only every few years, and we lose close to a third of them before they become masters.”
“What made you decide on me?”
“A number of things.” He smiled. “I will tell you. That I promise you, but not now. Since it’s your left shoulder, and you’re right-handed, you can write while you’re recovering. Write me an essay explaining what qualities you think an imager counterspy should have.”
“Take your time. Not forever, but say, a week.” He paused. “Oh . . . by the way . . . all the paints and oils and canvases arrived this morning . . . as well as all the other things you’ll need. Once we have a studio set up in the workshop area and you’re up to it, I’ll have Master Poincaryt sit for you. If anyone deserves a portrait, he does.”
“Is it also that it’s safer to have an imager do it?”
“That certainly is something that makes it easier, but there’s never been an imager trained as a portraiturist, and we’re vain enough that we’d like an accurate resemblance.”
That was a compliment of sorts. “I can see that.”
“Keep following Master Draffyd’s instructions. He says that if all goes well, by Jeudi or Vendrei, you can return to your own quarters. You’ll still have to see him every morning, but I trust you’d rather not be here.”
“That’s true, sir.”
He smiled, then turned to go. After he left, I realized that he hadn’t even asked me if being a counterspy was what I wanted to do. I also realized that he hadn’t needed to.
Only then did I pick up the cream-colored envelope and look at it closely. On the front was my name-Rhennthyl D’Imager-and below it, simply Imagisle. I turned it over. Even though I knew from whom it had come, I couldn’t help but smile as I saw the name-M. Seliora D’Shelim, NordEste Design, Nordroad.
I opened it carefully, but the wax seal still broke and sprayed wax across the blanket. I read slowly, taking in each word.
My dear Rhenn,
I trust that you are recovering. I hope that you will be well before long. Can you have visitors? If you can, and if you can let me know, I would like to see you.
Until the last moments, I enjoyed dinner so much. I have never had a dinner so exciting. You will understand if I say that I hope never to have another. The next time, you must come to our house and have one of Mother’s special dinners.
I look forward to hearing from you.
The signature was a simple “Seliora.”
I couldn’t help but smile. The letter was so like Seliora-direct and warm. I certainly could have visitors, if only after I could leave the infirmary. As soon as I could, I would write her to suggest Solayi afternoon.
My eyes dropped to the Jurisprudence book. I would have more than a little other writing as well, and that would not be nearly so enjoyable.
Some men change their principles as frequently as
their linens, and others never do; both are in error.
The next several days were slow, long, and tedious. Master Dichartyn checked on me briefly each morning, as did Master Draffyd. Besides that, all I did was some walking, with Obern accompanying and watching me, some reading, some eating, and more than a little dozing and sleeping. On Jeudi morning Master Draffyd and Master Dichartyn both arrived at the same time. That could not have been coincidence.
First, Master Draffyd examined me and changed the dressing on my upper chest and shoulder. “It’s already healing well. You can leave here, but stay on Imagisle and keep the dressing dry. No strenuous exercise, only walking, and no exercise with that arm except for light things. Don’t pick up anything heavy . . .”
The way my shoulder felt, I wasn’t about to lift anything more than a pen. Certainly not anything as heavy as the Jurisprudence text.
“. . . If there’s any sudden pain or soreness, or redness or swelling, come back here immediately. If I’m not here, Obern or one of the others will find me. Is that clear?”
Master Dichartyn waited until Master Draffyd left.
“You’re very fortunate. I need to make one thing very clear. Until you’re fully healed, and I do mean fully, you are not to leave Imagisle. Do you understand why?”
“Anyone with enough coin and desire to hire someone to kill me won’t likely stop at losing one bravo.”
Master Dichartyn nodded. “We-you, actually-will put a stop to it, but since you will not be able until you’re well, and that is likely to be at least a month, according to Master Draffyd.”
“The outward wounds and the worst of the damage will heal in another week, two weeks at the outside. Then you’ll have to regain strength in that arm and shoulder, and you’ll work with Clovyl on that-he knows what happened. He’ll be the one working with you to rebuild your strength and conditioning. Maitre Dyana and I will teach you a few more techniques when the time comes. For now, you are not to do any imaging-except in emergencies, and I do hope you can see your way to avoiding those. I’ll see you tomorrow at eighth glass. I won’t need your essay, but I want you to review the anatomy section of your science text, especially the section on the human chest and heart.”
I did force myself to walk back to my own quarters slowly, and I carried the Jurisprudence book in my right arm. I couldn’t help but worry over his words about my being the one to put a stop to matters.
When the time approached tenth glass and lunch, I made my way to the dining hall slowly and deliberately. Even so, I saw that Claustyn had gotten there earlier. He waved for me to join him at one end of the long table. When I reached him, so had Menyard and Reynol.
I was more than happy to sit down.
“We haven’t seen you for almost a week,” said Claustyn. “Word is that some assassin attacked two imagers, and killed one. Was that why we haven’t seen you?”
Two imagers? “I don’t know about anyone else. I did get shot-right outside Felters. Do you know who the other imager was?”
“Some are saying it was Jacques,” Reynol replied. “No one’s seen him, either, but you never know for a while when these things happen. The Collegium doesn’t like to acknowledge publicly that any imager was attacked-or killed, especially.”
“Did he get away?” asked Menyard.
What could I say to that? After a moment, I laughed, gently. “I managed to disable him, or that was what I tried. He died, though.”
“If I might ask,” ventured Reynol, “how badly . . .?”
“Two shots. Here and here.” I pointed with my good hand.
Claustyn and Menyard looked at each other.
“You imaged him after you were hit?” asked Claustyn.
“I didn’t know he was shooting at me until I got hit.” That wasn’t quite true, but close enough.
Claustyn nodded and said to Menyard, “That’s why.”
“Why what?” I asked.
“Why Master Dichartyn is your preceptor. He only takes imagers who have that kind of reaction. None of us can figure out how he knows that, but he seems to sense it whenever a new imager who has that ability arrives. Do you have a duty assignment?”
“I know what it will be, once I recover and finish my training.”
“Did you like the dinner at Felters-before what happened?” Claustyn asked. “Was it as good as people say?”
Obviously, some questions were pursued only so far-another of the unspoken rules. “I had a marinated flank steak stuffed with buttered parsley and mushrooms. It was excellent, and they had a Cambrisio that was very good.”
“Was it that expensive?”
“It wasn’t bad . . . four silvers, I think, but we had salads, and dessert and wine.”
“That’s not too dear,” reflected Reynol, “if you don’t do it too often.” He grinned. “Was she worth it?”
“How would he know?” asked Menyard. “He got shot before he could find out.”
I smiled. “She was very worth it. She was the one who got me to the infirmary in time.”
“That’s very worth it,” said Claustyn, “if not exactly what Reynol had in mind.” He laughed.
So did we all.
“Where’s Kahlasa?” I asked after several bites of a fowl casserole.
“She got called back to field duty early,” said Reynol. “She didn’t say why, but a Caenenan cruiser sank one of our merchanters on the high seas-more than fifty milles off the Caenenan coast. The Council ordered a blockade of Caena, and the Fourth and Fifth Fleets are steaming south now. That’s what they say, anyway.”
“What are the Jariolans going to do?”
“The Council sent a strong message suggesting that they keep out of it,” Menyard added. “But their Oligarch-Khasis III, I think, is his name-is supposedly massing forces on their border with Ferrum. That’s because Ferrum has been arming Caenen, and has been receiving favored trade.”
“So we’re looking at war in Cloisera and in Otelyrn?” I asked.
Claustyn shrugged. “It’s possible. We control the seas, but we don’t have an army big enough to fight in both places.”
“Couldn’t we help Ferrum and just blockade Caena?”
“That’s up to the Council, but . . .” Reynol drew out the words: “Ferrum doesn’t like Solidar, and particularly the Collegium, much more than Jariola does, and if we blockade Caena, the High Priest is likely to turn on Tiempre to get some of the resources he needs because he knows we don’t want to invade Caenen . . . or any country in Otelyrn.”
Why Tiempre? I almost asked, but then realized why. Tiempre had banned imagers almost a century earlier. That had ended up driving out many of the wealthier and more creative types. More than a few had come to Solidar. I doubted that Tiempre could stand up to Caenen and the High Priest’s religious hordes, and I couldn’t see the Council sending troops to Otelyrn.
“So . . . if we blockade Caena . . . we’ll start a war between Tiempre and Caenen, and if we don’t, the Caenenans will feel free to keep firing on our merchant ships?”