Language: English / Genre:home_sex / Series: V

The Passionate Prisoners

W Henry

Will Henry

The Passionate Prisoners


Introduction by the Author

"My husband and I often employ bondage as a form of foreplay, and we have found that it invariably makes the sex that follows all the more exciting!"

The above comment by an attractive young housewife in the under-thirty age group illustrates the growing acceptance of erotic bondage in the era of the sexual revolution. For many years, a relatively small number of sexual sophisticates has understood the erotic implications of bondage. However, it has been only in recent years that bondage has achieved widespread appeal among the sexually knowledgeable. What accounts for this change of attitude? In the author's opinion, there are a number of reasons why bondage has achieved its current popularity.

In the first place, we are living, as I mentioned before, in the era of the sexual revolution. Thus, today, the average person has a much greater knowledge of the highways and byways of human sexuality. Not surprisingly, this increased knowledge has been accompanied by a greater desire to experiment with the so-called offbeat or "kinky" varieties of sex. As a result, many modern couples both married and unmarried have experimented with bondage. As might be expected, some have discarded it; but others have become bondage enthusiasts. Such bondage fans often build up extensive collections of pillories, leather straps, discipline helmets, and numerous other paraphernalia associated with erotic bondage.

There are various reasons why bondage has such a grip on its followers.

At the level of purely conscious experience, we must recognize that bondage has great esthetic appeal. Erotic and often exotic clothing is an essential item at nearly all bondage sessions. Thus, the feminine victim may wear black brassiere, panties, and garter belt together with sheer black nylon stockings and spike-heeled shoes or exotic boots. She may wear long, black kid gloves or other items made of leather or rubber, and will sometimes even wear a complete outfit made of such items. In the reverse situation, where the female plays the role of the aggressor, she will be expected to dress for the role. Sleek boots, either knee or thigh length, are quite common apparel in such situations, along with other items made of leather or rubber. The masculine victim may be required to don tight-fitting leather or rubber items of apparel, or he may even be required to wear feminine clothing.

Naturally, such exotic costuming has an esthetic effect, particularly when worn by the female. However, the esthetic appeal of bondage is not restricted to the costuming commonly associated with it. For example, white clothesline rope employed to bind nylon-clad ankles and thighs together is esthetically appealing also, particularly when the victim is wearing black or dark nylons which make a vivid contrast with the white rope. And there are numerous other examples of the esthetic appeal of various forms of bondage.

In addition to its esthetic appeal, bondage has connotations that strongly suggest sex at a somewhat sublimated level. An example will serve to make this point clear. Among bondage fans, it is quite common to employ a red rubber ball strung on a dowel stick or rope to gag a victim. The sight of an attractive feminine victim with her mouth forced wide open by such a ball, her face straining with obvious discomfort, produces a highly erotic effect on bondage fans. The reason becomes obvious when we realize that the rubber ball is a phallic substitute.

Thus, the gagging ceremonies are a form of symbolic fellatio, and a highly realistic one at that. The obvious strain on the victim's face duplicates that of a fellatrix attempting to accommodate a large penis.