NATE AND JEREMIAH
FACT SHEET
Nate Berkus:
Designer and Author
Jeremiah Brent:
Designer and TV Personality
Children:
Poppy Brent-Berkus
Oskar Brent-Berkus
Tucker (dog)
Hancock Park
Los Angeles, CA
Spanish Colonial, built in 1928
Specs:
8,500 square feet
5 bedrooms
4 full bathrooms
2 half bathrooms
RESOURCES
Beloved Antique Dealer
Pasadena Antiques & Design (Pasadena)
Blend Interiors (Los Angeles)
Hollywood at Home (Los Angeles)
Galerie Half (Los Angeles)
Contemporary Designer or Shop
Apparatus (New York)
Atelier MVM (Los Angeles)
Favorite Linens/Bedding
Matteo Bedding
Pratesi Bedding
Go-To for Tabletop
Rebekah Miles Hand-Painted Ceramic Plates
Hand-Blown Italian Glassware by Giberto Arrivabene
Flatware by Georg Jensen
Paint Brand/Color
Benjamin Moore: Alabaster and Smokey Taupe
Portola Paints: Roman Clay
Online Destination for Decor
1stdibs
Chairish
Etsy
The Realreal
Favorite Gallery, Flea Market, or Auction House
André Viana (New York)
Marché Paul Bert Serpette (Paris)
Leslie Hindman Auctioneers (Chicago) (Nate’s first job)
Mantiques Modern (New York) (For the best small accessories)
“Seeing something new and innovative in a space that feels old, seeing people live a life that’s modern by definition in a space that isn’t, is riveting to us both.”
“The house is still moving around. We created spaces based on moments that we imagined and then we moved in here and realized we’re not having the moments in that space,” says Jeremiah Brent. Sometimes, we need to live in a home for a bit to really understand the space’s true potential and what changes can be made to live our best life between its walls. This is a beautiful truth that highly revered interior designers recognize—like two of my dearest friends, Nate Berkus and Jeremiah Brent. In addition to having the most impeccably curated, well-traveled, and soulfully executed taste level, they have been a sounding board throughout my own design evolution.
Entering the home, the layers unspool before me—each room, each vignette is a tour de force of texture, emotion, history, and most important, the personal. You feel it in every vessel, string of beads, and tactile woven textile, a testament to Jeremiah’s love of ritual and Nate’s lifelong love of travel. During a trip the two took to Venice in 2017, Jeremiah fell in love with a friend’s library strewn with books, objects, worn sofas, and even a veneer of dust. They came home with an epiphany about their dining room. With its grand oak millwork, the formality of the space felt incongruent to the way they live. “We never had one dinner in there,” remembers Jeremiah. They realized that the intimacy of the built-ins, however, and the enveloping wood would make for a rich and cozy library, while a transitional room nearby could act as a lively dining room for entertaining guests. The overhaul of these two rooms took on a fever pitch, and consequently the rooms burst into life. Their dining table and incredible set of twelve Jacques Adnet chairs were reinvigorated under the elaborate coffered ceiling of the new dining room. The library, where they now read to Poppy before bed, is the most layered room in the house. It boasts Nate’s voluminous, color-coded, and categorized book collection and Jeremiah’s crystals and devotional beads. It has become the melding repository of their most personal interests and objects.
While their library celebrates the personal, their living room could be a case study in harmonizing contrasts. This is what they do really, really well. Four distinct areas coalesce not through style, but color. At the heart of the room, a 1970s Afra and Tobia Scarpa sofa faces 1940s club chairs. To the left of the fireplace, a marble-top table is flanked by English highback nineteenth-century chairs. A Louis XVI–style daybed is centered under the expansive windows, while an English bench is offset by a midcentury Italian sconce. It is a dazzling display of aesthetic eras and textures, yet they live in harmony, like the range of notes in a symphony. Nate and Jeremiah harness these disparate elements by employing a controlled color palette; nearly everything is cream, black, white, or some gradation therein. Color is a masterful peacemaker. The array of aesthetic influences used in one room parallels their belief that a room should serve more than one function.


About-Face
Don’t be afraid to change your mind: decorate as you live. If a room isn’t living up to its purpose or potential, like Nate and Jeremiah’s dining room, consider changing it. Transforming a room’s function to better suit your needs can change how you interact with your home—and present an exciting new design opportunity.
Throughout the home, patina is everywhere. “We always reach for what the old way of doing an installation is,” says Nate. This is evident in the hardware throughout, which Nate hand-foraged at a local vintage hardware shop, and in the chalky veneer of the fireplaces, which are lined with old Belgian roof tiles cut on the bias. Patina is also an integral factor in the way they contrast the ornate and the gritty, the polished and the worn.
In contrast to the patina is the feeling only a fresh, light-filled shade of white can convey. They knew from day one they wanted a clean canvas on which to arrange their rich layers of furniture and objects. White also brought light and air into the home. We wanted the lightness of the space to match the soul of it,” says Jeremiah. And, in turn, the home evolved. “She opened up every day in a different way. It was crazy.” Nate and Jeremiah’s home is a contrast of all these things—of freshness and patina, of light and mood. It is masterfully composed and artfully intimate. It celebrates that life is comprised of moments, and that embracing a serendipitous design journey is essential to creating an authentic home.

Come Together
An array of aesthetic periods and styles enlivens a room, but it can lose its vision without a focal point or anchor. When this happens, a controlled palette can bring cohesion and a unified purpose. In Nate and Jeremiah’s living room, a traditional English bench can live with an Italian modernist sconce because the entire room is grounded in white, black, and earth tones.

“We always reach for what’s old, for what’s timeworn.”

Stone Cold Shoulder
Don’t shy away from a porous, natural stone for fear of wear and tear. While Nate and Jeremiah’s mantra may be to never polish anything, you might not be so comfortable with this laissez-faire attitude. A honed marble is a great remedy. The matte finish can mask rings and stains, making marks less glaring than on polished marble.
Elevate the Everyday
In the kitchen, forgo the stainless steel utensil holder in favor of a ceramic vessel you love. The practical and mundane moments of life should be beautiful and visually enriching, too. Every surface is an opportunity to express yourself and create vignettes that are personal and meaningful and, most of all, make you happy.

Bring the Outdoor In
A lichen-speckled outdoor concrete table set in a formal entry, rust-hued patio chairs in a wood-paneled library, and nineteenth-century French lanterns above a kitchen island lend Nate and Jeremiah’s home an authentic layer of grit and patina against otherwise polished moments. Outdoor furniture that has withstood the wind and the rain provides unexpected contrast.


“I like at least a minimum of two different moments in any room.”

Think Locally
Consider commissioning a local artist for something truly custom. Nate and Jeremiah found a decorative painter to turn the lush trees right outside their window into a mural in their master bathroom. Local art schools are a good (and budget-conscious) place to look for talent. The cost may be surprisingly competitive with wallpaper.
