/ Language: English / Genre:thriller

I Kill

Giorgio Faletti

A best-seller across Europe, Italian author Faletti’s first novel is a top-notch thriller. Monte Carlo, in Monaco, is supposed to be one of the safest places on earth, with a police force more concerned with paparazzi than with homicide, but that all changes when a mystery man calls a popular radio show. The next day two faceless bodies are discovered, along with I kill written in blood. The substantial cast of characters that assembles to find the killer is led by Frank, a former FBI agent; Frank’s best friend, Nicholas, the police commissioner; and the charismatic DJ Jean-Loup Verdier. All the characters are fully fleshed and three-dimensional, which makes the use of multiple viewpoints particularly enjoyable. The dialogue and narration could have been a little tighter, but Faletti manages to pull it off, maintaining a good pace and masterfully building tension through 600 pages, a clear sign of a major new talent. This one will appeal not only to devotees of European crime fiction but also to thriller fans in general. *** The voice on the radio. The writing, red as blood. I kill…A detective and an FBI agent embark upon the most harrowing case of their careers as they attempt to track down an enigmatic killer in this relentlessly suspenseful thriller. The killer announces his heinous acts in advance with desperate phone calls and ties his crimes together with songs that point to his victims; he then mutilates them and removes their faces. Set in Monte Carlo and featuring an international cast of intriguing characters, the hunt for the deranged perpetrator remains gripping and unsettling, possibly even more so, after the killer's identity is revealed and the detectives must close in on their target before he strikes again.

Giorgio Faletti

I Kill

© 2010

To Davide and Margherita

Death walks along a street,

Wreathed in faded orange blossoms

Singing and singing

A song

To a white guitar

Singing and singing and singing.

Frederico García Lorca

FIRST CARNIVAL

The man is one and no one.

For years, he has worn his face as a mask, a mere shadow of himself. He is so wiped out by tiredness that he has almost lost his sanity.

There is music, bodies moving. People smiling and talking. The man stands amongst them, leaning against a column as he watches curiously. He thinks that every last one of these people is useless.

He is surrounded by endless faces, people who do not question; people who passively accept their lives and never admit to the boredom and pain of the journey.

At the far side of the room, a man and a woman are sitting next to each other at a table overlooking the garden.

In the soft light she appears as delicate and tender as melancholy. She has black hair and green eyes, so luminous and large that even from where he stands the man can see into them. Her companion is conscious of nothing but her beauty. He whispers into her ear to make himself heard over the blaring music.

They are holding hands and she is laughing, throwing back her head or hiding her face against his shoulder.

Just a moment ago, she turned and looked around, perhaps aware of the fixed stare coming from the man across the room. Their eyes met for an instant, but hers passed indifferently over his face. And then those incredible eyes came to rest once more on the man next to her. He returns her gaze.

They are young, beautiful and happy.

The man leans against the column, thinking that soon they will be dead.

ONE

Jean-Loup Verdier pressed the button on the remote, but only started his car when the garage door was halfway up, so as not to breathe too much exhaust. His headlights cut slowly beneath the door and out into the black night. He slipped the automatic transmission into DRIVE and slowly rolled his Mercedes SLK outside. He pressed the CLOSE button and sat taking in the view from his house as he waited for the door to shut behind him.

Monte Carlo looked like a bed of concrete by the sea, the city enveloped in the soft evening haze. Not far below him, in French territory, the lights of the country-club tennis courts, where some international star was probably practising, gleamed next to the skyscraper of the Parc Saint-Roman. Lower down, below the old city fortress towards Cap d’Ail, he could make out the neighbourhood of Fontvieille that had been reclaimed from the water, yard by yard, stone by stone.

He lit a cigarette and switched on the car radio, already tuned to Radio Monte Carlo, as he opened the remote-controlled gate and ascended the ramp to street level. He turned left and slowly drove towards the city, enjoying the warm air of late May.

‘Pride’ by U2 was on the radio, and Jean-Loup smiled with recognition at the band’s unmistakable guitar riffs.

Stefania Vassallo, the show’s deejay, was crazy about U2’s lead guitarist, The Edge, and she never let a show go by without playing one of the band’s songs. Her colleagues at the station made fun of her because of the dreamy expression she wore for months after she got an interview with her idols.

As he drove along the winding road that led from Beausoleil to the city centre, Jean-Loup tapped his foot in time with the music. Marking the upbeat with his right hand on the steering wheel, he followed along as Bono’s rusty, melancholy voice sang of a man who came ‘in the name of love’.

Summer was in the air, and that unique smell one finds only in cities by the sea. An odour of brackish water, pine trees and rosemary. The scent of broken promises and lost bets.

All of it – the sea, the trees, the flowers – would still be there long after he and all the others like him had hurried by.

He drove his convertible with the top down, the warm wind in his hair. Promise filled his heart. He’d placed his bets in life.

Things could be worse.

It wasn’t late, but the road was empty. He flicked his cigarette into the rushing air, watching the bright curve it made in his rearview mirror. As it hit the asphalt it scattered in a blaze of tiny sparks, the last puff of smoke disappearing in the darkness. Jean-Loup reached the bottom of the hill and hesitated, then, deciding to take the city-centre route to the harbour he turned down Boulevard d’Italie.

Tourists were beginning to crowd into the Principality. The Formula 1 Grand Prix, which had just ended, meant the beginning of summer in Monaco. From now on, the city would be bustling with actors and spectators day and night. There would be chauffeured limousines with privileged and bored people inside. There would be small cars with sweaty passengers adoring the sights, like those who stand in front of shop windows wondering when they’d find the time to come back and buy that jacket, others where they’d find the money. Things were black and white – two extremes with shades of grey in between.

Jean-Loup thought that the priorities of life, in the end, were simple and repetitive, and in places like Monte Carlo they could be counted on one hand. Money came first. Some have it and the rest want it. Simple. A cliché becomes a cliché because it has some truth. Money might not buy happiness, but that didn’t seem to bother anyone.

The mobile in his shirt pocket chirped. He pulled it out and answered without looking at the caller’s name: he knew who it was. The voice of Laurent Bedon, the director and writer of Voices, the programme that Jean-Loup hosted on Radio Monte Carlo every night, crackled in his ear in a haze of static.

‘Any chance the star will grace us with his presence tonight?’

‘Hey, Laurent. I’m on my way.’

‘Good. You know Robert’s pacemaker acts up when the deejay isn’t here an hour before airtime. His balls are already smoking.’

‘Really? Aren’t his cigarettes enough?’

‘Guess not.’

Meanwhile, Boulevard d’Italie had turned into Boulevard des Moulins. The brightly lit shops on both sides of the street were a sea of promises, like the beguiling eyes of high-class tarts. All you needed to make your dreams come true was a little cash.

Their conversation was interrupted by more static. He moved the phone to his other ear and the buzzing stopped. As if on cue, Laurent changed his tone.

‘Okay, seriously, hurry up. I have a couple of-’

‘Hold on a sec. Police,’ interrupted Jean-Loup.

He lowered his hand and tried to look innocent. Pulling up to the junction, he stopped in the left lane and waited for green. A uniformed policeman was standing at the corner to ensure that drivers didn’t jump the lights. Jean-Loup hoped he’d hidden the phone in time. Monte Carlo was strict about using mobiles while driving. At that moment he had no desire to waste time arguing with a stubborn Principality cop.

When the lights changed, Jean-Loup turned left, passing under the nose of the suspicious officer. Jean-Loup saw him turn and stare at the SLK as it disappeared down the hill in front of the hotel Metropole. As soon as he was out of sight, Jean-Loup raised his hand and put the phone back to his ear.

‘Out of danger. Sorry, Laurent. You were saying?’

‘I was saying that I have a couple of promising ideas I wanted to discuss with you before we go on air. Step on it.’

‘How promising? Like a thirty-two or a twenty-seven?’

‘Fuck off, cheapskate,’ retorted Laurent, only half-joking.

‘Like the man said, I don’t need advice. I need addresses.’

‘Stop talking shit and hurry up.’

‘Got it. I’m heading into the tunnel now,’ Jean-Loup lied.

They were cut off. Jean-Loup smiled. That was how Laurent always defined his new ideas: promising. Jean-Loup had to admit that they almost always were. But unfortunately for Laurent, that was how he also defined the numbers he hoped would turn up on the roulette wheel, and that almost never happened.

He turned left on to Avenue des Spelugues and glanced at the reflection of the lights in the square, the Hôtel de Paris and the Café de Paris like sentinels on either side of the casino. The barricades and bleachers set up for the Grand Prix had been taken down in record time. Nothing was allowed to obstruct the sacred cult of gambling, money and superficiality in Monte Carlo for too long.

The square receded behind him, and he drove at a gentle pace down the hill on which Ferraris, Williamses and McLarens had raced at unbelievable speed just days before. After the curve of the Virage du Portier, the sea breeze caressed his face. He drove through the tunnel and out into the harbour, where 100 million euros’ worth of boats were illuminated. Above, to the left, the castle, swathed in a soft glow, seemed to guarantee that the Prince and his family would sleep undisturbed.

Though he was used to the view, Jean-Loup couldn’t help admiring it. He could understand the effect it had on tourists from Osaka, Austin or Johannesburg: it took their breath away and left them with an amateur photographer’s case of tennis elbow.

By then, he was practically there. He drove past the harbour, the Piscine and then the Rascasse, turned left and drove down the ramp to the underground car park, three levels deep, directly under the plaza in front of the radio station.

He parked in the first empty spot and went up the stairs and outside. Music reached him through the open doors of Stars’N’Bars, a mandatory stop for habitués of Monaco’s nightlife. A bar where you could grab a beer or some Tex-Mex while waiting for the night to go by, before heading off to the discos and nightclubs along the coast.

The huge building in which Radio Monte Carlo was located, right in front of the quay, housed a random assortment of establishments: restaurants, yacht showrooms and art galleries, as well as the studios of Télé Monte Carlo. Jean-Loup rang the video intercom and stood directly in front of the camera so that it shot a close-up of his right eyeball.

The brusque voice of Raquel, the receptionist and secretary, emerged. ‘Who is it?’

‘Good evening. This is Mr Eye for an Eye. Open up, will you? I’m wearing contacts, so the retina print won’t work.’

He stepped back so that the girl could see him. There was a soft laugh from the intercom. ‘Come on up, Mr Eye for an Eye,’ she said, warmly.

‘Thanks. I was coming to sell you a set of encyclopedias, but I think I need some eye drops now.’

There was a loud click as the door unlocked. When the lift door slid aside on the fourth floor, he found himself nose to nose with the chubby face of Pierrot, standing with a pile of CDs in his hands.

Pierrot was the station mascot. He was twenty-two but had the mind of a child. He was shorter than average, with a round face and hair that stood straight up, which made him always look to Jean-Loup like a smiling pineapple. Pierrot was a very pure soul. He had the gift, which only simple people have, of making everyone like him at first glance. He himself liked only those he thought deserved it, and his instinct was rarely wrong.

Pierrot adored music. He became confused when confronted with the most basic reasoning, but he would be suddenly analytical and linear when it came to his favourite subject. He had a computer-like memory for the vast radio archives and for music in general. All you had to do was mention a title or the tune of a song and he would dash off, soon to return with the record or CD. He was an absolute obsessive – people at the radio station called him ‘Rain Boy’.

‘Hi, Jean-Loup.’

‘Pierrot, what are you still doing here at this hour?’

‘Mother’s working late tonight. The big guys are giving a dinner. She’s coming to pick me up when it’s a little more later.’

Jean-Loup smiled to himself. Pierrot had his own special way of expressing himself, a different language that was often the butt of jokes. His mother, the woman who was coming to get him when it’s a little more later, worked as a cleaner for an Italian family in Monte Carlo.

Jean-Loup had met Pierrot and his mum a couple of years earlier, when they had been standing in front of the radio station. He’d paid almost no attention to this strange couple until the woman had come up to him and spoke timidly, with the air of someone always apologizing to the world for her presence. She had clearly been waiting for him.

‘Excuse me. Are you Jean-Loup Verdier? I’m sorry to bother you, but could I have your autograph for my son? Pierrot always listens to the radio and you’re his favourite.’

Jean-Loup had looked at her modest clothing and her hair that had gone prematurely grey. She was probably younger than she looked.

He had smiled. ‘Of course, madame. That’s the least I can do for such a faithful listener.’

As he took the paper and pen, Pierrot had come up to them. ‘You’re just the same.’

Jean-Loup had shrugged. ‘Just the same as what?’

‘The same as in the radio.’

Jean-Loup had turned to the woman, puzzled. She had lowered her gaze and voice. ‘My son, you know, is…’

She had stopped, as if she couldn’t think of the right word. Jean-Loup had looked at Pierrot carefully and felt a stab of pity for the boy and his mother.

The same as in the radio.

Jean-Loup had realized that what Pierrot meant to say, in his own way, was that he was just as he’d imagined him. Pierrot had smiled, and at that moment Jean-Loup was smitten with the immediate, instinctive liking that the boy always inspired.

‘All right, young man. Now that I know you listen to me, the least I can do is sign an autograph. Hold this for me a minute?’

He had handed the boy the pile of papers and postcards under his arm so that his hands were free to write. As Jean-Loup signed the autograph, Pierrot had glanced at the paper on top of the pile. He had raised his head with a satisfied air. ‘Three Dog Night,’ he said, calmly.

‘What?’

‘Three Dog Night. The answer to the first question is Three Dog Night. And the second is Allan Allsworth and Ollie Alsall,’ continued Pierrot with his own very unique English pronunciation of Allan Holdsworth and Ollie Halsall.

Jean-Loup had remembered that the paper on top of the pile contained a list of questions for a pop quiz scheduled for that afternoon’s show. He’d written it a couple of hours before. The first question was ‘What group from the seventies sang the song “Celebrate”?’ And the second was ‘Who were the guitarists in the group Tempest?’

Pierrot’s answers were spot on. Jean-Loup had stared at the mother in astonishment. She could only shrug her shoulders as if apologizing for him. ‘Pierrot loves music. If I listened to him, I’d be buying records instead of food. He’s… well… he is what he is. But with music, he remembers almost everything he reads and hears on the radio.’

‘Try answering the other questions too, Pierrot,’ Jean-Loup had said, pointing to the paper the boy was still holding.

One by one, without any hesitation, Pierrot had gone through the fifteen questions, answering each one correctly as soon as he read it. And they weren’t easy by any means. Jean-Loup was astonished.

‘Madame, this is much more than simply remembering things. He’s an encyclopedia.’

Jean-Loup had taken back the pile of papers and answered the boy’s smile with a smile. He had gestured towards the Radio Monte Carlo building.

‘Pierrot, would you like to take a tour of the station and see where we broadcast?’

He had shown the boy around the studio and offered him a Coke. Pierrot had looked at everything with fascination, and mother and son’s eyes shone with equal brightness as she observed his joy. But when they stepped into the basement archives with its sea of CDs and LPs, Pierrot looked as if he’d gone to heaven.

When the employees of the station heard the boy’s life story (the father had bolted as soon as he learned of his son’s disability, leaving the boy and his mother alone and penniless), and especially when they realized his musical knowledge, Pierrot was invited to join the Radio Monte Carlo staff. His mother was astonished. Pierrot now had somewhere safe to go while she was out at work and he even received a small salary. But most of all, he was happy.

Promises and bets, thought Jean-Loup. Occasionally one was kept and sometimes you won. There were better things in the world, but this, at least, was something.

Pierrot stepped into the lift holding the CDs and pressed the button. ‘I’m going into the room to put these back. Then I’ll come back, so can I see your programme.’

The room was his own personal description of the archive and seeing your programme was not just one of his linguistic inventions. He meant he could stand behind the glass and watch Jean-Loup, his best friend, his idol, with adoring eyes, instead of sitting at home and listening on the radio as before.

‘Okay. I’ll save you a front-row seat.’

The door closed on Pierrot’s bright smile.

Jean-Loup crossed the landing and punched in the code to open the door. The long desk that was Raquel’s domain was right at the entrance. A petite brunette with a thin but pleasant face, and who always seemed in command of the situation. Raquel pointed her finger in his direction. ‘You’re taking your chances,’ she said. One of these days, I’m not going to let you in.’

Jean-Loup walked over and moved her finger as if it were a loaded gun. ‘Didn’t anyone teach you not to point your finger at people? What if it was loaded and went off? Anyway, what are you still doing here? Even Pierrot’s still here. Is there a party I don’t know about?’

‘No parties, just overtime. And it’s all your fault. You’re stealing all the ratings and we have to scramble to catch up.’ She motioned with her head to the room behind her.

‘Go and see the boss. There’s news.’

‘Good? Bad? So-so? Is he finally going to ask me to marry him?’

‘He wants to tell you himself. He’s in the president’s office,’ Raquel answered, vague but smiling.

Jean-Loup padded across the soft blue carpet patterned with small cream-coloured crowns. Stopping in front of the last door on the right, he knocked and entered without being invited. The boss was sitting at his desk and – as Jean-Loup might have guessed – was on the phone. The office was clouded with cigarette smoke. Radio Monte Carlo’s manager was the only person Jean-Loup knew who smoked those toxic Russian cigarettes, the ones with the long cardboard filters that had to be folded in a solemn ritual before they could be used.

Robert Bikjalo nodded at him to sit down.

Jean-Loup took a seat in one of the black leather armchairs in front of the desk. As Bikjalo finished his conversation and closed the case of his Motorola phone, Jean-Loup fanned his hand in the smoky air. ‘Are you trying to make this a place for people nostalgic for fog? London or die? No, London and die? Does the big boss know you pollute his office when he’s not here? If I wanted, I could blackmail you for the rest of your life.’

Radio Monte Carlo, the Italian-language station of the Principality, had been taken over by a company that ran a clutch of private stations. Its headquarters were in Milan. Robert Bikjalo was the man in charge of running things in Monaco; the president only appeared for important meetings.

‘You’re a bastard, Jean-Loup. A dirty, gutless bastard.’

‘How can you smoke that stuff? You’re approaching the border between smoke and nerve gas. Or maybe you crossed it years ago and I’m talking to your ghost.’

‘I’m not even going to bother answering,’ said Bikjalo, expressionless and as unaffected by Jean-Loup’s sense of humour as by the smoke from the cigarettes. ‘I haven’t been here waiting for you to park your precious ass so I can listen to you make snide remarks about my smoking.’

This exchange was a routine they’d shared for years, but Jean-Loup knew they were still far from calling each other friends. The sarcasm disguised the fact that it was nearly impossible to get to the bottom of things with Robert Bikjalo. Okay, he was intelligent, perhaps, but he was definitely a shrewd cookie. An intelligent man sometimes gives the world more than he gets back in return; a cunning one tries to take as much as he can while giving back as little as possible. Jean-Loup was well aware of the rules of the game, in the world in general and in his milieu in particular: he was the deejay of Voices, a hit radio show. People like Bikjalo showed interest in you only in proportion to your ratings.

‘I just want to tell you what I think of you and your show before I throw you out on the street for good.’ Bikjalo leaned back in his chair and finally extinguished the cigarette in an overflowing ashtray. Silence fell between them. Then, like someone with a good hand who says, ‘I’ll see you!’ Bikjalo continued. ‘I got a phone call today about Voices. It was someone very close to the palace. Don’t ask me who, because I can’t tell you…’

The manager’s tone of voice suddenly changed. A forty-carat grin flashed across his face as he laid down a royal flush. ‘The Prince in person has expressed his pleasure at the show’s success!’

Jean-Loup stood up from his chair with an equally wide smile, high-fived the hand held out to him, and sat back down. Bikjalo was still flying on the wings of his triumph.

‘Monte Carlo has always had an image of being a place for the rich, a haven to escape taxes from just about everywhere else. Recently, with all the shit happening in America, and the economic crisis practically worldwide, we seem a bit dull.’

He said ‘we’ with an air of sympathy, but he was someone who didn’t seem very involved in the problems of others. He pulled out another cigarette, bent the filter and lit it.

‘A few years ago, there were 2,000 people in the casino at this time of night. These days, some evenings there’s a really scary morning-after feeling. The jump start you gave to Voices, using it to confront social issues, has brought something fresh and new to the city. A lot of people now think of Radio Monte Carlo as a place where they can solve problems, where they can call for help. It’s been great for the station, too, I don’t deny it. There’s a whole group of new sponsors just waiting in line, and that’s a measure of the programme’s success.’

Jean-Loup raised his eyebrows and smiled. Robert was a manager, and for him success ultimately meant a sigh of relief and a sense of satisfaction when he wrote the annual report. The heroic era of Radio Monte Carlo, the days of Jocelyn and Awanagana and Herbert Pagani, in other words, was over. This was the era of economics.

‘I must admit we’ve been good. You mostly. Apart from the programme’s winning formula and the new direction it’s taken, it’s a success because you’re good at deejaying in French and Italian. I just did my job.’

Bikjalo waved his hand in a vague gesture of modesty that didn’t suit him at all. He was referring to his very astute managerial instincts. The show’s strengths and the bilingual talents of its host convinced him to try a move that he had devised with the sense of a born diplomat. Encouraged by the ratings and the enthusiasm, he’d created a sort of joint venture with Europe 21, a French station with an editorial line very similar to that of Radio Monte Carlo. It broadcast from Paris. The result was that now Voices could be heard in most of Italy and France.

Robert Bikjalo put his feet up on the desk and blew cigarette smoke towards the ceiling. Jean-Loup thought it a very official and symbolic pose. The president, if he’d been there to see, probably wouldn’t have agreed. With a triumphant voice, Bikjalo continued.

‘The Music Awards are at the end of June, beginning of July. I’ve heard rumours that they want you to emcee. And then there’s the Film and Television Festival. You’re going full speed, Jean-Loup. Others like you have had trouble moving up to television. You’ve got looks, and if you play your cards right, I’m afraid you’ll be the cause of a brutal tug-of-war between TV and radio.’

‘I’m afraid,’ said Jean-Loup, standing and looking at his watch, ‘that Laurent is having a tug of war with his liver. We still haven’t talked and we need a schedule for tonight’s show.’

‘Tell that has-been writer-director that he’ll be thrown out in the street, just like you.’

Jean-Loup headed towards the door. As he was leaving, Bikjalo stopped him. ‘Jean-Loup?’

He turned. Bikjalo was sitting in his chair, rocking back and forth with the expression of the cat that finally ate the canary. ‘What?’

‘Needless to say, if all that TV business works out, I’m your manager…’

Jean-Loup decided that his price would be very high.

‘I’ve suffered through a percentage of your cigarette smoke. You’ll have to suffer just as much for a percentage of my money.’

As he closed the door, Robert Bikjalo was gazing up at the ceiling with a dreamy stare. Jean-Loup knew that the director was already counting the money he had yet to earn.

TWO

Jean-Loup was looking out at the city through the large control-room window, observing the play of lights reflected on the still water of the harbour. High above, cloaked in darkness, the mast stood on the peak of Mount Agel, visible only by its series of red lights. It was this mast that enabled the radio signal to reach all of Italy.

‘Break over,’ came Laurent’s voice over the intercom. ‘Back to work.’

Without bothering to answer, the deejay moved away from the window and went back to his place. He put on his headphones and sat down at the microphone. In the control room, Laurent flashed an open hand to show five seconds to the end of the commercial break.

Laurent played the brief Voices theme that meant the broadcast was starting again. Before the break, the programme had been fairly laid-back, light-hearted even, without the tone of despair they sometimes had to deal with.

‘Back to Jean-Loup Verdier, with Voices from Radio Monte Carlo. We hope nobody needs our help on this lovely May evening – only our music. Oh, I’ve just been told there’s a phone call.’

The red light on the wall lit up and Laurent was pointing at him with his right hand to show there was a call waiting. Jean-Loup leaned his elbows on the table and turned to the mike in front of him.

‘Hello?’

There was some static and then silence. Jean-Loup looked up and raised his eyebrows at Laurent. The director shrugged to show that the problem wasn’t at their end.

‘Yes, hello?’

Finally, an answer came through and was transmitted live on air to every listener. It had a presence in the minds and lives of all who heard it. From that moment on, and for a long time to come, the darkness would be a little darker.

‘Hello, Jean-Loup.’

There was something unnatural in the sound of the voice. It was muffled and strangely flat, devoid of expression. The words had a muted echo like the sound of a plane taking off far away. Again, Jean-Loup glanced up questioningly at Laurent, who pointed, drawing circles in the air to mean that the distortion was on the caller’s line.

‘Hi. Who is this?’

There was a moment of hesitation. Then came the muffled answer with its unnatural echo.

‘It doesn’t matter. I’m someone and no one.’

‘It’s – it’s not a great line. Where are you calling from?’

Silence. The vapour trail of a plane wafting midair in some unknown place.

The speaker continued. ‘That doesn’t matter, either. The only thing that counts is that the time has come to speak out, even if afterwards neither of us will be the same.’

‘How so?’

‘Soon I’ll be a hunted man and you’ll be one of the bloodhounds sniffing in the dark. And that’s a shame, because right now, at this very moment, you and I are no different. We’re the same’

‘How are we the same?’

‘We’re both faceless, and people listen to us with their eyes closed, imagining. There are millions of people out there who want only to get themselves a face they can show with pride, to create one that’s different from all the others. That’s all they worry about. Now is the time to find out what’s behind the face.’

‘I don’t understand.’

Silence again, long enough to make Jean-Loup think they had been cut off. Then the voice came back and some listeners thought they could hear a hint of a smile.

‘You’ll understand, in time.’

‘I’m not sure what you mean.’

There was a slight pause, as if the man on the other end of the line was weighing his words.

‘Don’t worry. Sometimes it’s hard for me, too.’

‘Then why did you call? Why are you talking to me?’

‘Because I’m alone.’

Jean-Loup bent his head and gripped the table with his hand.

‘You’re talking like someone who’s in prison.’

‘We’re all in prison. I built mine myself, but that doesn’t make it any easier to get out.’

‘I’m sorry to hear that. It doesn’t sound like you like people very much.’

‘Do you?’

‘Not always. Sometimes I try to understand them and when I can’t, I try at least not to judge them.’

‘We’re the same that way too. The only difference is that when you’re finished talking to them, you’re able to feel tired. You can go home and turn off your mind and its troubles. I can’t. I can’t sleep at night, because my troubles never rest.’

‘So what do you do at night to stop it?’

Jean-Loup was egging him on slightly. The answer was slow to come, as though it were wrapped in layers of paper being opened one by one.

I kill…’

‘What does that-’

Jean-Loup’s voice was interrupted by music coming from the speakers. It was a light plaintive song with a pretty melody, but after those two words it spread through the air like a threat. It lasted about ten seconds and then, as suddenly as it had come, it was gone.

In the heavy silence that followed, the click of the call being cut off was heard by one and all. Jean-Loup looked around at his colleagues. The air-conditioning was on high, but suddenly everyone could feel the scorching flames of Sodom and Gomorrah.

Someone managed to drag the rest of the programme out to its closing song. No more phone calls came in. That is to say, the switchboard was flooded after the strange call, but no more callers were allowed on air.

Jean-Loup took off his headphones and laid them on the table next to the mike. He realized that his hair was soaked with sweat, in spite of the air-conditioning.

Neither of us will ever be the same.

He played only music for the remainder of the show. He tried to demonstrate what he considered a strange similarity between Tom Waits and the Italian musician Paolo Conte, who were very different as singers, but both major songwriters. He translated the words of two of their songs and pointed out how important they were. Luckily, he had several such expedients in case of emergency, and this moment definitely qualified. There were some reserve phone numbers to use when the show just wouldn’t come together. They’d call some singers or writers they knew, begging them to join in. Then they’d use up fifteen minutes on some poetry and the humour of Francis Cabrel.

‘Jean-Loup?’ The door to the control room opened and Laurent’s head poked in. ‘You okay?’

Jean-Loup glanced over without looking at him. ‘Yeah, fine.’

They left the studio together, exchanging puzzled, somewhat evasive glances with Barbara and Jacques, the sound technicians. Barbara was wearing a blue shirt and Jean-Loup noticed that there were large patches of sweat under her arms.

‘There were dozens of calls. Two people asked if it was a mystery story and a bunch of people were furious at what they saw as a cheap way to try and increase the ratings. The boss called, too, and swooped down like a hawk. He fell for it and asked if we had gone nuts. Apparently, one of the sponsors had called him immediately, and I don’t think it was to offer a pat on the back.’

Jean-Loup was imagining the president’s room, more smoke-filled than earlier, if that were possible.

‘Why didn’t the switchboard filter that call?’

‘I don’t know what the hell happened. Raquel says the call didn’t go through her. Somehow – she has no idea how – it went right into the studio line. There must have been a short or something. As far as I’m concerned, that new electronic switchboard has a mind of its own. We’ll all be fighting with machines one day, like in Terminator. You’ll see.’

They left the studio and walked side by side to Bikjalo’s office without daring to look at one another. Those two words had left a small, hollow space between them. I kill… The awful sound of that voice was still hovering in the air.

‘And that music at the end? It sounded familiar.’

‘I thought so, too. It was a soundtrack, I think. A Man and a Woman, an old Lelouch film. From 1966 or something like that.’

‘And what does it mean?’

‘You’re asking me?’

Jean-Loup was astonished. He was facing something entirely new, something he had never experienced before on the radio. On an emotional level more than anything else. ‘What do you think?’

‘It doesn’t mean anything.’ Laurent pronounced these words with a careless wave of his hand, but he sounded like he was trying to convince himself more than anyone else.

‘Really?’

‘Sure. Aside from the switchboard problem, I think it was just some jerk’s really bad idea of a joke.’

They stopped in front of Bikjalo’s door and Jean-Loup turned the knob. They finally looked each other in the eye.

‘It’s just a weird story to tell at the gym and laugh about,’ said Laurent, thinking out loud. But he didn’t look at all convinced.

Jean-Loup pushed open the door. As he walked into the manager’s office, he wondered whether that phone call was a promise or a bet.

THREE

Jochen Welder pressed the remote control of the electric windlass and held it down to lower the anchor and enough chain to hold the Forever. When he was sure of the anchorage, he turned off the engine. The magnificent twin-engine yacht, designed by his friend Mike Farr and built especially for him by the Beneteau shipyards, started turning slowly. Pushed by a light landward breeze, it followed the current with its prow facing out to the open sea. Arianna, still standing and watching the anchor descend, turned to him and walked easily across the deck, occasionally leaning against the lifeline to compensate for the gentle rolling of the waves. Jochen watched her, his eyes half closed, and admired once again her supple, athletic, somewhat androgynous figure. He took in her firm body and the grace of her movements with a sense of muted arousal. He felt his desire well up like an ache and he gave thanks to the kind fates for making a woman who could not have been more perfect if he had designed her himself.

He still didn’t dare tell her that he loved her.

She joined him at the helm, threw her arms around his neck, and placed her mouth on his cheek in a soft kiss. Jochen felt the warmth of her breath and the natural scent of her body. Her skin smelled of the sea and of things to discover, slowly, unhurriedly. Arianna’s smile sparkled against the light of the sunset and Jochen imagined rather than saw the reflection shining in her eyes.

‘I think I’ll go down and shower. You can too, later on, if you want. And if you decide to shave as well, I’d probably accept anything you have to offer after dinner.’

Jochen returned her intimate smile and ran his hand over his two-day beard. ‘I thought women liked a man with stubble.’ And imitating the voice of a 1950s movie trailer, he said, ‘Someone who holds you around the waist with one arm and steers his ship into the sunset with the other.’

Withdrawing from his embrace as she headed below decks like a silent film star, Arianna answered, ‘I can easily imagine myself heading off into the sunset with you, my hero, but does my face have to get all scratched up?’ And with that she disappeared.

‘Arianna Parker,’ he called after her, ‘your enemies think you’re a chess player, but I’m the only one who knows what you really are.’

‘What’s that?’ she asked, peeking her head back through the door, curious.

‘The loveliest joker I’ve ever met.’

‘Exactly! That’s why I’m so good at chess. I don’t take it seriously.’ And she disappeared again.

Jochen watched the reflection of the light on the deck as he heard the splash of the shower. He couldn’t wipe the smile off his face.

He’d met Arianna a few months earlier during the Brazilian Grand Prix, at a reception organized by one of the team’s sponsors, a sportswear manufacturer. He generally tried to avoid those kinds of parties, especially just before a race, but this time it was a UNICEF benefit and he couldn’t refuse.

He had wandered through the rooms full of people, feeling uncomfortably elegant in a tuxedo so perfect you couldn’t tell it was just rented for the occasion. He was carrying a glass of champagne that he couldn’t drink, with an expression of boredom that he couldn’t hide.

‘Do you always have so much fun, or are you exerting yourself?’

He had turned at the sound of the voice and found himself looking into Arianna’s green eyes. She was wearing a man’s tuxedo with the shirt open and no tie. There were white sneakers on her feet. With her short dark hair she looked like an elegant Peter Pan. He’d seen her picture in the paper several times and immediately recognized Arianna Parker, the eccentric girl from Boston who became famous by wiping the floor with the world’s greatest chess players. She had spoken to him in German and Jochen answered in the same language.

‘They offered to put me in front of a firing squad, but I had plans for the weekend so I chose this instead.’

He had nodded towards the room full of people. The girl’s smile widened and her amused look made Jochen feel like he’d just passed a test. She had held out her hand. ‘Arianna Parker.’

‘Jochen Welder.’

He had wrapped his hand around hers and had known that the gesture had special meaning, that there was already something being said in the look they were exchanging. Only later would it be explained in words. They were now outside on the large terrace, suspended over the quiet pulse of the Brazilian night.

‘How come you speak such good German?’

‘My father’s second wife, who happens to be my mother, is from Berlin. Luckily for me, she stayed married to him long enough to teach me,’ said Arianna

‘Why would a girl with such a beautiful face keep it bent over a chessboard for so many hours?’

‘Why,’ Arianna had retorted, raising an eyebrow and throwing the ball back at him, ‘would a man with such an interesting face keep it hidden in those soup pots you racing drivers wear on your heads?’

Just then the big cheese from UNICEF who had organized the event had come over to request Jochen’s presence in the ballroom. He had left Arianna reluctantly and followed, determined to answer her last question as soon as he could. Just before entering the room, he had turned back to look at her. She was standing near the balustrade watching him, one hand in her pocket. With a complicit smile, she had raised her glass of champagne in his direction.

The next day, after the practice session at the circuit, he had gone to watch her in a tournament. His arrival had excited the audience and media people. The presence of Jochen Welder, a two-time Formula 1 world champion, at a chess competition with Arianna Parker was no accident. No one had heard of his interest in chess before.

She was seated at the tournament table, separated from the judges and the public by a wooden barrier. She had turned her head in the direction of the disturbance caused by Jochen’s entrance and, when she saw him, there was no change in her expression, as if she hadn’t recognized him. She had gone back to staring at the chessboard in front of her. Jochen admired her intense concentration, her head bent low to study the arrangement of the pieces. That slight female figure was strange in a milieu that usually spoke the language of men. After that, Arianna had made some inexplicable mistakes. He knew nothing about chess, but he could sense it from the remarks of the chess devotees crowded into the room. Suddenly, she had stood up and leaned her king on the chessboard as a sign that she was conceding defeat. Without catching anyone’s eye, she had walked to the door at the back of the room. Jochen had tried to follow her, but she was already gone.

The hectic hours of qualifying his car for Sunday’s Grand Prix kept him from seeking her out again. But he had spotted her in the pits, the morning of the race, right after the drivers’ briefing. He was checking the changes in the car that he’d suggested to the mechanics right after the warm-up and her voice had surprised him, as it had at their first meeting.

‘Well, I have to admit, your jumpsuit doesn’t look as good as your tux, but it’s certainly more colourful.’

He had turned and there she was in front of him, her huge green eyes shining, her hair half hidden by a beret. She was wearing a lightweight T-shirt with no bra and, like almost everyone else around them, low-slung cargo shorts. A VIP pass was hanging around her neck, along with her sunglasses. He was so surprised that Alberto Regosa, his track engineer, had started teasing him. ‘Hey, Jochen, if you don’t close your mouth, you won’t be able to get your helmet on.’

‘Come on, let’s get out of here,’ he had said, and placed his hand on Arianna’s shoulder, answering her and his friend at the same time. ‘I’d introduce you but there’s no point. He’ll be looking for a new job tomorrow anyway, so you won’t see him again.’

He had escorted the girl outside, and replied to the engineer’s wisecrack with his middle finger behind his back, as Alberto shamelessly stared at the girl’s legs in her shorts.

‘Honestly, you didn’t look so bad in a tux yourself, but I prefer this. There’s always a little doubt when a girl’s legs are hidden by pants.’

They had laughed, and then Jochen had given her a brief tour of the organized confusion that was the world of motor racing, all so unfamiliar to Arianna. He had explained who was who and what was what, sometimes having to shout above the scream of the revving engines. When it was time to line up on the starting grid, he had asked her if she wanted to watch the race from the pits. ‘I’m afraid I have to put my soup pot on now, as you put it.’ He had said goodbye and left her in the care of Greta, the team’s PR rep.

He had slid into his seat and, as the mechanics strapped him in, he had looked up at her. Their eyes had spoken again through the slit in his helmet and it was a language that went far beyond the emotion of the race. He was out of the race almost immediately, after only ten laps. He’d started well but then, when he was in fourth place, the rear suspension, the car’s weak point, had suddenly given out, sending him into a spin at the end of a sharp curve to the left. He’d crashed into the armco, bouncing into the centre of the track and half destroying his Klover Formula 109. He’d informed the team by radio that he was unscathed and returned on foot. As he got back to the pits he’d looked for Arianna but couldn’t find her. Only after describing the accident to the team manager and technicians could he look for her again. He’d eventually found her in the motorhome, sitting next to Greta, who’d discreetly left when he arrived. Arianna had stood up and put her arms around his neck.

‘I’ll accept the fact that your presence can make me lose a crucial game of an important tournament, but I think it’ll be harder to lose a year of my life every time you risk yours.’ She looked gravely into his eyes. ‘But you can kiss me now, if you’d like…’

They had been together ever since.

Jochen lit a cigarette and stood on the deck alone in the twilight. As he smoked, he observed the lights along the coast. He’d dropped anchor not far from Cap Martin, at Roquebrune, to the right of the large blue ‘V’ of the Vista Palace, the large hotel built on the peak of the mountain. It was three days after the Monaco Grand Prix, with its crowds of people, but the city had quickly returned to normal. The lazy, orderly traffic of a sunny day in May had replaced the blur of the racing cars. This summer promised to be different, for him and for everyone else.

At thirty-four, Jochen Welder felt old, and he was afraid.

He knew about fear: it was a Formula 1 driver’s regular companion. He’d gone to bed with it for years, every Saturday night before a race, no matter which woman was sharing his life and his bed at the time. He’d learned to recognize the smell of it in his jumpsuits soaked with sweat, hanging up to dry in the pits. He’d faced and battled his fear for a long time, forgetting it whenever he fastened his helmet or buckled up in the car, waiting for the strong rush of adrenalin to course through his veins. But now it was different. Now he was afraid of the fear. The fear that substitutes reason for instinct, that makes you take your foot off the accelerator or feel for the brake an instant before you need to. The fear that suddenly strikes you dumb and speaks only through the chronometer, which shows how fast a second is for ordinary mortals and how slow for racing drivers.

His mobile rang. He was sure he’d turned it off and was tempted to do so now. He took it out with a sigh and answered.

‘Where the hell have you been?’

It was the voice of Roland Shatz, his manager, bursting forth like a TV gameshow host, except that gameshow hosts weren’t usually so angry with their contestants. Jochen had expected it, but was still caught unaware. ‘Around,’ he answered evasively.

‘Around? Like hell. Do you have any idea what kind of shit is going on?’

He didn’t know, but could very well imagine. After all, a driver who loses a race he had all but won – because of an error on one the final lap – was great fodder for sports pages all over the world. Roland did not wait for him to reply.

‘The team did all it could to cover you with the press, but Ferguson is fucking furious. You didn’t overtake once – for the whole Grand Prix you were only in the lead because you started in pole position and most of the others had dropped out or crashed, and then you threw away a race like that. The kindest headline was “Jochen Welder at Monte Carlo: Loses the Race and Loses Face!”’

Jochen half-heartedly tried to protest. ‘I told you, there was something wrong with the seat-’

His manager cut him off. ‘Bullshit! The range finders were there and they sing better than Pavarotti. The car was perfect but Malot was going to beat you as long as his engine held out, and he started behind you on the grid.’

François Malot was the team’s second driver, a fresh young talent that Ferguson, the Klover Formula 1 Racing Team manager, was developing and pampering. He didn’t have the experience yet, but he was great in testing and had guts and courage to spare. It was no accident that the Circus experts had had their eyes on him from back when he was racing in Formula 3. Ferguson had beaten everyone to the punch and signed him for two years. Even Shatz had plotted and schemed to become his agent. That was the rule of the sport, Formula 1 in particular – a small planet where the sun rose and set with cruel speed.

Roland’s tone of voice suddenly changed and revealed a hint of friendship, something they shared beyond a normal business relationship. Yet he was still playing good cop, bad cop. ‘Jochen, there are problems. There’s a session of private tests at Silverstone with Williams and Jordan. If I understand correctly, they’re not calling you. They’d rather have Malot and Barendson, the test driver, to check the new suspension. You know what this means?’

Of course he did. He knew the racing world too well not to. When a driver wasn’t informed of a team’s technical improvements, it was very likely that the boss didn’t want him to be able to give another team precious information. It was practically an announcement that they weren’t renewing his contract.

‘What do you expect me to say, Roland?’

‘Nothing. I don’t expect you to say anything. I just want you to use your brain and your foot like you’ve always done when you race.’ Roland paused before adding, ‘You’re with her, aren’t you?’

Jochen smiled in spite of himself.

Roland disliked Arianna and wouldn’t even call her by name. Just ‘her’. But no manager liked a woman if he thought she was the reason his driver was going soft. Jochen had had dozens of women before and Shatz had always judged them for what they were: the inevitable perks of someone constantly in the limelight, pretty objects that shone in the reflection of the champion’s sun. But Shatz went on high alert when Arianna entered Jochen’s life, like someone trying to convince a stubborn child to wash behind his ears. It was time for Jochen to explain that Arianna was just a symptom, not the disease.

‘Roland, hasn’t it occurred to you that it might be over? I’m thirty-four and most drivers my age have already retired. The ones who are still around are just caricatures of what they once were.’

He carefully avoided mentioning those who were dead. The names and faces and laughter of men who suddenly became corpses in the twisted bodywork of a single-seater, a bright-coloured helmet thrown aside, an ambulance that never came fast enough, a doctor who couldn’t save them.

‘What are you saying?’ blurted Roland with a flash of rebellion at his words. ‘We both know what Formula 1 is like, but I have a bunch of offers from America for the CART. You still have some time left to enjoy yourself and make piles of money without any risk.’

Jochen didn’t have the heart to dampen Roland’s managerial hopes. Money certainly wouldn’t change his mind. He had enough money to last him several lifetimes. He had earned it by risking his hide all those years and, unlike many of his fellow drivers, he hadn’t been tempted to get a personal jet or helicopter or houses all over the world. He didn’t feel like telling Shatz that it was something else, that he wasn’t enjoying it any more. The thread had snapped for some reason and he was just lucky it hadn’t happened while he was still hanging by it.

‘All right, we’ll talk about it,’ he said instead.

For now, Shatz realized, there was no use insisting. ‘Okay. Get in shape for Spain. The season’s not over yet and all you need is a couple of good races and you’ll be riding high. Meanwhile, enjoy yourself, man.’

Roland hung up and Jochen sat there staring at the phone. He could practically see his manager’s face.

‘Great!’ said Arianna as she came up the steps, rubbing her hair with a towel. ‘You wait for me to leave and then you start with the phone calls. What am I supposed to think? Is there another woman?’

‘No, it was Roland.’

‘Ah.’

Their whole situation was contained in that monosyllable. ‘He doesn’t like me, right?’

Jochen pulled her towards him, encircling her tiny waist with his arms. He leaned his cheek against her shoulder and spoke without looking at her.

‘That’s not the problem. Roland has issues, like everyone, but he’s a friend and his heart is in the right place.’

‘Did you tell him?’ asked Arianna, running her fingers through his hair.

‘I didn’t want to talk about it over the phone. I think I’ll tell him and Ferguson in Barcelona next week. But I’ll make the official announcement at the end of the season. I don’t want to be followed around by journalists any more than I am now.’

The international press was having a field day with their relationship. Their faces were plastered on the front pages of all the gossip magazines, and reporters were making up all kinds of stories about them.

Jochen raised his head and sought her eyes. His voice was a whisper of emotion.

‘I love you, Arianna. I loved you even before I met you.’

She didn’t answer, but silently watched the glimmer of light from below. Jochen felt a shudder of insecurity but he had already said it, and he couldn’t and wouldn’t go back now.

SECOND CARNIVAL

The man’s head emerges from the water not far from the prow of the yacht. Through his underwater mask, he spots the anchor chain and swims to it slowly. His right hand grabs hold and he observes the boat, its fibreglass hull reflecting the full moon. His breathing, fed by his oxygen tank, is calm and relaxed.

The five-litre tank on his back is not for long dives, but it is light and manageable and gives him enough air for his needs. He is wearing a plain black wetsuit, without logos or colours, thick enough to protect him from the cold water. He cannot use a torch but the almost glaring light of the full moon is more than enough. Careful not to splash, he slides back underwater, following the outline of the submerged hull with its long keel extending down towards the sea bed. He reaches the stern and grabs on to the ladder still hanging down.

Good.

No acrobatics needed to get on board. He loosens the rope around his waist. After affixing a snap hook to the ladder, the first thing he does is attach it to the other end of the hermetically sealed box he is carrying. He removes the tank and the belt of weights and leaves them hanging on the ladder, a couple of feet below the water’s surface. He does not want to limit his movements. He intends to take the two people above by surprise while they are asleep.

He is about to remove his fins when he hears footsteps on the deck above. He abandons the ladder and moves to the right so that he is hidden by the wall. From his position in the shadows, he sees the girl walk to the side of the boat and stand looking out, enchanted by the play of moonlight on the flat sea. For an instant, her white bathrobe is yet another reflection. Then, in a fluid gesture, she lets it fall to the ground and stands naked in the light.

From his position, the man sees her profile and admires her toned body, the perfect form of her small, firm breasts. His gaze follows the line of her buttocks that melts into her long, nervous legs.

With quicksilver movements, the young woman reaches the ladder and sticks out a foot to test the water.

The man smiles, a tapered smile like that of a shark. A stroke of luck! He stealthily puts his scuba equipment back on and waits for her next move.

He hopes the girl won’t mind the cold and will give in to the temptation of a moonlit dip in the sea. As if reading his mind, she turns and starts climbing down the ladder, gently slipping into the waves, shaking as the cold water gives her goose bumps and firms her nipples.

She swims away from the boat, out towards the open sea in the opposite direction from where he is waiting in his black wetsuit. The man’s silent movement below the water has the sinister fluidity of a hunter starting to close in on his unwitting prey. The game is cruel and its stakes are life and death.

He slips noiselessly below the surface and descends easily to the bottom of the sea, where he starts swimming towards the girl, reaching her in moments. He looks up and sees her above him, a dark stain against the light on the surface of the water. He rises unhurriedly, breathing very slowly so that the air bubbles do not betray his presence. When the girl is within arm’s reach, he grabs her by the ankles and pulls her brutally down.

Arianna is stunned by the violent thrust underwater. She has no time to fill her lungs with air. Almost immediately, the grasp on her ankle is loosened. She instinctively kicks to push herself upwards but two hands are placed on her shoulders and their weight pushes her further down towards the bottom, far from the film of water shining above her head like a mocking promise of air and light. She feels the slimy contact of the wetsuit, two predatory arms gripping her like a belt above her breasts, and an unknown body attached to hers as her assailant pinions her pelvis with his legs.

Terror encloses reason within a wall of ice.

Wildly, she tries to free herself, whimpering, but her lungs, already lacking oxygen, quickly burn out all her reserves. As her need for air intensifies, Arianna feels her strength fade, still at the mercy of the body clutching hers, pulling her down towards the moonless night at the bottom of the sea.

She senses that she is about to die, that someone is killing her and she doesn’t know why. Salty tears of regret intermingle with the millions of drops of indifferent water around her. She feels the darkness of that embrace expand and become part of her like a bottle of black ink pouring into the clean water. A cold, pitiless hand starts exploring every part of her, inside and out, trying to extinguish any tiny flame of life, until it reaches her young woman’s heart and stops it forever.

The man feels the body suddenly slacken at the moment that it is abandoned by life. He waits a second, then turns the girl so that her face is towards him, puts his hands under her armpits, and starts kicking with his fins to rise to the surface. As he heads upwards, the young woman’s face is no longer a dark blotch outside his goggles. He sees her delicate features, small nose and half-opened mouth from which a few last air bubbles escape. Her magnificent green eyes are immobile as they approach the light that they can no longer see. He looks at the face of the woman he has killed like a photographer developing a particularly important negative. When he is completely sure of the beauty of her face, he smiles.

The man’s head finally emerges from the water. Still holding the body, he swims to the ladder. He takes the line that he had attached to the metal box and winds it around the woman’s neck so that it holds her as he removes his tank and mouthpiece. The body slips underwater, rippling slightly; the girl’s hair remains afloat, lapping like the waves against the hull, moving softly in the moonlight like the tentacles of a jellyfish.

He removes his fins and mask and puts them down carefully, silently. When he is free, he grabs hold of the ladder with his left hand and loosens the rope holding the body, grasping it with his right arm. Without any apparent effort, he climbs the wooden steps, carrying his victim. He observes her for a while and then leans down to pick up the bathrobe she was wearing before her night swim.

In a belated gesture of pity, he spreads the robe over the woman lying on the deck, as if he wanted to protect the cold body from the chill of a night, which, for her, would never end.

‘Arianna?’

The voice is suddenly heard from below. The man turns instinctively towards it. The girl’s companion might have been awakened by the sense that he was alone in the whitish moonlight flooding the cabin. Perhaps he had stretched his leg to seek contact with her skin and felt only emptiness. Perhaps he had called and there had been no answer, so now he was coming to look for her.

Covered by the black wetsuit that turns him into a shadow even darker than those thrown by the moon, the man finds a hiding place, where the mast and the boom meet.

From where he stands, he sees the woman’s companion emerge from below deck. He is naked. Turning his head as he climbs on deck, he sees her and stops. She is lying at the stern, near the rudder and the ladder. Her face is turned away and she appears to be sleeping, covered haphazardly by the white bathrobe. He takes a step towards her. His bare feet sense puddles of cold water on the wooden deck. Maybe he thinks she went for a swim and he feels a surge of tenderness for the body that seems to be asleep in the moonlight. Maybe, in his mind’s eye, he sees her swimming gracefully in the quiet sea, her wet body shining as she leaves the water and carefully dries herself. He goes over to her as if perhaps to wake her with a kiss, to bring her down to the cabin and make love to her. He kneels down and puts a hand on her bare shoulder above her robe. The man with the black wetsuit can hear every word he says.

‘Darling.’ The woman does not show the slightest sign of having heard. Her skin is like ice. ‘Darling, you can’t stay out here in the cold.’

Still no answer. Jochen feels a strange terror carve its way into the pit of his stomach.

Cautiously, he takes her head in his hands and turns Arianna towards him. His eyes meet a lifeless stare. The movement causes a stream of water to trickle from her mouth. He knows immediately that she is dead and a silent scream possesses him. He jumps up and in that very instant, feels a damp arm around his neck. The sudden pressure makes him arch backward.

Jochen is taller than average and he has the body of an athlete, perfectly trained during long hours at the gym so that he can endure the extraordinary physical stress of the Grand Prix. Still, his aggressor is taller and just as strong. He also has the advantage of surprise and of Jochen’s shock at the girl’s death. The driver instinctively raises his hands and grabs the arm covered by the wetsuit, which is pressed tight against his throat. Out of the corner of his eye, he sees a reflection sparkle on his right. A fraction of a second later, the assailant’s knife, sharp as a razor, cuts through the air with a hiss, drawing a swift circle downward.

The victim’s body shudders and contracts in the agony of death as the blade penetrates his ribs and splits open his heart. He feels the unnatural taste of blood in his mouth, and he dies with the moon’s cold smile in his eyes.

The man continues to press with the knife until the body is completely limp in his arms. Only then does he let go of the knife, supporting the body with his own. He eases it down to the deck and, breathing slowly to calm his panting, stands there a moment, looking at the two corpses. Then he grabs the man’s body and starts dragging it below.

He has very little time and a great deal of work to do before the sun comes up.

The only thing lacking is a little music.

FOUR

Roger came out on the deck of the Baglietto and breathed the fresh morning air. It was seven thirty and promised to be a beautiful day. After Grand Prix week, the owners of the yacht that he commanded had gone, leaving the boat in his care until the summer cruise, which usually lasted a couple of months. He had at least another six weeks of peace in the harbour of Monte Carlo, without the ship’s owner and his wife, a huge pain in the ass who had every type of plastic surgery imaginable and was so covered in jewellery that you needed dark glasses to look at her in the sun.

Donatella, the Italian waitress at the Restaurant du Port, was just setting the outdoor tables. The people who worked in the offices and stores around the harbour would soon be coming in for breakfast. Roger stood watching her in silence until she noticed. She smiled and pushed her chest out just a little more.

‘Life’s good, huh?’

‘Could be a lot better,’ said Roger, continuing the banter that had been going on between them for a while. He pretended to look sad.

Donatella moved the few feet that separated the tables from the stern of the boat and stopped right below him. Her open blouse revealed an intriguing furrow between her breasts and Roger plunged his gaze down like a fishing line. The girl noticed but gave no sign that it bothered her.

‘You know, if you used your words as well as your eyes… Hey, what’s that nutter doing?’

Roger turned his head to follow the girl’s look and saw the twin-engine Beneteau yacht heading straight towards the line of anchored boats at full speed. There was nobody on the bridge.

‘Stupid idiots.’

He left Donatella and ran to the prow of the Baglietto. He started waving his arms frantically, shouting, ‘Hey, you with the twin engine! Watch out!’

There was no sign of life from the yacht. It was heading straight towards the quay without slowing down. Now it was just a few yards away and a collision seemed inevitable.

‘Hey!’

Roger cried out, then grabbed the handrail and waited for the impact. With a violent crash, the Beneteau’s prow rammed into the Baglietto s port side, wedging itself between its hull and that of the boat anchored next to it. Luckily, there was not too much damage; the fenders had helped to soften the blow. Still, there was an ugly grey scratch in the paintwork. Roger was furious.

‘What the fuck do you think you’re doing?!’ he shouted.

There was no answer from the other boat. Roger climbed from the bridge of the Baglietto on to the prow of the Beneteau as a group of curious onlookers gathered around the pier. When he reached the stern, he noticed something strange. The rudder was blocked. Someone had slipped in the pole hook, tying it with a rope. A red trail started on deck and continued over to the steps leading to the cabins below. It seemed bizarre and Roger got a cold knot in his stomach. As he approached, his legs started to shake. Two words were written on the table in the same red liquid.

I kill…

The threat of the words and the ellipsis following them made him sick. Roger was twenty-eight years old and no hero, but something pushed him towards the door of what was probably the main cabin. He stopped for a second, his mouth dry with dread, and then he opened the door.

He was overcome by a sweetish odour that took hold of his throat and made him gag. He didn’t even have the strength to cry out. For all the years he had left to live, the scene before him would return to his dreams every night.

The policeman about to come on board and the people on the pier saw him rush out on deck, bend over the edge of the boat, and vomit into the sea, his body retching convulsively.

FIVE

Frank Ottobre awoke with the feeling that he was lying between strange sheets in a strange bed, in an unknown house, in a foreign city.

Then memory seeped into his brain like sunlight through the shutters and the pain was still there, just as he’d left it the night before. If there was still a world outside, and if there was a way to forget that world, his mind had rejected both. Just then, the cordless phone on the bedside table rang. He turned over and extended his hand to the phone’s flashing display.

‘Hello?’

‘Hey, Frank.’

He closed his eyes and the face called forth by the voice in the receiver came immediately to mind. The pug nose, the sandy hair, the eyes, the smell of aftershave, the pained walk, the dark glasses and grey suit that was like a uniform.

‘Hey, Cooper.’

‘It’s early for you, but I knew you’d be up.’

‘Yeah. What’s up?’

‘What’s up? Total pandemonium. We’re on duty 24/7. If there were twice as many of us, we’d need twice as many as that to keep up with everything. Everyone’s trying to pretend that nothing’s happened, but everyone’s afraid. And we can’t blame them: we’re scared too.’

There was a brief pause.

‘How are you doing, by the way?’

Yeah, how am I doing?

Frank asked himself the question as if just reminded that he was alive.

‘Okay, I guess. I’m here in Monte Carlo hobnobbing with the jet set. Only problem is, with all these billionaires I’m in danger of feeling like one myself. I’ll leave when I no longer think that buying a mile-long yacht is a crazy idea.’

He got out of bed, still holding the phone to his ear, and headed to the bathroom in the nude. In the semi-darkness, he sat down on the toilet and urinated.

‘If you buy one, let me know so I can come try it out.’

Cooper wasn’t fooled by Frank’s bitter humour, but he decided to play along. Frank imagined him on the phone in his office, with a strained smile and a distressed look on his face. Cooper was the same as ever. He, however, was in a tailspin and they both knew it.

There was a moment of silence and then Frank distinctly heard the sigh that Cooper often used. His voice was harsher now and more anxious.

Frank, don’t you think-’

‘No, Cooper,’ said Frank, knowing what he was going to say and cutting him off. ‘Not yet. I don’t feel up to coming back. It’s too soon.’

Frank. Frank. Frank! It’s been almost a year. How much time do you need to…’

In Frank’s mind, Cooper’s words were lost in the huge space between where he was, America, and the void of the galaxies. All he could hear was the voice of his own thoughts.

Yeah, how much time, Cooper? A year, a hundred years, a million years? How much time does it take for a man to forget that he destroyed two lives?

‘Homer said you can come back on duty whenever you like, if that helps. You’d be a help anyway. We need people like you right now, for Christ sake. Don’t you think that being here and feeling like you’re part of something, after all this-’

Frank interrupted and destroyed any false idea of closeness.

‘There’s only one thing left after all this, Cooper.’

Cooper was silent, with a burning question that he was afraid even to whisper. Then he spoke, and the thousands of miles separating Monte Carlo from America were nothing compared to the distance between the two men.

‘What, Frank, for the love of God?’

‘God has nothing to do with it. It’s me; it’s between me and myself. A fight to the death, and you know it.’

Frank removed the phone from his ear and watched his finger in the dark as he pressed the button and ended the call. He raised his eyes towards his naked body reflected in the large bathroom mirror. Bare feet on the cold marble floor, muscular legs, then all the way up to the dull eyes and back down to examine his chest and the red scars crisscrossing it. Almost of its own accord, his right hand rose slowly to brush over them. He sat there, freely allowing the little piece of death he constantly carried inside to wash over him.

When he had awoken, Harriet’s face was the first thing he had seen. Then, Cooper’s face had emerged from the mist. When he had managed to focus on the room, he had seen Homer Woods sitting impassively on an armchair in front of the bed, his hair brushed back, his blue eyes watching without expression behind his gold-rimmed glasses.

He had turned his head to his wife and realized as if in a dream that he was in a hospital room with green light filtering through the Venetian blinds, a bouquet of flowers on the table, tubes coming out of his arm, the monotonous bleep of a monitor, and everything spinning around. Harriet had approached him, bringing her face close to his. She had put a hand on his forehead. He had felt her hand but couldn’t hear what she was saying because once again he’d plunged back to where he had been.

When he had finally come to and was able to talk and think, Homer Woods was standing next to Harriet. Cooper was not there.

The light in the room had changed but it was still, or once again, daytime. Frank had wondered how long it had been since he had last awoken and whether or not Homer had been there all that time. He was wearing the same clothes, the same expression. Frank had realized that he had never seen him with different clothes or different expressions. Maybe he had an entire closet full of identical ones. They called him ‘Husky’ in the office, because his steely blue eyes looked like those of a sled dog.

‘Hi, sweetheart. Welcome back,’ Harriet had said with her hands in his hair and a tear running down her face. That tear was part of her, as if it had been there since the beginning of time.

She had risen from her seat next to the bed and placed her lips on his in a salty kiss. Frank had breathed in the scent of her breath the way a sailor breathes the air that carries the fragrance of the coast, the air of home. Homer had discreetly moved away.

‘What happened? Where am I?’ Frank had asked in a toneless voice that he didn’t recognize. His throat was strangely sore and he remembered nothing. His last memory was of a door being kicked open and of holding his gun as he entered a room. Then came the flash and the thunder and an enormous hand pushing him upwards, towards a painless darkness.

‘You’re in the hospital. You’ve been in a coma for a week. You had us worried sick.’ The tear was melded on to his wife s cheek like a fold in her skin. It sparkled with her pain.

She was standing to one side and had glanced at Homer to let him do the rest of the explaining. He had come over to the bed and looked at Frank from behind the barrier of his glasses.

‘The two Larkins spread a rumour that there was a big deal about to happen, and that they were going to be exchanging the goods and the money with their contacts at the warehouse. Lots of goods and lots of money. They did it on purpose to get Harvey Lupe and his men jealous and convince them to break in and get their hands on everything: drugs and cash. The building was stuffed with explosives. With one show of fireworks they were planning to free themselves of all the competition. But you and Cooper came along instead of Lupe. He was still outside the south side of the warehouse when you went in through the office. In Cooper’s direction the blast was partly absorbed by the shelves inside and all he got was a little debris in his face and a few scratches. You got hit with the full force of the explosion and it’s lucky for you that the Larkins are big dealers but lousy bombers. It’s a miracle you’re alive. I can’t even tell you off for not waiting for the team. If you had all gone in there together it would have been a massacre.’

Now he knew it all but still could remember nothing. All he could think was that he and Cooper had worked for two years to get the Larkins and instead the Larkins had got them. Him, to be precise.

‘What’s wrong with me?’ Frank had asked, sensing some strangeness in his body. He felt a vague constriction and saw his right leg in a cast, as if it belonged to someone else.

A doctor had entered the room just in time to hear the question, and he had given the answer. The doctor’s hair was grey but his face and manner were those of a young man. He had smiled at Frank ceremoniously, his head to one side.

‘Hello, I’m Dr Foster, one of the reasons you’re still alive. Hope you don’t mind. If you like, I can tell you what’s wrong. A few broken ribs, a lesion of the pleura, a leg broken in two places, wounds of various sizes everywhere, serious injuries of the thorax, and a concussion. And enough bruises to make your skin three shades darker. And there is – that is, there was – a piece of metal that stopped a quarter of an inch from your heart and made us sweat blood to get rid of it before it got rid of you. And now, if you will allow me’-he picked up the chart hanging at the foot of the bed – I think it’s time to examine our efforts at damage control.’ He had gone to the head of the bed and pressed a button, near enough for Frank to smell his freshly laundered shirt.

Harriet and Homer Woods had started towards the door, opening it just in time to let in a nurse pushing a trolley. As she was leaving, Harriet had thrown a strange glance at the monitor checking her husband’s heart, as though she thought her presence was necessary for both his heart and the machine to work. Then she had turned away and closed the door behind her.

As the doctor and nurse bustled around his body covered with bandages and tubes, Frank had asked for a mirror. Without a word, the nurse had taken one hanging near the door and handed it to him. What he saw in the mirror, strangely without emotion, were the pale face and suffering eyes of Frank Ottobre, FBI special agent, still alive.

Mirror to mirror, eye to eye. The present overlapped with the past and Frank met his own eyes once again in the big bathroom mirror and asked himself if it had really been worth it for all those doctors to work so hard just to keep him around.

He went back into the bedroom and turned on the light. He pressed a button beside the bed to open the electric shutters. They parted with a hum, mixing sunlight with the electric light.

Frank went over to the window, pushed aside the curtains, pulled the handle of the sliding door, and softly opened it. He went out on the terrace.

Monte Carlo, paved with gold and indifference, lay below. Before him, under the rising sun, down at the end of the world, the blue sea mirrored the azure sky. He thought back to his conversation with Cooper. His country was at war on the other side of that sea. A war that involved him and those like him. A war that concerned everyone who wanted to live without shadows or fear in the sunlight. And he should be there, defending that world and those people.

There was a time when he would have gone, when he would have been on the front line like Cooper, Homer Woods and all the others. But that time was over. He had almost given his life for his country and his scars were the proof.

And Harriet…

A gust of fresh air made him shudder. He realized that he was still naked. As he went back inside, he wondered what the world could still do with Frank Ottobre, FBI special agent, when he didn’t even know what to do with himself.

SIX

As he got out of the car, police inspector Nicolas Hulot of the Sûreté Publique of the Principality of Monaco saw the yacht wedged in between the other two, slightly listing to one side. He walked over to the wharf. Sergeant Morelli came towards him, down the gangway of the Baglietto that had been rammed. When they were face-to-face, the inspector was shocked to see that the other man was extremely upset. Morelli was an excellent policeman, who had even trained with Mossad, the Israeli secret service. He had seen all kinds of horrors. But he was pale and avoided Hulot’s eyes as they spoke, as though what was happening were his fault.

‘Well, Morelli?’

‘Inspector, it was a massacre. I’ve never seen anything like it.’ He sighed deeply and Hulot thought for a moment that he was about to vomit.

‘Calm down, Claude, and explain. What do you mean “massacre”? They told me there was a homicide.’

‘Two, inspector. A man and a woman. What’s left of them, anyway.’

Inspector Hulot turned around and looked at the crowd forming behind the police barricades. He had a sinking sense of foreboding. The Principality of Monaco was not a place where this kind of thing happened. The police force was one of the most efficient in the world and the low crime rate was an Interior Minister’s dream. There was a policeman for every sixty inhabitants and CCTV everywhere. Everything was under control. Men got rich or went bankrupt here, but nobody was killed. There were no robberies, no murders, no organized crime. In Monte Carlo, by definition, nothing ever happened.

Morelli pointed to a man of about thirty who was sitting at an outdoor cafe with a policeman and the medical examiner’s assistant. The place, usually swarming with people in designer clothes, was half empty. Anyone who could be useful as a witness had been detained, and anyone else was denied access. The owner was sitting on the doorstep next to a busty waitress, twisting his hands nervously.

‘That guy was on the Baglietto, the yacht that got hit. His name’s Roger something or other. He went on board to confront someone about the collision. He didn’t see anyone on deck so he went down below and found them. He’s in shock and they’re trying to get something out of him. Agent Delmore – he’s new – went on to the boat after he did. He’s in the car now. Not feeling so hot.’

The inspector turned back again to look at the curious crowd gathered between the police and Boulevard Albert Premier, where a team of workers had just finished dismantling the stands set up for the Grand Prix. He missed the bedlam of the event, the crowds and the inconvenience it always brought.

‘Let’s go see.’

They walked down the unsteady gangway of the Baglietto and then on to the Beneteau via another gangway that had been set up. As the inspector climbed on to the boat, he saw the rudder blocked with the hook and the trail of dried blood that started on deck and continued below where it was lost in darkness. The sun was warm but he felt the tips of his fingers grow suddenly cold. What the hell had happened on that boat?

‘If you don’t mind, inspector,’ said Morelli, pointing to the steps leading to the cabin below, ‘I’ll wait here. Once was more than enough.’

Going down the wooden steps, Inspector Hulot nearly bumped into Dr Lassalle, the medical examiner, who was leaving. He had a cushy job in the Principality and extremely limited experience. Hulot had no respect for him whatsoever, as a man or as a physician. He had got the job because of his wife’s connections and he enjoyed life while doing almost none of the work he was paid to do. Hulot had always thought of him as a luxury doctor. His presence there simply meant that he was the only person around at the time.

‘Good morning, Dr Lassalle.’

‘Ah, good morning, inspector.’ The doctor seemed relieved to see him. It was clear that he was facing a situation he couldn’t handle.

‘Where are the bodies?’

‘In there. Come and see.’

Now that his eyes were accustomed to the gloom, the inspector saw the trail of blood that continued along the floor and disappeared through an open door. To his right, there was a table where someone had written something in blood.

I kill…

Hulot felt his hands turn to ice. He forced himself to breathe deeply through his nose. He was hit by the sweetish smell of blood and death, odours that bring anguish and flies.

He followed the trail of blood and went into the cabin on the left. When he was at the door and could see what was inside, the ice in his hands spread through his entire body. Lying on the bed, one next to the other, were the bodies of a man and a woman, completely naked. The woman had no apparent wounds, while there was a large red blotch on the man’s chest at his heart, where the blood had stained the sheet. There was blood everywhere. It seemed impossible that those two lifeless bodies had contained so much blood. The inspector forced himself to look at the faces of the corpses. But their faces were no longer there. The murderer had completely removed the skin, hair included – the way one skins an animal. He stared, sickened by the wide-open eyes, gazing at a ceiling they could not see, the muscles of each face red with dried blood, the teeth exposed in a macabre smile that the absence of lips made eternal.

Hulot felt as though his life would stop there, that he would be standing near the door of the cabin staring at that spectacle of horror and death for ever. For an instant he prayed that the person capable of that slaughter had at least put his victims to death first, before inflicting that torture on them.

He made an effort to shake himself and turned towards the galley, where Lassalle was waiting. Morelli had finally managed to come back down and was there, too. He was standing in front of the doctor, searching the inspector’s face to see his reaction.

First, Hulot turned to the physician. ‘What can you tell me, doctor?’

Lassalle shrugged. ‘The deaths occurred a few hours ago. Rigor mortis has just set in. Hypostatic testing will confirm that. The man was apparently killed with some kind of knife; a sharp thrust right to the heart. As for the woman, apart from’ – the doctor paused to swallow his saliva – ‘apart from the mutilation, there is nothing, at least in front. I haven’t moved the bodies because we’re waiting for forensics. The autopsies should tell us more.’

‘Do we know who they are?’

‘According to the ship’s papers,’ said Morelli, ‘the yacht is the property of a Monte Carlo company. We haven’t done a thorough search yet.’

‘Forensics is going to be furious. With all the people coming and going on this boat, the evidence is contaminated and who knows what we’ve lost.’ Hulot looked at the floor and the trail of blood. Here and there were footprints he hadn’t noticed earlier. When he turned his gaze to the table, he was surprised to realize that he was doing so in the absurd hope that those desperate words would no longer be there.

He heard two voices from the deck above. He climbed up the steps and suddenly found himself in another world, of sunlight and life, of fresh salt air, without the smell of death he had been breathing below. An agent standing on deck was trying to hold back a man of about forty-five who was shouting in French with a strong German accent. The man was trying with all his might to get past the policeman.

‘Let me through, I said!’

‘You can’t. It’s not allowed. Nobody is allowed through.’

‘I have to get in there, I tell you. I have to know what happened.’ The man struggled to shrug off the policeman who was holding his arms. He was red in the face and hysterical.

‘I’m sorry, inspector,’ said the policeman, looking at his superior with relief. ‘We couldn’t stop him.’

Hulot nodded to say that it was all right and the policeman let go. The man straightened his clothes with a gesture of annoyance and approached the inspector as if he were someone he could finally address as an equal. He stopped and removed his sunglasses to look him straight in the eye. ‘Good morning, inspector. Would you kindly tell me what is going on here on this boat?’

‘And may I know to whom I have the pleasure of speaking?’

‘My name is Roland Shatz and I assure you that it’s a name that means something. I am a friend of the owner of this boat. I demand an answer.’

‘Mr Shatz, my name is Hulot and it probably means much less than yours, but I’m a police inspector, which means, that until otherwise informed, I am the person who asks the questions and demands the answers on this boat.’

Hulot clearly saw the anger rise in Shatz’s eyes. The man took a step closer and lowered his voice slightly.

‘Inspector,’ he whispered, just a few inches from the other man’s face. There was infinite contempt in his voice. ‘This boat belongs to Jochen Welder, twice Formula 1 world champion, and I’m his manager and personal friend. I am also a personal friend of His Highness, Prince Albert. So will you please tell me in detail exactly what has happened on this boat and to the people on it?’

Hulot left those words suspended between them for a moment. Then, his hand shot out with lightning speed and he grabbed Shatz by the knot of his tie, pulling it until he couldn’t breathe. The man’s face turned purple.

‘You want to know? Okay, I’ll make you happy. Come with me and I’ll show you what happened on this boat.’

He was furious. He pulled violently at the manager and practically dragged him below deck.

‘All right, my personal friend of Prince Albert. Come and see with your own eyes what happened.’

He stopped at the door of the cabin and finally let Shatz go. He waved his hand at the two bodies on the bed.

‘Look!’

Roland Shatz regained his breath, and then lost it again. As the reality of the scene before him began to sink in, his face grew deathly pale. The whites of his eyes flashed in the dim light and then he fainted.

SEVEN

As he walked towards the port, Frank saw a group of people watching police cars and uniformed men work their way among the boats moored along the quay. He heard a siren approaching behind him and he slowed his step. All those police meant that something more than a mere boating accident had occurred.

And then there were the reporters. Frank had too much experience not to recognize them at first sight. They were wandering around, sniffing out news with a frenzy only caused by something big. The siren, far away at first like a premonition, now wailed ever closer.

Two police cars raced along the coast from the Rascasse, pulling up in front of the barricades. A policeman hurried over to let them through. The cars stopped behind the ambulance, its back doors open like the jaws of a beast ready to swallow its prey.

Several uniformed and plainclothes policemen got out of the cars and headed towards the stern of a yacht anchored not far away. Frank saw Inspector Hulot standing in front of the gangway. The newcomers stopped to talk to him and then they all boarded the vessel and crossed the deck on to the boat wedged, listing, between the two either side of it.

Frank wandered slowly through the crowd and ended up at the wall to the right of the cafe. He found a position from which he could watch the scene comfortably. From the hold of the twin-masted vessel, several men emerged, carrying two plastic body bags. Frank observed with indifference the transfer of the bodies to the ambulance. Years ago, crime scenes had been his natural habitat. Now the spectacle was foreign to him, neither a professional challenge for a policeman, nor a scene of horror that offends his sense of humanity.

As the ambulance doors closed on their cargo, Inspector Hulot and the people with him walked single file down the Baglietto gangway. Hulot went directly towards the small crowd of newspaper, radio and TV reporters, which two policemen were now trying to hold back. Before he even reached them, Frank could hear the clamour of overlapping questions and see the microphones thrust up Hulot’s nose to force some scrap of information out of him, even a fragment that they could manipulate to arouse interest. When reporters couldn’t offer the truth, they were content to stir up speculation.

As Hulot dealt with the press with a robotic repetition of ‘no comment’, he turned to look in Frank’s direction. Frank realized that Hulot had seen him. The inspector abandoned the group of reporters with their unanswerable questions and waved Frank over to the barricade. Reluctantly, Frank detached himself from his vantage point and made his way through the crowd towards Hulot. The two men looked at each other. The inspector had probably only been up for a little while, but he already looked tired, as if he hadn’t slept in forty-eight hours.

‘Hi, Frank. Come inside.’

He motioned to a policeman nearby to move the barricade so Frank could pass through. They sat down at one of the cafe’s outdoor tables, under a parasol. Hulot’s eyes wandered as if he couldn’t explain to himself what had just happened. Frank removed his Ray-Bans and waited to make eye contact.

‘What’s up?’

‘Two dead, Frank. Murdered,’ he said, without looking at him. Hulot paused. Then he finally turned and looked at Frank. ‘And not just any two. Jochen Welder, the Formula 1 racing driver. And his girlfriend, Arianna Parker, a famous chess champion.’ Frank said nothing. He knew, instictively, that it wasn’t over. ‘They have no faces left. The killer flayed them like animals. It’s horrible. I have never in my life seen so much blood.’

In the distance, the plaintive siren of the ambulance and the forensics van receded into the city. The curiosity seekers gradually straggled off, overcome by the heat and bored by the dwindling activity on the quay. The reporters had gleaned all they could possibly get and they, too, were starting to pack up.

Hulot paused again. He stared at Frank, saying a great deal with his silence. ‘Want to take a look?’

Frank wanted to say no. Everything inside him said no. He would never again look at a trace of blood or overturned furniture, or touch the throat of a man lying on the ground to see if he was dead. He was no longer a policeman. He was no longer even a man. He was nothing.

‘No, Nicolas. I don’t feel like it.’

‘I’m not asking for you. I’m asking for me.’

Although Frank Ottobre had known Nicolas Hulot for years, he felt as though he were seeing him for the first time. They had once collaborated on an investigation that had involved the Bureau and the Sûreté Publique – some international money-laundering story tied to drugs and terrorism. The Monaco police, given their nature and efficiency, were in constant contact with police forces all over the world, including the FBI. Because of his perfect French and Italian, Frank had been sent to follow the investigation on the ground. He had got on well with Hulot and they had quickly become friends. They had stayed in touch, and he and Harriet had come to Europe once as guests of Hulot and his wife.

The Hulots had been planning a return visit to the States when the business with Harriet had happened. Frank still couldn’t give the events their proper name, as though not saying the actual words, Harriet’s suicide, kept the darkness at bay. In his mind, what had happened was still ‘the business with Harriet’.

When he had heard, Hulot had called almost every day for months. He had finally convinced Frank to end his isolation and come to Monte Carlo to visit him. With the discretion of a true friend, he had found him the apartment where he was staying. It belonged to André Ferrand, a company executive who was spending several months in Japan.

At that moment, Hulot was looking at him like a drowning man in need of a lifeboat. Frank couldn’t help but ask himself which of them was drowning and which was the lifeboat. They were two people alone against the cruelty of death.

‘Let’s go,’ said Frank, replacing his sunglasses and getting up suddenly, before he could give in to the impulse to turn and flee.

He followed his friend to the Beneteau, feeling his heart beating faster and faster. The inspector pointed to the steps on the twin-mast that led below deck, and let Frank go first. Hulot saw that his friend noticed the blocked rudder, but said nothing. When they were below, Frank looked around, keeping his eyes behind his shades.

‘Hmm… Luxury boat. Everything’s computerized. This is the boat of the lone sailor.’

‘Yeah, money was not an issue. Just think, he earned it by risking his life for years in a racing car and then ended up like this.’

Frank saw the traces left by the killer and the familiar marks left by forensics, who had found other less obvious details. There were the signs of a careful examination, of fingerprints taken and measurements made. The smell of death still lingered, even though all the portholes had been opened.

‘They found the two of them in there, in the bedroom, lying next to each other. The footprints you see were left by rubber shoes, maybe from a wetsuit. There are no fingerprints in the hand marks. The killer wore gloves at all times.’

Frank walked down the corridor, reaching the bedroom and stopping at the doorway. Outside was calm but inside it was hell. He had often witnessed scenes like this. Blood splashed on the ceiling. He had seen real slaughter. But that was men fighting other men, ruthlessly, for the things that humans desire: power, or money, or women. They were criminals fighting other criminals. Men against men, at any rate. Here, floating in the air was someone’s battle against his own personal demons, the ones that devour the mind as rust eats iron. No one could understand that better than Frank. He couldn’t breathe and turned to leave. Hulot greeted him above deck, then resumed his story.

‘At the port of Fontvieille where they were anchored, we were told that Welder and Parker set sail yesterday morning. They didn’t come back, so we think they dropped anchor off the coast somewhere. Not far off presumably, since they didn’t have much fuel. We still have to clarify the mechanics of the crime, but we have a plausible hypothesis. We found a bathrobe on deck. The girl might have gone out for some air. Maybe she went for a swim. The killer must have swum over from land. At any rate, he surprised her, pulled her underwater and drowned her. There were no wounds on her body. Then he got hold of Welder on deck and stabbed him. He pulled them both into the bedroom and calmly did… what I hope God strikes him dead for. Then he pointed the boat in the direction of the port, blocked the rudder so that it headed towards the dock, and left the way he came.’

Frank didn’t answer. In spite of the dim light, he was still wearing his sunglasses. With his head lowered, he seemed to be staring at the trail of blood that went between them like a track.

‘So, what do you think?’

‘You need to be fairly cold-blooded to do something like this, if that’s how it happened.’

He wanted to leave, to go back home. He didn’t want to have to say what he was saying. He wanted to return to the pier and resume his peaceful aimless walk in the sun. He wanted to breathe without realizing that he existed. But he went on talking.

‘If he came from land, then he didn’t do it in a fit of rage. It was premeditated. The whole thing must have been carefully planned. He knew where they were and they were more than likely the people he wanted to strike.’

The other man nodded, hearing something that had already occurred to him.

‘That’s not all, Frank. He left this as a commentary on what he did.’

Hulot made a gesture that underscored what was behind him. A wooden table and delirious words that could have come from the pen of Satan.

I kill…

At last Frank removed his glasses, as if he needed to see better in order to understand the words.

‘If that’s the way things were, these words mean only one thing, Nicolas. It’s not a commentary on what he did. It means he’s planning to do it again.’

THIRD CARNIVAL

The man shuts the heavy sealed door behind him.

It closes silently, fitting perfectly into the metal frame, and becomes one with the wall. The flywheel, similar to that on the hatch of a submarine, turns easily in his hands. The man is strong but he knows that the mechanism needs frequent oiling and he keeps it in perfect working order. The man is meticulous about his belongings. The whole place is in perfect order.

He is alone, locked in his secret lair where men, the light of day and simple reason are excluded. He has the furtive haste of an animal returning to its den and the lucid concentration of the predator who has selected its victim. Images of blood and the red of sunset, screams and whispers, peace and death all crowd together in his mind, finding their rightful place.

The room is a spacious rectangle. The wall to the left is entirely covered by a bookcase filled with electronic equipment. There is a complete sound system consisting of two Alesis 8-track units linked to a Macintosh computer. The system also includes sound equipment piled up to the right of the wall. There are compressors, Focusrite and Pro Tools filters, and some racks of Roland and Korg effects. There is a radio scanner to hear programmes on all frequencies, including the police radio. The man likes to listen to voices in the air. They fly from one spot to another in space and belong to people without faces or bodies. They feed his imagination and give him the freedom to fantasize; the voices on tape communicate with the voice in his head.

The man picks up the watertight box from the floor where he kept it. There is a wooden table resting on two trestles, which runs against the metal wall. The man sets the box on it. He sits down on a swivel chair that allows him to reach the wall opposite the sound equipment with a simple movement. He turns on a table lamp. The glow penetrates the cold brilliance of the neon hanging from the ceiling.

The man feels the growing beat of excitement flood through him as he releases the clasps on the box one by one. The night had not been spent in vain. The man smiles. In the outside world, on a day no different from any other, men were looking for him. Other voices were in the air, flying at each other in a futile chase. Bloodhounds with glass eyes unable to see beyond their own reflection or what was staring them in the face.

In the peace of the shadows, his house is once again a home. Meaning has returned; the sound of his own footsteps, his own reflection. His smile broadens, his eyes shine. In the absolute silence, only his mind perceives the solemnity of the moment as he slowly opens the lid of the box.

In the small space of his secret hiding place, the man inhales the odours of blood and sea that permeate the air. A knot of anguish tightens his stomach. The triumphant beating of his heart suddenly becomes a death knell. He jumps up, thrusts his hands in the box, and with delicate care extracts what is left of the face of Jochen Welder, dripping with blood and salt water. The seal on the box did not hold and water has seeped into the container. He inspects the damage, turning the face in his hands. The skin is rough and spotted with white where it came in contact with the salt. The lifeless hair is damp and tousled.

The man drops his trophy into the box as if it suddenly disgusts him. He slumps into the chair and holds his head in his bloodied, salty hands. Unwittingly, he runs his hands through his hair while drooping his head under the weight of defeat. No use.

The man feels a panting rage rise within him, like a storm coming from far away. The rustle of wind through tall grass, the sky darkening, the first thunderclap. His fury explodes. He jumps up, grabs the container, raises it over his head, and hurls it against the metal wall. It resounds like a tuning fork set to the pitch of death that the man feels inside him. The box bounces and lands in the middle of the room. The lid is half off from the force of the throw. The sorry remains of Jochen Welder and Arianna Parker slide out on to the floor. The man looks at them with contempt, so much spilled garbage on the ground.

The moment of rage is brief. His breath slowly returns to normal. His heart calms down. His arms relax by his sides. His eyes once again become those of a priest who listens in silence to voices that only he can hear. There will be another night. And many more nights to come. And a thousand faces of men whose smiles will be snuffed out like a candle inside a hollow jack-o’-lantern.

He sits down and rolls across towards the sound equipment. Cases packed with records and CDs line the walls. He rummages through them, selecting a CD and slotting it angrily into the player. The sound of strings pours forth from the speakers. It is melancholy, like a cool autumn breeze blowing crumpled leaves in a soft, swirling dance.

The man relaxes against the back of his chair. He smiles again. His failure is already forgotten, dissolved by the sweetness of the music. There will be another night. And many more nights to come. Suddenly a voice is heard, as alluring as the music that swirls through the room.

Isthatyou,Vibo?

EIGHT

‘Merde!

Nicolas Hulot threw his newspaper on top of the others cluttering his desk. All of them, French and Italian press alike, had the news of the double murder on the front page. In spite of his attempt to keep the information confidential, the whole story had leaked out. While the crime itself would have been enough to excite the voracity of the press like a shoal of piranhas, the fact that the victims were famous had generated a surge of creativity in the headlines. A Formula 1 champion and his girlfriend, who just happened to be a celebrated chess player: it was a a gold mine. Reporters would be willing to dig with their bare hands.

A couple of skilled news hounds had managed to piece together all the information, probably thanks to a statement – probably handsomely compensated – from the yachtsman who had found the bodies. The reporters’ imaginations had really run wild in the writing spread out on the table. Each one gave a personal interpretation, leaving the readers to fill in the gaps.

I kill…

The inspector closed his eyes, but the scene before him didn’t change. He was unable to forget those marks written in blood on the table. Things like that did not happen in real life. Writers only invented them to sell books. They were the plots of movies that successful screenwriters wrote in Malibu beach houses while sipping cocktails. This type of investigation belonged in America with detectives like Bruce Willis and John Travolta, big guys with taut muscles and an easy gun. Not with an inspector who was closer to retirement than to glory.

Hulot got up from his desk and walked across to the window with the steps of a man worn out from the fatigue of a long journey. Everyone had called him, in the proper hierarchical order. He had given the same answers, since they had all asked the same questions. He looked at his watch. There was a meeting scheduled to coordinate the investigation. Along with Luc Roncaille, chief of the Sûreté Publique, there would be Alain Durand, the attorney general who, as investigating magistrate, had decided to lead the investigation in person. The councillor for the Interior Ministry was also planning to attend. The only person missing was Prince Albert himself, supreme head of the police force by internal regulations. Although one never knew who would show up.

At the moment, all Hulot had was a little information and a great deal of diplomacy, and he would use them on anyone who came by.

There was a knock at the door and Frank walked in, looking like he would much rather be elsewhere. Hulot was surprised to see him but could not help feeling a sense of relief. He knew it was Frank’s gesture of gratitude towards him, a little bit of support in the sea of troubles in which Hulot was floundering. And besides, Frank Ottobre, the Frank of the past, was exactly the type of officer who could run an investigation like this, even though Hulot knew that his friend had no desire to be a lawman ever again.

‘Hi, Frank.’

‘Hi, Nicolas. How’s it going?’

‘How’s it going?’ echoed Hulot, knowing that the other man had only asked him that question to keep him from asking it first. ‘I leave it to your imagination. I got hit with a meteorite when I could barely handle a pebble. I’m a total wreck. Everyone’s on to me, like dogs chasing a fox.

Frank said nothing and went to sit down in the armchair in front of the desk.

‘We’re waiting for the autopsy report and the forensic test results. But they haven’t found much. They pored over every inch of the boat but nothing turned up. We had a handwriting analysis done of the writing on the table and we’re waiting for those results, too. We’re all praying that it isn’t what it seems.’

Hulot scrutinized Frank’s face, trying to see if there was any interest in what he was saying. He knew Frank’s story and that it was no easy burden to bear. After he had lost his wife, and in such tragic circumstances, Frank seemed intent solely to destroy himself, as if he bore the guilt for all the troubles of the world. Nicolas had seen people lose themselves to alcohol or worse. He’d even seen people take their own lives in a desperate attempt to erase their remorse. Instead, Frank remained lucid, whole, as if he wanted to keep himself from forgetting. As if he were serving out a sentence, day by day, without remission.

Hulot leaned his elbows on the table. Frank sat in silence, expressionless, his legs crossed. Nicolas had to struggle to continue.

‘We don’t have a thing. Absolutely nothing. Our man was probably wearing a wetsuit the whole time, including shoes, gloves and cap. In other words, no skin, no hair. The handprints and footprints he left are of such a common physical type that it could be anyone.’ Hulot paused. Frank’s black eyes glowed dully like coal. ‘We’ve started looking into the victims. Two people like that, you can imagine the number of people they met in the lives they led, all over the world…’

Suddenly, the inspector’s demeanour changed, struck by the force of an idea.

‘Why don’t you help me, Frank? I can call your boss. I can ask him to call the right people and have you join the investigation. You’re prepared and familiar with the facts. We’ve worked together before, after all. And one of the victims was an American citizen. You’re just the man for a case like this. You speak French and Italian perfectly; you know how us European cops do things and how we think. You’re the right man in the right place.’

‘No, Nicolas.’ His voice was cold and hard. ‘You and I don’t have the same memories any more. I’m not the man I used to be. I’ll never be that again.’

‘Has it never occurred to you,’ said the inspector, getting up from his chair, ‘that what happened to Harriet might not be your fault?’ He went around the desk and leaned against it, standing in front of Frank and leaning towards him slightly, for more emphasis. ‘Or at least not entirely?’

Frank turned his head and looked out of the window. His jaw contracted as if he wanted to bite back an answer he’d already given too many times. His silence increased Hulot’s anger and the inspector raised his voice slightly.

‘God damn it, Frank! You know what happened. You saw it with your own eyes. There’s a murderer out there who has already killed two people and will probably kill again. I don’t know what exactly you’ve got on your mind, but don’t you think that stopping this maniac might be a way out for you? Think about it – could helping others be a way to help yourself? Help yourself to go home?

Frank brought his gaze back to his friend. His look said he felt like a man who could go anywhere and still feel that he did not belong.

‘No.’ That single syllable uttered in such a calm voice erected a wall between them. For a moment, neither of them spoke.

There was a knock at the door and Claude Morelli walked in without waiting for an answer.

‘Inspector…’

‘What is it, Morelli?’

‘There’s someone from Radio Monte Carlo outside.’

‘Tell him I’m not talking to reporters now. There’ll be a press conference later, whenever the chief decides.’

‘He’s not a reporter, inspector. He’s a deejay who hosts an evening radio show. He came with the station manager. They read the papers and they say they have some information on the two crimes at the harbour.’

Hulot did not know how to take the news. Anything useful was like manna from heaven. The thing he was afraid of was a parade of maniacs convinced that they knew everything about the homicides, or even wanting to confess that they were the killers. But he could not afford to leave any stone unturned.

He blew out his cheeks. ‘Show them in.’

Morelli went out and it seemed like a prearranged signal for Frank, who got up and retreated to the door just as Morelli came back, accompanied by a young man with long, black hair, about thirty, and an older man, about forty-five. Frank glanced at them and stood aside to let them in, then took advantage of the occasion to slip through the half-open door.

‘Frank,’ called Hulot after him. ‘Sure you don’t want to stay?’ Frank Ottobre left the room without a word and closed the door behind him.

NINE

Outside police headquarters, Frank turned left on Rue Suffren Raymond and soon found himself walking down Boulevard Albert Premier, the road that ran along the coast. A crane moved lazily against the blue sky. The crew was still at work dismantling the Grand Prix bleachers and piling them on to long trucks.

Everything was happening by the rules. Frank crossed the street and stopped on the promenade in front of the harbour to watch the boats coming and going. There was no trace of what had happened on the wharf. The Beneteau had been towed away somewhere safe so that the police could get to it during the investigation. The Baglietto and the other boat that had been rammed were still there, gently nudging each other’s fenders as the waves brought them close. The police barricades had been removed. There was nothing left to see.

The harbour cafe had resumed its normal activity. What had happened was probably attracting more customers, curiosity seekers who wanted to be at the centre of things. Maybe the young sailor who had discovered the bodies was there, enjoying his fifteen minutes of fame and recounting what he had seen. Or maybe he was staring silently into a glass, trying to forget.

Frank sat down on a stone bench. A boy sped past on Rollerblades, followed by a younger girl having trouble with her skates and whimpering for him to slow down. A man with a black labrador was patiently waiting for his dog to finish responding to the call of nature. Then he took out a plastic bag and a little shovel from his pocket and scooped up the evidence, diligently depositing it in the bin.

Ordinary people. Like everybody else, but with a little more money and happiness, or so it seemed. Maybe it was all just a show and nothing more. A cage was still a cage, even if it was made of gold, and every person created his own destiny. Everyone built his own life or destroyed it, according to the rules he alone invented. Or rules he refused to make. There was no escape.

A yacht was motoring out of the harbour. From the stern, a blonde woman in a blue swimsuit waved goodbye to someone on the shore. For a moment the sea and its reflections stirred his memory.

After he had left the hospital he and Harriet had rented a cottage in an isolated spot on the Georgia coast. It was a wooden house with a red-tile roof built about 100 yards from the shore, in the middle of the dunes. There was a veranda with large sliding glass doors that opened in the summer, transforming it into a patio.

At night they listened to the wind blowing through the sparse vegetation and the sound of the waves hitting the beach. In bed, he could feel his wife hold him tightly before falling asleep. Her frantic need to assure herselfofhispresence,asifshecouldnotreallyconvinceherselfthathe was still there with her, alive.

During the day they lay on the beach, sunbathed and swam. The stretch of coastline was practically deserted. People who loved the sea and the life of crowded beaches went elsewhere, to the ‘in’ places, to watch bodybuilders working out or girls with silicon breasts strutting by as if the were auditioning for Baywatch. Lying there on the towel, Frank could expose his thin body to the sun without being ashamed of the red scars or the painful mark of the heart operation where they took out the piece of metal that had nearly killed him.

Sometimes Harriet traced the sensitive flesh of the scars with her fingers, and tears glistened in her eyes. Sometimes silence fell between them, when they both thought the same thing, remembering the suffering of those last months and the toll it had taken. They did not have the courage to look at each other then. They each looked out at their own piece of ocean until one of them silently found the strength to turn and embrace the other.

From time to time, they did some shopping in Honesty, a fishing village that was the nearest town and looked more like Scotland than America. It was a peaceful little place, without the slightest ambition of becoming a tourist resort. The wooden houses all looked more or less alike and were built along a street that ran parallel to the ocean, where a concrete barrier above the rocks stopped the waves during winter storms.

They ate in a restaurant with large windows across from the pier, built on struts with a wooden floor that echoed with the waiters’ steps. They drank chilled white wine that misted their glasses, and they ate freshly caught lobster, staining their fingers and splashing their clothes when they tried to crack open the claws. Harriet and Frank laughed like children. They seemed to be thinking about nothing. They spoke about nothing. Until the phone call.

They were at home and Frank was slicing vegetables for the salad. There was a delicious smell offish and potatoes baking in the oven. The wind outside swirled the sand from the peaks of the dunes; the ocean was covered with white foam. The sails of a few windsurfers cut swiftly through the air. Harriet was sitting in a cane chair on the veranda the whistling of the wind kept her from hearing the phone. He had stuck his head out the kitchen door with a large red pepper in his hand.

‘Phone, Harriet. Can you answer? My hands are dirty.’

His wife had gone over to the old wall phone that was ringing with its old-fashioned sound. She had picked up the receiver and he stood there watching her.

‘Hello?’

Her face had changed, the way faces do when they hear bad news. Her smile had faded and she had stood in silence for a moment. Then, she had put down the receiver and looked at Frank with an intensity that would torment him for a long time.

‘It’s for you. It’s Homer,’ she had said, turning and going back to the veranda without another word. He had gone to the phone and picked up thereceiver,stillwarmfromhiswife’shand.

‘Yes?’

‘Frank, it’s Homer Woods. How’re you doing?’

‘Fine.’

‘Really fine?’

‘Yes.’

‘We got them.’ Homer spoke as if their last conversation had taken place ten minutes before. If he had noticed Frank’s monosyllabic replies, he had not let on.

‘Who?’

‘The Larkins. We caught them red-handed this time. Without any bombs. There was a gunfight and Jeff Larkin got killed. There was a mountain of drugs and a bigger mountain of cash. And papers. We have promising new leads. With a little luck, there’s enough material to nail them all.’

‘Fine.’He had repeated the same word, in the same tone of voice, but his boss hadn’t picked up on it this time either. He imagined Homer Woods in his panelled office, sitting at his desk, phone in hand, his blue eyes framed by gold-rimmed glasses, as immutable as his grey three-piece and blue button-down shirt.

‘Frank, we got to the Larkins mostly because of your work, yours and Cooper’s. Everyone here knows it and I wanted to tell you. When do you think you’re coming back?’

‘I don’t know, to be honest. Soon.’

‘Okay, I don’t want to pressure you. But remember what I said.’

‘Okay, Homer. Thanks.’ He had hung up and gone out to look for Harriet. She was sitting on the veranda watching the two kids dismantle their sailboards and load them on to their jeep.

He had sat down in silence next to her on the wooden bench. They had watched the beach until the jeep was gone. It was as if that outside presence, though far away, had kept them from speaking.

‘He wants to know when you’re coming back to work, doesn’t he?’ Harriet had asked, breaking the silence.

‘Yes.’ There had never been lies between them and Frank had no intention of starting now.

‘Do you want to?’

‘Harriet,’ Frank had said, ‘I’m a policeman.’ He had turned to her but Harriet had carefully avoided meeting his gaze. He, too, had gone back to watching the ocean; the waves chasing each other in the wind, white with foam. I didn’t choose this life because I had to. I like it. I’ve always wanted to do what I do and I don’t know if I could adjust to doing anything else. I don’t even think I’d know how. As my grandfather always said, you can’t fit a square peg into a round hole.’ He had stood up and put a hand on his wife’s shoulder, now slightly stiff. ‘Harriet, I don’t know whether I’m square or round. But I don’t want to change.’

He had gone back into the house and when he had come out a while later to look for her, she had disappeared. Her footprints on the sand in front of the house went in the direction of the dunes. He had seen her walking in the distance by the shore, a tiny figure with hair flying in the wind. He had followed her with his gaze until two other dunes had hidden her from view. He thought she wanted to be alone and that it was only right. He had gone back into the house and sat down at the table, in front of food he would never want to eat.

Suddenly, he had not felt so sure about what he’d said earlier. Maybe there was another life for the two of them. Maybe someone who was born square couldn’t become round, but he could try to round off the edges so that nobody would be hurt. Especially those he loved. He had decided to give himself a night to think it over. He would talk to her about it the next morning. He was sure that together they could find a solution.

There was never to be a next morning for the two of them.

He had waited until late afternoon for Harriet to return. As the sun set and the shadows of the dunes lengthened over the beach like dark fingers, he had seen two figures walking slowly along the shore. The reflection of the fiery sunset had made him narrow his eyes. They were still too far away for him to make them out clearly. Watching through the open window, Frank could see the footprints they left with every step, a trail that started from the dunes on the horizon. Their jackets flapped in the breeze, their silhouettes shimmering in the sea air. When they were near enough for him to see them clearly, Frank realized that one of them was the sheriff from Honesty.

He had felt the anxiety rise up inside him as he finally came face-to-face with the man who he considered more an accountant than a policeman. But Frank’s worst fears were about to become a reality as, holding his hat in his hand and trying to avoid Frank’s eyes as much as possible, the sheriff had told him what had happened.

A couple of hours earlier, some fishermen had been sailing a few hundred yards from the coast and they had seen a woman fitting Harriet’s description. She was standing at the top of a cliff, strangely jutting out above the coastal dunes. She was alone and looking out to sea. When they were just about opposite her, she had jumped. Not seeing her emerge from the water, the fishermen had immediately turned their boat around to go to the rescue. One of them had dived into the ocean right where she had jumped but they could not find her. They had called the police right away and started searching. So far they had found nothing.

The ocean had returned Harriet’s body two days later, when the current had carried it to an inlet a couple of miles south of the coast.

When he had identified her body, Frank had felt like an assassin before his victim. He had looked at the face of his wife lying on the mortuary slab and, nodding, confirmed both Harriet’s identity and his own lie sentence. There had been no inquest thanks to the fishermen’s testimony, but that did not help to free Frank of the remorse consuming him. He had been so busy taking care of himself that he had not noticed Harriet’s deep depression. No one had noticed it. But that was no excuse. He should have noticed his wife s agitation. He was supposed to understand. All the signals had been there, but in his own delirium of self-pity, he had ignored them. And their conversation after Homer’s phone call had been the last straw. When you got right down to it, he was neither square nor round. Just blind.

He had left town with his wife’s body in a coffin without even going back to the house to pack.

‘Mummy, there’s a man crying.’

The child’s voice shook Frank from his trance. Next to him, the mother of the little blonde girl in a blue dress hushed her and smiled at him in embarrassment. She hurried away, pulling her daughter by the hand.

Frank did not realize that he was crying, nor for how long. His tears came from far away. They were not tears of salvation, nor oblivion, but just relief. A small truce to let him breathe for a moment, feel the heat of the sun, see the colour of the sea, and listen to his heart beating under his shirt without the sound of death, just for once. He was paying the price for Harriet’s death, sitting on a bench in the garden of the St James Clinic where they had admitted him on the verge of a nervous breakdown. He had understood it definitively months later, with the World Trade Center disaster, when he had watched on television as the buildings fell. Men hurtling planes against skyscrapers in the name of God, while someone sitting comfortably in an office knew how to exploit their derangement on the stock market. Other men earned their living by selling land mines, and at Christmas they bought their children presents with money earned by killing and maiming someone else’s children. Conscience was an accessory whose value was tied to fluctuations in the price of oil. And in the middle of all that, it was no surprise if, from time to time, there was someone who wrote his own destiny in blood.

I kill…

Remorse for Harriet’s death was a cruel travelling companion that would never leave his side. It alone would be enough punishment for a lifetime. He would never forget until his dying breath. And he would never be able to forgive himself. He could not end the insanity in the world. He could only try to end his own, hope that those who could would follow his example, and erase those two words or others like them. He sat on the bench and cried, ignoring the curious passers-by until he had no tears left.

Then he got up slowly and headed over to police headquarters.

TEN

I kill…’

The voice hung in the air and seemed to feed off the faint drone of the car engine, reverberating like an echo. Inspector Hulot pressed a button on the car radio and the cassette stopped on the voice of Jean-Loup Verdier as he’d struggled to end the programme. After Hulot’s conversation with the deejay and Robert Bikjalo, the manager of Radio Monte Carlo, a small, cruel wisp of hope had peeped out from behind the mountain that the investigators were trying desperately to climb.

There was a slight chance that it could have been a crank call, a bizarre accident, a coincidence caused by some one-in-a-million conjunction of the stars. But those two words, ‘I kill,’ hurled like a threat at the end of the show, were the same as those left on the table on the yacht, written in blood.

Hulot stopped his car at a red light. A woman pushing a pram crossed the street in front of him. To his right, a cyclist in a blue tracksuit was leaning against the traffic light, balancing against the pole so he wouldn’t have to take his feet off the pedals. There was colour and warmth everywhere. The city was full of the promise of summer. Outdoor cafes, the streets full of people, the lively boardwalk along the beach where men, women and children asked only that promises be kept. Everything was as it should be, but not for the two men sitting in the car held at the red light. A presence hovered between them, dark and opaque.

‘Any news from forensics?’ Frank asked.

The red light turned to green. Hulot edged the car forward, suddenly aware that the traffic was backed up right along the coastal road. It would be faster on a bike than in a car.

‘We’ve got the pathologist’s report. They did the autopsy in record time. Some big shot must have put a bomb under them. It’s all confirmed. The girl died by drowning, but there was no seawater in her lungs. That means she died without being able to come up for air. The killer must have surprised her in the water, pulled her down, and drowned her before she could take a breath. They went over the body with a fine-tooth comb. No sign, no trace. They examined it every way they could with all the equipment they’ve got.’

‘What about the guy?’

‘That was different.’ Hulot’s face darkened. ‘He was stabbed with a very sharp-pointed instrument. The wound was made from above. The blade penetrated between the fifth and sixth rib and went straight to the heart, rupturing it. Death was almost instantaneous. The killer must have attacked him outside, on deck where the bloodstains were found. He was taken by surprise, but Jochen Welder was a well-built man. He wasn’t that tall, but taller than most racing drivers. And he was in good shape. Spent a lot of time in the gym. So the attacker must have been in even better shape than he was.’

‘Were the bodies raped?’

‘No,’ said Hulot shaking his head. ‘At least he definitely wasn’t. She had just had intercourse. There were traces of semen in her vagina, but it was probably Welder’s. The DNA test confirmed that at ninety per cent.’

‘That would exclude a sexual motive. At least the usual type.’ Frank’s tone was dry, as if he were talking about a napkin that had survived a fire.

‘As far as prints and other organic traces, they found plenty. We’ll send it all for DNA testing, but I doubt it will lead anywhere.’

They passed Beaulieu and the luxury hotels along the beach. The parking lots were full of shiny cars, left in the peaceful shade of the trees. There were flowering bushes everywhere; a thousand colours in the light of such a beautiful day. Frank let himself be distracted by the red hibiscus blossoms in the garden of a villa. Red. Like blood.

‘So we have nothing,’ he said, bringing his mind back to the car. He moved the air-conditioning vent so that the cold air blew on his face.

‘Absolutely nothing.’

‘Body-type measurements on the prints?’

‘Nothing there either. He’s probably about six feet tall, give or take an inch. Weight about 12st. Like millions of other people.’

‘Athletic, in other words.’

‘Yeah, athletic. And very good with his hands.’

Frank had more questions, but his friend seemed to be reflecting and drawing his own conclusions as he described the facts and Frank did not want to interrupt him.

‘The job he did on the bodies is nothing to sniff at. He’s certainly skilled. It definitely wasn’t his first time. Maybe someone with a medical background?’

‘It’s worth a try. You never know.’ Frank didn’t want to dampen his friend’s hopes. ‘But it would be too obvious. Predictable, I’d say. Unfortunately, in some ways, human anatomy is no different from that of animals. All the guy needed to do was practice on a couple of rabbits and he could do the same thing to a person.’

‘Rabbits, huh? People are like rabbits.’

‘He’s smart, Nicolas. A raving lunatic, but smart and cold-blooded. You need a guy with Freon in his veins to do what he did, send the boat ramming into the harbour and go home whistling a merry tune. He’s taunting us, laughing at us, too.’

‘You mean the music?’

‘Yeah. He hung up with the theme song from A Man and a Woman.

Hulot remembered seeing the Lelouch movie years ago, just after he and his wife Céline had started dating. He remembered the love story perfectly and had taken it as a good omen for their future. Frank reminded him of a detail he had not focused on until then.

‘The man in the movie was a racing driver.’

‘Now that you mention it… And so was Jochen Welder. But-’

‘Exactly. Not only did he announce on the radio the fact that he was planning to kill, he also hinted who the victim would be! And I don’t think it’s over. He killed and he wants to kill again. We have to stop him – I don’t know how, but we have to. Whatever the cost.’

The car stopped for another red light at the brief descent at the end of Boulevard Carnot. The city of Nice lay before them. Faded and less glamorous, far from the glossy shine of Monte Carlo and its population of wealthy retired people and playboys at a loose end. As he drove towards Place Masséna, Hulot turned to look at Frank in the seat next to him. Frank was staring straight ahead with the rapt expression of Ulysses awaiting the song of the Sirens.

ELEVEN

Nicolas Hulot parked up at the gate of the Auvare Police Department on Rue de Roquebillière. A uniformed policeman standing next to the guardhouse came over to tell them to move from the entrance reserved for police personnel. The inspector showed his badge from the window.

‘Inspector Hulot, Sûreté Publique, Monaco. I have an appointment with Inspector Froben.’

‘Sorry, inspector, I didn’t recognize you.’

‘Could you let him know I’m here?’

‘Right away, sir. Come on in.’

Hulot drove up a few yards and parked on the shady side of the street. Frank got out and looked around. The rectangular buildings were arranged in a checkerboard layout. There was an outdoor stairway at the shorter end of each building, facing out on to the street.

The inspector wondered what all this looked like to an American. Nice was not just a different city but a different world. To Frank, it might as well be another planet, where he understood the language but not the way of thinking. Small houses, small cafes, small people. No American dream, no skyscrapers to destroy. Just small dreams, often faded by the sea air, like the exteriors of the houses. Small dreams, perhaps, but when they were crushed they, too, brought deep despair.

Someone had pasted an anti-globalization poster right in front of the police department. Men fighting so that everyone could be the same, while others fought to keep from losing their identity. Europe, America, China, Asia. They were only coloured shapes on the map, abbreviations on the list of exchange rates, names in dictionaries in libraries. Now there was the Internet, the media, 24-hour news. These were signs of a world that was expanding, or contracting, depending on your point of view. But the only thing that really erased distances was evil. It was present everywhere; it spoke only one language and it always wrote its messages in the same ink.

Frank closed the car door. He was thirty-eight years old with the eyes of an old man who had been denied life’s wisdom. He had a Latino face, darkened further by the shadow of his eyes and hair and the suggestion of a beard. A strong, athletic man. A man who had killed other men, protected by a badge and the justification of being on the right side. Perhaps there was no cure, no antidote for evil. But there were men like Frank, touched by and immunized against evil itself.

The war never ended.

As Hulot locked his car, they saw Inspector Froben of Homicide, who was taking part in the investigation, coming out of the building in front of them and heading in their direction. He flashed Hulot a wide grin, showing off large, regular teeth that illuminated his face and his rugged features. He had a massive body that filled the jacket of his cheap suit, and the broken nose of someone who’d often climbed through the ropes of a boxing ring. Frank saw confirmation in the tiny scars around his eyebrows.

‘Hi, Nicolas,’ Froben said, shaking Hulot’s hand. His smile grew wider and his grey eyes narrowed, the scars meshing with a web of tiny wrinkles. ‘How’re you doing?’

‘You tell me. In this sea of shit with a storm threatening, I need all the help I can get. This is Frank Ottobre, FBI special agent,’ said Hulot as Froben’s gaze moved to Frank. ‘Very special. His office sent him to join the investigation.’

Froben said nothing, but his eyes showed he was impressed by Frank’s title. He extended his boxer’s hand with its large, strong fingers and grinned again. ‘Christophe Froben, humble inspector of Homicide.’

As he returned Froben’s powerful handshake, Frank felt that the other man could have broken his fingers if he’d wanted to. He liked him immediately. He embodied both strength and grace at the same time. Frank could imagine him with his children after work, making model ships and handling the fragile parts with surprising delicacy.

‘Any news on the tape?’ Hulot asked, coming straight to the point.

‘I handed it over to Clavert, our best technician. A magician, actually. When I left, he was working on it with his gadgets. Come on, follow me.’

Froben went first and they filed in through the same door he had come out of earlier. He led them down a short hallway flooded with diffused light from a window behind them. Hulot and Frank followed Froben’s broad back that seemed to fill the corridor. He stopped in front of a staircase that led down to the left. Froben gestured a generous sweep of his big mitt.

‘After you.’

They went down two flights of stairs and found themselves in a huge room full of electronic equipment. It was lit by cold neon tubes that supplemented the inadequate light from the basement’s street-level skylights.

A thin young man with a shaved head was sitting at a workbench. He was wearing a white lab coat over a pair of jeans and an untucked plaid shirt. A pair of round glasses with yellow lenses was perched on his nose. The three men stopped behind the swivel chair where he was sitting, handling a potentiometer. He turned to look at them. Hulot wondered whether or not the man risked going blind when he went out into the sun wearing those glasses.

Froben didn’t introduce the newcomers, but the man didn’t seem to mind. Probably, to his way of thinking, if two strangers were there, it was because they were supposed to be.

‘Well, Clavert? What have you got to tell us about the tape?’

‘Not much, inspector,’ the technician said, shrugging his shoulders. ‘No good news. I analysed the recording with everything I’ve got. Nothing. The voice is artificial and there is no way to identify it.’

‘Which means?’

Realizing that not everyone present had his technical knowledge, Clavert backtracked.

‘Every human voice travels along certain frequencies that are part of one’s personal identity. Voices can be identified like fingerprints and the retina. They have a certain number of high, low and medium tones that don’t vary, even if you try to alter your voice, by talking in falsetto, for example. We can visualize these frequencies with special equipment and then reproduce them in a diagram. This is fairly standard kit. They use it in recording studios, for example, to distribute frequencies and keep a song from having too many high or low tones.’

Clavert went over to a Mac computer and moved the mouse. He clicked some icons and a white screen appeared, with parallel lines crossing it horizontally. There were two other jagged lines, one green and one purple, wandering between them.

‘This is the voice of Jean-Loup Verdier, the Radio Monte Carlo deejay,’ the technician said, moving the mouse to point to the green line. ‘I’ve analysed it and this is the phonic pattern.’ He clicked again and the screen turned into a graph highlighting a yellow line that zigzagged over a dark background, caught between parallel blue lines. Clavert pointed at the screen. ‘The blue lines are the frequency. The yellow line is the analysed voice. If you take Verdier’s voice from different points of the recording and overlap them, they match perfectly.’ He looked round to see if his audience were keeping up.

‘This is the other voice.’ Clavert returned to the previous screen, clicking the purple line. The graph appeared again, but this time the yellow line was broken and the field was much smaller. ‘In this case, the caller passed his voice through filters to distort and compress the sound, mixing vocal frequencies and making it unrecognizable. All you have to do is change just one of the filters slightly to get a different graph each time.’

‘Can we analyse the recording to find out the model of the equipment he used?’ Hulot asked. ‘Maybe we could find out who sold it.’

‘I don’t think so,’ the technician said doubtfully. ‘You can buy these machines just about anywhere. There are several brands. Performance varies according to the specification and the brand but they all do basically the same thing. And electronics change all the time so there’s a big second-hand market. All this stuff generally ends up in the hands of home-recording enthusiasts, and almost always without receipts. I really don’t think it’s feasible.’

‘We’ll see what we can do,’ Froben joined in, without seconding Clavert’s pessimism. ‘We’ve got so little solid information that we can’t overlook anything.’

Hulot noticed Frank looking around, apparently absorbed in his own thoughts, as if he already knew all this. Still, the inspector was sure that he had heard every word and was filing it all away. He turned back to Clavert.

‘And what can you tell us about the fact that the phone call didn’t go through the switchboard?’

‘Well, I can’t actually advance a theory about that. I can think of two basic possibilities. All switchboards have numbers that let you through. If you know them, you can avoid the switchboard operators. Radio Monte Carlo certainly isn’t NASA as far as secrecy is concerned, so it wouldn’t be hard for someone to get his hands on the numbers. The second hypothesis is a little more complicated, but it’s not science fiction. Actually, I think it sounds more likely.’

‘And that is?’

‘I made some enquiries,’ Clavert said, leaning back in his chair. ‘The Radio Monte Carlo switchboard, like most stations that run phone-ins, has a computer program with a function that displays the caller’s number, for obvious reasons.’ Again he looked around at the three detectives. ‘When the call came, no number appeared on the display, which means that the person calling had attached an electronic device to the phone that neutralized the switchboard function.’

Hulot shook his head. ‘Is that hard to do?’

‘Anyone who knows electronics and telephones wouldn’t have any problem. Any reasonably competent hacker could do it through the Internet.’

‘Can we find out whether the call came from a land line or a mobile phone?’ Hulot felt like a prisoner with walls everywhere he looked.

‘No, but I’d exclude a mobile. If he used the Web, mobiles are much slower and don’t work as accurately. The person who did all that is too knowledgeable not to be aware of it.’

‘Any more tests you can do on the recording?’

‘Not with the equipment I have. I’m going to send a copy of the DAT to the science lab in Lyons to see if they can get anything out of it.’

‘Good. Top priority,’ Hulot said, resting his hand on Clavert’s shoulder. ‘If Lyons complains, we’ll pressure them.’

Clavert considered the subject closed. He unwrapped a stick of gum and put it in his mouth. There was a moment of silence. The four of them, each in his own way, thought through what had been said. Froben spoke first.

‘Come on, let me get you some coffee.’

He led them up the stairs and turned left at the landing. There was a coffee machine in the corner. Froben took out his card.

‘Coffee, everyone?’ The other two nodded. The inspector inserted his card, pressed a button, and the machine started to hum.

‘What do you think, Frank?’ Hulot asked the American, who was silently watching the small plastic cup fill with black liquid.

‘We don’t have much,’ Frank said, deciding to voice his thoughts, ‘and any direction we take will lead nowhere. I told you, Nicolas, our man is smart, very smart. There are too many coincidences to think that he simply got lucky. For now, our only connection to this bastard is that phone call. If we’re lucky enough, and if he’s enough of a narcissist, he’ll make others. And if we’re very lucky, he’ll make them to the same person. And if we’re even luckier, he’ll make a mistake. It’s our only hope if we want to catch him and stop him before he kills again.’ He swallowed a mouthful of his coffee and grimaced. ‘I think it’s time to have a serious talk with Jean-Loup Verdier and the people at Radio Monte Carlo. I’m sorry to say this, but for the moment we’re in their hands.’ He drained his cup and threw it into the bin.

They headed towards the exit.

‘I imagine there is already a certain amount of… agitation… in the Principality,’ Froben said to Hulot.

‘Calling it “agitation” is like calling Mike Tyson “uptight”. Things are at the point of collapse. Monte Carlo is a picture-postcard city, you know that. Image is everything. We spend tons of money to guarantee two things: elegance and safety. And then you get this nut who has elegantly kicked us in the balls. If this doesn’t end soon, heads are going to roll.’ Hulot paused and sighed. ‘Including mine.’

They reached the front door and said goodbye. Froben stood there watching them as they strolled back to their car. His prizefighter’s face showed solidarity, but also relief that he wasn’t in their place.

Once they were inside the car, the inspector turned to look at Frank. It was almost dinnertime, and he realized he was hungry.

‘Café de Turin?’ he asked him.

The Café de Turin was a bare-bones place, just benches and rickety tables in Place Garibaldi. They served excellent coquillage, with bottles of chilled Muscadet. He’d taken Frank and his wife there when they had come to Europe, and the two of them had been in raptures over the huge counter piled with shellfish and the gloved staff busy opening them. They had watched with shining eyes as the waiters passed with huge trays of oysters and Venus clams and gigantic red shrimp. The tiny restaurant had become their culinary sanctum sanctorum. Hulot had hesitated at mentioning the place, afraid that the memory would upset Frank. But he seemed changed, or he was at least trying. If he wanted to pull his head up out of the sand, that was the way to do it. Frank nodded, agreeing with both the choice and Hulot’s good intentions. Whatever he was thinking, it did not show on his face.

‘Café de Turin it is.’

‘You know,’ Hulot said later, relaxing after the food, ‘I’m tired of acting like a TV character. I feel like a caricature of Lieutenant Columbo. I need half an hour off. If I don’t unwind a little, I’ll go crazy.’

It was evening and the city lights had come on. Frank looked out the window at the people milling around, going in and out of houses, restaurants and offices. Thousands of people with anonymous faces. The two men both knew that Hulot was lying. There was a killer in the midst of all these gentle summer people and until it was over, neither of them would be able to think about anything else.

TWELVE

Behind the control room window, Laurent Bedon, the director, did the countdown, turning down the fingers of his raised hand one by one. Then he pointed at Jean-Loup Verdier. The red light behind him lit up. They were on the air. The deejay pulled his chair a little closer to the microphone on the table in front of him.

‘Hello to all of you listening right now and to all of you who will be hearing our voices this evening. There’ll be music and people sharing their lives with us, lives that don’t always beat to the rhythm of the music we’d like to hear.’

He stopped and pulled back slightly. The mixer broadcast the fierce intro of ‘Born to Be Wild’ by Steppenwolf. A few seconds later, there was a fade-in to Jean-Loup’s warm, inviting voice.

‘We’re here and we’re ready, if there’s anything we can do to help. For those who put their hearts into something and got a heartless answer, for those who made mistakes and bad choices, for those who won’t find any peace until they figure out where the spice of life is hidden, for those who risk drowning in a flood of their own tears, we’re here for you and we’re live, just like you. We’re waiting to hear your voice. You can expect our answer. This is Jean-Loup Verdier on Radio Monte Carlo. This is Voices.

Again, ‘Born to Be Wild’. Once more, the race of discordant guitars down a rocky slope, raising dust and scattering gravel. ‘Wow, he’s good!’ Frank Ottobre, next to Laurent in the control room, could not keep from saying. The director turned to look at him with a smile.

‘Sure is.’

‘I’m not surprised he’s such a success. He’s got a very direct and heartfelt style.’

Barbara, the show’s mixer, sitting on Frank’s right, motioned to him to look behind him. He turned his chair and saw Hulot beckoning at him through the soundproof glass door. He got up and joined Hulot outside the studio.

The inspector looked exhausted, as if he hadn’t slept for a week. Frank noticed the dark circles under his eyes, the grey hair in need of a trim, and the ring of grime and desolation around his collar. This was a man who had been seeing and hearing things that he gladly would have lived without. He was fifty-five and looked ten years older.

‘How’s it going here, Frank?’

‘Nothing happening. The programme’s a hit. He’s fantastic – a natural. I don’t know how much they pay him, but it’s got to be a lot. But as far as we’re concerned, nothing. Absolute silence.’

‘Want a Coke?’

‘Come on, I know I’m American, but my grandparents were Sicilian. I drink coffee.’

They went over to the machine at the end of the hall. Hulot rummaged for some coins in his pocket.

‘The manager was really impressed by the fact that I’m with the FBI,’ Frank said with a broad smile, pulling out a card. ‘Coffee’s on the house.’

‘Oh, I forgot,’ said the inspector, gulping the black liquid. ‘The handwriting analysis arrived.’

‘And?’

‘Why bother asking if you already know the answer?’

‘I don’t know the details, but I can imagine what you’re going to say,’ Frank replied, shaking his head.

‘That’s right, I forgot. You’re with the FBI. You have quick intuition and a free coffee card. The message wasn’t written by hand.’

‘No?’

‘The bastard used a stencil. He glued the letters on to a piece of cardboard and cut them out. He had it with him and when he needed it, he placed the stencil on the table and spilled the blood on top. How did you know?’

‘I didn’t.’ Frank shook his head. ‘But it seemed strange that a man so goddamn thorough would then make such an obvious blunder.’

Hulot gave in and, with a grimace of revulsion, threw his half-finished coffee into the bin. He looked at his watch with a sigh.

‘Let me go and see if my wife is still married to me. There are two cars downstairs, two cops in each. You never know. The others are at their posts. I’ll be at home if you need me.’

‘Okay, I’ll call you if anything happens.’

‘I shouldn’t say this, but I’m glad you’re here tonight. And here in general. Goodnight, Frank.’

‘Goodnight, Nicolas. Say hi to Céline.’

‘Sure.’

Frank watched his friend leave, his shoulders stooped under his jacket.

With the manager’s support, they’d had the radio station under surveillance for three days, waiting for something to happen. When they had first told him of their plan, Robert Bikjalo had looked at them with half-closed eyes, as if he were avoiding the smoke from the reeking cigarette between his fingers. He had weighed Inspector Hulot’s words as he brushed ashes from his Ralph Lauren shirt, his eyes narrowed to slits.

‘So, you think the guy might call again?’

‘We’re not sure. It’s only a hopeful guess. But if he does, we’ll need your help.’

Hulot and Frank were sitting in front of him, in two leather armchairs. Frank noticed that the height of the chairs was carefully adjusted so that anyone sitting on the other side was looking down on them from above. Bikjalo had turned to Jean-Loup Verdier, sitting on a comfortable couch that matched the armchairs. The deejay had run his hand through his dark, longish hair. He had stared questioningly at Frank with his green eyes and rubbed his hands together nervously. ‘I don’t know if I can do what you want. That is, I don’t know how I’m supposed to act. A show is one thing, talking on the phone with normal people. It’s different with a… with a…’

‘I know it’s not easy,’ Frank said, coming to his rescue, realizing that Jean-Loup was having a hard time saying the word murderer. ‘It’s not easy for us to try to understand what he has in mind. But we’ll be here, and we’ll help you all we can and we’ll be ready for whatever happens. We’ve even called in an expert.’ He had turned to look at Nicolas who had been silent until then.‘We’ve got a psychiatrist,’ Hulot had said. ‘He’s a police consultant and he helps out handling negotiations with criminals when there are hostages.’

‘Okay. If you tell me what to do, I’ll do it.’ Jean-Loup had looked at Bikjalo to give him the last word. The manager was staring at the filter of another Russian cigarette. He was still noncommittal. ‘It’s a big responsibility, of course…’

‘Listen, I don’t know if you really understand the situation,’ Frank had said, knowing what Bikjalo was getting at. He had stood up, upsetting the chair hierarchy. Now he would dominate Bikjalo from above. ‘Just to clarify, let me show you something.’ Frank had bent down and taken several 5x7 photos from Hulot’s briefcase on the floor. He had thrown them on the desk. ‘We’re hunting a man capable of doing this.’

They were pictures of the bodies and mutilated heads of Jochen Welder and Arianna Parker. Bikjalo had looked at the photos and blanched. Hulot had smiled to himself and Frank had sat back down.

‘This man is still at large and we think he’s going to try it again. You’re our only chance at stopping him. This isn’t a strategy to raise the ratings. This is a manhunt, and people could live or die as a result.’

Bikjalo was mesmerized, as if under a hypnotic spell. Frank had taken the pack of cigarettes on the table and examined it with apparent curiosity. ‘Besides the fact that, if this case is solved thanks to you, it’ll give you and Jean-Loup a popularity you wouldn’t dream of in a million years.’

Bikjalo had relaxed. He had pushed the photos towards Frank, touching them with only the tips of his fingers, as if they were on fire. He had leaned back in his armchair looking relieved. The conversation was back to a subject he could understand.

‘Okay. If we have a chance to help the law, a chance to be useful, Radio Monte Carlo certainly isn’t going to back down. That’s what Voices is all about, after all. Help for people needing help. There’s only one thing I would like to ask you in return, if you will.’ He had paused. Frank was silent, so he had continued. ‘An exclusive interview with you, by Jean-Loup, as soon as it’s all over. Before the others. Here on the radio.’

Frank had looked at Hulot, who had agreed with an imperceptible nod of his head.

‘It’s a deal.’ Frank had stood up again. ‘Our technicians will be coming with their equipment to tap the phones. There are a few other things, but they’ll explain all that. We’ll start tonight.’

‘Okay. I’ll tell our people to do all they can to help.’

The meeting was over. Everyone had stood up. Frank had found himself facing the bewildered stare of Jean-Loup Verdier. He had grabbed his arm reassuringly.

‘Thanks, Jean-Loup. You’re doing a great thing. I’m sure you’ll be fine. How do you feel?’

The deejay had looked at him with two clear eyes, green as the sea. ‘I’m terrified.’

THIRTEEN

Frank looked at the time. Jean-Loup was announcing the last commercial before the end of the programme. Laurent gestured towards Barbara. The mixer turned some knobs to fade out the deejay’s voice. They had a five-minute break. Frank got up and stretched.

‘Tired?’ asked Laurent, lighting a cigarette. The smoke rose and was absorbed by the exhaust fan.

‘Not really. I’m used to waiting.’

‘Lucky you! I’m a nervous wreck,’ said Barbara as she stood up, tousling her red hair with her hands. Sergeant Morelli, sitting on a padded chair near the wall, raised his eyes from the sports page he was reading. He was suddenly more interested in the girl’s body under her light summer dress than in the World Cup.

‘Maybe it’s none of my business,’ Laurent remarked, turning his swivel chair to face Frank, ‘but I want to ask you something.’

‘Ask, and I’ll tell you if it’s your business or not.’

‘What’s it like to do a job like yours?’

Frank stared at him for a second as if he couldn’t see him. Laurent assumed he was thinking about how to answer. He didn’t know that Frank Ottobre was seeing a woman lying on a marble slab in a morgue, a woman who for better or for worse had been his wife. ‘What’s it like?’ Frank repeated, as if he needed to hear it again before he could answer. ‘After a while, all you want to do is forget.’

Laurent turned back to the control board. He didn’t really like the American with the athletic build and cold eyes, who seemed so removed from the world around him. His demeanour made any type of contact impossible. He was a man who gave nothing because he asked for nothing. But he was there, waiting, and not even he knew what he was waiting for.

‘One more commercial,’ said Barbara, sitting back down at the mixer. Her voice interrupted the awkward silence. Although Morelli had returned to his sports page, he kept looking up at the girl’s hair falling over the back of her chair.

Laurent gestured to Jacques, the console operator. Fade-out. They played a classic by Vangelis. A red light went on in Jean-Loup’s cubicle. His voice again spread through the room and over the airwaves.

‘It’s eleven forty-five here at Radio Monte Carlo. The night is young. We’ve got the music you want to hear and the words you want to listen to. Nobody’s judging but everybody’s listening. This is Voices. Give us a call.’

The music swelled again in the director’s booth, slowly and rhythmically, like the waves of the sea. Behind the glass, Jean-Loup moved easily – he was on his own turf. In the control room the phone display started to flash. Frank felt a strange tremor. Laurent gestured to Jean-Loup. The deejay nodded in response.

‘Someone’s on line one. Hello?’

A moment of silence, then unnatural noise. The music in the background suddenly sounded like a funeral march. Everyone recognized the voice that emerged from the amplifier: it was seared permanently in their brains.

‘Hello, Jean-Loup.

Frank straightened up in his chair as if shocked by an electric current. He snapped his fingers in Morelli’s direction. The sergeant roused himself immediately. He stood up and took the mike from the walkie-talkie hanging on his belt.

‘Okay, guys. This is it. Contact. Keep your wits about you.’

‘Hi. Who is this?’ asked Jean-Loup.

‘You know who I am, Jean-Loup. I’m someone and no one.’ There was a hint of a smile in the muffled voice.

‘You’re the one who called once before?’

Morelli rushed out of the room. He came back a moment later with Dr Cluny, the criminal psychiatrist who was in the corridor, waiting like everyone else. The doctor sat down next to Frank. Laurent turned on the intercom that allowed him to speak directly into Jean-Loup’s headphones without broadcasting his voice.

‘Yes, my friend. I called once before and I will call again. Are the bloodhounds there?’

The electronic voice contained both fire and ice. The room felt stuffy, as though the air-conditioning was sucking air in instead of blowing it out.

‘What bloodhounds?’

A pause. Then the voice again.

‘The ones hunting me. Are they there with you?

Jean-Loup raised his eyes, lost. Dr Cluny moved a little closer to the mike. ‘Agree with him. Tell him whatever he wants to hear, but get him talking.’

‘Why do you ask?’ Jean-Loup resumed, with a leaden voice. ‘You knew they’d be here.’

I don’t care about them. They don’t matter. You’re the one I care about.

Another pause.

‘Why me? Why are you calling me?’

Another pause.

I told you. Because you’re like me, a voice without a face. But you’re lucky. Of the two of us, you’re the one who can get up in the morning and go out in the sun.’

‘And you can’t?’

‘No.’

That sharp syllable was utter negation, a denial that allowed no contradiction.

‘Why is that?’ asked Jean-Loup.

‘Because someone decided it that way. There’s very little I can do.’ The voice changed. It became suspended, softer, as if crossed by gusts of wind.

Silence. Cluny turned to Frank and whispered, surprised: ‘He’s crying.’

‘There’s very little I can do. But there is one way to repair the evil, and that is to fight it with the same evil.

‘Why do evil when there are people all around you who can help?’

Another pause. A silence like a thought, then the voice again, and the fury of blame.

I asked for help, but the only help I had killed me. Tell that to the bloodhounds. Tell everyone. There will be no pity because there is no pity. There will be no forgiveness because there is no forgiveness. There will be no peace because there is no peace. Just a bone for your bloodhounds...’

‘What does that mean?’

A longer pause. The man on the phone had mastered his emotions. The voice was once again a breath of wind from nowhere.

‘You like music, don’t you, Jean-Loup?’

‘Of course. Don’t you?’

‘Music doesn’t let you down. Music is the end of the journey. Music is the journey.

Suddenly, just like the time before, the sound of an electric guitar, slow and seductive, was heard through the phone. A few notes, suspended and isolated, of a musician communicating with his instrument. Frank recognized the notes of ‘Samba Pa Ti’, in the mastery of the fingers and imagination of whoever was playing. It was just guitar in a furious introduction, an explosion ending in thunderous applause. And as suddenly as it had come, the music was turned off.

‘Here’s the bone your bloodhounds want. I have to go now, Jean-Loup. I have things to do tonight.’

‘What do you have to do tonight?’ the deejay asked in a shaking voice.

‘You know what I’m doing tonight, my friend. You know very well.

‘No, I don’t. Tell me.’

Silence.

‘It wasn’t my hand that wrote it, but now everyone knows what I do at night…’

Another pause that felt like a drum roll.

I kill…’

The voice clicked off the line but its tone reverberated in their ears. His last words were like the flash of a camera: for an instant, they all felt disorientated, as if momentarily blinded in white light. Frank was the first to come to his senses.

‘Morelli, call the guys and see if they found out anything. Laurent, did you get all that on tape?’

The director was leaning on the table with his face in his hands. Barbara answered for him. ‘Yes. Can I faint now?’

Frank looked at her. Her face was deathly pale under that mass of red hair. Her hands were shaking.

‘No, Barbara. I still need you. Make a tape of that phone call right away. I need it in five minutes.’

‘I already have it. I had a second recorder ready on pause and I started it right after the phone call came in. All I have to do is rewind.’

Morelli shot an admiring glance at the girl and made sure she noticed.

‘That’s great. Morelli?’

‘One of the guys is coming,’ Morelli said. He stopped staring at Barbara and blushed, as if caught in the act. ‘I doubt there’s any good news.’

‘Well?’ Frank said to a swarthy young man who had just entered.

‘Nothing.’ The technician shrugged. He looked disappointed. ‘We couldn’t trace the call. That bastard must have some pretty good equipment.’

‘Mobile or land line?’

‘We don’t know. We even have a satellite unit, but we found nothing.’

‘Dr Cluny?’ Frank asked, turning to the psychiatrist, still sitting in his chair. The doctor was pensive, biting the inside of his cheek.

‘I don’t know. I have to listen to the tape again. The only thing I can say is that I have never heard anything like this in my entire life.’

Frank pulled out his phone and dialled Hulot’s number. The inspector answered right away. He obviously was not asleep.

‘Nicolas, this is it. Our friend had shown up again.’

‘I know. I heard the programme. I’m getting dressed and I’ll be right there.’

‘Good.’

‘Are you still at the radio station?’

‘Yes. We’ll wait for you.’ Frank hung up. ‘Morelli, as soon as the inspector gets here, I want a meeting. Laurent, I need your help, too. I think I saw a conference room near the manager’s office. Can we use it?’

‘Sure. There’s a DAT machine and anything else you need.’

‘Great. We don’t have much time and we have to fly.’

In the confusion, they had completely forgotten about Jean-Loup. His voice reached them through the intercom.

‘Is it all over, now?’ They saw him leaning on his chair, immobile, a butterfly pinned to a piece of velvet. Frank pressed the button to talk to him.

‘No, Jean-Loup. I’m sorry to say that this is only the beginning. You were great.’

In the silence that followed, they saw Jean-Loup slowly rest his arms on the table and cover his face.

FOURTEEN

Hulot arrived soon after, along with Bikjalo. The manager was clearly upset. He lagged behind the inspector, as if he wanted nothing at all to do with the nasty business. Only now was he beginning to realize what it all meant. Armed men were wandering around the radio station, which was in the grip of a new, unfamiliar tension. There was a voice, and with that voice, an awareness of death.

Frank and Morelli were waiting for them in silence. They went into the conference room together, where the others were sitting around the long table, waiting. The panel curtains were drawn and the windows were open. The faint noise of the Monte Carlo night traffic filtered through from outside.

Hulot sat down to Frank’s right, leaving him the seat at the head of the table and tacitly the job of chairing the meeting. He was wearing the same shirt as when he’d left earlier and seemed no more rested.

‘We’re all here now,’ Frank began. ‘Aside from Mr Bikjalo and Inspector Hulot – who heard the programme at home – we were all here this evening. Everyone heard what happened. We don’t have many facts to work with. I regret to say that we couldn’t trace the call.’ He paused for a moment. The young technician and his colleague shifted with embarrassment. ‘It’s nobody’s fault. The man knows what he’s doing and how to avoid being traced. The technology we generally use for this kind of thing was used against us today. So there’s no help that way. Since it might give us some clues, I suggest we listen to the recording of the call before making any hypotheses.’

Dr Cluny nodded and everyone else seemed to agree. Frank turned to Barbara who was standing at the back of the room next to a table with a stereo. She started the tape.

The room was filled with a macabre presence. Again, they listened to Jean-Loup’s voice on the radio show and then the voice of the man from his place of darkness. Everyone at the table was silent as the tape played to the last words.

I kill…’

‘The man’s out of his mind!’ Bikjalo couldn’t help crying out when it was over.

Dr Cluny took the remark personally. His narrowed eyes were hidden behind gold-and-tortoiseshell glasses resting on a pointed, aquiline nose that resembled the beak of an owl. The psychiatrist addressed Bikjalo but, really, he was speaking to everyone:

‘In the strict sense of the word, he is certainly insane. Remember that this man has already killed and mutilated two people. That indicates an explosive inner fury but he also displays a lucidity rarely found when a crime is committed. He calls and we cannot trace his phone. He kills and leaves absolutely no significant clue. He shouldn’t be underestimated. That is clear from the fact that he doesn’t underestimate us. He’s challenging us, but not underestimating us.’ He removed his glasses, revealing two red marks at the bridge of his nose, and hastily put them back on, as if he felt naked without them. ‘He knew very well that we would be here; he knows that the hunt has begun and he is probably better informed than most. And he knows that we are groping in the dark, because we are missing the key needed to solve any crime.’

He paused. Frank noticed that Cluny was very good at getting people’s attention and then holding it. Bikjalo was probably thinking the same thing, because he started to look at the doctor with almost professional interest. The psychiatrist continued.

‘We have absolutely no idea as to his motive. We don’t know what moved him to kill and to do what he did afterwards. It’s clearly a ritual that has special meaning for him, though we don’t know what that meaning is. His insanity alone is no clue because it isn’t obvious. This man lives in our midst, like a normal person. He does the things that normal people do: he has a drink, buys the paper, goes to restaurants, listens to music. Above all, he listens to music. And that’s why he calls this radio station. In a programme that offers help to people in trouble, he seeks help he doesn’t want where there is music he likes to listen to.’

‘Why do you say “help he doesn’t want”?’ Frank asked.

‘His “no” to the offer of help was adamant. He has already decided that nobody can help, whatever his problem. The trauma inside him must have conditioned him terribly until the point when it detonated the latent rage that people like him carry inside. He hates the world and he probably thinks the world owes him. He must have suffered what seemed horrendous humiliations. Music seems to provide the only clues. The only pointers we get from him are when he talks about the language of music. That’s a message. He gave us another clue that we should combine with the clue from the first message. It is a challenge but also an unconscious prayer. In reality, he’s begging us to stop him, if we can, because he’ll never stop of his own accord.’

Everyone in the room could feel a world of shadows. A place that had never seen the light of day.

‘Barbara, let’s hear the part about music again.’

The girl pushed a button. At once the room was filled with the keening of a guitar, lost in a version of ‘Samba Pa Ti’. It was less meticulous than usual, less staccato, a softer interpretation. There was applause from the audience at the first notes, as in a live concert when the audience recognizes a hit song. When it was over, Frank made a point.

‘Remember that the piece of music in the first call was a clue about who his victims would be. The soundtrack of a movie about a racing driver and his girlfriend. A Man and a Woman. Jochen Welder and Arianna Parker. Does anyone have any idea what this song might mean?’

‘Well, I think we all know it,’ said Jacques, the sound technician sitting at the end of the table. He cleared his throat as if he found it difficult to speak up in that setting.

‘Don’t take anything for granted,’ Hulot scolded politely. ‘Pretend that nobody in this room knows anything about music, even if that sounds ridiculous. Sometimes there are clues where you least expect them.’

‘I just meant to say that it’s a very famous song,’ Jacques continued, blushing and raising his right hand as though apologizing. ‘It’s “Samba Pa Ti”, by Carlos Santana. It’s a live performance because there’s an audience. And it must have been a huge audience, like in a stadium, for that type of response – although live recordings are sometimes reinforced in the studio by adding recorded applause.’

‘That’s it?’ asked Laurent, lighting a cigarette. The smoke circled in the air and wound its way towards the open window, then disappeared into the night. The smell of sulphur from the match lingered behind.

Jacques blushed again and sat quietly, not knowing what to add. Hulot realized that he felt awkward and smiled at him.

‘Good. Thank you. That’s a fine start. Does anyone have anything else to say? Does the song have any special meaning? Was it ever associated with any strange event or person? Is it connected to a story of any kind?’

The people in the room looked at one another, as if trying to help each other remember.

‘Does anyone remember this version?’ Frank asked, suggesting another train of thought. ‘If it’s a live recording, does anyone have any idea where it was made? Or what album it’s from? Jean-Loup?’

The deejay was sitting absent-mindedly next to Laurent, without saying a word, as if the conversation had nothing to do with him. He still seemed to be in shock after speaking to that unknown voice on the phone. He looked up and shook his head.

‘Could it be a bootleg recording?’ asked Morelli.

‘I don’t think so,’ Barbara said, shaking her head. ‘It sounds kind of dated to me. Artistically and technically. It’s an old recording, analogue, not digital. And it’s on vinyl, an old LP. The quality’s great. It doesn’t sound like an amateur recording on lo-fi equipment, given the period’s technical limitations. So it must be a commercial LP, unless it’s an old lacquer disc that was never released.’

‘A lacquer disc?’ asked Frank, looking at the girl. He could not help but share Morelli’s admiration. Barbara had a great mind and a body to match. If the sergeant was interested in her, he’d better be up topar.

‘A lacquer disc was a trial disc that record companies used to make, before there were CDs,’ Bikjalo explained for her. ‘Generally, there were only a few copies in circulation and they deteriorated easily. Some lacquer discs are collector’s items. But since lacquer doesn’t hold up, the quality of the sound gets much worse every time it’s played. That’s not what we’re dealing with here.’

There was silence again, indicating that they had said all they could. Hulot stood up, signalling the end of the meeting. ‘Ladies and gentlemen, it goes without saying that even a minor detail could be of the utmost importance in this case. We have a killer at large who is mocking us. He even throws us clues about his intention, and we know what that is: to kill again. Whatever comes to mind, at any time of day or night, don’t hesitate to call me, Frank Ottobre or Sergeant Morelli. Take our phone numbers before you go.’

One by one, they all got up and left the room. The two police technicians left first, to avoid any direct dealings with Hulot. The others stopped long enough to take a card with the phone numbers from Morelli. The sergeant took extra time giving his card to Barbara, who did not seem to mind at all. Frank went over to Cluny who was whispering to Hulot. The two men stepped aside to let him into their conversation.

‘That phone call had an important clue that’ll keep us from getting confused or wasting time…’

‘What?’ asked Hulot.

‘It proved that the call wasn’t a trick and that he really is the man who killed those two people on the boat.’

It wasn’t my hand that wrote it...’ quoted Frank, nodding.

‘That’s right,’ Cluny continued, looking at him, pleased. ‘Only the real killer could know that the writing was done mechanically and not by hand. I didn’t mention it to the others because it’s apparently one of the few things regarding the investigation that is not public knowledge.’

‘Exactly. Thank you, Dr Cluny. Excellent work.’

‘Thank you. There are some things I have to analyse,’ said Dr Cluny. ‘Language… language, vocal stress, syntax and so forth. I need a copy of the tape.’

‘It’s yours. Goodnight.’

The psychiatrist left the room.

‘Now what?’ asked Bikjalo.

‘You’ve all done everything you can,’ answered Frank. ‘Now it’s our turn.’

Jean-Loup seemed dazed. The experience had definitely taken a toll on him. Perhaps what had happened had not been as exciting as he had imagined.

Death is never exciting. Death is blood and flies, thought Frank.

‘You’re good, Jean-Loup. I couldn’t have done any better. Radio experience had nothing to do with it. When you’re dealing with a killer, it’s always the first time. Go home now and try not to think about it for a while.’

I kill…

Everyone knew that sleep would be impossible that night. While someone was out there searching for a pretext for his ferocity, so that the whispers in his mind would merge with the screams of his next victim.

‘Thanks. I think I’ll go home,’ Jean-Loup said, stooping his shoulders in defeat. He said goodnight and left, carrying a burden that could crush a much stronger man. When you got right down to it, he was just a deejay who broadcast music and words on the radio.

‘Let’s go. There’s no point hanging around here any more.’ Hulot headed to the door.

‘I’ll go with you. I’m leaving too. Although I don’t think I’ll be able to sleep tonight,’ said Bikjalo, stepping aside for Frank.

When they reached the door, they heard someone click out the code. The door opened and Laurent appeared. He was very excited.

‘Thank goodness. I was hoping I’d find you still here. I have an idea. I know who can help us!’

‘With what?’ asked Hulot.

‘With the music. I know who can help us identify it.’

‘Who’s that?’

‘Pierrot!’

Bikjalo’s face lit up. ‘Of course! “Rain Boy”.’

‘Rain Boy?’ Hulot and Frank looked at each other.

‘Pierrot’s a kid who helps out at the radio station and takes care of the archive,’ explained the station manager. ‘He’s twenty-two with the mental age of a child. He’s Jean-Loup’s discovery and the boy adores him. He would jump off a cliff if Jean-Loup asked him to. They call him “Rain Boy” because he’s like Dustin Hoffman in Rain Man. He’s limited, but he’s a human computer when it comes to music. It’s the only gift he’s got, but it’s phenomenal.’

‘Where does this Pierrot live?’ asked Frank, looking at his watch.

‘I don’t really know. His last name’s Corbette and he lives with his mother just outside Menton. The father was an arsehole who took off when he found out the boy was retarded.’

‘Does anyone have his address or phone number?’

‘Our secretary’s got the number,’ Laurent replied, going over to Raquel’s computer. ‘Their home number and the mother’s mobile.’

‘I feel badly for Mme Corbette and her son,’ Inspector Hulot said, looking at the time, ‘but I’m afraid we’re going to have to wake them in the middle of the night.’

FIFTEEN

Everything about Pierrot’s mother was grey, and she was wearing a dress to match.

Sitting in a chair in the conference room, she watched with dazed eyes the men standing around her son. Their phone call had woken her in the middle of the night and she had been terrified when they had said it was the police. They had made her wake Pierrot and dress quickly, and then they had pushed them into a police car that had taken off at a speed that frightened her to death.

Pierrot and his mother lived in a block of flats in a working-class area. The woman was worried about her neighbours, seeing them bundled in the back of a police car like common criminals. Her life was already hard enough, with all the whispering and lowered voices when she passed. She didn’t need to go looking for trouble.

The inspector, the older man with the nice face, had assured her that she had nothing to worry about, that they needed her son for something important. And now they were there and she was wondering how someone like her Pierrot could possibly help them, her son whom she loved as if he were a genius but whom others considered stupid.

She looked anxiously at Robert Bikjalo, the manager of Radio Monte Carlo, who had allowed her son to stay there in a safe place and work with what he loved most in the world: music. What did the police have to do with it? She prayed that Pierrot, simple as he was, hadn’t done anything wrong. She couldn’t bear the idea that they might find some pretext to take her son away from her. The idea of their being separated was terrifying. She felt the cold fingers of anxiety creep into her stomach and squeeze tightly.

Bikjalo flashed her a reassuring smile, a sign that everything was fine. She turned back to watch the younger man, the one with the hard face and the stubble, who spoke French with a slight foreign accent. He squatted down on the floor so that he was at the same level as Pierrot who was sitting in a chair.

‘I’m sorry we woke you, Pierrot, but we need your help for something important. You’re the only one who knows how to do it.’

The woman relaxed. The man’s face might be frightening, but his voice was calm and gentle. Pierrot was not afraid of him in the least. Actually, he was proud about that unexpected nocturnal adventure, the trip in the police car, and liked being the centre of attention for once. She felt a sharp stab of love and protectiveness for that strange son of hers who lived in a world all his own, made of music and pure thoughts.

‘We’re going to play some music for you, a song,’ the younger man continued in his soothing voice. ‘Listen to it. Listen carefully. See if you recognize it and if you can tell us what it is or what record it’s from. Want to try?’

Pierrot was silent. Then he gave a slight nod.

The man stood up and pressed the button on a tape recorder behind him. The notes of a guitar suddenly pierced the air. The woman observed her son’s face, taut with concentration, engrossed in listening to the sound from the speakers. The music ended a few seconds later. The man crouched down next to Pierrot again.

‘Do you want to hear it again?’

The boy shook his head silently.

‘Do you recognize it?’

‘It’s there,’ Pierrot said softly, turning his eyes to Bikjalo as if he were the only person who mattered.

‘You mean we have it?’ The manager came closer. Pierrot nodded again, with emphasis.

‘It’s there, in the room.’

‘What room?’ asked Hulot, coming near.

‘The room is the archive, downstairs in the basement. That’s where Pierrot works. There are thousands of records and CDs and he knows each and every one of them.’

‘If you know where it is in the room, can you go and get it for us?’ Frank asked gently. He was desperate not to press him too hard.

Pierrot looked at the manager again, as if asking permission. ‘Go on, Pierrot. Bring it here, please.’

Pierrot got up and crossed the room with his odd loping gait. He disappeared from view, followed by his mother’s worried gaze.

Inspector Hulot went up to her. She recoiled with shame at the cheap dress she had hurriedly pulled on over her nightie.

‘Madame, excuse me again for the brutal way in which we woke you and brought you here. I hope you weren’t too frightened. You can’t imagine how useful your son could be tonight. We are truly grateful to you for allowing him to help us.’

Now her momentary embarrassment melted into a surge of pride for her son.

Pierrot returned a few minutes later. He was holding a somewhat worn record sleeve under his arm. He placed it on the table and removed the vinyl record with extreme care to avoid touching it with his fingers.

‘Here it is,’ said Pierrot.

‘Can we hear it, please?’ asked the younger policeman with his thoughtful voice.

The boy went over to the stereo, handling it like an expert. He pressed a couple of buttons, raised the lid, and put on the record. He pushed PLAY and the turntable began to spin. Then he delicately took the arm and rested it on the LP. The notes that played were the same ones that an unknown man had sent them a little while before, daring them to put a stop to his wanderings through the night.

There was a moment of general euphoria. Everyone found a way of applauding Pierrot’s small personal triumph as he turned around with an innocent smile. His mother looked at him with a dedication in her eyes that his success could only partly repay. A moment, only one moment, when the world seemed to remember her son and give him some of the satisfaction it had always denied. She started to cry. The inspector gently put a hand on her shoulder.

‘Thank you, madame. Your son was magnificent. Everything is fine now. I’ll have someone take you straight home in one of our cars. You go out to work, don’t you?’

The woman raised her face streaked with tears, smiling in embarrassment again for that moment of weakness. ‘Yes, I keep house for an Italian family here in Monte Carlo.’

‘Leave the family’s name with Sergeant Morelli, that man in the brown jacket,’ said the inspector, smiling back. ‘We’ll arrange for you to have a couple of days’ paid leave for tonight’s disturbance. That way you can spend some time with your son, if you like.’ The inspector went over to Pierrot. ‘As for you, young man, would you like to spend the day in a police car, talk on the radio with the switchboard, and become an honorary policeman?’

Pierrot probably didn’t know what an honorary policeman was, but the idea of driving around in a police car made his eyes light up.

‘Will you give me handcuffs, too? And can I work the siren?’

‘Of course, whenever you like. And you’ll have your own pair of bright shiny handcuffs if you promise to ask our permission before you arrest anyone.’

Hulot nodded to a policeman who would take Pierrot and his mother home. As they left, he could hear the boy say to his mother, ‘Now that I’m an honourable policeman, I’m going to arrest Mme Narbonne’s daughter who’s always laughing at me. I’ll put her in prison and…’ They never did find out what would happen to Mme Narbonne’s unfortunate daughter because the three of them reached the end of the hallway and Pierrot’s voice faded away.

‘Carlos Santana, Lotus,’ Frank mused, leaning against the table looking thoughtfully at the record sleeve that the boy had brought from the archive. ‘Recorded live in Japan, 1975…’

‘Why did that man want us to listen to a song recorded in Japan thirty years ago?’ Morelli wondered, picking up the sleeve. ‘What did he want to tell us?’ He looked at it carefully and turned it over.

Hulot watched out the window as the car with Pierrot and his mother drove away. He turned and looked at his watch. Four thirty.

‘I don’t know, but we’d better try to find out as soon as possible.’ He paused before expressing everyone’s thought. ‘Unless it’s already too late.’

SIXTEEN

Allen Yoshida signed the cheque and handed it to the caterer. He had brought the staff of his favourite Parisian restaurant, Le Pré Catelan in the Bois de Boulogne, down for the party. It had cost him a fortune, but it was worth it. He still had the rarefied taste in his mouth of the frog and pistachio soup from that evening’s menu.

‘Thank you, Pierre. It was all magnificent, as usual. As you can see, I added a tip for you on the cheque.’

‘Thank you, Mr Yoshida. You’re very generous, as always. You don’t have to show me out, I know the way. Goodnight.’

‘Goodnight, my friend.’

Pierre gave a slight bow that Yoshida returned. The man walked out silently and disappeared behind the dark wooden door. Yoshida heard his car start. He picked up a remote control and pointed it at the panel on the wall to his left. The panel opened silently, revealing a series of screens, each connected to a closed-circuit camera located in different corners of the house. He saw Pierre’s car drive out the front gate and his security guards close it after him.

He was alone.

He crossed the large room with remains of the party everywhere. The catering staff had removed what they were supposed to and left discreetly, as usual. His servants would arrive the next day to finish the job. Allen Yoshida didn’t like having people in his house. His help came in the morning and left at night. He asked them to stay over only when necessary, or else he used an outside company. He preferred to be alone at night, without the fear that indiscreet eyes and ears might accidentally discover something he wanted to keep to himself.

He went out into the night through the enormous French doors that opened on to the garden. Outside, a skilful play of coloured lights created shadows among the trees, bushes and flower beds, the work of a landscape architect he had brought down from Finland. He loosened the bow tie of his elegant Armani tuxedo and unbuttoned his white shirt. Then he slipped off his patent leather shoes without untying them. He bent down and removed his silk socks as well. He loved the feeling of his bare feet on the damp grass. He walked over to the illuminated swimming pool. In daylight it seemed to stretch to the horizon, and now at night it looked like an enormous aquamarine glowing in the dark.

Yoshida lay down on a teak chaise longue by the pool and stretched his legs. He looked around. There were a few lights out at sea and the moon was on the wane. In front of him, he could make out the glare of Monte Carlo, the home of most of his guests that evening.

He turned to look at his house. He loved the place and felt privileged to own it. He loved its old-fashioned lines, the elegance of its construction combined with its functional severity. It had been built in the early thirties for the screen goddess of the era, Greta Garbo. When he purchased it, the house had been closed up for years and he had had it renovated by a brilliant and eye-wateringly expensive architect.

He had given him free rein, asking only that he retain the spirit of the house. The result was a resounding success: impeccable style married to the most advanced technology. A residence that left everyone dumbfounded, just as he had been the first time he had crossed the threshold. The fee had contained a seemingly endless number of zeros, and he had paid it without batting an eye.

He leaned against the back of the chaise longue, moving his head to stretch his neck. He slipped his hand into the inside pocket of his jacket and took out a tiny gold bottle. Unscrewing the cap, he tapped a pinch of white powder on to the back of his hand. He brought his hand to his nose and sniffed the cocaine directly, then rubbed his nostrils with his fingers to remove the residue of powder.

Everything around him was proof of his success and power. Still, Allen Yoshida had no illusions. He remembered his father who used to break his back unloading crates of fish on to his truck from the refrigerated cars when they came in from the coast, and then drove around to supply New York’s Japanese restaurants. He remembered when he came home from work, preceded by the stench of fish that he could never get rid of, however much he washed his hands. He remembered their dilapidated house in the rundown neighbourhood of the city and he remembered as a child hearing his parents talk about how they needed to repair the roof and the plumbing. He could still hear the pipe gurgling every time they turned on a faucet, and the rush of rusty water that poured out. You had to wait a couple of minutes before the water ran clear enough so that you could wash. He had grown up there, the son of a Japanese man and an American woman, straddling two cultures, a gaijin in the Japanese community’s limited way of thinking and a Jap for white Americans. For everyone else – blacks, Puerto Ricans, Italians – he was just one more half-breed on the city streets.

He felt the lucid rush of the cocaine start to circulate and he ran a hand through his thick, shiny hair.

It had been a long time since he had had any illusions. Actually, he’d never had any. Everyone who had come to his home that evening was there not for the man he was but for what he owned. For those billions of dollars. None of them were really interested in knowing whether or not he was a genius. What they cared about was the fact that his genius had helped him amass a personal fortune that made him one of the world’s ten richest men.

Nothing else counted very much for anyone. Once you achieved the result, it did not matter how. Everyone knew him as the brilliant creator of Sacrifiles, the operating system that competed with Microsoft on the world computer market. He’d been eighteen when he had launched it, when he’d created Zen Electronics with a loan from a bank that believed in the project after he had shown a group of astonished investors his system’s simple operations.

Billy La Ruelle should have been with him to share in the success. Billy, his best friend, who had studied with him at the same computer school, and who had come home one day with the dazzling idea for a revolutionary operating system that ran in a DOS environment. They had worked on it in absolute secrecy, he and Billy, for months, day and night, on their two computers linked via a network. In a tragic accident, Billy had fallen from the roof when they had gone up to fix the TV aerial the day before the Bulls-Lakers play-off. He had slipped on the sloping roof like a sled on ice and had found himself hanging from the drainpipe. Yoshida had stood there watching, immobile, as Billy begged him for help. His body was suspended in the air and the left side of the metal sheeting was giving way under his weight. Yoshida had seen his friend’s knuckles grow white in the effort to hold on to the sharp edge of the drainpipe, and to his life.

Billy had fallen with a scream, looking at Yoshida with desperate, widening eyes. He had landed with a thud on the concrete in front of the garage and lain there motionless, his neck bent in an unnatural position. The piece of drainpipe that had broken off had ironically fallen right into the basketball net attached to the wall outside the house where he and Billy let off steam during their breaks. As Billy’s mother ran out of the house screaming, Yoshida had gone into his friend’s bedroom and downloaded everything on the hard drive on to floppy disks before erasing it so that nothing remained. He had slipped the disks into his back pocket and then run out into the courtyard, over to Billy’s lifeless body.

Billy’s mother was sitting on the ground. She had her son’s head in her lap and was stroking his hair. Allen Yoshida had cried his crocodile tears. He had knelt down beside her, feeling the hard surface of the disks in his pocket. A neighbour had called an ambulance. It had arrived in record time, preceded by a siren that was strangely similar to the cries of Billy’s mother, and stopped with a screech of tyres and brakes. Paramedics had calmly carried off his friend’s body, covered with a white sheet.

An old story. One to forget. Now his parents lived in Florida and his father had finally managed to rub his hands clean of the stench of fish. And even if he hadn’t, anyone would swear that the stench was perfume – thanks to Allen’s dollars. He had paid to put Billy’s mother through rehab for her drinking and had bought his parents a house in a nice neighbourhood where they lived without any hassle, thanks to the money he sent them every month. No rusty water, no boarded-up stores. Once, when they had met, his friend’s mother had kissed his hands. As often as he washed them, he had felt that kiss burning on his flesh for a long time.

Yoshida got up and went into the house. He took off his jacket and threw it over one shoulder. The dampness of the night penetrated his thin shirt, making it stick to his skin. He picked a white gardenia from a bush and brought it to his nostrils. The cocaine had numbed his nose, but he could still smell its delicate fragrance.

He went back into the living room and took the remote control out of his pocket. He pushed and the shatterproof windows closed without a sound, sliding down on perfectly oiled hinges. He turned off the lights in the same way, leaving a glimmer in a few hall lights set into the wall. He was alone, finally. It was the moment to dedicate a little time to himself and to his pleasure, his secret pleasure.

The models, the bankers, the rock stars, the actors who flocked to his parties were only splashes of colour on a white wall, faces and words to be forgotten as easily as they were noticed. Allen Yoshida was a handsome man. He had inherited his Yankee proportions and height from his American mother and the tight, well-defined Asian bone structure from his father. His face was a mixture of the two races, with the arrogant charm of all accidents. His money and his looks had universal appeal. And everyone was intrigued by his solitude. Women, especially, showed off breasts and bodies full of promises so simple to fulfil in that obsessive search for life-affirming contact. Faces that were so open, so easy to read, that even before he got started he could already read the words ‘The End’. To Allen Yoshida, sex was strictly the pleasure of the stupid.

He stopped in front of a surface of curved briarwood. When he pushed a button on the right, the surface slid into the wall, revealing steps leading downstairs. He walked down impatiently. He had a new video to watch that had been delivered the day before. This was his first chance to do so comfortably, sitting in his projection room with his flat screen, enjoying every minute, with a glass of chilled champagne.

When he had let Billy La Ruelle fall off the roof, Allen Yoshida not only became one of the richest men in the world, but he had discovered something else that would change his life. Seeing his friend’s widened eyes and terrified face as he fell through the air, hearing the desperation in his voice as he’d pleaded, had given him pleasure. He had only realized later, at home, when he had undressed to take a shower and discovered that his pants were soiled with semen.

Ever since then, since the very moment of his discovery, he had attained pleasure without hesitation, just as he had attained riches without regret. He smiled. That smile was like a luminous cobweb on an indecipherable face. Money did buy everything. Complicity, silence, crime, life and death. For money, men were willing to kill, and to give and receive suffering. He knew that well, every time he added a new video to his collection and paid an exorbitant price for it.

He had films of real torture and killings, of men, women and sometimes children. They were taken from the street to secure places and then filmed as they were subjected to every type of torture and rape before being burned alive. A black man was flayed until he literally became a red mass of blood. The screams of pain were music to his ears as he sipped the chilled wine and waited for the conclusion of his pleasure.

And it was all real.

A large, illuminated room lay at the bottom of the stairs. On the right were two Hermelin billiard tables, one traditional and one American, built especially for him and imported from Italy. The cues and everything else needed for the game were hanging from the wall. There were armchairs and couches around a bar, one of many scattered throughout the house.

Passing the billiard room he stopped. To his right, on a wooden pedestal about four feet high, was a marble statue of Venus playing with Eros, from the Hellenic period. It was lit by halogen from the ceiling. He didn’t stop to gaze at the delicacy of the work, or the tension between the two figures that the sculptor had artfully depicted. Instead, he put his hands on the base of the statue and pushed. The wooden lid turned on itself, revealing the hollow centre of the base. On the bottom was the dial of an electronic combination lock.

Yoshida punched out the code that only he knew and the wall slid noiselessly aside, disappearing into the wall on the left. This was his realm. Pleasure awaited him, in secret, as absolute pleasure always did.

He was about to cross the threshold when he felt a violent blow between his shoulders, the flash of a sharp pain and the immediate chill of darkness.

FOURTH CARNIVAL

When Allen Yoshida comes to, his vision is hazy and his head hurts. He tries to move his arms, but he cannot. He squints to regain his focus. Finally, he opens his eyes and discovers that he is in an armchair in the middle of the room. His hands and legs are tied with wire, his mouth covered by a tape.

In front of him, sitting on a chair, a man is staring at him in silence. The man is wearing what seems to be an ordinary black canvas work shirt, at least four or five sizes too large. His face is covered with a black ski mask and the upper part of his face around the eyes is protected by large dark glasses with reflective lenses. He is wearing a black hat with the brim pulled down. His hands are covered with large gloves, also black.

Yoshida’s terrified gaze looks up and down the figure. Under the long coat, his black trousers are of the same fabric as the shirt, and again oversized. The loose trouser bottoms rest on his canvas shoes. Yoshida notices something strange. There are protrusions at the man’s knees and elbows that hold the material of his clothes, as if the person in front of him had extensions on his arms and legs.

They sit in silence for what seems an eternity. One man who has decided not to speak and one who cannot.

How did the intruder get in? Even though Yoshida was alone in the house, the villa was surrounded by impenetrable security, consisting of armed men, guard dogs and cameras. How did he bypass all that? And most of all, what did he want from him? Money? If that is the problem, he can give him all he wants. He can give him anything he wants. There is nothing that money cannot buy. Nothing. If only he could speak…

The man continues to look at him in silence, sitting on the chair.

Yoshida makes a faint moan, muffled by the tape on his mouth. The man’s voice finally comes out of that dark blotch of his body.

‘Hello, Mr Yoshida.’

The voice is warm and resonant, but strangely enough, to the man tied to the chair, it sounds harder and sharper than the wire cutting into his arms and legs.

He widens his eyes and moans again.

‘Don’t try to answer. I can’t understand you. And in any case, I’m not remotely interested in what you have to say.’

The man gets up from the chair, moving unnaturally because of the oversized clothes and the extensions on his arms and legs. He goes behind Yoshida, who tries to turn his head to keep him in sight. He hears the voice again, coming from somewhere behind his back.

‘You’ve got yourself a wonderful place here. A discreet place for your little private joys. Some pleasures in life are hard to share. I understand you, Mr Yoshida. I don’t think anyone can understand you better than I…’

As he speaks, the man returns to face him. He gestures at the room around them, rectangular and windowless. There is a ventilation system with air nozzles set in the walls just below the ceiling. Against one wall is a bed with silk sheets. There is a painting over the bed, the only lapse in the room’s monastic simplicity. The two longer walls are almost entirely covered in mirrors, the optical illusion of a larger room to eliminate the sense of claustrophobia.

In front of the bed is a series of flat screens connected to a group of VHS and DVD players. When a movie is shown, you can feel surrounded by images and be at their centre. There are also cameras that can shoot any point of the room with no corner overlooked. The cameras are also connected to the home movie system.

‘Is this where you relax, Mr Yoshida? Is this where you forget about the world when you want the world to forget about you?’

The man’s warm voice transmits cold. Yoshida feels it climb up his arms and legs that are growing numb as the wire cuts his circulation. He feels the wire ripping into his flesh, just like that voice digging into his brain.

With his artificial movements, the man bends over a canvas bag on the floor next to the chair. He takes out a record, an old LP with the sleeve protected by a plastic cover.

‘Do you like music, Mr Yoshida? This is heavenly, believe me. Something for a real connoisseur. Which, of course, is what you are.’ He goes over to the stereo and looks at it. He turns back to face Yoshida and the light in the room is a brief flash reflected in his glasses. ‘My compliments. You’ve forgotten nothing. I was prepared for an alternative, in case you didn’t have a record player, but I see you’re well equipped.’

He turns on the system and puts the record on the turntable after slipping it carefully out of its sleeve. He places the needle on the LP and the mournful notes of a trumpet emanate from the speakers and spread through the room. It is sorrowful music, intended to evoke a melancholy that leaves you breathless; the sounds of grief, demanding only to be forgotten. For a moment, the man stands motionless, listening. Yoshida imagines him with his eyes half closed behind the dark glasses. Then he snaps back.

‘Lovely, isn’t it? Robert Fulton, one of the greats. Maybe the greatest of them all. And misunderstood, like all the great ones were.’ He goes and looks curiously at the controls of the video system. ‘I hope I can understand this. I wouldn’t want your equipment to be beyond my meagre abilities, Mr Yoshida. No, it looks fairly simple.’

He presses some buttons and the monitors light up, with the snow-like effect they have when there is no signal. He busies himself with the buttons and the video cameras finally go into action. The screen shows Yoshida, immobilized in the armchair in the middle of the room, sitting before an empty chair.

The man seems pleased with himself.

‘Excellent. This system is excellent. But then, I wouldn’t have expected anything less of you.’

The man comes back in front of his prisoner, turns the chair around, and sits astride it. He leans his deformed arms on the back of the chair. The extensions on his elbows hold the canvas of his shirt.

‘You’re wondering what I want, aren’t you?’

Yoshida gives a lengthy moan.

‘I know, I know. If you think it’s your money I want, don’t worry. I’m not interested in money. Not yours or anyone else’s. I want a trade.’

Yoshida exhales through his nose. Thank God. Whoever the man is, whatever his price, there might be some way of reaching an agreement. If it isn’t money he wants, it is certainly something that money can buy. There is nothing that money can’t buy, he repeats to himself. Nothing.

He relaxes in the chair. The wire seems a little bit looser now that he sees a glimmer of hope, a chance to negotiate.

‘I took a look at your videos while you were asleep, Mr Yoshida. I think we have a great deal in common. Both of us, in some way, are interested in the death of people we don’t know. You for your own pleasure; me, because I have to.’

The man bows his head as if he is studying the shiny wood of the chair. Yoshida has the impression that he is thinking about something that for a moment takes him far away. There is a sense of inevitability in his voice that is the very essence of death.

‘And that is all we have in common. You do it through a third party. I’m forced to do it myself. You’re someone who watches killing, Mr Yoshida, while I…’

The man puts his faceless head next to Yoshida’s.

‘I kill…’

Suddenly, Yoshida knows there is no hope. The front pages of all the newspapers flash through his mind with their headlines of the murders of Jochen Welder and Arianna Parker, the woman who was with him. For days now, the TV news has been full of the horrifying details of those two crimes, including the signature in blood that the murderer left on the table on a yacht. The same words now spoken by the man sitting before him. He is distraught. Nobody can come to his rescue because nobody knows of the existence of his secret room. Even if his bodyguards looked for him, they would search outside when they did not find him at home. He starts to moan again, struggling, panic-stricken, in the chair.

‘You have something that interests me, Mr Yoshida. Something that interests me very much. That is why I feel obliged to propose a trade.’

He gets up from the chair and goes to open the glass door of the cabinet holding the video cassettes. He takes out a new tape, removes the cellophane wrapping and inserts it in the VCR. He presses the RECORD button and the spindles begin to turn.

‘Something for my pleasure in exchange for yours.’

With a graceful gesture, he puts his hand in his shirt pocket and removes a dagger that gives out a sinister gleam. He goes up to Yoshida, who thrashes violently, ignoring the wire cutting into his flesh. With the same fluid movement, the man sticks the dagger into his thigh. The prisoner’s hysterical moaning becomes a scream of muffled pain from behind the tape over his mouth. ‘There. This is what it feels like, Mr Yoshida.’

That last ‘Mr Yoshida’, said in a smothered voice, rings through the room like a funeral eulogy. He stabs the bloodstained dagger again, now in the victim’s other thigh. The movement is so swift that this time Yoshida does not even feel any pain, only a cool sensation in his leg. Immediately afterwards, he feels the tepid dampness of blood dripping down his calf.

‘Funny, isn’t it? Things change when you see them from a different point of view. But you’ll see. You’ll be pleased with the result anyway. You’ll have your pleasure this time, too.’

With cold determination, the man continues stabbing his victim, as his gestures are projected on the screens by the cameras. Yoshida watches himself being stabbed over and over again. He sees the blood rush out in large red streams on his white shirt and the man who raises and lowers, in the room and on the screen, the blade of his knife, again and again. He sees his eyes widen with terror, and pain fills the indifferent space of the monitors.

Meanwhile, the music in the background has changed. The trumpet cuts through the air with high notes sustained by a rhythmic accentuation, a sound of ethnic percussion that evokes tribal rituals and human sacrifice. The man and his dagger continue their agile dance around Yoshida’s body, opening wounds everywhere, with the blood rushing out in evidence, on the fabric of his clothes and on the marble floor. The music and the man stop at exactly the same time, like a ballet rehearsed an infinite number of times.

Yoshida is still alive and conscious. He feels his blood and his life ebbing from the wounds opened everywhere on his body, which is now sending a lone signal of pain. A bead of sweat rolls down his forehead and drops burning into his left eye. The man wipes Yoshida’s soaked face with the sleeve of his bloodstained shirt. A reddish smudge remains on his forehead.

Blood and sweat. Blood and sweat, like so many other times. And through it all, the gaze of the cameras, surprised by nothing.

The man is panting under his ski mask. He goes over to stop the VCR and rewinds the cassette. When the tape is back at the beginning, he presses PLAY.

On the screen, in front of Yoshida’s half-closed eyes and slowly bleeding body, it all begins again. The first stab, the one that went through his thigh like a searing iron. Then the second, with its cool breeze. And then the others…

The man’s voice is that of fate now, soft and thickened by desire. ‘Here’s what I offer you. My pleasure for yours. Relax, Mr Yoshida. Relax and watch yourself die…’

Yoshida hears the voice through space as if from the next room. His eyes are staring at the screen. As his life blood slowly evacuates his body, as the cold slowly rises to occupy every cell, he cannot help but feel that same damnable pleasure.

When the light abandons his eyes, he cannot decide whether it is heaven or hell that he sees before him.

SEVENTEEN

Margherita Vizzini drove into the underground garage at the Place du Casino. There weren’t many people around at that time of morning. The residents of Monte Carlo who took part in its nightlife, the rich and the desperate, were still asleep. And it was too early for tourists. Everyone on the street, like her, was going to work. She left the sunshine, the colourful, meticulously maintained flower beds, and the people having breakfast at the Café de Paris for the warm, damp shadows of the garage. She pulled up her Fiat Stilo at the entrance and stuck her card in the machine. The barrier rose and she drove slowly inside.

Margherita came in every day from Ventimiglia, in Italy, where she lived. She worked at the Securities Office of ABC, Banque Internationale de Monaco, located in the Place du Casino right next to the Chanel boutique.

She had been very lucky to find a job like that in Monaco, especially without any contacts or referrals. Like all good students she’d had a number of job offers after getting her degree in business and economics with honors. Surprisingly, one of the offers had been from ABC.

She had gone to the interview without much hope, but to her surprise she had been selected and hired. There were many advantages. First of all, her starting salary was considerably higher than anything she would have had in Italy. Then there was the fact that, working in Monte Carlo, the tax situation was much more favourable.

Margherita smiled. She was a good-looking woman, with light brown hair cut short to frame a face that was friendly as well as attractive. A smattering of freckles on her straight nose gave her a mischievous elfin expression. A car was reversing to get out and she had to stop. She took advantage of the moment to glance at her reflection in the rearview mirror. She was happy with what she saw.

Michel Lecomte was coming back that day, and she wanted to look her best.

Michel…

She felt a warm fluttering in the pit of her stomach at the thought of his tender gaze. A delightful game had been going on between them for some time, very delicate and therefore very intense. The time had come to step it up a notch.

The way was clear. She turned on to the ramp and started to drive down to the next-to-last level in an area set aside for bank employees. Her parking space was at the back, behind the wall. But when she turned right, past the wall, she was surprised to see her space taken by a limousine, a glossy black Bentley with tinted windows.

Strange. One rarely saw that kind of car in the underground garage. Those cars usually had chauffeurs in dark suits holding the door open for passengers, or else they were left carelessly in front of the Hôtel de Paris for the hotel staff to park. It probably belonged to a customer of the bank. Given the make of the car, complaining would be a bad idea. She decided to park in the free space next to it.

Distracted by these thoughts, Margherita misjudged the distance and hit the back of the Bentley on the left side. She heard her headlight smash as the heavy limousine absorbed the shock with a light bounce of its suspension.

She backed up slowly, as if this extra caution could somehow make up for the small disaster she had just caused. She stopped and looked nervously at the back of the Bentley. There was a dent on the body, not very large but visible as a mark from her plastic bumper. She banged her hands on the steering wheel in irritation. Now she would have to deal with all the annoying red tape involved in an accident, not to mention the embarrassment of confessing to a bank customer that she had damaged his car.

She got out and walked over to the limo, bending to look in the back window. She was suddenly puzzled. There appeared to be someone inside, a form she could see indistinctly through the tinted glass. She looked closer, shielding her eyes with her hands. It did indeed seem that there was someone in the back seat.

She narrowed her eyes. Just then, the figure inside bent over and slumped to the right, his head pressed against the window. In horror, Margherita saw the face of a man completely covered in blood, his wide-open, lifeless eyes staring at her, his teeth completely bared in the smile of a skull.

She jumped back without realizing that she had already started to scream.

EIGHTEEN

Neither Frank Ottobre nor Inspector Hulot had been able to sleep. They had spent the night staring at a meaningless record sleeve, listening over and over again to a tape that told them nothing. One by one, they had constructed one hypothesis after another and demolished them all. Anyone with the slightest expertise in music had been asked for help. Even Rochelle, a cop and music fanatic with an amazing record collection, was stumped by the agile fingers of Carlos Santana fondling the neck of his guitar.

They had surfed the Internet for hours in search of any hint that might help them decipher the killer’s message.

Nothing.

They were confronted with a locked door and the key was nowhere to be found. It had been a long night of confusion and bitter-tasting coffee, no matter how many sugars they added. Time had passed and all their hopes had turned to naught.

Outside the window, beyond the rooftops, the sky was turning blue. Hulot got up from his desk and went to look through the glass at the worsening traffic. For all those people, it was a new day of work after a good night’s sleep. But here, it would be another day of waiting after nothing but nightmares.

Frank was sitting on a chair, one leg swung over the arm, staring intently at the ceiling. He had been in that position for quite some time. Hulot pinched his nostrils together with his fingers, then turned to Morelli with a sigh of fatigue and frustration.

‘Claude, do me a favour.’

‘What is it, inspector?’

‘I know you’re not a waiter, but you’re the youngest so you’ve got to pay your dues. Could you manage to get us some coffee that’s any better than the mud in that machine?’

‘I was waiting for you to ask,’ replied Morelli with a smile. ‘I wouldn’t mind some decent coffee myself.’

As the sergeant left the office, Hulot ran his hand through his salt-and-pepper hair, slightly parted at the nape of his neck to reveal the puffiness of his skin after a sleepless night.

When the call came, they knew they had failed. As Hulot lifted the receiver to his ear, it seemed as heavy as lead.

‘Hulot,’ the inspector answered laconically. He listened to the person on the other end and paled. ‘Where?’ Another pause. ‘Okay. We’ll be right there.’ He hung up and buried his face in his hands.

Frank had got to his feet during the conversation. His weariness seemed to have instantly disappeared. Suddenly, he was on high alert. His jaw tightened and his red eyes narrowed to tiny slits.

‘There’s a body, Frank, in the underground car park next to the casino. No face, like the other two.’

Hulot got up from his desk and went to the door, followed by Frank. They almost bumped into Morelli, who was holding a tray with three cups.

‘Here’s the coffee, inspector.’

‘Put it down and get us a car, Morelli. They found another one – let’s get out of here.’

As they left the office, Morelli addressed a policeman walking past. ‘Dupasquier, get me a car downstairs. Now.’

It felt like the lift was descending to the lower depths.

Frank and Hulot went outside where a car was waiting, with its engine running. The doors had barely closed when they sped off.

‘Place du Casino. Turn on the siren, Lacroix, and don’t worry about the tyres.’ The policeman at the wheel was a young man with quick reflexes. The car took off with a screech.

They drove up Saint-Dévote and reached the plaza with the siren shrieking and heads turning as they passed. In front of the entrance to the garage a small crowd was forming, just as it had at the quayside a few days before. There was a splash of colour from the flower beds in the public garden in front of the garage. And more colour in the centre of the roundabout in front of the Hôtel de Paris, where a landscaper had composed the date in flowers. Frank could not help thinking that for the new victim, today’s date was written in blood.

The car squeezed through the crowd, a policemen pushing back the staring onlookers trying to make out who was inside. They drove into the garage, their tyres screeching as they sped down to where two other police cars were waiting at the level below. Their revolving lights made kaleidoscopic designs on the walls and ceiling.

Frank and the inspector jumped out of the car as if their seats were burning. Hulot yelled at an officer, pointing to the other cars: ‘Tell them to turn those lights off. They’re making me feel sick.’

They went over to the large black Bentley parked against the wall. The body of a man was leaning against the window, the glass covered in blood. As soon as he saw him, Hulot squeezed his fist so tightly that his knuckles whitened.

‘Merde! Merde! Merde!’ he repeated over and over, as if his fit of rage could take away the sight before his eyes. ‘He did it again, God damn it.’

Frank felt the exhaustion of his sleepless night slide into despair. While they had been sitting in the office, desperately trying to decipher the message of a maniac, he had struck again.

‘Who found him?’ Hulot asked, turning to the policeman behind him.

‘I did, sir,’ replied a uniformed officer. ‘That is, I was the first to arrive. I was here to tow a car and I heard the girl screaming.’

‘What girl?’

‘The girl who discovered the body. She’s sitting in the car. In shock and crying like a baby. She works for the ABC bank above us. She hit the Bentley while parking her car, got out to check the damage, and that’s when she saw-’

‘Did anyone touch anything?’ Frank interrupted.

‘No, I didn’t let anyone get close. We were waiting for you.’

‘Good.’

Frank went to the police car to get a pair of latex gloves and pulled them on as he went over to the limo. He tried the handle of the front door on the driver’s side. It clicked open. He leaned in and looked at the body. The man was wearing a white shirt soaked with so much blood that Frank could barely make out its original colour. His trousers were black, presumably evening clothes. There were slashes all over him from numerous stabbings. Next to the body, on the leather seat, were the words written in blood.

I kill…

Leaning over the padded leather, Frank grabbed the body by its shoulders, pulled it upright, and leaned it against the back of the seat so that it would not slip down again. As he did so, he heard something hit the floor.

He backed out of the car and went to open the other door, next to the body. He squatted down to peer inside. Hulot, standing behind him, bent over to see better, keeping his arms behind his back. He was not wearing gloves and didn’t want to risk touching anything.

From his position, Frank could see something had fallen on the floor. Wedged under the front seat was a VHS videocassette. It had probably been on the corpse’s lap and the movement had caused it to fall. Frank took a pen from his pocket and stuck it into one of the spindles of the tape. He lifted it and looked at it for a second. Then he took a plastic evidence bag out of his pocket, slipped the cassette inside and sealed it.

During this operation, he noticed that the dead man’s feet were bare. Frank stretched out his hand and tested the flexibility of the toes. He raised the trouser legs to see if there were marks on his ankles.

‘This guy was bound with something stiff, probably wire. Judging from the clotting of the blood and the mobility of his limbs, he hasn’t been dead long. And he didn’t die here.’

‘From the colour of his hands, I’d say he died through loss of blood, said Hulot.’

‘Exactly. So, if he died here, there’d be much more blood on the seats and the floor, not just on the clothes. And it doesn’t really seem like the right place to do the job. No, this guy was killed somewhere else and put in the car afterwards.’

‘But why go to so much trouble?’ Hulot stepped back so that Frank could stand up. ‘I mean, why move a body from one place to another, at night, in a car, at the risk of being discovered. Why?’

‘I don’t know,’ Frank responded, looking around him, puzzled. ‘That’s one of the things we have to figure out.’

They stood in silence a moment, looking at the body leaning against the back seat with wide-open eyes in the narrow space of its shiny, sumptuous coffin.

‘Judging from his clothes and car, he must have had a shitload of money.’

‘First, let’s see whose licence plate this is.’

They went around the Bentley and opened the door on the passenger side. Frank pressed a button on the dashboard and the door to the glove compartment slid open noiselessly. He took out a leather folder. The papers were inside.

‘Here it is. It’s a company car, Zen Electronics.’

‘Jesus Christ, it’s Allen Yoshida.’ The inspector’s voice was a shocked whisper. ‘The owner of Sacrifiles.’

‘Shit, Nicolas. That’s what the clue meant.’

‘How’s that?’

‘The song by Santana, the one we listened to over and over. Live in Japan. Yoshida’s half-American, half-Japanese. And remember the song? It’s called “Soul Sacrifice”, get it? “Soul Sacrifice”! Sacrifiles is a play on the word sacrifice. And there’s another song on Lotus called “Kyoto”. I wouldn’t be surprised if Yoshida had something to do with that, too.’

Hulot pointed at the body in the car. ‘Do you think it’s him? Allen Yoshida?’

‘I’d bet my life on it. And there’s something else.’

Hulot looked at Frank in surprise. He could see an idea taking shape in his friend’s mind.

‘Nicolas, if Yoshida was killed somewhere else and then brought here to be discovered in the Place du Casino of Monte Carlo, there’s a reason for it.’

‘What reason?’

‘That bastard wants us to investigate.’

Hulot realized that if Frank was right, then there was no end to what this man would do. He froze at the thought of what was to come, of who they were up against, and the murders they already had to solve.

The sound of screeching tyres announced the arrival of an ambulance and the medical examiner. The forensic van was close behind. While Hulot briefed them, Frank stood apart, lost in thought. His eyes fell on the car radio. There was something sticking out of the tape recorder. He pulled it out.

It was a normal audiocassette that had been recorded and rewound. Frank studied it for a moment, then stuck it in the stereo and pressed PLAY. Suddenly, everyone could hear the jeering notes of ‘Samba Pa Ti’ floating through the still air of the garage.

NINETEEN

When they returned to police headquarters, there was a crowd of reporters in front of the building.

‘Fucking vultures.’

‘What did you expect, Nicolas? We steered clear of them at the garage, but you can’t avoid them forever. They’re the least of our problems. Just keep that in mind.’

Lacroix stopped the car at the entrance. Seeing the inspector inside, the horde of reporters shifted position with a single movement, so well synchronized that it looked rehearsed. The barrier was only halfway up when the car was surrounded by people and questions. Hulot was forced to lower the window on his side. The shouting of the reporters grew louder. One man with red hair and freckles practically stuck his head in the window.

‘Inspector, do you know the identity of the body found in the garage?’

From behind him: ‘Do you think it’s the same man who killed Jochen Welder and Arianna Parker?’ It was a reporter from Nice Matin that Hulot knew well, brusquely shoving his colleague aside. ‘Is there a serial killer at large in the city?’

‘What can you tell us about the phone call last night to Radio Monte Carlo?’ yelled someone else behind them.

Hulot raised his hands to stop the volley of questions.

‘Gentlemen, please. You’re all professionals and you know very well that I can’t tell you anything right now. There will be a statement from the chief of police later. That’s all for now. Excuse me. Drive on, Lacroix.’

The driver edged the car forward slowly so as not to hit anyone. At last they passed the barrier, which lowered behind them. When they got out of the car, Hulot rubbed his face with one hand. He had dark circles under his eyes caused by lack of sleep and the horror he had just witnessed.

He handed Morelli the videotape from the victim’s car. Forensics had checked it for prints and returned it.

‘Claude, make a copy and then give it to us. And bring a monitor and VCR to my office. Then call the people in Nice and talk to Clavert. Tell him to let us know as soon as they analyse the tape from last night’s phone call. I don’t expect much, but you never know. We’ll be in my office.’

As they went up in the lift, Frank mused that from the moment they had arrived at the radio station the evening before, he and Hulot had not been alone together.

‘What do you think?’ asked the inspector.

Frank shrugged. ‘The problem is that I no longer know what to think. This guy is different. In every case I’ve ever been on, there’s always been something left to chance, some series of clues that showed, first of all, how the serial killer could endure his condition. The lucidity of this guy is mind-boggling.’

‘Yeah. Meanwhile, three people are dead.’

‘One thing is really puzzling me, Nicolas.’

‘Just the one?’

‘Beyond the fact that we don’t know why he removes the faces of his victims, the first case – Jochen Welder and Arianna Parker – involved a man and a woman. Here, just a man. What’s the connection? In other words, if we exclude the woman for the moment, what’s the connection between Jochen Welder, twice Formula 1 world champion, and Allen Yoshida, world-famous computer tycoon?’

‘Well, both are rich and well known and around the same age, thirty-five,’ Hulot mused, leaning against the door of the lift. ‘And, I might add, both rather handsome men.’

‘That’s fine. Then what does Arianna Parker have to do with it? Why a woman?’

‘The killer was probably interested in Jochen Welder and she just happened to be there. So he had to kill her, too.’

‘I’ll buy that. But why give her the same treatment?’

They walked down the corridor and stopped in front of Hulot’s office. To the people walking by they looked as if they had survived a war.

‘I don’t know, Frank. I don’t know what to say. Three dead and no clues. We couldn’t even figure out the one clue we had, so now there’s one more dead man on our conscience. And all told, it was rather simple.’

‘All puzzles are simple once you’ve solved them.’

They went into the office, where patterns of sunlight streaked the floor. It was almost summer outside but felt like winter inside the room. Hulot went over to his desk, picked up the phone and called Froben, the inspector in Nice. Frank slumped down in the chair in the same position he had been in just a few hours before.

‘Christophe? It’s Nicolas. Listen, I have a problem. A new one. We just found another body in a car. Same method as the other two. The face completely flayed. The documents show that the car was owned by Zen Electronics, Allen Yoshida’s company. You know, the…’

The inspector stopped. ‘What? Wait, I’m here with Frank Ottobre. I’m going to put you on loud speaker so he can hear, too. Repeat what you just said.’

He pushed a button on the phone and Froben’s voice blared out, slightly distorted by the phone mike.

‘I said I’m at Yoshida’s house in Beaulieu. Billionaire’s pad, of course. Multibillionaire. Security with armed guards and cameras everywhere. We got a call this morning about seven. The servants don’t live in – they all come to work around six thirty. Today, after they got here, they started cleaning up from a party the owner hosted last night. When they went downstairs, they found a room they didn’t know about.’

‘What do you mean, “didn’t know about”?’

‘Exactly that, Nicolas. A room they knew nothing about. A secret room that opens by an electronic lock hidden in the base of a statue.’

‘Sorry, go on.’

‘They went in and found an armchair covered in blood. There was blood on the floor and the walls. A lake, as the security guard who called me put it. He wasn’t exaggerating. We’ve been here a while and forensics are still working on it. I’ve started questioning but I’m not getting anywhere.’

‘He killed him there, Christophe. He came to Yoshida’s house, killed him, did his disgusting routine, loaded him into the car, and then left the body inside the car at the casino garage.’

‘The head of security, an ex-cop named Valmeere, told me they saw Yoshida’s car leave last night at 4 a.m.’

‘And they didn’t see who was driving?’

‘No. He said the car has tinted windows and you can’t see in. And it was dark out, so it was even worse with the reflection of the light.’

‘Didn’t he find it strange that Yoshida would go out by himself at that time of night?’

‘That’s exactly what I asked him. Valmeere told me that Yoshida was strange. He did things like that. Valmeere had pointed out to him that it wasn’t safe to go around alone, but he wouldn’t listen. Sure you really want to know how strange Yoshida was?’

‘Tell me.’

‘We found a collection of snuff videos in the room, enough to make you sick. There’s stuff here you can’t even imagine. One of my boys who watched spewed up his breakfast. Can I tell you something?’ Froben continued without waiting for an answer. ‘If Yoshida liked this kind of stuff, he got exactly what he deserved!’

The disgust in Froben’s voice was clear. That was the life of a policeman. You thought you had reached rock bottom, but something happened every time to take you lower.

‘Okay, Christophe. Let me know the results of your investigation: photos, prints – if there are any – and so on. And leave everything there so that we can come and take a look later, if necessary. Thanks.’

‘Don’t mention it. Nicolas?’

‘Yes?’

‘The last time I thought it to myself, but this time I’ll say it out loud. I wouldn’t want to be in your shoes, believe me!’

‘I believe you, my friend. And how.’

Frank was leaning back in the chair looking at the blue patch of sky without seeing it. His voice seemed a thousand miles and a thousand years away.

‘You know something, Nicolas? Whenever I think about the things that happen in the world – 9/11, this business here, wars and everything else – I start thinking about dinosaurs.’

The inspector looked at him, not understanding what he was getting at.

‘For a long time now, everyone’s been trying to figure out why they became extinct. They wonder why these animals that dominated the earth suddenly disappeared. Maybe they died because they all went crazy. Just like us. That’s what we are, you know, tiny dinosaurs. And sooner or later, this madness will be the end of us.’

TWENTY

Morelli pushed the cassette into the VCR and the coloured bars at the beginning of the tape filled the screen. As Hulot went to lower the blinds in order to reduce the glare from the windows, Frank sat in his armchair and turned in the direction of the monitor. Next to him was Luc Roncaille, chief of Sûreté Publique of the Principality of Monaco. He had unexpectedly dropped by Hulot’s office while Morelli and a policeman were getting the monitor and VCR ready on a small table they had wheeled in.

Roncaille was a tall, suntanned man with hair greying at the temples, a modern-day Stewart Granger. Frank looked at him with instant suspicion. The man looked more like a politician than a cop. A handsome face and a career that was more PR than fieldwork. He was the perfect poster boy to exhibit on official occasions. When Hulot introduced them, he and Frank looked each other over for a second, each sizing up the other. Judging by the look in Roncaille’s eyes, Frank decided, he was not a stupid man. An opportunist, maybe, but not stupid. Frank could tell that if Roncaille had to throw someone overboard in order to save himself, he wouldn’t hesitate for a second. And he would never get thrown overboard himself.

Roncaille had rushed over after hearing about the Yoshida killing. For the moment there had been no complaints, but he was obviously there to get enough information to cover his own backside with his superiors. The Principality of Monaco was a tiny speck of land, but it was no fairytale kingdom. There were strict rules and a first-rate government, the envy of many other countries. And the Monaco police force was considered one of the best in the world.

At last an image appeared on the screen. First, they saw a man tied to a chair, tape over his mouth, eyes wide with terror, looking at something to his left. There was no mistaking the face of Allen Yoshida. His photograph had been on magazine covers worldwide. Then a man in black came into the frame. Hulot held his breath. Looking at the man and his clothing, Frank thought for a moment that there was something wrong with the tape or the shot, given the bulges on his elbows and knees. Then, he saw that it was part of the disguise and realized the sophistication of the person he was watching.

‘Fucking bastard,’ he muttered.

The others flashed a look at him and Frank nodded, as if apologizing for the disturbance. Everyone turned back to the video. They watched in horror as the figure in black repeatedly stabbed the man tied to the chair, methodically, so that none of the stab wounds would be fatal. They saw his movements, hampered by his clothes, opening wounds that would never heal. They saw the blood ooze and drip slowly down Yoshida’s white shirt, like a blossoming scarlet flower. They saw death itself dancing around the man, tasting his pain and terror before taking him away for all eternity.

After what seemed like hours, the man in black stood still. Yoshida’s face was dripping with sweat. The man stretched out an arm and wiped Yoshida’s brow with the sleeve of his shirt. On the forehead of the prisoner there remained a reddish smudge, a comma of life in that ritual of death.

There was blood everywhere. On the marble floor, on the clothes, on the walls. The man in black went over to the VCR to his left. He reached for one of the machines. Suddenly, he stopped and leaned his head to one side, as if struck by a thought. Then he turned towards the cameras and bowed, pointing with an elegant flourish of his right arm at the man dying in the chair. He turned again, pressed a button, and the freezing snow of winter covered the screen.

The silence in the room had a different meaning for each of them.

Frank was taken back in time, to the house on the shore and the images he never stopped seeing like an endless film before his eyes. The memory was once again of pain – and that pain became hate and Frank distributed it evenly between himself and the killer.

Hulot went to raise the blinds and sunlight returned to the room as a benediction.

At last Roncaille spoke, relieving the unbearable tension. ‘What in hell’s name is going on here?’ He shuddered as if the air-conditioning were blowing air from the North Pole.

Frank got up from his chair. Hulot saw the light of pain and hatred in his eyes.

‘Gentlemen,’ said Frank, his voice icy and distant. ‘That’s the Devil incarnate on that tape. The man may be completely insane, but he’s got superhuman clarity and shrewdness.’ He pointed to the monitor that was still on, covered with static. ‘You saw how he was dressed. The bulges at the elbows and knees. I don’t know if he had planned to make this tape when he went to Yoshida’s house. Probably not, because he couldn’t have known about the secret room and the perversion in there. He might have been improvising. Maybe he surprised Yoshida when he was opening his inner sanctum. But the point is he was amused at the idea that we could watch him at work, killing the guy. No, the proper term is admire. That’s where you can see that he’s crazy. Morelli, rewind the tape, please.’

The sergeant pointed the remote control and the machine started to rewind with a click and a swish. A few seconds later, Frank stopped him with a wave of his hand.

‘That’s enough, thanks. Can you pause it at a place where we can get a good view of our man?’ Morelli pressed a button and the image on the screen froze upon the figure in black with his dagger raised. The still image showed a drop of blood falling from the knife in midair. The chief of police narrowed his eyes in disgust. He obviously didn’t see that kind of thing every day.

‘Here,’ said Frank, going over to the screen and pointing at the elbow of the killer’s raised arm. ‘The man knew there’d be cameras in the house. And he knew that there are cameras all over the Principality. He knew that by taking the car to the Parking de Boulingrin garage, he risked being captured on tape. And most of all, he knew that anthropometric measurement is a form of identification and that you can do it by analysing a video shot. There are average values for individuals. The size of the ears, the distance from the wrist to the elbow, from the ankle to the knee. Police all over the world have that kind of equipment. So he put protection over his elbows and knees to prevent such measurement. And we can’t analyse anything. No face or body. Only his height, which tells us nothing. That’s why I say that, apart from being insane, he’s also perfectly lucid.’

‘Why did that maniac have to end up here?’ Roncaille was probably seeing his job as chief of police crumble away. He looked at Frank, trying to recover some semblance of level-headedness. ‘What are you planning to do now?’

Frank looked at Hulot, who understood that he was responding in kind to Roncaille’s considerations.

‘We’re investigating in various directions,’ said the inspector. ‘We don’t have many clues, but we do have something. We’re waiting for Lyons to send us the results of their analysis of the phone call tapes. Cluny, the psychiatrist, is preparing a report, again based on the tapes. There are results from the tests on the boat, and from Yoshida’s car and house. We’re not expecting an early breakthrough, but something could come out of it. The protocols of the autopsies didn’t add very much to the first reports. The only real connections we have with the murderer are the phone calls he made to Radio Monte Carlo before striking. We’re monitoring the station 24/7. But he’s a clever bastard. We’ve seen that. And he’s as well prepared as he is ferocious. All we can hope for now is that he’ll slip up somehow. We’ve set up a special unit under Morelli, here, that fields calls and controls anything that might be suspicious.’

‘There have been lots of calls,’ Morelli added, feeling obliged to say something. ‘And now there’ll be more. Sometimes the callers are raving lunatics, you know, UFOs and avenging angels. But for the rest, we’re examining everything. Of course, checking all that out takes time and manpower, of which we have neither.’

‘Hmm. I’ll see what I can do,’ said Roncaille. ‘I can always ask for some support from the French police. I don’t need to tell you that the Principality could have very well done without this. We’ve always been the picture of security, a happy island in the midst of the chaos everywhere else in the world. Now we’ve got this madman who has given us a shock, and we have to solve the case with a show of efficiency in keeping with our image. In other words, we have to get him. Before he kills someone else.’

Roncaille stood up and brushed down the folds of his linen trousers. ‘Okay. I’ll leave you to your work. I should inform you that I’ll be reporting all of this to the attorney general, which is something I’d rather not have to do. Hulot, keep us informed, at any time, day or night. Good luck, gentlemen.’

With that he left the office, closing the door gently behind him. By his demeanour and, most of all, his tone, the words ‘we have to get him’ were understood by all. He meant ‘you have to get him,’ and the threat of unpleasant reprisals in the face of failure was crystal clear.

TWENTY-ONE

Frank, Hulot and Morelli remained where they were, savouring in silence the bitter taste of defeat. They’d been given a clue but hadn’t understood it. They’d had a chance to stop the murderer and now there was another body lying on a mortuary slab with its face skinned off. Roncaille had only come as a form of advance notice, to get the lie of the land before the real battle began. He wanted to warn them that from there on in, the forces above would want heads to roll. And in that case, his head would not be the only one. Not by a long chalk.

There was a knock at the door.

‘Come in.’ Christophe Froben’s drawn face appeared. ‘Hi, Christophe. Come on in.’

‘Hello, everyone. I just saw Roncaille outside. Not a good sign, huh?’ Froben immediately noticed the downcast feeling in the room.

‘Could hardly be worse.’

‘Here, Nicolas. I brought you a present. Developed in record time, just for you. You’ll have to wait a bit longer for the rest of it. Sorry.’

He placed a brown envelope on the table. Frank got up from his chair and went to open it. Inside were black-and-white photos. Turning them over, he saw a still version of what he’d seen in the video: an empty room that was the metaphysical image of a crime. The room where a man had been butchered by a figure in black with an even blacker soul. Neither of them was there in the photographs.

He flipped rapidly through the photos and handed them to Hulot. The inspector put them back on the table without even looking.

‘Did you find anything?’ he asked Froben with little hope.

‘You can imagine the care my boys used in going over the room and the house. There are a bunch of fingerprints, but as you know, prints often mean nothing. If you let me have the prints from the body, I can compare them for a definitive ID. We found some hairs on the armchair, probably Yoshida’s-’

‘The hair is Yoshida’s. He’s the dead man. No doubt about it,’ interrupted Hulot.

‘How can you be so sure?’

‘Before we go on, I think you should see something.’

‘What?’

‘Sit down and brace yourself.’ Hulot leaned back and turned to Morelli. ‘Start the tape.’

The sergeant pressed the remote and the screen was once again filled with the macabre dance of a man killing another man who must die. His dagger looked like a needle sewing a blood-red costume of death on to Yoshida’s body. Froben’s eyes widened. When the film ended with that strange, self-satisfied bow of the man in black, it took him a few minutes to regain his composure.

‘My God. This isn’t even human any more. I feel like crossing myself. What kind of creature is this?’

‘He uses all his talent to serve evil: he’s cold-blooded, he’s intelligent, he’s shrewd. And without a shred of pity.’

Frank’s words were a condemnation of himself as well as the killer. Neither of them could stop. One would continue killing until the other nailed him to the wall. And if he wanted to succeed, he had to abandon his rational mind to a darker one.

Froben, what can you tell us about the videos you found at Yoshida’s place?’ Frank jumped from one topic to another without changing his tone.

For an instant, the inspector seemed relieved at the change of subject. He was intimidated by the light in Frank’s eyes. And by his cold whisper – he sounded like someone invoking spirits at a séance. Froben pointed to the monitor with a grimace.

‘Stuff like this blows your mind. We’ve started an investigation and we’ll see where it leads. There were things in there that make me think the late Mr Yoshida was not worth much more than the man who killed him. Things like that take away your faith in humanity. In my opinion – I’ll say it again – that sadistic motherfucker got exactly what he deserved.’

‘There’s something else I’m wondering,’ said Hulot, finally voicing his thoughts. ‘Why do you think the murderer decided to make this tape?’

‘He didn’t do it for us,’ said Frank, moving towards the window. He leaned on the marble windowsill and looked blindly out at the street.

‘What do you mean by that?’

‘There’s a point towards the end of the video when he stops, just before he turns off the camera. That’s when he thought about us. That’s when he turned and bowed. No, that tape wasn’t made for us.’

‘Then who was it for?’ Froben turned around, but all he saw was the back of the American’s neck and shoulders.

‘He made it for Yoshida.’

‘For Yoshida?’

Frank turned slowly to face the room.

‘Of course. Didn’t you see that he made sure none of the stab wounds was fatal? He wanted Yoshida to bleed to death, slowly. Sometimes, evil has its own bizarre form of retribution. The guy who killed him made him watch a film of his own death.’

FIFTH CARNIVAL

The man is back.

He carefully closes the sealed door in the metal wall behind him. Silent and alone, as always. Now, he is once again closed off from the world, just as the world is closed off from him.

He smiles as he delicately places a black backpack on the wooden table against the wall. This time, he is certain he has made no mistakes. He sits down and turns on the light over the table with the solemn gesture of a ritual. He clicks open the bag with the same ceremonial movements as before, taking out a black wax-board box. Placing the box on the table, he sits for a moment looking at it, as if it is a present and he is delaying the pleasure of discovering what’s inside.

The night was not spent in vain. Time gently lent itself to his needs. Another useless man has given him what he needs. The music is free now, and in his head a triumphant victory march is playing.

He opens the box and puts his hand carefully inside. The lamp illuminates Allen Yoshida’s face as he gently lifts it from the wax board. A few drops of blood fall to join those at the bottom of the box. The man’s smile broadens. This time he was very careful. He used the head of a plastic mannequin to support his trophy, the kind hairdressers use for wigs. Looking carefully at the funeral mask, he has more reason to smile as he thinks about how nothing has changed. From the emptiness of a human mannequin to the inert plastic of another.

He runs his hands gently over the taut skin, caressing the hair whose light has been taken by death. No cuts, no abrasions. The circle of the eyes is cut clean. The lips, the most difficult part, are full and fleshy. Only a few drops of blood mar the beauty of that face.

Excellent work. He relaxes an instant and folds his hands behind his neck. He arches his back to stretch. The man is weary. The night was rewarding but extremely tiring. The tension is gradually dissipating and the price has to be paid.

The man yawns but it is not yet time to sleep. First, he must finish his work. He gets up and goes to open a cabinet. He takes out a box of Kleenex and a bottle of disinfectant and sits back down at the table. He carefully cleans the spots of blood from the mask.

Now the music in his head is quiet, a New Age piece with the delicate counterpoint of an ethereal choir. An ethnic instrument, panpipes perhaps, caresses his mind with the same delicate movement with which he caresses the man’s face. Now he is finished. On the table, next to the mask, there are tissues stained pink. The man admires his masterpiece with half-closed eyes.

Since coming in, he has made almost no sound, but the voice still comes, filled with apprehension.

Isthatyou,Vibo?

The man raises his head and looks at the large door that is open next to the desk where he sits.

‘Yes, it’s me, Paso.’

Why were you so late? I felt lonely, here in the dark.

The man starts nervously but it is not noticeable in his voice. He turns to the open door in the shadows to his left.

‘I wasn’t out having fun, Paso. I was doing it for you.’

The tone is one of slight reproach, and it quickly provokes a remorseful answer.

I know, Vibo, I know. I’m sorry. It’s just that time never passes when you’re away.

The man feels a wave of tenderness and his slight anger fades. He is suddenly a lion remembering the infantile games of his litter. He is a wolf defending and protecting the weaker members of his pack.

‘It’s all right, Paso. Now I’ll go to sleep here with you. And I brought you a present.’

Surprise. Impatience.

Whatisit,Vibo?

The man smiles again. He returns the face to the box and closes the lid. He turns off the light in front of him. This time it would all be perfect. Still smiling, he takes the box and goes to the door where there is darkness and the voice.

He uses his elbow to turn on a light switch to his left. ‘You’ll like it, you’ll see.’

The man goes into the room. It is a room with grey metal walls, the colour of lead. On the right there is a metal bed, and next to it a simple night table with just a lamp on it. The blanket is pulled tight, without a wrinkle; there is a perfectly clean pillow and a clean sheet folded neatly over the blanket.

Parallel to the bed, about a yard away, is a crystal case about ten feet long, held up by two trestles like the ones supporting the table in the other room. The back of the case has a hermetic gasket set in a hole and the rubber tube connected to it leads to a small machine on the floor between the legs of the trestle nearest the door. A cord connects the machine to a socket in the wall.

Inside the crystal case lies a mummified body. It is the body of a man about six feet tall, completely naked. The dried-out limbs indicate that his build must have been very similar to that of the man, although the wizened skin now shows ribs and is taut over the knees and elbows, which protrude sharply.

The man places a hand on the case. The warmth draws a halo on the perfectly clean glass. His smile is broader now. He raises the box and holds it up over the body, at the height of the shrivelled face.

Come on, Vibo. Tell me what it is.

The man looks at the body affectionately. His gaze runs over the face and head from which someone, with surgical ability, has completely removed the skin. The man returns the mysterious smile of the cadaver, seeking its lifeless eyes with his own, anxiously examining the fixed expression as if he can perceive a movement of the dried muscles, the colour of grey wax.

‘You’ll see. You’ll see. Want some music?’

Yes. No. No, afterwards. First, let me see what you have there. Let me see what you have brought me.

The man steps back as if playing with a baby whom he wants to restrain to protect it from its own impatience.

‘No, the moment is important, Paso. We need some music. Wait here. I’ll be right back.’

Come on, Vibo. Afterwards. Let me see.

‘It’ll only take a second. Wait.’

The man places the box on a wooden folding chair next to the transparent case.

He disappears through the door. The body lies there alone, motionless in its tiny eternity, staring at the ceiling. Moments later, the mournful notes of Jimi Hendrix playing ‘The Star-Spangled Banner’ at Woodstock float through the air. The American anthem no longer sounds triumphant on that distorted guitar. There are no heroes and no flags. Only longing for those who went off to fight a stupid war and the sobbing of those who never saw them return.

The light in the other room goes off and the man reappears in the doorway.

‘You like this, Paso?’

Of course. You know I always liked it. But now, let me see what you brought.

The man goes to the box on the chair. He is still smiling. He raises the lid with a solemn gesture and puts it on the ground, next to the chair. He picks up the box and places it on top of the case over the chest of the body lying inside.

‘You’ll like it. You’ll see. I’m sure you’ll like it.’

With a regal gesture he removes the face of Allen Yoshida wrapped around the mannequin’s head like a plastic mask. The hair moves as if it has a life of its own, ruffled by a wind that would never reach them there, below the ground.

‘Here, Paso. Look.’

Oh, Vibo. It’s beautiful. Is it really for me?

‘Of course it’s for you. I’ll put it on you right now.’

Holding the mask in his left hand, with his right he presses a button at the head of the case. He hears the slight whistle of air filling the transparent coffin. Now the man can open the cover by rotating it around hinges on the right.

Holding the mask with two hands, he carefully places it on the body’s face, moving it delicately to match the eye openings with the dead man’s glassy eyes, nose with nose and mouth with mouth. With infinite care he tucks a hand behind the nape of the corpse’s neck and places the mask carefully over the back of the head as well, bringing the ends together to avoid wrinkling.

The voice is impatient and fearful at the same time.

How does it look, Vibo? Let me see.

The man takes a step back and looks hesitantly at the results of his work.

‘Just a minute. Just one minute. There’s still something missing.’

The man goes to the night table, opens the drawer and takes out a comb and a mirror. He returns to the body’s side like an anxious artist putting the last brushstrokes on his masterpiece.

He combs down the hair, which now looks dull and dry. The man is both mother and father at this moment. He is pure dedication, without time or limit. There is infinite tenderness and affection in his gestures, as if he has life and warmth enough for them both, as if the blood in his veins and the air in his lungs were equally divided between him and the corpse lying without memory in the crystal coffin.

He raises the mirror in front of the body’s face with an expression of triumph.

‘There!’

A moment of stupefied silence. The strings of Hendrix’s guitar unravel in the battle cry of ‘The Star-Spangled Banner’. It contains the wounds of every war and the search for meaning behind all those deaths performed in the name of empty values.

A tear rolls down the man’s cheek and falls on the face of the masked corpse. On the dead man, it looks like a tear of joy.

Vibo, I’m handsome now, too. I have a face like everyone else.

‘Yes, now you’re really handsome. More than all the others.’

I don’t know how to thank you, Vibo. I don’t know what I would have done without you. Before… The voice is touched. It contains gratitude and regret. The same affection and dedication as in the man’s eyes. First, you freed me of my illness and now you’ve given me… You’ve given me this, a new face, a beautiful face. How can I ever thank you?

‘Don’t say that, do you understand? Not ever. I did it for you, for us, because the others owe us and they have to give back what they stole. I’ll do everything I can to repay you for what they did. I promise.’

As if to underline the threat in that promise, the music suddenly transforms into the electric energy of ‘Purple Haze’, with Hendrix tormenting the metal strings in his tumultuous race towards freedom and annihilation.

The man lowers the lid of the box. It slides silently along the rubber runners. He goes to the compressor on the floor and presses the button. The machine turns on with a hum and starts extracting air from inside the coffin. With the vacuum, the mask adheres even more closely to the dead man’s face, making a small fold on one side, giving the body a satisfied smile.

The man goes over to the bed and removes the black shirt he is wearing. He throws it on to a stool at the foot of the iron bed. He continues removing his clothes until he is naked. He slides his athletic body between the sheets, lays his head on the pillow, and stares up at the ceiling in the same position as the body inside the shiny coffin.

The lamp goes out. The only light comes from the red and green of the electronic displays on the equipment in the next room, furtive as the eyes of a cemetery cat.

The song is over. In the tomblike silence, the living man slips into a dreamless sleep, like that of the dead.

TWENTY-TWO

Frank and Hulot reached the main square of the village of Eze. Passing the Fragonard perfume boutique, Frank remembered with a stab in his heart that Harriet had stocked up on perfume there during their trip to Europe. He could see her body under the fabric of her light summer dress as she held out the inside of her wrist to test the scent. He saw her rub it against her other wrist and wait for the liquid to evaporate before smelling the combined scent of skin and perfume. She had been wearing that perfume on the day…

‘Are you here, or millions of miles away?’

‘No, I’m here. A little tired, but here.’ Nicolas’s voice dispersed the images running through Frank’s mind. He realized that he had been completely absent.

Actually, Nicolas was the more tired of the two. He had dark circles under his reddened eyes and was in desperate need of a warm shower and a cool bed, in that order. Frank had gone up to Parc Saint-Roman and slept a few hours in the afternoon, but Nicolas had stayed at the office to catch up on all the paperwork that comes with every police investigation. When Frank had left him at headquarters, it was clear to Frank that the police could probably save a lot more ordinary people and maybe even the rainforests if only they didn’t have to waste half their time writing reports and filling in forms.

Now he was going for dinner at the home of Nicolas and his wife Céline. They drove past the restaurants and souvenir shops, turning left on the street leading to the upper part of the town. The Hulots lived not far from the church overlooking Eze. Their house was built right on the edge of the valley, and Frank often wondered what the architect had done to keep it from obeying gravity and sliding to the bottom.

They parked the Peugeot in the reserved spot and Frank waited as Nicolas opened the front door. They went inside and Frank stood and looked around. Nicolas closed the door behind them.

‘Céline, we’re home!’

‘Hi, darling.’ Mme Hulot’s brunette head peeked out of the kitchen door at the end of the hall. ‘Hello, Frank. I see you’re still as handsome as I remember. How are you?’

‘Exhausted. The only thing that can revive me is your cooking, judging by that delicious smell.’

Mme Hulot’s smile lit up her suntanned face. She came out of the kitchen drying her hands on a towel. ‘It’s almost ready. Nick, give Frank something to drink while you’re waiting. I’m running a little late. It took me longer than usual to clean Stéphane’s room today. I’ve told him to tidy it thousands of times but it’s useless. He leaves it in a mess every time he goes out.’

She walked back to the kitchen, her skirt swaying. Frank and Nicolas exchanged glances. Stéphane, Céline and Nicolas twenty-year-old son, had died in a car accident a few years before, after a prolonged coma. In her mind, Céline had never accepted her son’s death. She remained the woman she had always been: gentle, intelligent and sharp-witted, losing nothing of her personality. She simply behaved as if Stéphane were still somewhere in the house instead of in a grave in the cemetery. The doctors who examined her gave up after a few sessions, suggesting that Hulot simply go along with his wife’s harmless fantasy. They saw it as a relatively healthy solution that was protecting her psyche from worse damage.

Frank knew about Céline and had adjusted to her problem when he had come to Europe the first time. Harriet had done the same when they had holidayed together on the Côte d’Azur. After Harriet’s death, Frank and Nicolas had grown closer. Each of them knew the other’s suffering and it was because of this bond that Frank had accepted the invitation to come back to Monaco.

Hulot took off his jacket and hung it on a coat rack on the wall. The house was decorated in a modern style that blended pleasantly with the period in which it was built. He led Frank into the living room, which had double French doors that opened on to a terrace overlooking the coast.

Out on the terrace, the table was exquisitely set, with an arrangement of yellow and purple flowers in a vase placed at the centre of a pristine tablecloth. The Hulots’ manner was relaxed, with carefully chosen yet simple objects and a love of the peaceful life, without ostentation. Nicolas and his wife shared an indissoluble bond: pain for what they no longer had and regret for everything that could have been.

Frank could feel it in the air. It was a state of mind he knew perfectly well, that sense of loss that inevitably comes to places that are touched by the harsh hand of suffering. Yet, strangely enough, instead of being frightened, Frank found some solace here in the lively eyes of Céline Hulot, who had the courage to survive the loss of her son by escaping through innocent delusion.

Frank envied her and was sure that her husband felt the same. For her, the days were not numbers crossed off one after another, time was not an endless wait for someone who would never come. Céline had the happy smile of a woman in an empty house, who knows that her loved ones would soon be home.

‘What can I get you to drink, Frank?’

‘It feels so French here tonight. How about a French aperitif? Pastis, even.’

‘Coming up.’

Nicolas went to the bar and started taking out bottles and glasses. Frank went out on the terrace to admire the view. A long stretch of the coast was visible, with coves and inlets and cliffs that jutted into the sea like fingers pointing to the horizon. The red of the sunset was a promise that tomorrow would be another beautiful day, blue skies for everyone but them.

Frank knew they would be marked by this story for ever. He started thinking of a Neil Young record, Rust Never Sleeps. All the colours of paradise were before him. Blue water, green mountains emerging from the sea, the red gold of the sky in a sunset that could break your heart. But they were men of this earth who, just as in a hundred other places, were at war over everything and could only agree on their desperate desire to destroy it all.

We are the rust that never sleeps.

He heard Nicolas behind him. He held two glasses of opaque, milky liquid. The ice clinked as Nicolas handed him the aperitif.

‘Here, feel French for a sip or two. Then go back to being American. For now, that’s how I want you.’

Frank brought the glass to his lips, tasting it and taking in the pungent flavour of anise. They drank calmly, in silence, standing side by side, alone and resolute in the face of something that seemed endless. A day had passed since Yoshida’s body had been discovered and nothing had turned up. A useless day spent looking for a clue, a trace. Frenetic activity that felt like racing at breakneck speed along a road that stretched to infinity.

‘What do we do now, Frank?’

‘I don’t know, Nicolas. I really don’t know. We’ve got nothing. Any news from Lyons?’

‘They finished analysing the first tape, but their findings are no different from Clavert’s in Nice. So I don’t expect anything more from the second tape. Cluny, the psychiatrist, told me I’d have his report tomorrow. I sent over a copy of the video to see if they can get anything from the measurements, but if things are the way you said, we won’t find anything there either.’

‘Any news from Froben?’

‘No,’ replied Hulot with a sigh. ‘They didn’t find anything in Yoshida’s house. All the prints in the room where he was killed are his. The footprints on the floor are the same size as the ones on Welder’s boat so we have the dubious consolation of knowing that the killer wears a size nine. The hair on the chair belonged to the victim. The blood is his too, type O negative.’

‘Did they find anything in the Bentley?’

‘Same thing there. Lots of Yoshida’s prints and other prints on the steering wheel that we’re comparing with those of the bodyguard who occasionally drove the car. I ordered a handwriting test on the words on the seat. But you probably noticed it was very similar to the first writing. Probably stencilled again, I’d say.’

‘Yeah.’

‘The only thing we have is the hope that he keeps on calling Jean-Loup Verdier and that he’ll make a mistake that leads us to him.’

‘Think we should put Verdier under protection?’

‘I already did, just to be sure. He called me and said his house was overrun by reporters. I asked him not to talk to them and I sent a car and two officers to keep an eye out. Officially, it’s to take him back and forth to the station without letting him fall into the clutches of the press. Actually, I feel safer that way, though I decided not to say anything that would alarm him. Otherwise, all we can do is keep the station under close watch. Which is exactly what we’re doing.’

‘Good. Anything on the victims?’ Frank asked.

‘We’re looking into it with the German police and your pals at the FBI. We’re digging into their lives but nothing’s come up so far. Three famous people, two Americans and a European. They all had intense lives but nothing aside from what we already know. The only common factor is the guy who killed them.’

Frank finished his Pastis and placed the glass down on the wrought-iron balustrade. He seemed puzzled.

‘What is it, Frank?’

‘Nicolas, do you ever feel like you have something on the tip of your tongue, but you don’t know what it is? Like when you want to remember the name of an actor you know well, but just then, try as you might, it won’t come to you?’

‘Sure, quite often. At my age, it’s normal.’

‘There’s something I saw or heard, Nicolas. Something that I should remember but I can’t think of it. And it’s driving me crazy because I can feel that it’s important.’

‘I hope you remember soon, whatever it is.’

Frank turned his back on the magnificent view and crossed his arms over his chest. Fatigue and the feverish nervous energy that kept him going were etched on his face.

‘Let’s see. We have a killer who likes music. A connoisseur who calls the deejay of a hit show on Radio Monte Carlo to announce his intentions to murder. He leaves a musical clue that nobody recognizes and then kills two people, a man and a woman, right after. He leaves them for us to find, in a horrible state, as if he is laughing at us. He signs the crimes “ I kill…” written in blood. He leaves absolutely no trace. He is cold-blooded, cunning, expert and ruthless. Cluny talks about above-average intelligence. I would say way above average. He’s so sure of himself that he gives us a second clue in the next call. Again, it’s music-related and again we don’t get it. And he kills again. Even more ruthlessly than the first time, and now the crime has a sense of justice about it. But he’s even more contemptuous. The tape in the car, the video of the murder, the same writing as the last time. None of the victims shows signs of sexual violation, so he’s not a necrophiliac. But in each case he removes all the skin of the victim’s face. Why? Why does he do that to them?’

‘I don’t know, Frank. I hope Cluny has some ideas. I’ve been hitting my head against the wall, but I can’t even come up with a plausible idea. How can you fathom the mind of a psycho?’

‘We have to try, Nicolas. If we manage to figure out why he does it, I’m sure we can find out who and where he is!’

‘Now you two stop talking shop.’ Céline’s warm voice and the aroma of her cooking suddenly penetrated their dark speculation. She set a steaming tureen on the table. ‘Here’s some bouillabaisse for you. Only one course tonight, but there’s lots of it. Frank, if you don’t have at least two helpings I’ll be personally offended. Nicolas, you’ll take care of the wine, please?’

Frank realized that he was starving. The sandwiches he had eaten in the office without even tasting them were a distant memory. He sat down and unfolded his napkin.

‘They say that food is the true culture of the people. If that’s true, then your bouillabaisse is immortal poetry.’

‘You’re a shameless flatterer, Frank.’ Céline laughed, illuminating her dark, lovely Mediterranean complexion. The tiny lines around her eyes only heightened her charm. ‘But it’s nice to hear.’

Hulot looked at Frank across the table. He knew what his friend was holding inside, but in spite of it all, his affection for Céline and for Hulot made him behave with a natural kindness that few people shared. Nicolas didn’t know what Frank was looking for, but he hoped that he would find it soon, whatever it was, so that he could find some peace.

‘You’re made of gold, Frank,’ said Céline, raising her glass to toast him. ‘And your wife is a lucky woman. I’m sorry she couldn’t make it tonight. But she’ll come next time. And I’ll take her out shopping, to cut into your retirement fund.’

Frank didn’t flinch and his smile didn’t change. A brief shadow passed quickly over his eyes and then disappeared in the warmth around the table. He raised his glass and responded to Céline’s toast.

‘Sure. I know you’re not serious. You’re a cop’s wife, so you know that after three pairs of shoes it’s grounds for divorce.’

Céline laughed again and the moment passed. One by one, the lights along the coast lit up the border between land and sea. They sat eating the excellent food and drinking good wine in the shadow of the terrace, with darkness all around them.

TWENTY-THREE

Frank stood at the taxi rank in the main square of Eze, but there were no cabs in sight. He looked around. There were people on the street despite the fact that it was almost midnight. Summer was coming and tourists were beginning to flock to the coast, searching for picturesque images to take home with them.

He saw a large, dark limousine drive slowly through the square and head towards him. The car pulled up beside him, the door opened, and a man got out. He was at least a few inches taller than Frank, powerful but agile in his movements. He had a square face and fair hair in a crew cut. The man walked around the car and stopped in front of him. Frank could tell that he was carrying a gun under his well-cut jacket. He had no idea who the man was, but he already seemed dangerous.

The man looked at him with expressionless brown eyes. He seemed more or less Frank’s age, maybe a year or two older. ‘Good evening, Mr Ottobre,’ he said in English.

‘Good evening. I see you already know my name.’ Frank showed no surprise. A flash of respect passed over the man’s eyes and then they returned to neutral.

‘I’m Ryan Mosse. American. Like you.’ Frank thought he could detect a Texas accent.

‘Nice to meet you.’ The statement contained an implicit question.

‘If you’d be so kind as to accept a ride to Monte Carlo,’ said Mosse, pointing to the car, ‘there’s someone inside who’d like to talk to you.’

Without waiting for an answer, he opened the back door on his side. Frank saw someone else in the back seat, on the other side. He could see the legs of a man in dark trousers, but not his face.

Frank looked Mosse straight in the eye. He, too, could be dangerous and he thought he should let the other man know.

‘Is there any special reason I should accept your invitation?’

‘There are three. The first is that you’ll avoid a long walk home since it’s pretty hard to find a cab at this hour. The second is that the person who wants to talk to you is a general in the United States Army. The third is that you might find some help solving a problem that’s been bothering you lately.’

Without showing the slightest emotion, Frank stepped over to the door and got in the car. The man sitting inside was older but of the same military appearance. He was more heavily built, given his age, but he emitted the same sense of strength and authority. His hair was completely white but still thick and crew cut. In the car’s dim light, Frank saw himself observed by a pair of blue eyes that were strangely youthful in the tanned, lined face. They reminded him of those of Homer Woods, his boss. He wouldn’t have been surprised if the man told him he was Homer’s brother. He was wearing a white open-collared shirt with the sleeves rolled up. On the front seat, Frank noticed, lay a jacket that matched the trousers. Mosse closed the door and got in behind the wheel.

‘Hello, Mr Ottobre. May I call you Frank?’

‘Mr Ottobre’s fine for now. Monsieur...?’ Frank purposely said the word in French.

‘I see the information they gave us about you is true. Drive on, Ryan.’

The car pulled out gently and the old man turned back to Frank.

‘Forgive me for stopping you so rudely. My name is General Nathan Parker, US Army.’

Frank shook the hand he held out. The man’s grip was firm, despite his age. He probably exercised daily to keep that physique. Frank sat silently, waiting.

‘And Arianna Parker’s father.’

The general’s eyes sought an instant of surprise in Frank’s but did not find it. He leaned back against the seat and crossed his legs in the narrow space of the car.

‘You can probably guess what I’m doing here.’ He averted his eyes as if he were looking at something out the window. Whatever it was, only he could see it. ‘I came to put my daughter’s body in a coffin and take her back to America. The body of a woman that someone flayed like an animal.’

Nathan Parker turned back to him. In the intermittent light of the passing traffic, Frank saw the glitter in his eyes. He wondered whether it was more from anger or grief.

‘I don’t know if you’ve ever lost someone close to you, Mr Ottobre Frank suddenly hated the man. The information he had about Frank certainly included the story of his wife. He realized that for Parker this was not a moment of shared sadness but simply an exchange of goods. Parker continued his speech in a casual tone. ‘I’m not here to cry over my daughter. I’m a soldier, Mr Ottobre. A soldier doesn’t cry. A soldier settles the score.’ The general’s voice was calm, but it held a lethal fury. ‘No maniac bastard can do what he did and hope to get away with it.’

‘There’s an investigation going on for exactly that reason,’ said Frank, gently.

Nathan Parker turned sharply.

‘Frank, aside from you, none of these people would know where to stick a suppository, even if they had detailed instructions. And you know what things are like in Europe. I don’t want this killer caught and put in a mental institution because he’s soft in the head, and then let out in a couple of years, with an apology.’

He paused and looked out the window again. The car had reached the road out of Eze and was turning left towards Monte Carlo.

‘Here’s what I suggest. We’ll organize some top guys and continue the investigation ourselves. I can have all the help I want. The FBI, Interpol, even the CIA if we need it. I can bring over a group of good, trained men, better than any cops. Quick boys who ask no questions and just obey orders. You’ll be in charge.’ He nodded towards the man driving. ‘Captain Mosse will work with you. You’ll continue the investigation until you catch him. And when you do catch him, you’ll hand him over to me.’

The car had reached the city in the meantime. They’d just passed the Jardin Exotique after turning down Boulevard Charles III. Continuing on Rue Princesse Caroline, they were now nearing the harbour.

The old soldier looked out at the place where his daughter’s mutilated body had been found. He squinted as if trying to see better. Frank figured that his vision had nothing to do with it; it was an instinctive reaction caused by the man’s violent anger. Parker continued speaking without turning his head. He could not tear his eyes away from the quay where the illuminated boats waited for another day at sea.

‘That’s where they found Arianna. She was beautiful as the moon and she had a first-class mind. She was a fine girl. A rebel. Different from her sister, but a fine girl. We didn’t get along so well, but we respected each other because we were equals. And they killed her like an animal The man’s voice trembled slightly. Frank sat in silence, leaving Arianna Parker’s father to his thoughts.

The car skirted the harbour and headed towards the tunnel. The general leaned back against the seat. The yellow lights of the tunnel coloured their faces.

When they emerged again in the open air of the night, near Larvotto, and the car turned down Rue du Portier, the old man finally broke the silence.

‘Well, what do you say, Frank? I’m a personal friend of Johnson Fitzpatrick, head of the FBI. And I can go even higher. I assure you, you won’t regret it. Your career could take off. If it’s money you’re interested in, that’s no problem. With what I can offer, you’ll be set for life. It’s an act of justice, not just revenge.’

Frank remained silent, as he had been throughout General Parker’s speech. He, too, paused to look out the window. The car was turning down Boulevard des Moulins, about to turn up the hill towards Parc Saint-Roman. The list of things they knew about him obviously included his address.

‘General, nothing is as easy as it seems. You’re acting as though you think all men have a price. Quite frankly, so do I. There’s a price for everything. You just don’t know what mine is.’

‘Stop playing the hero with me, Mr Ottobre.’ The general’s cold rage shone brighter than the lights in the lobby of Frank’s building. The words Mr Ottobre echoed in the small space of the car like a threat. ‘I know who you are. We’re two of a kind.’

The car pulled up smoothly in front of the glass doors of Parc Saint-Roman. Frank got out and stood outside the car, leaning against the door. He bent down so that his face could be seen from inside.

‘That may be, General Parker. But not quite. Since you know all about me, you must know about my dead wife. Yes, I’m perfectly aware of what it’s like to lose someone close. I know all about living with ghosts. We may be two of a kind, but there’s one difference between us. I cried when I lost my wife. I guess I’m no soldier.’

Frank gently closed the car door and walked away. The old man lowered his eyes a moment as he considered his reply. When he raised them again, Frank Ottobre was gone.

TWENTY-FOUR

As soon as he woke, without even getting out of bed, Frank dialled the direct line to Cooper’s office in Washington. He hoped he’d be there, in spite of the time difference. Cooper answered on the second ring.

‘Cooper Danton.’

‘Hey, Cooper. It’s Frank.’

‘Hey, kiddo, how’s it going?’ If there was surprise on the other end, Cooper didn’t show it.

‘Shitty.’

Cooper said nothing. Frank’s voice had changed. There was a new energy that hadn’t been there during the last phone call. He waited in silence. ‘They’ve put me on a serial killer case here in Monaco. You wouldn’t believe it!’

‘It’s all over the papers here. CNN too. They’re majoring on the American celebrities angle. But Homer didn’t tell me you were involved. Is it that bad?’

‘Worse. We’re hunting shadows. This guy’s made of air. No trace. No clues. And he keeps egging us on. He’s making us look like complete fools. And we’ve got three bodies already.’

‘So things like that happen in good old Europe too, not just here.’

‘No patent on it. How’re things going over there?’

‘We’re still on Larkin’s trail. Jeff is dead and nobody misses him. Osmond’s in the cooler and he’s keeping his mouth shut. But we’ve got some good leads. One goes to South-east Asia, a new drug racket. We’ll see what happens.’

‘Cooper, can you do me a favour? I need all the information you can get on a certain General Parker and a Captain Ryan Mosse, US Army.’

‘Parker? Nathan Parker?’

‘That’s the one.’

‘He’s big time, Frank. And that’s an understatement. Vietnam hero. The real mastermind behind the Gulf War and Kosovo, that kind of thing. A member of the Joint Chiefs of Staff. Very close to the White House. When he talks, everybody listens, including the President. What does Nathan Parker have to do with you?’

‘His daughter was one of the victims. And now he’s here with a knife between his teeth because he doesn’t trust the local police. I’ve got a feeling he’s organizing a posse for his own little war.’

‘What’s the other guy’s name?’

‘Mosse. Captain Ryan Mosse.’

‘Don’t know him. I’ll find out and let you know what I dig up. How can I get it to you?’

‘E-mail it to me. Don’t send anything to the Monaco police. I’d rather keep this out of the official investigation. We’ve got enough trouble. I want to handle it myself.’

‘Okay, I’ll get to work.’

‘Thanks, Cooper.’

‘Don’t mention it – anything I can do to help, man. I’m happy for you.’

Frank knew what his friend meant by that. He didn’t want to disappoint him.

‘I know, Cooper. Bye.’

‘Good luck, Frank.’

He walked into the bathroom naked, not looking at himself in the mirror. He got in the shower and crouched on the floor, letting the cold water run over his head and shoulders. Shivering, he waited until the water warmed up, and then mechanically started to soap himself. As the suds washed away, he tried to open his mind, step outside his own body and become someone else: that formless, faceless someone who was waiting to attack.

The germ of an idea was forming. If what he suspected was true, Arianna Parker had been one of the unluckiest women on earth. A pointless death, except in the twisted mind of the assassin.

Frank turned off the jet of water and stood there for a moment, dripping wet, watching the water gurgle down the drain.

I kill…

The dots of the ellipsis, three deaths. And it wasn’t over. In some part of his brain, something was trying desperately to come to the light. There was a detail locked away, banging against a closed door, trying to make itself heard.

As he put on his bathrobe he ran through his conclusions one more time. Nothing was certain, but it was very plausible. And it restricted the field of investigation. He still did not understand how or when, let alone why, but at least he could conjecture who.

That was it. That must be it.

Frank went into the study, sat down at the desk, and turned on the computer. He sat and stared for an instant at the French keyboard, and then logged on to the Internet. Luckily for him, Ferrand, his host, had nothing to hide, at least not on that computer, and the password entered automatically. He sent Cooper an e-mail from the address where he wanted his friend to send the information. Then he shut down the machine and went to get dressed, still mulling over his thoughts from different viewpoints to see if they would still hold water. The phone warbled just as he passed the table.

He answered on the first ring.

Frank, it’s Nicolas.’

‘I was just about to call you. I’ve got an idea. Nothing much, but it’s a start.’

‘What?’

‘I think I understand what he’s after.’

‘And what’s that?’

‘It’s the men he’s interested in. Jochen Welder and Allen Yoshida. They were his victims.’

‘Then what does Arianna Parker have to do with it?’

‘She was a guinea pig. It was the first time he’d done it. The guy wanted someone to practice on before he did the real job, Jochen Welder’s face.’

‘If that’s true,’ Hulot said, after a silence as he evaluated the theory, ‘then we can exclude women, and we have a smaller circle of potential victims.’

‘Precisely, Nicolas. Men. About thirty or thirty-five. Famous, wealthy and good-looking. It’s not much, but it’s something. There aren’t millions of people like that.’

‘It’s worth considering.’

‘We don’t have anything better. Anyway, why did you call?’

‘Frank, we’re in deep shit. Have you seen the papers?’

‘No.’

‘The story’s on the front page of every paper in Europe. There are TV crews here from all over. Roncaille and Durand are on the warpath. They must be facing terrible pressure, from the Interior Ministry to the Prince himself. And now the Americans are getting involved.’

‘I’m not surprised. Allen Yoshida wasn’t just anybody.’

‘Exactly. All hell broke loose. Roncaille told me that the American Consul called him from Marseilles on behalf of your government. If we don’t produce something, I’m worried my head’s on the block. And we have another problem.’

‘What?’

‘Jean-Loup Verdier. His nerves are shot. If you consider the position he’s in, you can understand why.’

‘We can’t risk losing him. If the murderer has no one to talk to, he might stop calling. He won’t stop killing, but there will be no more clues. And if he decides to find someone else, at another radio station or something, it’ll take time until we get things under control again. Which means more people might die.’

‘We have to talk to him, Frank. I want you to do it.’

‘Why me?’

‘I think you have more influence on him. It’s just a feeling, but the letters FBI have more of an effect than the words Sûreté Publique.’

‘Okay. I’ll get dressed and be right there.’

‘I’ll send a car. See you at Jean-Loup’s.’

Frank was already heading towards the bedroom. He dressed hurriedly, and as he returned the things to his pockets that he had put on the dresser the night before, he thought about what he should say to Jean-Loup Verdier. The kid was scared stiff and that was hardly a surprise. Frank realized that he was calling Jean-Loup a kid when he was really only a few years younger than himself. Frank felt much older. You aged faster as a cop. Or maybe some people were just born old.

He got in the lift and pressed the button for the ground floor. They would get the killer; that was certain. Sooner or later, he would slip up and they would catch him. But how many victims with mutilated faces would there be between now and then?

The lift stopped with a slight jolt and the doors opened on to the elegant marble lobby of Parc Saint-Roman. Frank went out through the glass doors and saw a police car waiting for him. They’d got there fast; they had probably been nearby. The doorman saw him and nodded through the glass guard box.

‘Bonjour, Monsieur Ottobre,’ the doorman said, addressing him in French.

‘Bonjour.’

‘They left this for you after you got back last night.’ The man handed him a plain white envelope with nothing on it except his name written in ink.

‘Thanks, Pascal.’

‘Pas de quoi. A pleasure, Monsieur.’

Frank took the envelope and opened it. Inside was a sheet of paper folded in three. He opened it and read the message, written in shaky but clear handwriting.

Real men are not afraid to change their minds. Don’t make me change my mind about you. You’ll find me at this address and phone number.

Nathan Parker

At the bottom of the page there was an address and two phone numbers. As he got into the car, Frank could not help thinking that now there were two bloodthirsty maniacs on the loose in Monte Carlo.

TWENTY-FIVE

The police car left Monte Carlo behind and took the uphill road to Beausoleil and the A8, the highway linking Monaco to Nice and Italy beyond. Sitting in the back seat, Frank opened the window to let in some fresh air. He read the general’s message a second time and slipped it into his pocket. Then he continued looking out the window. The scene outside unfolded before his eyes like one long, indistinguishable rush of colour.

Parker was a complication he didn’t need. Although this was a private matter, the man represented power with a capital P. He was not simply boasting. Not in the least. He really did have access to all the things he claimed. Which meant that, along with the police, there would be others around with unofficial methods of investigation. People who were not required to stay within the law.

The niceties of the justice system in the Principality of Monaco wouldn’t deter Nathan Parker’s thirst for vengeance. He was old enough and determined enough not to give a damn about the possible effects on his career. And if things were the way Cooper said, Parker was powerful enough to protect the men with him, too. If he captured the killer, the press would turn it into the romantic account of a distraught father seeking justice, succeeding where others had failed. He would be turned into a hero and become untouchable. The United States desperately needed heroes just then. The government and public opinion would back him all the way. Principality authorities would gag on it for a while, but then they would have to swallow their pride. Game over.

And then there was Jean-Loup. Another problem.

Frank had to find a way to dissuade Jean-Loup from a decision he couldn’t blame him for. The fame you get from hosting a hit radio show is one thing, but having your name in all the papers because you’re the only person a serial killer will talk to is quite another. It was enough to make anyone run for cover. He had every right to be scared.

And time was running out, ticking away minute by minute, marked by the chronometer that senior Principality officials were holding up to them.

The car slowed down beside a large house built into the hillside. Frank could make out the roof behind a row of cypress trees on the other side of the road. It overlooked all of Monte Carlo. A great view. That was the deejay’s house, for sure. There were a number of cars parked outside and a couple of satellite trucks from the TV stations. A small crowd of reporters and cameramen were laying siege to the house. There was also a police car nearby. The reporters quivered with excitement when they saw the car arrive – even though, as yet, they didn’t know who Frank was or what his role was in the investigation. The policeman in the front passenger seat picked up the mike.

‘Ducros here. We’re coming up.’

The iron gate started to open. As the car slowed down to drive in, the reporters came right up to Frank’s window. Two policemen got out of the parked car to keep them from following inside the gate.

They drove slowly down a paved ramp and found themselves in the driveway in front of the garage. Hulot was already there, waiting. He greeted Frank through the open window.

‘Hi, Frank. Seen the chaos?’

‘Hi, Nicolas. I see it. Typical. It’d be strange if they weren’t here.’ Frank got out of the car and checked out the building. ‘Jean-Loup Verdier must make quite a salary to afford this.’

‘There’s a story to this house,’ Hulot said with a smile. ‘Haven’t you read the papers?’

‘No, that’s something I gladly leave to you.’

‘They’ve all written about it. Jean-Loup inherited this house.’

‘Nice relatives.’

‘It wasn’t a relative. Sounds like a fairytale, but he inherited it from a rich old widow. He saved her dog.’

‘Her dog?’

‘That’s right. In the Place du Casino a few years ago. This lady’s dog escaped and ran into the middle of the street. Jean-Loup jumped out to save it just as it was about to get run over by a car. He was almost killed, too. The woman hugged and kissed him, crying with gratitude, and that was that. A few years later, a notary called him and told him he was a homeowner.’

‘Not bad. I thought that kind of thing only happened in Disney movies. It’s just a rough guess, but this place must be worth a couple of million.’

‘Make it three, with the property values around here,’ said Hulot.

‘Pretty nice. Okay, should we go and do our duty?’

Hulot nodded. ‘He’s over here. Come on.’

They crossed the courtyard and passed some bushes with red flowers on the right of the house. There was a patio beyond and a swimming pool. It wasn’t huge, but no bathtub either.

Jean-Loup and Bikjalo were sitting at a table under a bower covered with vines. The remains of breakfast were still on the table. The manager’s presence was a clear indication of Jean-Loup’s state. So much attentiveness meant that Bikjalo was worried about his golden egg.

‘Hello, Jean-Loup. Mr Bikjalo.’

Bikjalo got up with an expression of relief. Reinforcements had arrived. Jean-Loup seemed embarrassed and couldn’t look them in the eye.

‘Good morning, gentlemen. I was saying to Jean-Loup-’

Frank interrupted brusquely. He wanted to avoid the subject for a while so that Jean-Loup would not feel under pressure. It was a delicate moment and Frank wanted him to feel at ease before he mentioned it.

‘Is that coffee I see?’

‘Yes…’

‘Only for the household, or may we have some?’

As Hulot and Frank sat down, Jean-Loup went to get two cups from the shelf behind him. The deejay poured coffee as Frank watched him intently. It was obvious that he hadn’t slept. He was under a lot of pressure – Frank could see that. But he must not – he could not – give up. He would need to understand that.

Hulot brought the cup to his lips. ‘Mmm. Good. I wish we had coffee like this at headquarters.’

Jean-Loup smiled listlessly. He avoided looking at them, Frank especially. Bikjalo sat down again, on the chair furthest away. He was showing that he wanted to keep his distance and leave the problem to them. The tension was palpable and Frank knew he had to take the bull by the horns.

‘Okay, what’s the problem, Jean-Loup?’

The deejay finally found the strength to look at him. Frank was surprised that there was no fright in his eyes, as he had expected. There was fatigue, concern and perhaps the worry that he was unable to play a role that was too big for him. But he was not frightened. Jean-Loup looked away and started saying something he’d probably rehearsed many times.

‘The problem is very simple. I can’t take it.’

Frank sat in silence and waited for Jean-Loup to continue. He didn’t want to make him feel he was being interrogated.

‘I wasn’t ready for all this. Each time I hear that voice on the phone, I lose ten years of my life. And the thought that after he talks to me, that man goes… and…’

He paused as if talking about it were an enormous strain. No man likes to show weakness, and Jean-Loup was no different.

‘… does what he does. It’s tearing me apart. And I keep asking myself, why me? Why does he have to make those calls to me? I have no life any more. I’m locked indoors like a criminal. I can’t even go to the window without hearing reporters scream my name. I can’t go outside without being surrounded by people asking me questions. I can’t take it any more.’

‘But Jean-Loup,’ Bikjalo interrupted, putting in his two cents. ‘This is a once-in-a-lifetime occasion. You’re incredibly popular right now. You’re one of the most famous men in Europe. Every TV station wants you. All the papers are talking about you. We’ve even had proposals from movie producers who want to make a film-’

A sharp look from Hulot brought the station manager to a halt. Frank looked at him with utter contempt. Money-hungry prick.

Jean-Loup got up from his chair with an imperious gesture. ‘I want to be appreciated because I talk to people, not because I talk to a killer. And I know reporters. They’ll keep on with the questions I’m asking myself. And if they don’t find an answer, they’ll make up one. I have to drop out now or they’ll destroy me.’

Frank knew the media well enough to agree with him. And he respected Jean-Loup too much to lie to him.

‘Jean-Loup, that’s exactly the way things are. You’re too intelligent for me to try to convince you it’s any different. I know you’re not ready for all this. But who would be? I’ve spent half my life chasing criminals, but I’d have the same concerns and the same reaction if I were in your shoes. But you are our only contact with this man. You can’t give up. Not now.’ Frank anticipated a possible objection and continued: ‘I know this is partly our fault. If we were better at this, it would probably all be over. But that’s just not the way it is. This maniac is still at large and as long as he’s out there, he has only one aim: to go on killing. And between us we have to stop him.’

‘I don’t know if I can sit there again in front of the mike pretending nothing has happened, waiting for that voice.’

Frank bowed his head. When he raised it, Hulot saw a different light in his eyes.

‘There are things you look for in life. And sometimes there are things that look for you. You don’t choose them and maybe you don’t even want them, but they come and you’re never the same again. At that point, you have two choices. You can run away, try to leave it all behind you, or you can stand and face it. Whatever you choose, you and only you are able to decide whether it’s for better or for worse. There are three people dead now, killed horribly. There’ll be others if you don’t help. If you decide to continue, it might tear you to pieces, but after it’s over you’ll have the time and the strength to put the pieces together again. If you run away, you’ll be torn apart just the same, but the remorse will pursue you for all the time you have left. And every day, the pieces will get smaller and smaller.’

Jean-Loup sat down slowly. Nobody spoke. They sat in silence for what seemed like an eternity.

‘Okay, I’ll do whatever you say.’

‘You’ll go on with the show?’

‘Yes.’

Hulot relaxed in his chair. Bikjalo was unable to repress a slight smile of satisfaction. And Frank heard the first tick of a clock that had just started running again.

TWENTY-SIX

Frank walked Hulot back to his car while Jean-Loup and Bikjalo remained sitting by the pool. When they had left, the manager of Radio Monte Carlo, still anxious over what he had almost lost, put his arm around Jean-Loup. He wanted the radio host to feel his presence and he whispered advice like a boxing coach during a losing fight, cajoling him to hold up for just another couple of rounds.

Hulot opened the door of the Peugeot but remained standing outside, staring at the magnificent view below. He had no desire to return to the investigation. He turned to Frank. The American could see in his eyes that he needed a long, uninterrupted, dreamless sleep. Without figures in black, without voices whispering I kill… in his ear, waking him to a reality worse than his worst nightmares.

‘You were great with that kid… with him and with me.’

‘What do you mean?’

‘I know I’m leaning on you a lot in this investigation. Don’t think I don’t realize it. I asked for your help and acted like I was helping you out; when I was really the one who needed the help.’

‘That’s not true, Nicolas. Not exactly true. Maybe this guy’s psychosis is contagious and we’re going crazy, too. But if that’s what we have to do to catch him, then we’ve got to keep going till it’s over.’

‘There’s just one danger in what you said.’ Hulot got into the car.

‘What’s that?’

‘Once you accept madness, you can’t get rid of it. You said so yourself, remember, Frank? We’re little dinosaurs, nothing but dinosaurs…’

He started the engine. The automatic gate opened for Hulot to pass through. Frank stood and watched the car drive up the ramp. He saw the brake lights go on as Nicolas turned into the street and then drove away.

Throughout his conversation with Hulot, the cops who’d brought him to Jean-Loup’s house had stood off to one side, talking to each other by their car. Frank got in the back seat and the cop in the front turned to look at him inquisitively. ‘Parc Saint-Roman. There’s no hurry,’ said Frank, after thinking a moment. He needed to be alone and collect his thoughts. General Parker and his plans had not been forgotten, just put aside. He needed to know more about him and Ryan Mosse before he could decide what to do. He hoped Cooper had already sent the information he needed.

The car pulled out. Up the hill, through the gate, down the street. More winding through the throngs of reporters waiting in ambush. Frank looked them over carefully. They seemed to him to shake themselves like dogs when another dog passes. The same guy with red hair who’d stuck his head into the inspector’s car the other day was there. As Frank passed, a reporter standing next to a Mazda convertible exchanged glances with him, thoughtful.

Frank knew they’d soon be chasing him once they found out who he was and what he was doing there. There was no doubt that they would soon figure out his role in this business. They all had contacts in the police department – what their articles called a ‘reliable source’. The reporters paraded in front of the car as the vanguard of a world that wanted to know the truth. And the best journalist among them was not the one who found it out. It was the one who sold the best story.

As the car went down the hill, a woman and a young boy ran out from an unpaved road just a few hundred yards from where the reporters were stalking the house. Frank noticed them because she was holding the boy’s hand and seemed frightened. She stopped at the junction and looked around like someone who didn’t know where she was or where she was going. As the car passed them, Frank felt certain that she was running away. She looked just over thirty and was wearing a pair of blue sweatpants and a shiny dark-blue shirt that perfectly set off her magnificent blonde shoulder-length hair. The fabric and the hair seemed to be competing for the reflection of the May sun. She was tall and fit; her movements graceful in spite of her haste. The boy was perhaps about ten years old but seemed tall for his age. He was wearing baggy jeans and a T-shirt. He looked up with big, bewildered blue eyes at the woman holding his hand.

As he turned his head and leaned against the car window to keep them in view, Frank saw Captain Ryan Mosse, US Army, run up and stop the woman and the boy by stepping in front of them. He grabbed their arms and forced them to follow him back down the unpaved side road. Frank turned and placed a hand on the driver’s shoulder.

‘Stop.’

‘What?’

‘Stop here a second, please.’

The driver touched the brake and the car rolled gently to the side of the road. The two cops looked at him. The one in the passenger seat shrugged, as if to say, ‘Americans…’

Frank got out and crossed the street. He walked down the unpaved road that led to a house with a gate, set back from the houses either side. The three were just ahead of him. A strong man pushing a woman and a boy.

‘Part of your investigation, Captain Mosse?’

The man stopped at the sound of Frank’s voice, and forced the woman and the boy to stop, too. He turned and saw Frank, but his face showed no surprise.

‘Ah, here he is, our FBI special agent. What’s this, Boy Scout, your good deed for the day? If you stand in the Place du Casino and wait awhile, you might find a little old lady to help cross the street…’

Frank went over to the group. The woman looked at him with a mixture of hope and curiosity. Her eyes were beautiful.

The boy wrenched himself free.

‘You’re hurting me, Ryan.’

‘Get in the house, Stuart. And stay there.’

Mosse let go. Stuart turned to the woman who nodded at him. ‘Go on, Stuart.’

The boy took two steps back and went on looking at them. Then he turned and ran to the green gate.

‘You too, Helena. Go in the house and stay there.’

Mosse twisted the woman’s arm. Frank saw his muscles tighten under his shirt. The woman was still staring at Frank, but Mosse made her turn to face him instead.

‘Look at me. Do you understand, Helena?’

The woman whimpered in pain and nodded. As she left, Helena shot a last, desperate glance at Frank before turning and following the boy. The gate opened, then closed behind them, like the gates of a prison.

The two men faced each other. Frank could tell he was of the same school of thought as Parker. You were either a friend or an enemy. Anyone who didn’t follow them and love them had to accept the consequences.

A brief gust of wind rustled through bushes at the side of the road. Then everything was still again. Frank felt the blood pulsing in his temples.

‘You’re great with women and kids. But that doesn’t seem like much for someone who came here with higher goals. Am I wrong, Captain Mosse?’

Frank smiled. He got the same smile in return. A smile of contempt.

‘You do pretty well yourself with women and children, don’t you, Frank? Oh, I’m sorry, Frank’s too familiar for you. What is it you want to be called? That’s right … Mr Ottobre.’

As Mosse paused to admire his own words, he stepped slightly to one side, shifting his weight like someone expecting to be attacked at any moment. ‘That’s right, Mr Ottobre. You apparently think that women are a good excuse for shirking, don’t you? Nothing doing for Mr Ottobre. Can’t expect anything from him. Closed for mourning. Maybe your wife…’

Frank lunged at him in spite of himself, so fast that the other man didn’t see him coming, even though he was expecting it. The blow hit him in the face and knocked him to the ground. Mosse was flat on his back, a trickle of blood coming from the side of his mouth. Otherwise, Frank’s blow had had no effect on him. He smiled again and there was a light of triumph in his eyes.

‘I’m just sorry you won’t have much time to regret what you just did.’

He arched his back and was on his feet. Almost simultaneously, he kicked his left leg. Frank deflected the kick with his forearm and slightly lost his balance. He realized his mistake immediately. Mosse was a tough opponent and had kicked only to throw him off. The soldier slipped to the ground and with his right leg swept Frank off his feet. As he fell to the pavement, Frank managed to turn to the side, easing his fall with his shoulder. There was a time when he would not have been caught off guard.

Mosse was behind him in a flash. He immobilized Frank’s legs with his own and grabbed his neck with his right arm. A military knife suddenly glimmered in his left hand and now it was pointed at Frank’s throat. The two of them were locked together in a grim embrace. The captain’s eyes were shining, excited by the brawl. Frank realized that he liked it, that fighting was his reason for living. He was one of those people who believed that an enemy was worth his weight in gold.

‘Well, Mr Ottobre, what do you think now? Funny, they said you were good. Didn’t your scout’s instinct tell you not to play with kids who are bigger than you? Where’s your sixth sense?’

The man holding the knife moved and Frank felt the tip enter a nostril. He was afraid Mosse might slice it. He thought of Jack Nicholson in Chinatown and smiled at the memory, which annoyed his adversary even more. He felt the blade push at the cartilage of his nose.

‘That’s enough, Ryan.’

The order was barked from behind them and the tension of the blade lessened immediately. Frank recognized the voice of General Parker. Without turning, after one last thrust of his arm against Frank’s neck, Mosse let go. That last twist meant that it was not over between them. Just postponed.

A soldier never cries. A soldier never forgets. A soldier settles the score.

The captain got up, brushing the dust off his light summer trousers. Frank lay there a moment, looking up at the two of them standing over him, one next to the other. They were so alike physically because, in fact, they were the same. Frank remembered his Italian grandfather and his endless flow of proverbs.

Like attracts like.

It was no accident that the general and the captain stuck together. They had the same goals and probably the same means of accomplishing them. What had just happened made no difference, win or lose. It was just for show. Mosse was pissing around to mark his territory. Frank was worried about what would happen later on.

‘You should use a different command for your Doberman, general. They say platz works best.’

Mosse stiffened, but Parker stopped him with a gesture. He held out his hand to Frank. Without deigning to look at him, Frank got up on his own, brushing off his clothes. He stood before the two men, breathing heavily. He looked into Parker’s cold blue eyes, then caught the gaze of Captain Mosse, which had lost its gleam and was again a mere reflection.

A seagull circled slowly overhead. It was flying out to sea in the blue sky, its jeering cry reaching them from high above.

Parker turned to Mosse.

‘Ryan, could you go inside and make sure Helena is not planning any more foolishness? Thank you.’

Mosse shot one last glance at Frank. His eyes flashed for a moment.

A soldier never forgets.

The light faded instantly. Mosse turned and headed towards the house. He would probably walk the exact same way if his path were strewn with corpses. If Ryan Mosse found the words I kill… written in blood, he would probably write in the same blood underneath: So do I…

Mosse was a man without pity and Frank would not forget it. ‘Please forgive Captain Mosse, Mr Ottobre.’

There was no trace of sarcasm in his voice, but Frank had no illusions. In other circumstances, if necessary, he knew very well that things would end differently. There would be no command from Parker and Ryan would not stop.

‘He’s… what can I say? Sometimes he worries too much about our family. Sometimes he goes overboard, but he’s reliable and trustworthy and cares for us a great deal.’

Frank had no doubt about that. He only wondered about the limits of Mosse’s enthusiasm, which seemed to depend on the lines drawn by the general. ‘The woman you saw earlier is my daughter Helena, Arianna’s older sister. The boy with her is Stuart, my grandson. Her son. She…’

Parker’s tone of voice softened. There was a hint of sadness.

‘To be quite frank, she’s suffering from a serious nervous breakdown. Very serious. Arianna’s death was the last straw. We tried to hide it from her, but it was impossible.’

The general’s head dropped. Nonetheless, Frank found it hard to see him in the role of a broken-hearted old father. It had not escaped him that the general defined the boy first as his grandson and then as Helena’s son. Hierarchy and discipline were probably as much a part of his private life as his public one. Cynically, perhaps, Frank saw the presence of his daughter and grandson in Monte Carlo as a cover for his real intentions.

‘Arianna was different. She was made of steel. She was my daughter. Helena is like her mother, fragile. Very fragile. Sometimes she does things without realizing, like today. A few times, she’s gotten out and wandered around for a couple of days until we find her. You can imagine her state. That’s what would have happened this time, too. She has to be watched so that she won’t be a danger to herself or to others.’

‘I’m sorry about your daughters, general. Helena, but especially Arianna. However, that doesn’t change my opinion of you and what you’re doing. Maybe I’d do the same thing in your place, I don’t know. I’ve been put on this case and I’ll do everything I can to catch this killer, you can count on that. But I will also do everything I can to keep you from whatever road you’re planning to take.’

Parker did not react angrily, like the night before. Frank’s refusal to collaborate was probably filed away as ‘tactically irrelevant’.

‘I’ll remember that. You’ve got character, Frank, but then so do I. So I would suggest you be very careful when you cross that road, if I’m on it, Mr Ottobre.’

This time, the sarcasm leaked out and Frank noticed. He smiled. Like Ryan, like Parker.

‘I’ll keep your advice in mind, general. But I hope you won’t hold it against me if I continue the investigation my way. But thanks, Mr Parker...’

Irony for irony, an eye for an eye, like the jeering cry of the seagull overhead, like a killer torn between justice and revenge.

Frank turned and walked slowly back to the main road. He could feel the general staring at his back. To his right, over the bushes, he could make out the roof of Jean-Loup’s house. As he crossed the road to get to the waiting car, Frank wondered whether the fact that Parker had rented a house so close to the deejay’s was coincidental.

TWENTY-SEVEN

From the balcony of his Parc Saint-Roman apartment, Frank watched the car that had brought him home turn right on to Rue des Giroflées, then on to Boulevard d’Italie. The guys had probably started their wisecracks about the situation, about him in particular. He was aware of the general opinion of his role in the affaire, as they called it. The bigshot FBI man, come to show them how it’s done. Except for Nicolas and Morelli, there was a dose of understandable chauvinism where he was concerned. Not that anyone at police headquarters was against him. Basically, they all had the same goal. But there were definitely some misgivings. His friendship with Hulot and his FBI qualifications were enough to earn everyone’s cooperation, but not necessarily their camaraderie. The doors were only half open to their American cousin.

Too bad. He wasn’t there for show, but to get a killer. It was a job, and he didn’t need any pats on the back.

Frank looked at the clock. It was two thirty in the afternoon. Realizing that he was hungry, he went back inside to the tiny kitchen. He’d asked Amélie, the housekeeper who came with the apartment, to do a little shopping. He used whatever was in the fridge to make himself a sandwich, opened a Heineken, and went back to the terrace to eat his lunch in the sun. He removed his shirt and sat bare-chested. For once, he didn’t worry about his scars. It was different now. He had other things to think about.

Frank looked up at the cloudless sky. The seagulls circled high above, white specks in the clear blue sky. It was a beautiful day. Ever since this whole thing had started, the weather had decided not to reflect human misery and had headed instead towards summer. Not a single cloud had covered the sun, not for an instant. Someone, somewhere, had decided to leave the handling of light and darkness to human beings, the lords and masters of their own eclipse.

He let his eyes run along the coast.

Monte Carlo under the sun was a small, elegant hive with too many queen bees, and even more who just played the part. They propped up a flimsy image of elegance, like phony buildings on a movie set. The only thing behind them was the faraway line of the horizon. But the killer, in a long dark coat, was opening the doors, one by one, with a scornful bow, pointing to the void behind them with a black-gloved hand.

Frank finished his sandwich and took the last sip of beer from the bottle. He looked at his watch again. Three o’clock. If Cooper wasn’t out on another case, he would be at the office in that huge stone building that was FBI headquarters on Pennsylvania Avenue in Washington. He picked up his cordless phone and punched in the number.

‘Cooper Danton,’ he answered at the third ring in his usual dry tone.

‘Hi, Cooper. Frank again.’

‘Hey, man. Getting a tan on the Côte d’Azur?’

‘No sun on this Côte d’Azur. Our friend has us living the nightlife. I’m white as snow.’

‘Yeah, right. Any progress?’

‘Totally in the dark. The few lightbulbs we had are blowing out, one by one. And if that wasn’t enough, this General Parker and his sidekick are complicating things. I know I’m being a pain in the ass, but have you found anything on them?’

‘Lots, if the big time doesn’t scare you. I was about to send you an e-mail with a file attached. You beat me to it.’

‘Send it anyway but tell me a little first.’

‘Okay. Just a summary. General Parker, Nathan James, born in Montpelier, Vermont, in ’thirty-seven. Family not incredibly wealthy, but very well-to-do. Left home at seventeen and forged papers to get into the army. First in his class at the Academy. Brilliant officer with a fast-track career. Decorated in Vietnam. Brilliant operations in Nicaragua and Panama. Wherever they needed to flex muscles, use some fists and some brains, that’s where he’d be. He was Army Chief of Staff very early on. Secret mastermind of Desert Storm and the war in Kosovo. A couple of presidents later, and he’s still there. Which means that when he talks, people listen. And his opinion counts in Afghanistan now, too. He’s got money, power and credibility. He can wet the bed and say he was sweating. He’s tough, Frank. Real tough.’

Cooper stopped to take a breath and let him process the information.

‘What about the other one?’

‘Who? Mosse?’

Frank remembered the knife against his nostril. He scratched his nose to banish the memory.

‘Yeah. Did you get anything on him?’

‘Sure did. Captain Mosse, Ryan Wilbur. Born 2nd March ’63, in Austin, Texas. There’s less on him. And a lot more.’

‘What do you mean by that?’

‘At a certain point, Mosse became Parker’s shadow. If you got one, you got the other. Mosse would give his life for the general.’

‘Any special reason, or is it just Parker’s charm?’

‘Mosse’s loyalty is tied to the reason that Parker was decorated in Vietnam. One of the things he did was cross the Charlie line with a wounded soldier on his back, saving his life.’

‘Now you’re going to give me a name.’

‘Right. The soldier was Willy Mosse, Ryan’s father.’

‘Perfect.’

After that, they became friends. Or rather Mosse’s father became a subordinate of Nathan Parker. And Parker took care of the sergeant’s son. He helped him get into military academy, had him promoted, and covered his ass when necessary.’

‘Meaning?’

‘In short, Frank, Mosse is a bit of a psycho. He goes in for meaningless violence and gets himself in trouble. At the Academy, he once almost killed a classmate with his fists and later stabbed a soldier over a woman at an amy party in Arizona. During the Gulf War, a soldier was tried for threatening him with an M-16 to stop him from going ballistic on a group of defenceless prisoners.’

‘Quite a guy!’

‘A creep is more like it. But things were smoothed over every time. Thanks to guess who?’

‘General Nathan Parker, I presume.’

‘Correct. That’s why I told you to be careful, Frank. Those two are the Devil squared. Mosse is Parker’s henchman. And I’m sure he wouldn’t think twice about using him.’

‘I know, Coop. Thanks. I’ll be expecting your e-mail.’

‘It’s already sent. Take care, my friend.’

Frank hung up and stood in the middle of the room, his head leaning to one side. The information from Cooper added only names, dates and facts to what he already thought about those two. They were bad enough in broad daylight. They would be vicious at night.

The intercom buzzed. He got up, turned off the radio and went to answer.

‘Mr Ottobre, there’s someone coming up to see you.’ The doorman was speaking English and sounded embarrassed. ‘I’m sorry I couldn’t tell you earlier but… please understand… I…’

‘Don’t worry, Pascal. It’s okay.’

Who could it be that had so upset the doorman?. Someone knocked just then. He wondered why they didn’t ring the bell. Frank went to open the door.

He found himself in front of a middle-aged man, about his height, clearly American. He bore a vague resemblance to Robert Redford, with darker hair. He was tanned and elegant but not pretentious. The man was wearing a blue suit and his shirt was open with no tie. He wore a Rolex but the strap was leather, not one of those massive blocks of gold so common in Monaco. The man flashed him a natural grin. He was a real person, not a celebrity. No PR at any price. Frank liked him on sight.

‘Frank Ottobre?’

‘Yes?’

‘Glad to meet you, Mr Ottobre. I’m Dwight Bolton, United States Consul in Marseilles.’

Frank stopped a second in surprise, then shook the outstretched hand. This was an unexpected visit. His face probably betrayed his thoughts, because the envoy’s eyes lit up in amusement. And his grin shot up on one side, creasing his face.

‘I’ll leave, if you’d rather. But if you can get over my title and invite me in, I’d like to speak to you.’

Frank collected himself. The man was certainly charming. He pointed to his bare chest. Strangely enough, he was not ashamed of showing his scars to a stranger. And in any case, Bolton gave no sign of noticing them.

‘Sorry. You took me by surprise, but that’s okay. As you can see, I always receive my country’s diplomatic corps dressed like Rambo. It’s patriotic. Come on in, Mr Bolton.’

The consul stepped forward. He turned to someone in the hallway behind him, a tall bluff man with a gun under his jacket and letters stamped on his forehead – FBI, CIA or DEA, but certainly not the Salvation Army.

‘Could you wait for me here please, Malcolm?’

‘No problem, sir.’

‘Thanks.’

Bolton closed the door. He took a few steps and stopped in the centre of the room, looking around.

‘Not bad. Great view.’

‘Yeah. I’m a guest in this apartment. I guess you already know why I’m here.’

Frank made his declaration to avoid wasting time. Before arriving, Bolton must have gleaned all the information on him that he needed. Frank could imagine his secretary placing a folder with his name and résumé on the desk.

Frank Ottobre. Square peg, round hole.

The folder must have passed through so many hands by now that Frank no longer cared. All he wanted Bolton to know was that there was no reason for embarrassment and useless verbal gymnastics between them.

The consul understood and seemed to appreciate it. Bolton had the decency not to pretend that Frank was an easy guy to like, knowing that admiration and respect were an acceptable alternative.

‘Please sit down, Mr Bolton.’

‘Dwight. Call me Dwight.’

‘Okay, Dwight then. Call me Frank. Do you want something to drink? Nothing fancy, though. I’m not very well stocked right now,’ he said, going out on to the terrace to retrieve his shirt.

‘Can you manage a Perrier?’

No alcohol. Good. As Frank passed him on his way to the kitchen, Bolton sat down on the couch. Frank noticed that his socks were the same colour as his trousers. The man liked to match. Meticulous but without overdoing it.

‘I think so. No frills, okay?’

Bolton smiled. ‘No frills.’

Frank came back with a bottle of Perrier and a glass and handed them to him without ceremony. As Dwight poured the sparkling water, Frank went to sit on the other couch.

‘You’re asking yourself what I’m doing here, right, Frank?’

‘No, you’re asking. I think you came here to tell me.’

Bolton looked at the bubbles in his glass as if it were champagne. ‘We have a problem, Frank.’

‘We?’

‘Yes, we. You and I. I’m heads and you’re tails. Or vice versa. But right now, we’re two sides of the same coin. And we’re in the same pocket.’

He took a sip of water and placed the glass on the coffee table in front of him.

‘First, I want to say that my visit is only as official as you want to make it. I consider it completely off the record, a friendly chat. I must admit that I expected a different sort of person. Not Rambo necessarily, but Elliot Ness perhaps. I’m glad I was wrong.’

He picked up the glass again, as if he felt more confident holding it.

‘Want me to explain the situation, Frank?’

‘Might not be a bad idea.’

‘Well, I can tell you that Allen Yoshida’s death only accelerated something that Arianna Parker’s had already set off. You know that General Parker’s here in the Principality, don’t you?’ Frank nodded. Dwight continued, showing relief and at the same time concern that he was already informed. ‘We’re lucky you just happened to be here. It kept me from the embarrassment of insisting that one of our representatives be included in the investigation, because you already were. The United States has an image problem right now. For a country that decided to assume the leadership of modern civilization, as the one and only true superpower, we got a sound beating with 9/11. They hit us where we were strongest, where we felt invincible: at home.’

He looked out through the open French doors at the city. The first shadows of evening were starting to settle.

‘And then this mess happens… Two Americans killed just like that, right here in Monaco, one of the world’s safest countries. Ironic, eh? Doesn’t it feel a little like a rerun? And now we’ve got a broken-hearted father who has decided to take matters into his own hands. A US Army general who intends to use the same terrorist tactics we’re fighting elsewhere for his own ends. As you can see, we’ve got the makings of another big international fiasco.’

‘So?’ Frank looked at Bolton, impassive.

‘So, you have to catch him, Frank. The killer. You have to. Before Parker does. Before the local police. In spite of the local police, if need be. Washington wants this case to be the pride and glory of America. Whether you like it or not, you have to take off your Elliot Ness shirt and turn into Rambo.’

Frank thought that in different circumstances, he and Bolton could have been great friends. ‘You know I will, Dwight. I’ll do it, but not for any of those reasons. Heads and tails maybe, but we’re only the same coin in the same pocket by accident. I’ll catch the killer, and you can give it any meaning you like. Just one thing.’

‘What?’

‘Don’t say that your meaning has to be mine, too.’

Bolton didn’t say a word. Either he didn’t understand or he understood too well, but that was enough. He stood up and hitched up his trousers. The conversation was over.

‘Okay, Frank. I think we’ve covered everything.’

Frank stood up as well. They shook hands in the waning light of the late spring afternoon. Night would soon fall. Voices and killers in the darkness. And everyone would try to grope his way to a hiding place.

‘Don’t show me out. I know the way. Bye, Frank. Good luck.’

‘Luck’s not a lady tonight. She’s going down kicking and screaming.’

Bolton went to the door and opened it. Malcolm could be seen standing outside as he closed the door behind him.

Frank was alone again. He decided he deserved another beer. He went into the kitchen to get it and sat down on the couch that his guest had occupied.

We’re the same coin… Heads or tails, Dwight?

He relaxed and tried to forget Bolton and their meeting. Diplomacy, wars, legal battles. He took a swig of beer and began to do something he had not done in a long time. He called it ‘opening’. When an investigation came to a dead end, he sat down by himself and tried to release his mind, letting all his thoughts free-associate, like a mental puzzle fitting together on its own. His only aim was to give free rein to his unconscious. Lateral thinking in images. Sometimes it brought excellent results. He closed his eyes.

Arianna Parker and Jochen Welder.

The boat, wedged into the dock, the masts listing slightly to the left.

The two of them lying on the bed, their faces skinned, their teeth

uncovered in a scowl without rage.

The voice on the radio.

The writing, red as blood.

I kill…

Jean-Loup Verdier. His wide eyes. Harriet’s face.

No, no. Not now!

The voice on the radio again.

The music, the cover of the Santana record.

Allen Yoshida.

His head leaning against the car window.

The light-coloured seat with the red writing again.

The man, the knife, the blood.

The video.

The man in black and Allen Yoshida.

The photos of the room without them.

The video. The photos. The video. The photos. The vid-

Suddenly, with an involuntary jump, Frank Ottobre found himself standing in front of the couch. It was such a tiny detail that his mind had recorded it and filed it away as if it was of no importance.

He had to go over to headquarters immediately and check on what he had remembered. Maybe it was just an impression, but he grasped at that scrap of hope. If he had a thousand fingers, he would have crossed them all.

TWENTY-EIGHT

The sun was setting as Frank reached police headquarters on Rue Notari. He had walked there from Parc Saint-Roman, slipping through the early evening crowds on the streets without even noticing them. He was on edge. When he was chasing a criminal, he always felt that same anxiety. That frenzy. An inner voice pushing him to run faster. Now that the investigation was at a dead end and their leads had gone nowhere, he had a small gleam of inspiration. There was something shining just below the surface and Frank couldn’t wait to dive down and see whether it was a real light or just a mirage.

The cop standing guard let him in without a word. As he climbed the steps to Nicolas Hulot’s office, Frank wondered if they used his name when they talked about him, or just called him ‘the American’. He walked down the corridor to Hulot’s door. He knocked a couple of times and turned the knob. The office was empty. He stood back a moment, puzzled, then decided to go in. He was feverishly impatient to see if his hunch was true. Nicolas wouldn’t mind.

The file with all the reports and papers on the case was lying on the desk. He opened it and looked for the envelope with the pictures of Allen Yoshida’s house that Froben had brought over after they checked the place. He studied them carefully. He sat down at the desk, picked up the phone, and called the inspector in Nice.

‘Froben?’

‘Yes. Who is it?’

‘Christophe, it’s Frank.’

‘Hi, Americano. How’s it going?’

‘Do I have to answer that?’

‘I read the papers. Is it really so bad?’

‘Yeah, really bad. Which means we’re just relieved it’s not worse.’

‘Great. And what can I do for you in this mess?’

‘Answer a couple of questions.’

‘Shoot.’

‘As far as you know, did anyone touch anything at Allen Yoshida’s place? Maybe accidentally move something before you came and took the photos?’

‘I don’t think so,’ said Froben. ‘The maid who discovered the crime didn’t go in. She practically fainted at the sight of all that blood and called security right away. Valmeere, the head of Yoshida’s security team, is a former cop, remember? He knows the rules. No one touched anything, for sure. The photos I gave you are exactly what we found at the house.’

‘Okay, Christophe. Sorry, but I needed to be absolutely sure of that.’

‘Any leads?’

‘I don’t know. I hope so. I have to check one detail but I don’t want to raise a false alarm. Just one more thing…’ There was silence on the other end as Froben waited.

‘Do you remember if there were any vinyl LPs in Yoshida’s music collection?’

‘This one I can answer for sure. No, there were not. I can tell you that, because one of my men, who’s into this stuff, mentioned that there was a record player in the sound system but only CDs in the collection. He commented on it.’

‘Great, Froben. I didn’t expect anything less of you.’

‘Okay. I’m here if you need me.’

‘Thanks, Christophe. You’re a great help.’

Frank hung up and was lost in thought for a moment. Now he could find out if that bastard had made one tiny mistake, the first since it had all started. Or if he was the one making the mistake.

He opened the desk drawer. Inside, there was the copy of the video-cassette they had found in Yoshida’s Bentley. Frank knew that Nicolas kept it there with the radio tapes. He took it out of the drawer and slipped it into the VCR. He turned on the equipment and pressed PLAY.

The coloured bars appeared on the screen and the sequence started. If he lived 100 years and watched those images once a day, he would still never get used to them. He saw the man in black wave the dagger in his hand. Frank felt a knot in his stomach and his throat seized up. His rage would not go away until he caught him.

Here we go. We’re almost there… He was tempted to fast-forward, but was afraid that the detail would elude him. The video finally reached the point he was waiting for. He shouted to himself.

Yes, yes, yes…

He paused the image. It was such a tiny detail that he couldn’t have discussed it with anyone, for fear that it might be another false lead. Yet here it was, right in front of his eyes, and it was worth trying to see if it could mean something. Sure, it was so insignificant that it might be nothing. But it was all they had.

He looked carefully at the scene on the monitor before him. The killer was motionless, with the dagger raised over Allen Yoshida. His victim was staring at him, wide-eyed, his arms and legs bound with wire, his mouth covered with tape, a grimace of pain and fear on his face. The man would die anew, whenever someone watched that tape. And from what they knew about him, he deserved his fate each and every time.

Just then, the door opened and Morelli walked into the room. He stopped next to the door, speechless at finding Frank there. But then Frank noticed that Morelli wasn’t surprised, he was embarrassed. Frank felt slightly guilty at the sergeant’s discomfort.

‘Hi, Claude,’ he said. ‘Sorry I burst in, but there was nobody here and I had to check something out right away.’

‘Not a problem. If you’re looking for Inspector Hulot, he’s in the conference room downstairs. The bigwigs are there, too.’

Frank could smell something fishy. If it was a meeting to go over the investigation and coordinate things, it was strange that they hadn’t told him. He’d always been unobtrusive so as not to step on Hulot’s toes. He’d stayed a step behind and only taken the initiative when asked. He didn’t want to lower anyone’s opinion of the inspector, either that of his superiors or, more important, his subordinates.

Nicolas’s state of mind was another story. Frank had been struck by his outburst over Jean-Loup that morning, but it was perfectly understandable, from a personal and professional point of view. He and Hulot understood each other. They felt each other’s pain. There were no problems between them.

He compared that to the almost furtive visit from Dwight Bolton. The Principality authorities probably saw things the same way Bolton did, but from the opposite viewpoint. Now that the US government had intervened, Frank’s presence there was no longer a personal favour, a gentlemen’s agreement. It was official.

Frank shrugged. He had absolutely no intention of becoming mixed up in diplomatic relations. He didn’t give a damn. All he wanted to do was catch the killer, lock him in jail, and throw away the key. He didn’t care who took the credit.

‘I’m going downstairs. You coming?’ said Morelli, recovering from his earlier moment of awkwardness.

‘Think I should?’

‘I know they called you a couple of times but the line was busy.’

That was possible. He had been on the phone with Cooper for quite a while and had turned off his cell phone when Bolton arrived. He didn’t use it much anyway. It was almost always in a drawer in the apartment.

Frank got up from the desk, picked up the photos and removed the videotape from the VCR. He took them with him. ‘Can we look at this downstairs?’

‘We’ve got everything you need.’

They left the office and walked in silence down the stairs. Frank’s expression was hard as stone.

The large conference room was painted in two different shades of grey. There were a number of people sitting around a long, rectangular table. Nicolas Hulot, Dr Cluny, the Sûreté chief Roncaille and a couple of other people Frank didn’t know.

There was a moment of silence at his appearance and the fishy smell grew stronger. It was the classic pause of someone caught red-handed. Frank figured that this was their home and they had the right to have all the meetings they wanted, with or without him. But the tension confirmed his suspicions. Nicolas glanced around, embarrassed, unable to look him in the eye, just like Morelli a few minutes earlier. Hulot probably had other reasons as well. In Frank’s absence, he must have been soundly reprimanded for the negative results of the investigation so far.

Roncaille collected himself first. He stood up and took a few steps in Frank’s direction.

‘Ah, Frank, here you are. Come in and sit down. We were just doing a little summing up before you got here. I don’t think you know Alain Durand, the attorney general, who is personally involved in the case.’

He pointed to a short man with a few, sparse blonde curls and tiny, deep-set eyes behind rimless glasses, sitting at the head of the table. He was wearing an elegant grey suit that did not give him the air of importance he probably thought it did. Durand nodded slightly.

‘And Sergeant Gottet of the Computer Crime Unit…’

The man on Durand’s right nodded unmistakably. He was a young man, tanned with dark hair. He probably worked out in his spare time and lay on the beach all summer and a sunbed in the winter. He looked more like a yuppie than a cop.

Roncaille turned to the men he had just introduced. ‘This is Frank Ottobre, FBI special agent. He has joined the Principality police for the “No One” case.’

Frank went to sit down next to Dr Cluny on the left-hand side of the table, almost directly opposite Nicolas. He sought his gaze, but Nicolas continued to look somewhere under the table, as if he had lost something.

‘Okay,’ Roncaille said, returning to his seat, ‘I think we can go on now. Frank, we were about to hear Dr Cluny’s report on the tapes.’

Now it was Frank who nodded silently. Cluny pushed his chair closer to the table and opened his file of notes.

‘After analysing the tapes more closely than I could during the radio show,’ the psychiatrist began, ‘I have reached more or less the same conclusions. The subject is extremely complex, a type that I must say I have never encountered before. There are some details in his modus operandi that are totally in keeping with most case histories of serial killers. The single territory, for example. He only operates in the Principality. The fact that he always uses knives, which allow him direct contact with the victim. Moreover, the fact that he removes the skin can be seen as both a ritual fetish and, literally, as overkill. By mutilating the corpse, the killer demonstrates his total control over the person he attacks. Even the quiet period between one murder and the next is part of the general scheme. So, up to here, it all seems normal…’

‘But?’ asked Durand, with a deep voice that was disproportionate to his size.

Cluny paused for effect. He removed his glasses and rubbed the base of his nose, something Frank had noticed before. Cluny seemed to have a special ability to keep a crowd’s attention. He replaced his glasses and nodded at Durand.

‘That’s right. Here’s where the “buts” begin. The subject has enormous verbal agility and a capacity for abstraction that is absolutely remarkable, unique in my experience. His definition of himself as “someone and no one” is an excellent example. His imagery is even poetic at times, despite the bitterness. Aside from being highly intelligent, he must have an exceptional cultural background. University studies, the humanities, I’d say. That’s different from the average serial killer, who is usually lower class with little culture or education. They almost always have a very low intelligence quotient. There’s one thing in particular that puzzles me…’

Another pause. Frank watched the psychiatrist repeat the pantomime with his glasses and the nose rubbing. Durand cleaned his own glasses in the meantime.

A round of applause, Cluny. Great. We’re all ears but go on. And get yourself some contact lenses, won’t you?

‘The fact that there seems to be a compulsion towards the crime, the murder, during the conversation. Common personal experiences in subjects like this – an oppressive family, a domineering parent or parents, abuse or humiliation and so on – are fairly normal. But there is an attitude that we usually find in cases of split personality, as if the subject were two people at once. Which brings us back to the “someone and no one” mentioned earlier…’

To Frank, this was total bullshit. An exercise in style, nothing more. In this particular case, tracing the killer’s psychological profile might be helpful but would not determine anything. The killer was not only a man who took action; he was a thinking man, and he thought a great deal before acting. His thinking was exceptional, and if they wanted to catch him, they had to get beyond his capacity for lucid thought. Frank avoided saying so, however, because he didn’t want his opinion to be mistaken for admiration of the killer.

Durand interrupted, and from what he said, it was immediately evident that he was far from inexperienced. He knew how to run that kind of meeting.

‘Gentlemen, there’s no one here but us. This isn’t a contest. Please share any doubts you have, no matter how negligible. You never know where an idea may come from. I’ll start. What can we say about the killer’s relationship to music?’

Cluny shrugged. ‘That’s another debatable topic. “Someone and no one” again. His passion is obvious. He seems to know a lot about it and love it. It’s a primary refuge for him, a sort of mental retreat. But the fact that he uses it to leave a clue, a hint as to his next victim, is a way of destroying music, using it as a weapon to challenge us. He feels superior, even though it’s based on a sense of inferiority and frustration. Get it? “Someone and no one.”’

Hulot raised his hand.

‘Yes, inspector?’

‘Aside from the psychological motivation, what do you think his practical goal is in removing a particular part of the victim’s anatomy? Let me make myself clear: What does he do with their faces? Why does he need them?’

There was silence in the room. Every one of them had asked himself that question over and over. Now someone was saying it out loud and the silence meant that nobody had an answer.

‘I can only guess, like any of us. Any guess would be valid at the moment.’

‘Could it be that he’s unbearably ugly and is seeking revenge?’ asked Morelli.

‘That’s possible. But keep in mind that a repulsive or even monstrous appearance is fairly conspicuous. Ugliness is something people notice immediately: ugly equals bad. If there were some kind of Frankenstein wandering around, someone would have reported it. Someone like that doesn’t go unobserved-’

‘But it’s worth a try,’ interrupted Durand in his deep voice.

‘Of course. Anything is, unfortunately.’

‘Thank you, Dr Cluny,’ said Roncaille, turning to Sergeant Gottet, who had been listening in silence. ‘Your turn, sergeant.’ Gottet started speaking on his subject with shining eyes, fuelled by the fire of efficiency.

‘We’ve examined all the possible causes as to why the UnSub’s calls were not intercepted.’ Gottet looked at Frank and it was hard for Frank not to smile. Gottet was obsessed. The term UnSub was an abbreviation of ‘Unknown Subject’, used during investigations in America but uncommon in Monaco. ‘We have a new mobile phone monitoring system, the DCS 1000, known as “Carnivore”. If the phone call goes through that, there’s no problem.’

Frank had heard of it in Washington when it was still in the experimental phase. He hadn’t been aware that it was now operational. But then, there were many things he was unaware of just then. Gottet continued his report.

‘As far as fixed phone lines are concerned, we can enter the radio-station computer, the one that manages the switchboard, directly. We can check on every access with a search for the signal, whether it comes from the phone-company switchboard, or directly or indirectly through the Internet.’ He paused for effect, but without Cluny’s results. ‘As you know, if you have the right software and some wherewithal, you can make calls from the Internet without being traced. As long as there isn’t someone as good as you on the other end. That’s why we’ve got a hacker who turned double agent. Now he’s a freelance consultant helping to protect against hackers. Sometimes he works for the police in exchange for our closing an eye on his past escapades. There’s some incredible technology available for this kind of search. Next time, we’re not going to let him get away.’

Gottet’s report was much shorter than Cluny’s, partly because he had much less to say. The mystery of that untraced call was a stain on the department’s freshly laundered shirt. Everyone would be rolling their sleeves up to their armpits to wash it clean.

‘Anything else?’ Durand looked around the room.

Hulot seemed to have recovered from his embarrassment and was cool and collected.

‘We’re continuing our investigation into the victims’ private lives but we don’t expect much from that. Meanwhile, we’re keeping an eye on Radio Monte Carlo. If the subject calls again from the vicinity and gives us another clue, we’ll be ready to intervene. We have a special plainclothes team, men and women, to check the location. There’s also a sniper unit equipped for night vision. We’ve contacted music experts who are willing to help us decipher the message, if and when it comes. Once the message is deciphered, we’ll put anyone we consider a likely victim under protection. We’re hoping the killer will make a mistake, since up to now he’s been infallible.’

Durand looked around the table. Frank finally managed to see that his eyes were hazel. He addressed no one in particular.

‘Gentlemen, it’s pointless for me to remind you how important it is for us not to make any more mistakes. This is not just a police investigation. It has become much more than that. We have to catch this man soon, before the press tears us to pieces.’

And the Council of State, if not the Prince in person, thought Frank.

‘Let me know anything immediately, whatever the time. Goodbye, gentlemen. I’m counting on you.’

Durand got up and everyone followed. The attorney general headed to the door, followed by Roncaille who probably wanted to take advantage of his presence for a spurt of public relations. Morelli waited until the two of them were far enough away and then he left too, with a glance of support at Hulot.

Dr Cluny was still standing by the table gathering his folders. ‘If you need me at the radio station, just call.’

‘That would be a big help, doctor,’ said Hulot.

‘Then I’ll see you later.’

Cluny left the room, too. Frank and Nicolas were alone. The inspector motioned towards the table where they had all been sitting.

‘You know I had nothing to do with this, don’t you?’

‘Of course I do. Everyone’s got their own problems.’ Frank was thinking about Parker. He felt guilty about the fact that he still had not told Nicolas about the general and Ryan Mosse. ‘If you come up to my office, I have something for you.’

‘What?’

‘A gun. A Glock Twenty. I thought you’d be familiar with it.’

A gun. Frank had thought he’d never need one again. ‘I don’t think it’s necessary.’

‘I wish it weren’t, but at this point, we should all be ready for anything.’

Frank stood there in puzzled silence. He rubbed his face where his beard was already a dark shadow.

‘What is it, Frank?’

‘Nicolas, I think I found something.’

‘Meaning?’

Frank went over to pick up the envelope and the cassette he had placed on the table when he came in.

‘I brought this stuff, but at the last minute I decided not to say anything in front of the others because it’s so insignificant. We need to check it first, before we put it out there. Remember when I told you there was something I couldn’t remember? Something that I should have remembered but couldn’t place? I finally figured out what it was. A discrepancy between the video and the pictures of Allen Yoshida’s house, the ones Froben brought over.’

‘What?’

Frank took a photo out of the envelope and handed it to Hulot.

‘Look at that cabinet,’ he began. ‘The stereo cabinet behind the couch. What do you see there?’

‘Nothing.’

‘Exactly. Now, look at this.’

Frank picked up the cassette and put it in the VCR. The tape was still at the point where he had pressed PAUSE. He stopped the image again and moved his hand to a point behind the two figures.

‘Here, this is the same cabinet. There’s a record sleeve there. It’s a vinyl LP. There weren’t any in Yoshida’s house. Froben confirmed it for me. Not even one. There’s no trace of this record in the photos. Which means that with his mania for music, the killer must have brought with him the record for the soundtrack of his new crime. The video copy was made in haste and the picture is out of focus, but I’m sure that, if we work on the original with the right equipment, we could make out what the record is. The fact that he didn’t leave it there means that it has special meaning. For him or in general. It might not be a step forward but it’s the first thing we’ve learned about the killer, in spite of himself. It’s tiny, but it just might be the first mistake he has made.’

There was a long silence. Frank spoke first. ‘Can we examine the video without everybody knowing about it?’

‘Not here in the Principality,’ replied the inspector. ‘Let me think… There’s Guillaume, Mercier’s son. We’re old friends. He has a small production company. Makes video clips and stuff like that. He’s just starting out, but I know he’s good. I could get in touch with him.’

‘Can he be trusted?’

‘He’s a good boy. He was Stéphane’s best friend. He’ll keep his mouth shut if I ask him to.’

‘Good. I think it’s worth checking the tape, but we need to be discreet, Nicolas.’

‘I think so, too. And as you said yourself: small as it is, it’s all we’ve got.’

They looked at each other with a level gaze that told its own story. They really were two sides of the same coin and they were in the same pocket. Life hadn’t been kind to either of them, but each in his own way had had the courage to pick himself up and carry on. Until then, they had been at the mercy of events that were disrupting their existence. Now, thanks to an accidental discovery suspended in the air like a kite in the wind, a small, coloured speck of hope floated through that grey room.

TWENTY-NINE

Laurent Bedon turned off his electric razor and looked at himself in the mirror. He’d slept late, but those extra hours had not erased the excesses of the night before. He had staggered home at dawn, blind drunk, and collapsed on the bed, already half asleep before he had hit the pillow. Now, even with the long shower and shave, he still had circles under his eyes and the pallor of someone who had not seen the sun in months. The harsh bathroom light mercilessly accentuated his unhealthy appearance.

Christ, I look dead.

He picked up the bottle of aftershave and splashed some over his face. He overdid it, and the sting of the alcohol burned his lips. He combed his damp hair and sprayed deodorant under his arms. And with that, he thought, he was ready for another night out.

His clothes were strewn all over the bedroom in what he considered an unavoidable mess. He used to have a housekeeper come and tidy up, putting things in precarious order, which he immediately demolished. Now he could no longer afford such luxury. It was a miracle he hadn’t been evicted yet, since he owed four months’ rent.

Things had got really bad over recent months. He had even lost a hefty wad of cash at the Menton Casino last night. Moreover, the money wasn’t his. He’d asked Bikjalo for another advance. The station manager had complained a little, but finally decided to open his purse strings, reluctantly signing a cheque. As he pushed it towards him, he had told Laurent that he’d reached his limit.

The cheque had been enough to patch up a number of critical emergencies within his dire financial situation. There was the rent, for just two crappy rooms in a building in Nice that disgusted even the cockroaches. Unbelievable. The landlord was stalking him like they were in an American B-movie. Or a Laurel and Hardy comedy.

Crédit Agricole had repossessed his car when he had stopped making the lease payments after the third instalment. Fuck them. And fuck Monsieur Plombier, the shithead bank official who had treated him like scum and demanded that he return his credit card and chequebook.

But that wasn’t even his main problem. If only it were. He owed a roll of euros to that thug Maurice, a debt he had contracted when money was still called francs. He had scraped together enough for a few instalments but the bastard wouldn’t be patient for ever. Everyone knew what happened to people who didn’t repay their debts to that bloodsucker. The stories he had heard were far from reassuring. They were just rumours, but in this case, Laurent thought, he should probably take them as the gospel truth.

He sat down on the bed and ran his hands through his hair. He looked around. Everything he saw was disgusting. He still found it impossible to believe that he was living in a dump in Ariane. Maurice had taken his wonderful apartment at the Acropolis in exchange for part of his debt, but the interest had added up so fast that he would soon be taking his balls for the rest, simply for the joy of hearing him sing soprano.

He threw on some clothes, retrieving a pair of trousers and one of the cleaner shirts. He picked up yesterday’s socks from under the bed. He had absolutely no idea how they had got there. He couldn’t remember getting undressed last night. There was a mirror in the wardrobe of the furnished apartment and the reflection it showed was not much better than the one in the bathroom.

Forty years old. And in that state. If he didn’t make some changes, and soon, he would end up a clochard, a homeless bum. There wouldn’t even be enough money for razor blades. Unless, of course, Maurice stepped in to help…

But he had felt it last night: luck. Pierrot had given him the numbers and Pierrot’s numbers were usually lucky. Thanks to ‘Rain Boy’ he’d left the casino more than once with a huge smile on his face. He always squandered the money immediately, like anything earned without effort.

He had cashed Bikjalo’s cheque with a guy he knew who hung around the casino waiting for people like him, men with a feverish look who were used to following a ball around the wheel. He had taken a hefty commission, as that cheat called it, but Laurent had gone into the main room with the best intentions, not knowing that he was about to pave another mile of his road to hell.

A disaster. Not even one win; not one big number. The croupier had mechanically swept up his bets, one after another, with the professional disdain of all croupiers. Just the time of a spin, the launching of a ball, and that bastard’s able hands pushed the chips over with the previous win. Everything had gone up in smoke.

One wisp of smoke after another. If he had burned all the money in the fireplace, it would have been more useful. Except that now he had no fireplace. Maurice, or someone like him, was warming himself by it, damn him.

Laurent got up from the bed and went to boot up his computer, precariously balanced on that desk-like thing in the bedroom. His PC was very fast; he’d assembled it himself. At least he still had that. He would be lost without his computer. It had his notes, his programme schedules, the things he wrote when he was sad. Which meant all the time, right then. And there was the Web to surf, a virtual escape from the reality where he was imprisoned.

When he turned on the computer, he saw that he had an e-mail. He opened it. It was a message from an unknown sender, in handsome Book Antiqua font:

Need money? Your rich uncle’s in town.

He wondered what jerk was making such bad jokes. A friend who knew his troubles, most likely. Who? Jean-Loup? Bikjalo? Someone from the station?

And who was the ‘rich uncle?’ For a moment, he thought of the American, the FBI agent investigating the murders. His eyes were even creepier than that voice calling in to the station. Maybe it was a way of keeping him under pressure. But he didn’t seem like the type who would resort to that. He’d just throw you against a wall and beat it out of you until you vomited up your guts.

That whole business came to mind. The voice at the radio was a godsend for Jean-Loup. He was becoming more well-known than the Beatles. It made him miserable, but in the end, once they caught the guy, he would come out a winner. Jean-Loup would take off and he, Laurent, would stand there on the ground with his nose in the air, watching him soar. And to think that he was the one who had introduced Jean-Loup to the station after first meeting him a few years ago in front of the Café de Paris. He had witnessed the episode that got that arsehole his amazing house in Beausoleil. He had only found out a few years later that saving that mutt for the old biddy had been like finding a winning lottery ticket.

Laurent’s fate was always the same: to observe the luck of others. He never failed to be there to see someone hit by a golden ray of sunshine, which might have hit him if its trajectory had deviated by just a foot.

He had started talking to the guy with the dark hair and green eyes after he had saved the dog. He was looking around, a little embarrassed at suddenly becoming the centre of attention. One thing had led to another. Laurent had been struck by what Jean-Loup exuded, a sense of serenity and involvement at the same time. It was something that he couldn’t exactly describe, but it was strong enough to make an impression on anyone who came in contact with him. Especially someone like Laurent.

Bikjalo, who was no fool, had sensed it as soon as Laurent had introduced him as a possible host for Voices, the programme Laurent had been thinking about for some time. For Bikjalo, Jean-Loup had the undeniable advantage of being a good candidate and of being dirt cheap, since he knew absolutely nothing about radio.

A total beginner. Two birds with one stone. A new hit and a new host at almost zero cost. After two weeks of recorded rehearsals, with Jean-Loup proving the assumptions about him and his talent correct, Voices had finally gone on air. It had started well and carried on improving. People liked the guy. They liked his way of talking and communicating: fanciful, imaginative, with bold metaphors understood by all.

Even killers, thought Laurent, bitterly.

Inadvertently, the watershed episode – when two boys thought lost at sea were saved – had transformed the show into the socially conscious programme it now was. The pride and joy of the radio and the Principality. And honey for the buzzing flies: its sponsors.

And the deejay became the star of a show that Laurent had conceived, a show in which Laurent now had less and less to say and which was pushing him aside, a little more each day.

‘Fuck all of them. It’ll change. It has to change,’ he muttered to himself.

He finalized his notes for that evening’s show and the printer started spitting freshly inked sheets of paper on to the tray. They would change their minds about him. All of them, one by one. Barbara especially.

He thought back to her copper hair spread on the pillow. They had had an affair. It was intense, and he had fallen for her deeply, physically and emotionally, before he had let everything go to hell. She had tried to stand by him, but it was like living with a drug addict. After a lot of back and forth, she had left him, turning her back on him when she had realized that she would never be able to compete with the four other women in his life: spades, hearts, diamonds and clubs.

He got up from the unsteady chair and slipped the printed sheets into a folder. He took his jacket from the armchair that he used as a coat rack and went out. The landing was no less a picture of gloom than the apartment. He pulled the door closed and sighed. The lift wasn’t working: a new notch on the building-manager’s belt. He walked downstairs in the dim, yellow light, brushing his hand against the beige wallpaper of the stairwell. Like him, it had seen better days.

He went into the lobby and pushed open the front door, made of glass in a rusted metal frame with chipped paint. Entirely different from the elegant buildings of Monte Carlo or Jean-Loup’s lovely villa. The street outside was submerged in the shadows of evening, that intense blue that only summer sunsets leave behind. It even lent a semblance of humanity to that desolate neighbourhood. Ariane was not the Promenade des Anglais or the Acropolis. The smell of the sea never reached that area. Or, if it did, it was overpowered by the stench of garbage.

Laurent had to walk three blocks to reach the bus that would take him into the Principality. So much the better. A walk would do him good and clear his head, and to hell with Plombier and his shitty bank.

Valentin emerged from the shadows at the corner of the building. He was so fast that Laurent didn’t see him coming. Before he even knew what was happening, he felt himself being raised off the ground and a moment later he was pushed against the wall with an arm pressing against his throat and the man’s breath, stinking of garlic and gum disease, in his face.

‘Well, Laurent? Why don’t you remember your friends when you’ve got a little cash?’

‘What do you mean? You know… that I…’

A thrust against his neck interrupted his protests and he gasped.

‘Stop bullshitting, you wanker. You laid down a whole bunch of dough last night in Menton. You forgot that the money you were playing with belongs to Maurice, didn’t you?’

Valentin Rohmer was Maurice’s bully, his troublemaker, his tax collector. Fat and flabby as he was, Maurice could not pin people’s arms behind their backs until they cried. Or push them against a wall until they felt the rough plaster rip their skin. But Valentin could, the bastard. And that other bastard who had cashed his cheque last night in the bar in front of the casino – he was the one who had ratted on him. Laurent hoped that piece of shit would get the Valentin treatment one day.

‘I…’

‘Shut the fuck up. There are a few things about me and Maurice you just don’t get. Like how he loses patience and so do I. It’s about time I refresh your memory.’

The punch in his stomach left him breathless. He retched, bringing the acid taste of vomit up to his dry mouth. His legs buckled. Valentin held him up effortlessly, grabbing him by the shirt collar with an iron grip. He saw the thug’s right fist and realized that his face was the target and that the blow would be so powerful that his head would smash into the wall behind him. He closed his eyes and stiffened, waiting for the fist to strike.

It never did.

He opened his eyes again as he felt the grip on his neck relax. A tall, strong man with light brown hair in a crew cut had come up behind Valentin and grabbed him by his sideburns, pulling violently upwards.

The pain and surprise made Valentin release his grasp.

‘What the hell…’

The man let go of Valentin’s hair and the thug stepped back to face the newcomer. He looked him up and down. He was all muscle and there was absolutely no sign of fear on his face. He was much less reassuring than Laurent’s harmless, sickly figure. Especially the eyes that were watching him without expression, as if he were simply asking directions.

‘Great. I see help has arrived,’ said Valentin in a voice that sounded less secure than he would have liked.

He tried to use the fist intended for Laurent on the man standing in front of him. The reaction came in a flash. His adversary dodged the punch with a duck of his head and then he stepped forward and wedged his shoulder under Valentin’s. After clutching it with his arms, he pressed down with all his weight.

Laurent could clearly hear the sound of bones breaking with a crack loud enough to make him jump. Valentin screamed and bent down, holding his broken arm. The man stepped back and spun around gracefully, a pirouette to give force to the blow. His foot crashed on Valentin’s face, and blood spurted from his mouth. Valentin fell to the ground without a whimper and lay there motionless.

Laurent wondered if he was dead. No, his unknown rescuer seemed much too skilled to kill by accident. He was the type who killed only when he wanted to. Laurent started coughing, bending over to hold his stomach as acidic saliva trickled from his mouth.

‘Looks like I got here just in time, Mr Bedon, no?’ said the man who had saved him, in very bad French with a strong foreign accent. He helped him up, holding his elbow.

Laurent looked at him, thunderstruck, without understanding. He had never seen him before in his life. But the guy had saved him from Valentin’s fists and knew his name. Who the hell was he?

‘Do you speak English?’

Laurent nodded. The man gave a brief sigh of relief. He continued in English with an American accent.

‘Thank God. I’m not very good at your language, as you’ve just heard. You’re probably wondering why I helped you with this -’ he waved at Valentin’s body on the ground – ‘this… I’d call it… embarrassing situation, if you agree.’

Laurent nodded again in silence.

‘Mr Bedon, either you don’t read your e-mails, or you don’t trust rich uncles. I have a proposal for you.’

Laurent’s astonishment was written all over his face. Now he had an explanation for that strange e-mail. He would surely be getting others. This man hadn’t knocked Valentin out and saved his hide simply to carve a Z like Zorro on the wall and disappear.

‘My name’s Ryan Mosse and I’m American. I have a proposal for you. Very, very advantageous, economically speaking.’

Laurent looked at him for an instant without speaking. He liked the sound of that. Suddenly his stomach stopped hurting. He got up, breathing deeply. He could feel the colour slowly returning to his face.

The man looked around. If he was disgusted by the filth of this neighbourhood, he didn’t show it. He was looking carefully at the building.

‘My apartment’s over there,’ said Laurent, ‘but I don’t think you came to buy it.’

‘No, but if we come to an understanding, you would be able to, if you’re interested.’

As he straightened his clothing, Laurent’s brain raced ahead. He had absolutely no idea who this guy was and what he wanted… what was his name? Oh, yes, Ryan Mosse. But Mosse presumably would now tell him. And he would also name a figure.

A very large figure, apparently.

Laurent looked at Valentin, motionless on the ground. The pig’s nose and mouth were split open and a small puddle of blood was forming on the pavement. At that particular moment in his life, no matter who it was that saved Laurent’s hide from someone like Valentin and then talked to him about money, lots of money, Laurent Bedon would listen.

SIXTH CARNIVAL

Alone, far from the world, the man listens to music.

The notes of the Minuet from Franz Schubert’s Symphony No. 5 float through the air. Enclosed in his metal box, the man is absorbed in the dancing rhythm of the strings and imagines the musicians’ movements and their concentration as they perform the symphony. Now his imagination soars above like a sky cam floating through space and time. Suddenly, he is no longer in his secret place but in a large room with frescoed walls and ceilings, illuminated from above by hundreds of candles suspended from enormous chandeliers. He shifts his gaze to the right in a view so clear that it seems real. His hand presses that of a woman moving next to him in the sensuous rhythm of a dance made up of elegant swirls, pauses and bows, practised so many times that it is smooth as wine poured into a glass. The woman is unable to resist his fixed stare. From time to time, she turns her eyes, veiled by long lashes, to the audience, seeking confirmation of the incredible awareness that she is the chosen one. There is admiration and envy in all those in the drawing room who watch them dance.

He knows that she will be his that night. In the soft glimmering candlelight, amid the lace and ribbons of the enormous canopy bed, he sees her emerge from the tangle of silks that cover her like rose petals. The rights of the king.

But none of that matters now. They are dancing and they are beautiful. And they will be even lovelier when…

Are you there, Vibo?

The voice arrives, gentle as always, anxious as only that voice can be. His dream, the image that he created before his closed eyes, is lost, crumbling away like burning frames of film.

It was only a moment’s respite from his duty, his burden. There is no room for dreams; there never was and there never will be. They could have dreamt once, when they lived in the big house on the hill, when they managed to crawl away from the obsessive care of the man who already wanted them to be men, when they just wanted to be boys. When they wanted to run, not march. But even now there was a voice that could break any vision their imaginations managed to create.

‘Yes, I’m here, Paso.’

What are you doing? I couldn’t hear you.

‘I was just thinking.’

The man lets the music continue. The last postscript of his thin mirage. There will never be a dance with a beautiful woman for him. For them. He gets up and goes into the other room, where the lifeless body lies in its crystal coffin.

He switches on the light. There is a reflection on the corner of the transparent case. It disappears when he moves and changes position. There is another, but it is always the same. Tiny insufficient mirages. He knows what he will find. Another broken illusion, another magic mirror shattered at his feet.

He goes up to the naked body inside and runs his eyes over the dried limbs, the colour of old parchment. His gaze moves slowly, from the feet to the head covered with what, not long ago, was the face of another man.

His heart aches.

Nothing lasts for ever. The mask is showing the first signs of decomposition. The hair is dry and dull. The skin is yellowed and shrinking. In a little while, in spite of his care, it will be no different from the skin of the face it is hiding. He looks at the body with infinite tenderness, eyes softened by the affection he cannot erase. He darkens and clenches his jaw in defiance.

It isn’t true that fate is unavoidable. It isn’t true that you can only watch as time and events occur. He can change; he must change that eternal injustice. He can fight against the mistakes distributed by fate with open hands in the snake pit that is the life of man.

Obscurity means darkness. Darkness means night. And night means that the hunt must continue.

The man smiles. Poor, stupid bloodhounds. Baying with bared teeth to hide their fear. Night-blind eyes searching in the dark to discover where the prey turned hunter will come from. When will he strike, and where?

He is someone and no one. He is the king. The king has no curiosity, only certainty. He leaves curiosity to others, to all those who ask, to all those who show it in their eyes, in their erratic gestures, in their apprehension, their anxiety that is sometimes so thick you can touch it, smell it.

Those two eternal questions. When and where? When will that last breath come, held in with the growl of an animal, kept inside with clenched teeth, because there will never be another? When, at what hour of the day or night, at what tick of an unwinding clock, will there be that last second and no other, leaving the rest of time to the world as it continues in other directions and along other routes? Where, in which bed, car seat, aeroplane lavatory, beach, armchair, hotel, will the heart feel that sharp pain, the interminable, curious, useless expectation of another beat, after an interval that becomes longer and longer, growing infinite? Sometimes death comes so quickly that the last flash is a final calmness, but not an answer, because in that blinding light there is no time to understand it, nor even, sometimes, to feel it.

The man knows with certainty what he has to do. He has already done it and he will do it again, as long as it is necessary. There are many masks out there, worn by people who do not deserve the appearance they give to the world. Nor any other.

What is it, Vibo? Why are you looking at me that way? Is there something wrong?

The man is reassuring. His mouth smiles, his eyes sparkle, his voice protects.

‘No, Paso, there’s nothing wrong. I was thinking how handsome you are. And soon you’ll be even more so.’

Oh, no. Really? Don’t tell me!

The man cloaks his intentions in secret tenderness.

‘Stop. You mustn’t speak of it. Secret of secrets. Remember?’

Oh, is it a secret of secrets? Then we can only speak of it at the full

The man smiles at the memory of their childhood game, in the few moments when that man was not there to spoil the only game that they were allowed to play.

‘That’s right, Paso. And the full moon is coming soon. Very soon…’

The man turns and goes towards the door. The music in the other room is over. Now there is a silence that feels like the natural continuation of the music.

Where are you going, Vibo?

‘I’ll be right back, Paso.’

He turns to look at the body lying in the crystal coffin. ‘First, I have to make a phone call…’

THIRTY

At Radio Monte Carlo they were sitting and waiting, like every night. The story had created such a fervour that there were three-times the usual number of people in the building at that hour.

Now, in addition, there was Sergeant Gottet and a couple of men who had installed a much more powerful and sophisticated computer system than that of the radio station, and had hooked it up to the Internet. There was a young guy with them, about twenty-five and intelligent-looking, short brown hair with blond streaks and a ring through his right nostril. He busied himself with a pile of floppy disks and CD-ROMs, his fingers flying over the keyboard. The kid’s name was Alain Toulouse but hackers knew him as Pico. When he was introduced to Frank, he smiled and his eyes sparkled.

‘FBI, huh?’ he said. ‘I got in once. Well, actually more than once. It used to be easier, but now they’ve wised up. Know if they’ve got any hackers working for them?’

Frank couldn’t answer the question, but the boy was no longer interested. He turned and sat back down at his station. He typed with lightning speed as he explained what he was doing.

‘First, I’m going to set up a firewall to protect the system. If someone tries to get in, I’ll know. Usually we try to stop attacks from the outside and that’s it. This time it’s different: we want to find out who’s attacking, without their knowledge. I’ve installed a program that I developed. It’ll let us hook on to the signal and follow it back. It might be a Trojan horse.’

‘Trojan horse?’ Frank asked.

‘It’s what we call a masked communication that travels covered by another one, like some viruses. So I’m also installing anti-virus protection. I only want the signal that we intercept, when we intercept it.’

He stopped to unwrap a sweet and stuck it in his mouth. Frank noticed that the kid had no doubt that he would intercept the call. He must have a pretty high opinion of himself. Then again, his attitude was typical of computer hackers. Their presumption and sarcasm led them to do things that might not actually be criminal but were simply aimed at showing their victims that they could avoid surveillance and get through any wall designed to keep them out. They saw themselves as modern-day Robin Hoods, armed with mouse and keyboard instead of bow and arrow.

‘As I was saying,’ Pico continued, chewing vigorously on the caramel stuck to his teeth, ‘I don’t want them to include a virus that gets out if they’re intercepted. Otherwise, we’d lose the signal and our chance to follow it, along with our computer, obviously. A really good virus can literally melt a hard drive. If this guy is really good, then any virus he lets out won’t smell like roses.’

Until then, Bikjalo had been sitting silently at a desk nearby. Now he asked a question. ‘Do you think any of your friends might play tricks on us while we’re doing this?’

Frank shot him a look but the station manager didn’t notice. Pico turned his chair around to look at Bikjalo directly, incredulous at his ignorance of the computer world.

‘We’re hackers, not hoodlums. Nobody would do anything like that. I’m here because this guy doesn’t just break in where he doesn’t belong and leave a smiley face behind as his signature. This guy kills – he’s a murderer. No hacker worthy of the name would do anything like that.’

‘Okay, okay. Get on with it,’ Frank said, putting a hand on his shoulder, a gesture of trust that was also an apology for Bikjalo. ‘I don’t think there’s anyone here who can teach you anything.’ Then he turned to Bikjalo who had now come to stand next to them. ‘There’s nothing left for us to do here. Let’s go and see if Jean-Loup is back yet.’

What he really wanted to do was tell Bikjalo to get the hell out of the way and let them work without breathing down their necks. They had enough pressure without him. But a sense of diplomacy held Frank back. They were all working together at the station and he didn’t want to ruin anything. There was already too much tension in the air.

‘Okay.’

The station manager shot a last puzzled look at the computer and at Pico, who had already forgotten about him. Excited by this new challenge, his fingers were again flying over the keys.

Bikjalo and Frank left the computer station and went over to Raquel’s desk as Jean-Loup and Laurent came in at the door.

Frank scrutinized the deejay. Jean-Loup looked better than he had that morning, but there was an indelible shadow under his eyes. Frank knew that shadow. When this was all over, he would need a lot of sun, and a lot of light, to get rid of it.

‘Hey, guys. All set?’

Laurent answered for both of them.

‘Yeah, the outline’s ready. The hard part is thinking that the show has to go on, no matter what. Aside from those calls, we’ve still got our normal callers. How’re things here?’

The door opened again and Hulot came in. He seemed to have aged ten years since Frank had arrived in Monte Carlo.

‘Oh, here you are. Evening, everyone. Frank, can I talk to you for a sec?’

Jean-Loup, Laurent and Bikjalo moved over to let Frank and the inspector have some privacy.

‘What’s up?’

They walked to the other wall, next to the two glass panels covering the switchboard, the satellite connections and the ISDN links that were there in case there was a blackout and the repeater failed.

‘Everything’s ready. The Crisis Unit’s on call. There are ten men standing by at the police station. They can get anywhere in a flash. There are plainclothes men all over the streets. Nothing’s going on. People walking dogs, prams, things like that. The whole city’s covered. We can move people in seconds if we need to. If the victim is here, in Monte Carlo, I mean. If Mr No One has decided to get his victim somewhere else, we’ve alerted the police forces all along the coast. All we can do now is try to be sharper than our friend there. Otherwise, we’re in the hands of God.’

‘And in the hands of Pierrot, whom God has treated so badly…’ Frank pointed to two people walking in with Morelli.

Pierrot and his mother came over to them and stopped. The woman held her son’s hand as if she were clutching a lifesaver. Instead of offering protection, she seemed to be seeking it from her innocent son who was savouring his personal participation in that moment, something that was usually denied to him.

Pierrot was the only one who knew all the music that was in the room. He liked what had happened last time, when all those bigshots had watched him anxiously, waiting for him to tell them whether or not it was there and then when he had gone out to find the record. He liked being there every night at the radio station with Jean-Loup, watching him from behind the glass, waiting for the man who spoke with the devils, instead of staying at home and only listening to the voice coming out of the stereo. He liked this game, even though he realized that it wasn’t really a game.

Sometimes he dreamt about it at night. For the first time, he was glad he didn’t have a room to himself in their tiny house but that he slept in the large bed with his mother. They woke and were both afraid and couldn’t fall asleep again until the pink light of dawn filtered through the shutters.

Pierrot freed himself from his mother’s hand and ran to Jean-Loup, his idol, his best friend. The deejay tousled his hair. ‘Hey, handsome. How ya doing?’

‘Fine, Jean-Loup. Know what? Tomorrow I might ride in a police car!’

‘Great. You’re a cop too, then?’

‘Yeah, I’m an honourable policeman.’

Hearing Pierrot’s unintentional mistake, Jean-Loup smiled and instinctively pulled the boy towards him. He pressed his face against his chest and tousled his hair even harder.

‘Here’s our honourable policeman, engaged in ruthless hand-to-hand combat with his bitter enemy, Dr Tickle.’ As he started tickling, Pierrot burst out laughing. They headed into the control room, followed by Laurent and Bikjalo.

Frank, Hulot and Pierrot’s mother watched the spectacle in silence. The woman smiled with enchantment at seeing the friendship between Jean-Loup and her son. She pulled a freshly laundered handkerchief out of her handbag and blew her nose. Frank noticed that the woman’s clothes, though inexpensive, were also perfectly pressed.

‘Madame, we can’t thank you enough for your patience.’

‘Me? Patient with you? But I’m the one who should thank you for all you’re doing for my son. He’s completely changed. If it weren’t for this horrible business, I would be very happy.’

‘Don’t worry, madame,’ said Hulot in a soothing voice, although he was anything but calm at that moment. ‘It will all be over soon, with Pierrot’s help. We’ll be sure that he gets the attention he deserves. Your son has become something of a hero.’

The hero’s mother started walking down the hall with slow, timid steps, her shoulders slightly bent. Frank and Hulot were alone.

Just then, the theme song of Voices filled the air and the show started. But it had no spark that evening and Jean-Loup felt it as well as the others. There was palpable tension in the air, but not the kind to lend any energy to the programme. The listeners did phone in, but they were routine calls that Raquel had screened beforehand with the help of the police. The callers were asked not to mention the murderer. If someone did, Jean-Loup ably steered the conversation to other, easier topics. Everyone knew that millions of listeners tuned in to Radio Monte Carlo every night. Along with Italy and France, the show was broadcast in many other European countries through networks that had bought the rights. They listened to it, translated it and talked about it. And everyone was waiting for something to happen. It meant a huge amount of money for the station. A triumph of Latin wisdom.

Mors tua, vita mea. It’s a dog-eat-dog world.

Everyone died a little in experiences like this, Frank thought. No one really won. He was struck by the meaning of what he had just thought. No one really won.

He was even more convinced that they were dealing with an exceptional man who had set them a scornful challenge and that they had to catch him as soon as possible. At the very first opportunity. He instinctively touched the gun in its holder under his jacket. That man’s death, real or metaphorical, would really and truly mean life for someone else.

The red light lit up on the phone. Laurent sent the call to Jean-Loup.

‘Hello?’

Silence. Then a simulated voice came out of the speakers.

Hi, Jean-Loup. My name’s someone and no one.

Everyone froze in unison. Behind the glass of the broadcast booth, Jean-Loup turned, the blood drained from his face. Barbara, sitting at the mixing desk, moved quickly away from the machine as if it were suddenly extremely dangerous.

‘Who are you?’ he asked, taken aback.

It don’t matter who I am. What’s important is that I’m gonna strike again. Tonight, whatever happens.’

Frank jumped up as if from an electric chair.

Cluny, sitting on his left, stood up too and grabbed his arm. ‘It’s not him, Frank,’ he whispered.

‘What do you mean, “It’s not him?”’

‘It’s wrong. This one said, ‘My name’s someone and no one.’ The other says, “I’m someone and no one.”’

‘Does it make a difference?’

‘In this case, it makes a big difference. And the person on the phone is uneducated. Some bastard’s playing a really sick joke.’

As confirmation of the psychiatrist’s words, a laugh that pretended to be satanic swept out of the loudspeakers and the line went dead.

Morelli rushed into the control room.

‘We’ve got him!’

Frank and Cluny followed him out into the corridor. Hulot, who was in the director’s booth just then, was also running towards them, followed by Bikjalo.

‘You’ve got him?’

‘Yes, inspector. The phone call came from somewhere on the outskirts of Menton.’

Frank dashed their hopes. And his own, unfortunately.

‘Dr Cluny says that it might not be him, that it might be a hoax-’

‘The voice could be disguised in the same way,’ the psychiatrist broke in, compelled to speak up. That phrase left an opening that he hurried to close. ‘But he doesn’t use the same language as the man who made the other calls. It’s not him.’

‘Damn him, whoever he is. Have you contacted the police in Menton?’ the inspector asked Morelli.

‘As soon as we located the call. They took off like lightning.’

‘Of course, they wouldn’t miss the chance to get him themselves.’ The inspector avoided looking at Cluny as if not having him in his line of vision could exclude the psychiatrist’s theory.

Fifteen minutes dragged by. They heard the music playing through the speakers at the other end of the corridor and Jean-Loup’s voice continuing the broadcast in spite of everything. There must have been dozens of calls coming in and the switchboard was probably flooded. The mike that Morelli was wearing around his neck buzzed. The sergeant almost snapped when the call arrived.

‘Sergeant Morelli.’

He listened. Disappointment swept over his face like clouds covering the sun. Even before he handed over the earpiece, Hulot knew it was all over.

‘Inspector Hulot.’

‘Hi, Nicolas. Roberts, from Menton.’

‘Hi. Let’s hear it.’

‘I’m there right now. False alarm. This fucker’s high as a kite and he wanted to impress his girlfriend. Even called from his own place, the idiot. When we caught them, him and the girl, they practically pissed their pants with fright.’

‘Those fools should die of fright. Can you arrest them?’

‘Of course. Wasting police time, and we found a nice hunk of cheese.’ By that, he meant marijuana.

‘Okay. Take them in and scare the shit out of them. And make sure the press knows about it. We have to set an example; otherwise we’ll be swamped with calls like this. Thanks, Roberts.’

‘Don’t mention it. Sorry, Nicolas.’

‘Yeah, so am I. Goodbye.’

The inspector hung up. ‘You were absolutely right, doctor. False alarm.’ He looked at them with suddenly hopeless eyes.

‘Well… I…’

‘Excellent work, doctor,’ interrupted Frank.

They headed slowly to the control room at the end of the hall. Gottet came up to them.

‘Well?’

‘Nothing. A false lead.’

‘I thought it was weird that it would be so easy. But in a case like this, how can you-’

‘It’s fine, Gottet. What I just told Dr Cluny goes for you as well. Excellent work.’

They went back into the control room where everyone was waiting to hear what had happened. They saw their disappointed faces and didn’t even need to ask. Barbara relaxed in her chair and leaned on the mixer. Laurent ran a hand through his hair in silence. Just then, the red light started flashing. The deejay looked exhausted. He took a sip of water from the glass on the table and moved closer to the mike.

‘Hello?’

At first, there was only silence. The silence they had all learned to recognize. Then the muffled sound, the unnatural echo.

And, finally, the voice. Everyone turned their heads slowly towards the speakers, as if that voice had stiffened the muscles in their necks.

‘Hello, Jean-Loup. I have the feeling that you’ve been waiting for me.

Cluny bent closer to Frank.

‘Hear that? Perfect grammar; correct language. That’s him.’

Jean-Loup didn’t hesitate this time. His hands gripped the table so hard that his knuckles whitened, but there was no trace of that tension in his voice.

‘Yes, we were waiting for you. You know we were waiting for you.’

‘So here I am. The bloodhounds must be worn out from chasing shadows. But the hunt must go on. Mine and theirs.’

‘Why do you say “must”? What does all this mean?’

‘The moon belongs to everyone and we all have the right to howl.

‘Howling at the moon means pain. But you can sing to the moon, too. You can be happy in the dark sometimes when you see the moon. For heaven’s sake, you can be happy in this world. Believe me.’

‘Poor Jean-Loup. You think that the moon is real when it’s only an illusion… Do you know what the darkness of that sky contains, my friend?’

‘No. But I think you’re going to tell me.’

The man on the phone didn’t notice Jean-Loup’s bitter sarcasm. Or perhaps he did, but felt above it.

‘No moon and no God, Jean-Loup. The correct term for it is “nothing”. There is absolutely nothing. And I’m so used to living in it that I no longer notice. Everywhere, wherever I turn, there is nothing.

‘You’re crazy,’ Jean-Loup blurted out, in spite of himself.

I, too, have wondered about that, often. It is quite likely true, although I read somewhere that the insane do not wonder if they are or are not. I don’t know what wanting to be crazy means, which is what sometimes happens to me.’

‘Even insanity can end. It can be cured. What can we do to help you?’

The man ignored the question as if it were not a solution.

‘Ask me instead what I can do to help you. Here, I’ll throw you another bone. For the bloodhounds who keep chasing their tail in a desperate attempt to bite it. It s a loop. A loop that goes round and round and round… Like in music. When there’s a loop that goes round and round and round…’

The voice faded out. Music poured from the speakers, like the last time. No guitars tonight, no classic rock, but some contemporary dance music. A feat of electronics and sampling. The music ended as suddenly as it had begun. The silence that followed lent Jean-Loup’s question even more weight.

‘What does that mean? What are you saying?’

‘I asked the question. It’s up to you to answer. That’s what life is made of, my friend. Questions and answers. Every man drags his questions along behind him, starting with the ones he has written inside him when he’s born.’

‘What questions?’

I’m not fate. I’m someone and no one, but I’m easy to understand. When someone who sees me realizes who I am, his eyes ask the question in a split second: he wants to know when and where. I am the answer. For him I mean now. For him, I mean here.’

He stopped. Then the voice hissed another sentence.

‘And that is why I kill…’

A metallic click ended the conversation, leaving an echo like the snap of a guillotine. In his mind, Frank saw another head roll.

For Christ’s sake no, not this time!

‘Did you get him?’ Frank asked Sergeant Gottet who’d turned his back and was already talking to his men.

His answer took all the breath from his lungs

‘Nothing. Absolutely nothing. No signal whatsoever. Pico says that whoever’s handling the calls must be really great. He didn’t see anything. If the call came from the Internet, the signal’s so well hidden that our equipment can’t visualize it. The bastard fooled us again.’

‘Damn him. Did anyone recognize the music?’ Silence usually means consent. But in this case the general silence was a no. ‘Shit. Barbara, get me a tape with the music as soon as possible. Where’s Pierrot?’

Barbara was already making a copy.

‘In the conference room,’ said Morelli.

There was feverish anxiety in the room. They all knew they had to hurry, hurry, hurry. At this very moment, the caller might be going out to start his hunt. And someone else, somewhere else, did not know that he was living out the last minutes of his life. They went to get Rain Boy, the only one who would recognize the music right away.

Pierrot was in the conference room, sitting at a table next to his mother, his head hanging down. When they got there, he looked at them with tears in his eyes, then bowed his head again.

Like the last time, Frank went over and crouched next to the chair. Pierrot raised his face a little, as if he didn’t want to be seen crying.

‘What is it, Pierrot? Something wrong?’ The boy nodded. ‘Did it frighten you? There’s nothing to be scared of. We’re here with you.’

‘No, I’m not scared,’ Pierrot sniffed. ‘I’m a policeman too, now.’

‘Then what is it?’

‘I don’t know the music,’ he cried mournfully. There was real pain in his voice. He looked around as if he had failed the great moment of his life. The tears rolled down his cheeks.

Frank felt his last hopes vanish, but he forced himself to smile at Pierrot.

‘Hey, calm down. Don’t worry. We’ll let you listen to it again and you’ll recognize it, you’ll see. It’s hard, but you can do it. I’m sure that you can.’

Barbara ran into the room holding a DAT. She slipped it in the recorder and turned it on.

‘Listen carefully, Pierrot.’

The electronic percussion cranked into the room. The 4/4 pulse of the dance music sounded like a heartbeat. One hundred and thirty-seven beats per minute. A heart racing with fear, a heart somewhere that could stop at any moment.

Pierrot listened in silence, his head hanging down. When the music stopped, he looked up and a timid smile broke out on his face.

‘It’s there,’ he said softly.

‘Did you recognize it? Is it in the room? Go get it, please.’

Pierrot nodded and got up from the chair. He took off with his loping gait. Hulot nodded to Morelli who got up to go with him. They returned after what seemed like an endless wait. Pierrot held a CD in his hands.

‘Here it is. It’s a complication.’

They slid the CD into the player and went through the tracks until they found it. The music was exactly what the killer had played a little while earlier. Pierrot was a hero. His mother went over to embrace him as if he had just won the Nobel Prize. The pride in her eyes broke Hulot’s heart.

‘“Nuclear Sun”, by Roland Brant. Who’s that?’ Frank said, reading the title on the cover of the compilation.

Nobody had heard of him. They all ran to the computer. A quick search on the Internet took them to an Italian site. Roland Brant was the pseudonym of an Italian deejay, a certain Rolando Bragante. ‘Nuclear Sun’ was a dance track that was popular a few years ago.

Meanwhile, Laurent and Jean-Loup had finished the show and joined them. They were beside themselves. Both looked as if they’d been caught in a thunderstorm and part of it had remained inside them.

Laurent gave them the lowdown on dance music, a genre all to itself in the music market.

‘Sometimes the deejays take on assumed names. Sometimes it’s a made-up word but most of the time it’s in English. There are a few of them in France, too. They’re usually musicians who specialize in club music.’

‘What does the term “loop” mean?’ asked Hulot.

‘It’s a way of saying that you’re using sampled music on the computer. A loop is the base, the heart of the track. You take a beat and you let it turn around itself so that it’s always exactly the same.’

‘Just like the bastard said. A dog chasing its tail.’

Frank cut those thoughts short and brought them immediately back to the present. There was something much more important to figure out.

‘Okay, we’ve got a job to do. Come on, can you think of something? Think of a famous person, about thirty, forty, fifty who has something in common with all the elements we have. Here, in Monte Carlo.’

Frank sounded possessed. He walked around to each of them, repeating himself. His voice seemed to be hunting an idea like a howling pack of hounds after a fox.

‘A youngish, attractive, famous man. Who hangs out around here, in the area. Who lives here or is here now. CDs, compilations, “Nuclear Sun”, discotheques, dance music, an Italian deejay with an English name, a pseudonym. Think about the papers, society news, the jet set…’

Frank’s voice was like the whip of a jockey urging his horse to go faster and faster. Their minds were all racing.

‘Come on. Jean-Loup?’ The deejay shook his head. Jean-Loup was worn out and it was clear that they could expect nothing more from him. ‘Laurent?’

‘I’m sorry. I can’t think of anything.’

Barbara started and raised her head, moving her copper hair like a wave. Frank saw her face light up. He went over to her. ‘What is it, Barbara?’

‘I don’t know… Maybe…’

Frank pounced upon her uncertainty. ‘Barbara, there are no maybes. Say a name if you’re thinking of one. Whether it’s right or wrong.’

The girl turned to all those present for an instant, as if apologizing for saying something ridiculous.

‘Well, I think it might be Roby Stricker.’

THIRTY-ONE

René Coletti really needed to piss. He breathed deeply through his nose. His full bladder was causing stabs of pain in his stomach and he felt like he was in one of those science-fiction movies where the spaceship starts to fail and the red danger light comes on with a robotic voice repeating, ‘Attention, please. This ship will self-destruct in three minutes. Attention, please…’

It was only normal for a biological need to assert itself at the worst possible moment, in keeping with the logic of cause and effect designed to break the balls of human beings whenever possible. He was tempted to get out of his car and take a leak on the side of the road, regardless of the people hanging around the dock and on the other side of the road. He looked longingly at the wall on his right.

He lit a cigarette as a distraction and blew the smoke from his Gitane out of the car window. The overflowing ashtray showed that he had already been waiting a long time. He reached out to turn off the radio, tuned to Radio Monte Carlo, since the part he had wanted to hear was over now.

He had parked his Mazda MX-5 at the harbour near the Piscine, pointed towards the building where the station was located. It had to be swarming with cops. He had listened to the show and the killer’s phone call as he sat in his car, waiting. At his newspaper, France Soir, a number of colleagues had done the same thing, and now they were probably digging all over the Web or God knows where else, hunting for information. Quite a few brains were working overtime to decipher the new message broadcast over the radio by ‘No One’, as the press had dubbed him. Everyone called him that now. The power of the media. Who knew what the police might have been calling him before some reporter thought up a name that had stuck.

Investigators used logic. Journalists used imagination. But one didn’t necessarily preclude the other. Coletti was a prime example in that sense. Or so he hoped.

The mobile on the seat next to him started to ring. The ringtone was a Ricky Martin song that his niece had downloaded and foisted upon him. He detested it but was too ignorant about how mobile phones worked to be able to change it. Imagination and logic, yes, but with an aversion to technology. He snatched up the phone and answered.

‘Hello?’

‘Coletti, it’s Barthélemy.’

‘What’s up?’

‘We’ve got a tip. A fantastic piece of luck. Giorgio Cassani, our Milan correspondent, is a friend of the guy who wrote the music that No One played on the radio. He called us from Italy a couple of minutes ago. They’ll give us a few more minutes before they call the police.’

A stroke of luck indeed. Let’s hope nobody gets killed by it. And let’s hope I don’t piss my pants.

‘Well?’

‘It’s called “Nuclear Sun”. The guy who wrote it is an Italian deejay named Rolando Bragante, a.k.a. Roland Brant. Got it?’

‘Sure, I got it. I’m not stupid. Text me with the details, though. You never know.’

‘Where are you?’

‘Just outside the station. Everything’s under control. Nothing’s happened yet.’

‘Be careful. If the cops get on to you, we’ll be in fucking hot water.’

‘I know what they’re like.’

‘Be good,’ was Barthélemy’s laconic farewell.

‘You, too. Let me know if there’s any news.’

He clicked off. An Italian deejay with an English pseudonym. Some disco music called ‘Nuclear Sun’. What the hell did that mean?

He felt another stab in his abdomen and made a decision. Throwing the cigarette out the window, he opened the door and got out. He went down a few steps on the other side of the road and hid himself in the semi-darkness, away from the silhouette of the car. He took advantage of a recess in the wall next to the shuttered windows of a store and, with a heavy sigh, unzipped his trousers and relieved himself. He felt like he was flying. He watched the yellow stream of urine splash like a torrent on the downhill slope. Letting yourself go in a case like that was an almost sensual pleasure. The satisfaction was at once physical and something deeper on the human level. Like when he was a child and he and his brother used to pee in the snow, making patterns.

Wait a sec. He had a thought. The snow. What did the snow have to do with it? He could see a magazine photo, a male figure in a ski suit standing next to a ski lift, ready to go, with a pretty girl at his side. There was snow. Lots of snow. He had a sudden flash of intuition and held his breath.

Fuck. Roby Stricker. That’s who it was. And if it was him, he had figured it out.

His physiological needs gave no sign of relenting. The excitement made him nervous. He interrupted the flow and almost peed on his hands. He had covered stories where the risk of getting one’s hands dirty was almost certain. This wouldn’t be any more disgusting. But where was Roby Stricker now?

He shook himself vigorously and tucked his shirt back in his trousers. Running back to the car, he paid no attention to the fact that his zip was undone. There’s a murderer in this city, René, he told himself. Who gives a damn if your flies are open?

He got in the car and picked up his phone, calling back Barthélemy at the paper.

‘It’s Coletti again. Find me an address.’

‘Out with it.’

‘Roby Stricker. That’s S-t-r-i-c-k-e-r with a c and a k. Roby might be short for Robert. He lives here in Monte Carlo. And if we’re really, really lucky, he might even be in the phone book. If not, get it some other way, but fast.’

‘Hold on a minute.’ The newspaper wasn’t the police, but they had their methods.

That minute felt endless, even longer than when his bladder had been full. Barthélemy came back on the line.

‘Bingo. He lives in a condo called Les Caravelles, Boulevard Albert Premier.’

Coletti held his breath. He could not believe his luck. It was just 200 yards from where he was parked.

‘Great. I know where it is. I’ll be in touch.’

‘René, I’m telling you again. Watch out. Not just for the cops. This No One guy’s dangerous. He’s already killed three people.’

‘Touch wood, cross your fingers. I don’t want to lose my skin, but if things end up the way I think they will, it’ll be a sensation.’ He hung up.

For a moment, he heard the voice on the radio again.

I kill…

He shivered in spite of himself. But the excitement and the adrenalin were already flowing and dispelling any normal sense of caution. As a man, Coletti had his limitations, but as a reporter, he knew his job and was willing to risk anything to do it. He could recognize something big. A piece of news to hunt down, open like an oyster and let the world see whether there was a pearl inside or not. And this time, there was a gorgeous pearl, as big as an ostrich egg.

Everyone had a drug, and this was his.

He looked at the brightly lit windows of Radio Monte Carlo. There were several police cars parked outside the entry. The blue flashing light on one of them went on and the car pulled out. Coletti relaxed. That must be the police escort that took Jean-Loup Verdier home every night. He had followed them a number of times and knew what they would do. They drove up to the deejay’s house, slipped inside the gate, and that was it. With the police standing guard, any contact was impossible.

He would have given half of Bill Gates’s fortune for an interview with Verdier, but for the moment there was no way. He was sealed tight, coming in and going out. He’d stood in front of that house long enough to know that it was impossible.

Everything seemed impossible recently. He’d done all he could to get an assignment in Afghanistan to cover the war. He could feel the story in his gut. He knew he could tell it better than anyone else, like he had done in the former Yugoslavia. But they had picked Rodin, maybe because they thought he was younger and hungrier and more willing to take risks. Maybe there was some politics behind it, the right connections with someone he wasn’t aware of.

Coletti opened the glove compartment and pulled out his digital camera. He placed it on the seat beside him and checked it carefully, like a soldier testing his weapon before battle. The batteries were charged and it had four 128 meg cards. He could shoot the Third World War if he needed to. He climbed out of his Mazda, not bothering to lock it, and hid the camera under his jacket so it would not be noticed. He left the car and the Piscine behind him and headed off in the opposite direction. A few dozen yards away were the stairs leading up to the promenade.

As he reached the street, an unmarked police car with a flashing light on its roof left the Rascasse and sped off in front of him. He could see two people inside and imagined who they might be. Inspector Hulot and Sergeant Morelli, no doubt. Or maybe that dark-haired cop he had seen that morning coming out of Jean-Loup Verdier’s house, who had looked at him as his car passed by. He had a strange feeling when their eyes met. That man was very familiar with evil and could recognize people who carried it with them. Maybe he should find out more about that cop.

Coletti had long ago given up on following police cars. The cops were not stupid and would have detected him immediately. He’d get stopped and could forget about the scoop. He could not risk making any mistakes.

There had been that hoax call earlier in the evening, as fake as a bad cheque. The cops must have turned nasty. He wouldn’t want to be the guy who made that call when they got hold of him. He saw no point in getting caught in a similar trap.

If the maniac’s next victim was really Roby Stricker, they would use him as bait, and the only place where that could happen was at his house. So all he had to do was find some place to wait, where he could see without being seen. If his assumptions were correct and they caught No One, he would be the only eyewitness and reporter with photos of the arrest. If he could manage it, the story was worth its weight in plutonium.

The streets were practically empty. Everyone in the city must have been listening to the radio and heard No One’s new call. Not many people felt like going out for a walk, knowing there was a killer lurking.

Coletti headed for the well-lit entrance of Les Caravelles. When he reached the glass doors of the condo, he breathed a sigh of relief. It was a normal lock that did not require a code. Coletti rummaged in his pockets like any normal tenant looking for his keys.

He pulled out a gadget given to him by an informant, a sharp-witted bastard he had once helped out of a jam. The guy loved money, whatever the source – either what Coletti passed him for his leaks or the money he found by breaking into apartments. Coletti slipped the gizmo in the lock and the door opened. He entered the lobby of the luxury building and looked around. Mirrors, leather sofas, Persian carpets on marble floors. There was no security there now, but during the day the doorman was probably pretty strict. His heart was pounding. It wasn’t fear, but pure adrenalin. This was paradise on earth. This was his job.

To his right, at the shorter end of the rectangular room, there were two wooden doors. One had a brass sign that said CONCIERGE. The other, on the opposite corner, probably led down to the basement. He had no idea what floor Roby Stricker lived on, and waking the doorman at that hour to ask was definitely not a good idea. But he could take the service lift, ride up to the top floor, and go down the stairs until he found the right floor. Then he’d find a good observation point, even if he had to hang out of a window, something he had already done in the past.

The Reeboks on his feet made no noise as he reached the basement door. He pushed against it, hoping it wasn’t locked. He had his gizmo, but every second saved was a second gained. He breathed another sigh of relief. The door was unlocked. It was pitch black inside. In the reflection of the lobby lights, he could see the stairs descending into darkness. The tiny red dots of the light switches shone at regular intervals like cats’ eyes.

Coletti couldn’t risk turning on the light. He went down the first two steps, easing the door closed and giving silent thanks for the efficiency of the person who had oiled the hinges. Feeling along the wall with his hands, he turned and started groping his way down the steps. Coletti’s heart was beating so loudly that he wouldn’t have been surprised if everyone in the building could hear.

At last he reached the bottom of the stairs. He put a hand out, felt the rough plaster and began to advance slowly. Searching in his pocket, he realized that, along with his cigarettes, he had also left his Bic lighter in the car. It would have come in handy. Proof that haste makes waste. He continued inching his way along. He was just a few steps further into total darkness when he felt an iron grip around his neck and his body was thrown violently against the wall.

SEVENTH CARNIVAL

There is a man sitting in an armchair in the dark, in the large, silent apartment. He had asked to be left alone, he who always had a horror of solitude, of empty rooms, of the dark. The others had left after asking him one last time, with a note of apprehension, if he was really sure he wanted to stay there without anyone to take care of him. He had answered yes, reassuringly. He knew that spacious apartment so well that he could move around freely without having anything to fear.

Their voices fade away in the sound of departing steps, a door that closes, a lift going down. Little by little, the sounds become silence. So now he is alone, he thinks.

The smell of the sea enters through the open window. He outstretches his hand and turns on the light on a table next to him. Almost nothing changes before his eyes, which are now a theatre of shadows. He presses the button again. The light goes off with the hiss of a sigh without hope. The man sitting in the armchair thinks again about what awaits him. He will have to become accustomed to the smell of things, to their weight and to their voices, when they are all drowned in an identical colour.

The man sitting in the armchair is practically blind.

There was once a time when it was not so. There was a time when he lived in the light. A time when his eyes defined a point in front of him to which his body would leap forward, as if dancing on air.

It was so brief, his dance.

From the birth of his passion to the anxious discovery of his talent, to the astonishment of the world at its confirmation, there were more moments of pleasure in the twinkling of an eye than others would ever see in a lifetime.

But time cheated him and suddenly took away with one hand what it had profusely given with the other. He still carried the memories in his extinguished eyes, memories from around the world. An infinite number of curtains opening in silence and closing with the applause of every success. Curtains that would never reopen.

Farewell, idol of the dance.

The man runs his hand through his thick, shiny hair.

His hands are his eyes now.

He touches the armchair’s rough fabric; feels the soft fabric of his trousers, on his muscular legs, the silk of the shirt over the chiselled line of his chest. He feels his smooth cheek shaved by another, until he meets the colourless trickle of a tear that streaks his face. The man had asked to be left alone, he who always had a horror of solitude, of empty rooms, of the dark.

Now suddenly he feels that he is not alone in the apartment. There is not a noise, not a breath, not a footstep. It is a presence he perceives with a sense he did not know he had, like the primitive instinct of a bat. One hand gives, the other hand takes away.

He can sense many more things now.

The presence turns into a light step. Agile, almost noiseless. Calm, regular breathing. Someone is crossing the apartment and coming closer. Now the noiseless step has stopped behind him. He controls his instinct to turn and look. It would be useless.

He smells the perfume, clean skin mixed with good cologne. He recognizes the cologne, but not the person. Eau d’Hadrien, by Annick Goutal. A scent of citrus, sun and sea breeze. You bought it once for Boris in the shop near the Place Vendôme, the day after your triumph at the Opéra. When you still…

The steps resume. The stranger walks past his armchair that has its back to the door. He can make out the shadow of his body as he comes before him. The man sitting in the armchair is not afraid. He is simply curious.

‘Who are you?’

A moment of silence, and then an answer in a deep, resonant voice.

‘Does it matter?’

‘Yes, it matters to me, very much.’

‘My name would mean nothing to you. Who I am is unimportant. I want to be certain that you know what I am and why I’m here.’

‘I can imagine. I’ve heard of you. I was waiting for you, I believe. Perhaps, deep down, I was hoping you would come.’

‘I’m here now,’ the same deep voice, so rich and harmonious, answers from the dark.

‘I suppose there is nothing I can say or do.’

‘No, nothing.’

‘So, it’s over. I think it’s better this way, in a certain sense. I would never have had the courage.’

‘Would you like some music?’

‘Yes, I think so. No, I’m sure of it. I want music.’

He hears the hum of the CD player opening and then closing, enhanced by the silent darkness. The man has not turned on the light. He must have the eyes of a cat if the weak glimmer from outside and the display of the CD player are enough to guide him.

A moment later, the notes of a cornet flutter through the room. The man sitting in the armchair does not recognize the music, but the tones of that strange instrument remind him of Nino Rota’s melancholy melody in Fellini’s La Strada. He danced to that music at La Scala in Milan, at the beginning of his career. It was a ballet based on the movie, with a prima ballerina whose name he did not remember, only the incredible grace of her body.

He turns to the darkness where the music comes from, the same darkness that is in the room and in his eyes.

‘Who is it?’

‘His name is Robert Fulton. A great musician…’

‘I can hear that. What does he mean to you?’

After a long, motionless silence, the deep voice comes from the darkness right beside him. ‘An old memory of mine. Now it will be yours as well.’

‘Can I ask a favour?’

‘Yes, if it’s possible.’

‘May I touch you?’

A slight swish of fabric. The man standing bends down. The man sitting feels the warmth of his breath, a man’s breath. A man who, at another time and on another occasion, he might have tried to know better.

He stretches out his hand and places it on that face, running over it with his fingertips until he touches the hair. He follows the line of the face, and explores the cheekbones and forehead with his fingertips. His hands are his eyes now, and they see for him.

The man sitting is not afraid. He is curious. Now he is only surprised.

‘So, it’s you,’he murmurs.

‘Yes,’ answers the other, straightening up.

‘Why do you do it?’

‘Because I have to.’

The man sitting is content with this answer. He, too, did what he felt he had to, in the past. He has only one last question for the other. It is not the end that frightens him, only the pain.

‘Will I suffer?’

He has no way of seeing the man take out a gun with a silencer from a canvas bag slung around his neck. He does not see the burnished metal barrel pointed at him. He does not see the menacing reflection in the weak light coming from the window.

‘No, you won’t suffer.’

He does not see the knuckles whiten as the finger squeezes the trigger. The man’s answer mixes with the smothered hiss of the bullet that pierces his heart.

THIRTY-TWO

‘I have no intention of living like a prisoner until this is over. Most of all, I refuse to be used as bait!’

Roby Stricker put down his glass of Glenmorangie and went to look out the window of his apartment. Malva Reinhart, a young American actress sitting on the couch opposite, rolled her magnificent violet eyes, the feature of many a close-up shot, and looked from him to Frank. She was bewildered by the whole thing and didn’t say a word. She seemed to be still playing one of her characters, although her glances were more direct and her cleavage lower. The aggressive attitude she had displayed when Frank and Hulot had stopped them outside Jimmy’z, the most exclusive disco in Monte Carlo, was gone.

They had been standing in the plaza next to Sporting Club d’Été, just outside the glass doors of the club, to the left of the blue neon sign. Malva and Roby were speaking to someone, but as Frank and Hulot had got out of their car and approached them, the person had left and they were alone in the glare of the headlights.

‘Roby Stricker?’ Nicolas had asked.

Stricker had looked at them dubiously.

‘Yes,’ he had said hesitantly.

‘I’m Inspector Hulot of the Sûreté Publique and this is Frank Ottobre of the FBI. We need to speak to you. Could you come with us, please?’

Their credentials seemed to make him uncomfortable. Frank had found out why later on, when he pretended not to notice the young man awkwardly disposing of a bag of cocaine. Stricker had pointed to the young woman next to him who was looking at them, astonished. They were speaking French and she didn’t understand.

‘Both of us, or just me? I mean, this is Malva Reinhart and…’

‘You’d better come with us. It’s in your best interest. We have reason to believe that your life is in danger. The young lady’s too, perhaps.’

They had filled him in soon afterwards, in the car. Stricker had grown deathly pale and Frank knew that if he had been standing, his legs might have collapsed. Frank had translated for Reinhart and it was her turn to go pale. They had reached Stricker’s building, Les Caravelles, a couple of blocks from police headquarters. They couldn’t help being stunned at the madman’s nerve. If he was really aiming for Stricker, the choice was a defiant, mocking challenge. He intended to strike at someone who lived just blocks away from the centre of police operations.

Frank had stayed with him and the girl while Nicolas, after inspecting the apartment, went to give instructions to Morelli and his men stationed below. There was a security net around the building that was impossible to get through. Before he left, Hulot had called Frank into the hallway, given him a walkie-talkie, and asked if he had his gun. Without a word, Frank had opened his jacket to show him the Glock hanging from his belt. He had shivered slightly as he brushed against the cold, hard weapon.

Frank stepped towards the centre of the room and responded patiently to Stricker’s objections.

‘First of all, we’re trying to guarantee your safety. You might not have noticed, but practically all the police in the Principality are stationed outside. Secondly, we have no intention of using you as bait. We simply need your cooperation to try to catch the person we’re after. You’re not running any risk, I assure you. You live in Monte Carlo, so you must know what’s been happening, don’t you?’

‘Listen,’ Roby said, as he turned towards Frank without moving from the window. ‘It’s not that I’m scared, okay? I just don’t like the whole situation. It feels… overblown, that’s all.’

‘I’m glad you’re not afraid, but that doesn’t mean you should underestimate the person we’re dealing with. So please get away from that window.’

Stricker tried to appear nonchalant as he stepped back to the couch. In actuality, he was quite visibly terrified. Frank had been with him for an hour now, and if he’d had any say in the matter he would have walked out of there and left the guy to his fate. Stricker fitted the stereotype of a spoiled rich boy so exactly that it was almost laughable.

Roberto Stricker, ‘Roby’ in the society pages, was Italian, from Bolzano to be precise, but his last name was German and he could pass for English if he wanted. He was just over thirty and very good-looking. Tall, athletic, great hair, great face, total prick. His father was the wealthy owner of, among other things, a chain of discos in Italy, France and Spain called No Nukes, whose symbol was an environmentalist sun. That was what had struck Barbara when she heard the name ‘Nuclear Sun’, the Roland Brant dance track that the killer had played on the radio. Roby Stricker lived in Monte Carlo, doing whatever he wanted with his time and his father’s money – that is to say, absolutely nothing. The tabloids were full of his love affairs and vacations, skiing at St Moritz with the hottest top models or playing tennis at Marbella with Björn Borg. As far as work was concerned, his father probably gave him money just to keep him out of the family business, reckoning that whatever his son cost him was the lesser of two evils.

‘What are you going to do?’ Stricker picked up his glass but put it down again when he saw that the ice had melted.

‘Actually, there’s really very little we can do in cases like this. We just take the right precautions and wait.’

‘What does this nutcase have against me, anyway? Do I know him?’

If he decided to kill you, I wouldn’t be surprised if he did know you. And probably pretty well you little shit. Frank sat down in an armchair.

‘I have no idea. Quite frankly, aside from what we told you, we don’t have much more information on this murderer, except for the criteria he uses to select his victims and what he does after he kills them.’

Frank spoke in Italian, emphasizing the harshness of the word ‘assassino’ for Roby Stricker’s benefit. He didn’t think it was a good idea to frighten the girl sitting on the couch any more. She was gnawing on her finger in fear. Although…

Like attracts like.

The two of them were together for a reason. Like Nicolas and Céline Hulot, like Nathan Parker and Ryan Mosse. And like Bikjalo and Jean-Loup Verdier. Out of love. Out of hate. Out of self-interest. As for Roby Stricker and Malva Reinhart, however, it could be just simple physical attraction between two very shallow human beings.

Frank’s walkie-talkie started to buzz. Strange. They had decided to observe strict radio silence. No precautions seemed excessive with this criminal, who could tap phone lines so easily that he might very well be able to listen in on any police frequency. Frank went into the foyer before answering. He didn’t want Stricker and the girl to hear.

‘Frank Ottobre.’

‘Frank, it’s Nicolas. We may have caught him.’

Frank felt as though a cannon had just fired next to his ear.

‘Where?’

‘Here, down in the basement, by the boiler. One of my men caught a suspicious character who was sneaking down the stairs to the basement and stopped him. They’re still there. I’m on my way over.’

‘I’ll be right there.’ He ran back into the room. ‘Stay here and don’t move. Don’t let anyone in but me.’

He left them to be shocked and scared on their own, and rushed down the stairs two at a time. He reached the lobby just as Hulot was coming in from the street with Morelli behind him. A uniformed cop was guarding the door to the basement.

They went downstairs, guided by the dim light of a series of bulbs set in the wall, protected by grating. All the buildings in Monte Carlo looked alike to Frank. Beautiful exteriors but shoddy on the inside, where most people couldn’t see. It was hot down there and it reeked of dustbins.

The agent led the way. A policeman crouched beside a man sitting on the ground, leaning against the wall with his hands tied behind him. The policeman had a pair of infrared glasses for night vision on top of his head.

‘Everything okay, Thierry?’

‘Here he is, inspector, I-’

‘Christ!’

Frank’s shout interrupted the policeman.

The man sitting on the ground was the redheaded reporter, the one he had seen outside police headquarters when Yoshida’s body had been discovered. The same one who had been standing in front of Jean-Loup’s house that morning.

‘This guy’s a reporter, damn it!’

The journalist took advantage of the moment to make his voice heard.

‘You’re damn right, I’m a reporter. René Coletti of France Soir. I’ve been telling this blockhead that for the last ten minutes. If he had let me get my press card out of my pocket, we could have avoided all this aggravation.’

Hulot was fuming. He crouched down beside Coletti. Frank was afraid he would punch him in the face. If he had, Frank would have defended him before any court.

‘This wouldn’t have happened if you’d stayed out of police business, you stupid jerk. And by the way, you’re in deep shit.’

‘Oh, really? And what’s the charge?’

‘For now, obstruction of a police investigation. We’ll find something else in time. We’re already busting a gut here without you media people making things worse.’ Hulot stood up. He nodded to the two cops. ‘Get him up and take him away.’

They picked Coletti off the floor. Muttering to himself about the power of the press, the reporter managed to stand. He had a graze on his forehead from when he had scraped the wall. The lens had fallen off the camera around his neck.

Frank grasped Hulot’s arm.

‘Nicolas, I’m going back up.’

‘Go on. I’ll deal with this idiot.’

Frank went back upstairs. He felt disappointment grinding in his stomach. All their work – waiting at the radio studio, struggling to decipher the message, all the men stationed there – was useless because of that stupid reporter with his camera. It was his fault if their presence was revealed. If the killer really had meant to get Roby Stricker, he must have changed his mind by now. Okay, they had avoided another murder, but they had also lost any chance of catching him.

When the lift door slid open at the fifth floor, Frank knocked at Stricker’s door.

‘Who is it?’

‘It’s me. Frank.’

The door opened and Frank walked in. Roby Stricker would have to spend many hours on the beach or at a tanning salon to get rid of his pallor. Malva Reinhart didn’t look any better. She was sitting on the couch and her eyes seemed even bigger and more violet against her ashen skin.

‘What happened?’

‘Nothing. Nothing to worry about.’

‘Did you arrest anyone?’

‘Yes, but not the one we’re looking for.’

Just then the walkie-talkie buzzed. Frank took it off his belt. After his rush down the stairs he was surprised he still even had it.

‘Yeah?’

He heard Hulot’s voice and did not like the sound of it at all.

‘It’s Nicolas. I’ve got some bad news.’

‘How bad?’

‘Very bad. No One screwed us, Frank. All the way. Roby Stricker wasn’t his target at all.’ Frank knew this would be harsh. ‘They just found the body of Gregor Yatzimin, the ballet dancer. Same condition as the other three.’

‘Shit! I’ll be downstairs in a minute.’

‘I’m on my way.’

Frank gripped his walkie-talkie and for a moment he was tempted to hurl it at the wall. He felt the fury well up in him like volcanic lava. Stricker approached him at the front door. He was so nervous that he didn’t even notice the state Frank was in.

‘What’s happening?’

‘I have to go.’

The young man looked at him, stunned.

‘Again? What about us?’

‘You’re not in any danger. You weren’t the target.’

‘What? I wasn’t the target?’ Relief cut the strings of his tension and he slumped against the wall.

‘No. There has been another victim.’

The certainty that he had escaped from death helped Stricker’s transition from fear to indignation.

‘Are you telling me that you practically gave us heart failure by mistake? While you were hanging around here showing off how great you are, that guy was going around killing someone else? You fucking incompetent idiots. When my father hears about this he’ll…’

Frank listened in silence to the beginning of his outburst. He was right. There was an element of truth in what Stricker was saying. No One had made fools of them all over again. But they were being duped by someone who took risks, who went out and fought his battles, evil as he was. Frank couldn’t let that good-for-nothing tell him off, after all they had done to try to save his miserable existence. The ice inside Frank suddenly turned to steam and he exploded with all his might. He grabbed Stricker by the balls and squeezed hard.

‘Listen, you piece of shit…’ Stricker paled and fell back against the wall, turning his head to one side to avoid Frank’s flaming eyes. ‘If you don’t shut your fucking mouth, I’ll make you see your own teeth without your having to look in the mirror.’ He squeezed Stricker’s testicles harder and the young man grimaced in pain. Frank went on in the same hissing voice. ‘If I had anything to say about it, I’d be glad to hand you over to that butcher, you toerag. Fate’s been too good to you. Don’t flaunt it and go looking for trouble.’

He let go. Stricker’s face slowly returned to its normal colour. Frank saw that there were tears in his eyes.

‘I’m going now. I’ve got more important things to do. Get rid of that whore you’ve got in there and wait right here for me. We’ve got some stuff to talk about, you and I. You’ll have to clear up a few things about the people you hang out with here in Monte Carlo.’ Frank backed away from Stricker who slowly slid down the wall until he was sitting on the floor. He put his head in his hands and started to cry. ‘And if you want to call Daddy in the meantime, go right ahead.’

Frank turned and opened the door. As he waited for the lift, he regretted the fact that he hadn’t been able to ask Stricker about one person in particular. He was about to do so when Nicolas had called.

He’d be back later on. He wanted to find out the person Roby and Malva had been talking to when they had stopped them in front of Jimmy’z, the man who had melted into the night when he saw them drive up. Frank wanted to know why Roby Stricker had been talking to Captain Ryan Mosse, US Army.

THIRTY-THREE

The trip to Gregor Yatzimin’s home seemed to take for ever, yet no time at all. Frank sat in the passenger seat staring straight ahead, listening to what Hulot was telling him. His face was a mask of silent fury.

‘You know who Gregor Yatzimin is, I suppose.’ Frank’s silence showed that he did. ‘He lives – lived – here in Monte Carlo and was the artistic director of the ballet company. He was having problems with his eyesight recently.’

Frank suddenly exploded, interrupting as if he had not heard what Hulot had just said.

‘I realized how stupid we were as soon as I heard the name. We should’ve anticipated that the bastard would step it up. The first clue, A Man and a Woman, was relatively easy because it was the first one. He had to give us a method. “Samba Pa Ti” was more complicated. The third one obviously had to be harder still, but he even told us that much, too.’

Hulot could not follow the American’s line of reasoning. ‘What do you mean, he told us?’

‘The loop, Nicolas. The loop that goes round and round and round. The dog chasing its tail. He did it on purpose.’

‘Did what on purpose?’

‘He gave us a clue with a double meaning so it could be misunderstood. He made us spin around on our asses. He knew we’d get Roby Stricker from the deejay’s English name and the No Nukes disco. And while we had every cop in the Principality falling over themselves to protect that little creep, we gave the killer complete freedom to strike his next victim.’

Hulot took up the baton.

‘Gregor Yatzimin, the Russian ballet dancer who was going blind from radiation he was exposed to in Chernobyl in 1986. “Dance” didn’t mean discos, it meant ballet. And “Nuclear Sun” was the radioactivity in Ukraine.’

‘Right. We were completely naive. We should’ve realized that it couldn’t be that easy. And now we have another corpse on our conscience.’ Frank rammed his fist against the glove compartment. ‘Motherfucker!’

Hulot knew what Frank was going through. He felt the same way. He, too, wanted to hit something. Preferably that bastard’s face, again and again until he had the same bloody mask as his victims. He and Frank were both cops with a great deal of experience, and neither was stupid. But now they felt that their adversary had them exactly where he wanted them and could move them as easily as pawns on a chessboard.

Unfortunately, like a good doctor, no conscientious cop ever dwells on the number of lives he has saved, only those he has lost. The praise and blame of the media, and superiors, and society have nothing to do with it. It’s a personal matter, one each cop faces every morning in the mirror.

The car came to a stop in front of an elegant building on Avenue Princesse Grace, not far from the Jardin Japonais. It was the usual scene, one they had met with far too often recently and had hoped not to see again that night. Forensics and the medical examiner were already parked in front of the building. A few uniformed police officers were standing guard at the front door and several media people were already on the scene. More would arrive shortly. Hulot and Frank got out of their car and headed over to Morelli who was waiting for them at the door. His expression was all they needed in order to complete the picture of general outrage and frustration.

‘What do we have, Morelli?’ asked Hulot as they entered the building together.

‘The usual. A skinned face, the words I kill… in blood. Same as the others, pretty much.’ Morelli waved a hand at the lift.

‘What do you mean, pretty much?’

‘This time the victim wasn’t stabbed. He shot him before he-’

‘He shot him?’ Frank interrupted. ‘A gun makes a lot of noise in the middle of the night. Someone must have heard it.’

‘Nothing. Nobody heard anything.’

The lift doors slid open without a sound.

‘Top floor,’ Morelli said to Hulot, who was about to press the button.

‘Who found the body?’

‘Yatzimin’s assistant. Or assistant and confidant. Might also be his lover. He had been out with a group of the victim’s friends, ballet dancers from London, I think. Yatzimin hadn’t felt up to it and insisted that they go without him.’

They stepped out at the top floor to see the door to Gregor Yatzimin’s apartment wide open and all the lights on, in the typical commotion of a crime scene. The forensic people were at work while Hulot’s men were meticulously inspecting the place.

‘Over here.’

Morelli led the way. They walked through the luxurious, understated but glamorous apartment. They reached the door of what was probably the bedroom just as the medical examiner was coming out. Hulot saw with relief that it was Coudin and not Lassalle. The bosses must be very worried if they had sent the top guy. He could imagine the phone calls going on back in the trenches.

‘Good morning, Inspector Hulot.’

‘You’re right, doctor. Good morning,’ Nicolas said, realizing the time. ‘What’ve you got?’

‘Nothing much. As far as the investigation is concerned, I mean. This homicide is completely different to the other three. If you want to take a look…’

They followed Frank, who had already gone in. Once again, they were horrified by the scene. They had all seen the like before, with different methods and in other situations, and yet it was impossible to get used to.

Gregor Yatzimin was lying on the bed, his hands crossed over his chest in the usual position of a dead body. If it were not for his grotesquely mutilated face, he would have looked like a corpse laid out by an undertaker before the funeral. On the wall was the usual mocking message written in blood and fury.

I kill…

They stood in silence before the corpse. Another body. Another murder without motive or explanation, except in the sick mind of the person who had committed the crime. Their anger was a searing blade, sharp as the murderer’s, twisting inside a painful wound.

Sergeant Morelli’s voice shook them from their trance. ‘Something’s different.’

‘What do you mean?’

‘Well, it’s just a feeling, but this isn’t frenzied like the other murders. There isn’t blood everywhere, and there’s no ferocity. Even the position of the body. It’s almost as if there’s… respect… for the victim. That’s what’s different.’

‘You mean the beast can feel pity?’

‘I don’t know. It’s probably bullshit, but that’s what I felt when I came in.’

‘You’re right.’ Frank placed a hand on Morelli’s shoulder. ‘This one is different from the others. What you’re saying isn’t bullshit. It’s the first thing that’s made any sense tonight.’

They glanced at the corpse of Gregor Yatzimin, the eternal dancer, the ‘mute swan’ as critics all over the world called him. Even in that funereal pose, horribly disfigured, he still looked graceful, as if his talent had remained intact even in death.

‘Well, what have you found, Doctor Coudin?’ asked Hulot, with little hope.

The medical examiner shrugged. ‘There isn’t much. Aside from the mutilation, which I think was done with a fairly sharp instrument, a scalpel most likely, there’s nothing to see. We have to examine the wounds on his face in a more appropriate setting. Although, at first glance, I’d say it was done with considerable skill.’

‘Our friend has had some practise.’

‘Cause of death was a firearm, shot at close range. Again, I can only speculate for the moment, but it was large, something like a nine-calibre. A single shot to the heart, almost instantaneous death. From the body temperature, I’d say it was a couple of hours ago.’

‘While we were wasting our breath on that jerk Stricker,’ Frank muttered.

Hulot looked at him in agreement.

‘I’m finished here,’ said Coudin. ‘You can take away the body, as far as I’m concerned. I’ll let you know the results of the autopsy as soon as possible.’

Hulot had no doubt about that. They had probably lit a fire under Coudin’s backside. And that was nothing compared to what he could expect.

‘Fine, doctor. Thank you. Good morning.’

The medical examiner looked at the inspector to see if he was being sarcastic. He met only the dull gaze of a defeated man.

‘You too, inspector,’ he called over his shoulder as he left the apartment. ‘Good luck.’ They both knew how much he needed it.

At Hulot’s nod, two men went into the bedroom with a body bag.

‘Let’s talk to this assistant, Morelli.’

‘I’ll have a look around in the meantime,’ said Frank, pensively.

Hulot followed Morelli to the end of the hall to the right of the bedroom. The apartment was divided into living and sleeping space. They went through rooms covered with posters and images of the apartment’s unfortunate owner. Gregor Yatzimin’s assistant was sitting in the kitchen with a policeman.

His eyes were red; he had obviously been crying. He was practically a boy, a delicate type with pale skin and sandy hair. A box of tissues and a glass with amber-coloured liquid were on the table in front of him.

He stood up when he saw them.

‘I’m Inspector Nicolas Hulot. Sit down, please, Mr…?’

‘Boris Devchenko. I’m Gregor’s assistant. I…’ He spoke French with a heavy Slavic accent. Tears came to his eyes again and he sat back down. He bent his head and reached for a tissue without looking. ‘I’m sorry, but what happened is so horrible.’

‘There’s no reason to apologize,’ Hulot reassured him, pulling up a chair and sitting down. ‘Mr Devchenko, try to calm yourself, if you can. I need to ask you a few questions.’

‘It wasn’t me, inspector.’ Devchenko’s tear-stained face suddenly shot up. ‘I was out with friends. Everyone saw me. I was very attached to Gregor and I could never have… never have done… something like that.’

Hulot felt infinite tenderness for the boy. Morelli was right. They were almost certainly lovers. That changed nothing in his approach. Love was love, however it showed itself. He knew homosexuals who lived their relationships with a delicacy of feeling that was hard to find in more conventional couples.

‘Don’t worry, Boris.’ He smiled. ‘Nobody’s accusing you of anything. I just need some information to help us understand what happened here tonight. That’s all.’

Boris Devchenko seemed to relax at the knowledge that he was not a suspect.

‘Some friends arrived from London yesterday afternoon. Roger Darling, the choreographer, was supposed to come too, but at the last minute he had to stay in England. Gregor was supposed to dance the role of the adult Billy Elliot, but then his vision got worse, suddenly.’ Hulot remembered seeing the movie with Céline. ‘I went to pick them up at the airport in Nice. We came here and had dinner at home. Then we suggested going out, but Gregor didn’t feel up to it. He changed so much when his eyesight got worse.’

He looked at the inspector who nodded, confirming that he knew the story of Gregor Yatzimin. Exposure to the Chernobyl radiation had caused irreversible degeneration of the optic nerve, which had led to total blindness. His career was cut short when he could no longer move across the stage without assistance.

‘We went out and left him alone. If I had stayed at home he might still be alive.’

‘Don’t blame yourself. There’s nothing you could have done in a case like this.’ Hulot did not point out that, if he had stayed at home, there might be two bodies instead of one. ‘Did you notice anything unusual over the last few days? Someone you saw on the street a little too often? A strange phone call? Anything out of the ordinary? Anything at all?’

Devchenko was much too upset to hear the desperation in Hulot’s voice.

‘No, nothing. I was taking care of Gregor all the time and it took all my energy. Caring for a blind man is extremely tiring.’

‘Any servants?’

‘None that lived in. The cleaning woman comes every day, but she leaves in the middle of the afternoon.’

Hulot looked at Morelli.

‘Get her name. Although I doubt it’ll get us anywhere. Mr Devchenko…’ The inspector’s voice softened as he turned back to the boy. ‘We’ll have to ask you to come to headquarters to sign a statement and remain available to help us. I’d appreciate it if you wouldn’t leave the city.’

‘Of course, inspector. Anything to make sure that whoever killed Gregor pays for what he did.’

From the way he said those words, Hulot was confident that Boris Devchenko would have risked his life to save Gregor Yatzimin, had he been there at the time. And that he would have died for it. Hulot stood up and left the young man to grieve with Morelli. He returned to the living room where the forensic people were finishing up. The two policemen came over to him.

‘Inspector…’

‘What is it?’

‘We questioned the neighbours below. Nobody heard anything.’

‘But there was a shot.’

‘It’s an elderly couple directly below. They take sleeping pills at night. They told me they don’t even hear the fireworks for the Grand Prix, so they wouldn’t have heard a shot. There’s another elderly woman who lives alone in the apartment opposite theirs, but she’s away right now and her grandson from Paris is there. A young guy about twenty-two. He was out all night clubbing. He came back as we were ringing the bell. He didn’t see or hear anything, obviously.’

‘And the apartment opposite this one?’

‘Vacant. We woke the doorman and he gave us the keys. The killer probably got in through there, climbing over the balcony that’s connected to this apartment. But there are no signs of a forced entry. We didn’t want to contaminate anything, so we didn’t go in. Forensics will go over there as soon as they finish in here.’

‘Good,’ said Hulot.

Frank returned from his tour of inspection. Hulot realized that he wanted to be alone for a while to cool off. And to think. He knew that they wouldn’t find any real trace of the killer in the apartment. Instead, he was analysing by instinct, letting his unconscious flow over what the crime scene conveyed, aside from normal sensorial perception. Just then, Morelli came out of the kitchen.

‘Your intuition was right, Morelli.’ They looked at Frank in silence, waiting for him to continue. ‘Aside from a few stains on the bedspread, there’s no trace of blood anywhere in the house. Not a trace. But a job like this produces a lot of blood. As we have seen.’

Frank was back to normal. The night’s defeat seemed to have had no effect on him, although Nicolas knew that it had taken its toll. It could hardly be otherwise. Nobody could forget so soon that he could have saved a life and didn’t.

‘Our man cleaned the house perfectly after doing what he did. A luminal test will show the bloodstains.’

‘But why? Why didn’t he want to leave any blood?’

‘I have no idea. Maybe for the reasons Morelli said.’

‘Why would an animal like that feel pity for Gregor Yatzimin? If pity was really the motive?’

‘It doesn’t change anything, Nicolas. It’s possible, but not important. They say that Hitler loved his dog.’

They fell silent, moving towards the entrance. Through the open door, they could see the assistant medical examiner sealing Yatzimin’s body in a green canvas body bag. They were taking it into the lift to avoid carrying the body down six flights of stairs.

Outside, dawn was breaking. It would be a new day, like all the others they had seen since this story had begun. There would be a sea of reporters in front of Gregor Yatzimin’s building. They would step out into the volley of questions like cannon fire and answer with a flurry of ‘no comments’. The media would go wild again. Hulot’s superiors would explode once more. Roncaille would lose a little more of his tan and Durand’s face would turn green. As they walked down the stairs, Frank Ottobre felt that if anyone blamed them, they deserved it.

THIRTY-FOUR

Frank had left the inspector and Morelli to face the onslaught of reporters who were swarming around the new murder like flies to shit. When they’d spotted Hulot and the sergeant through the car windows, they started pressing up against the police barricades and the officers on duty had difficulty holding them back. It was a repeat of the scene at the harbour when the bodies of Jochen Welder and Arianna Parker had been discovered and the whole nasty business had begun.

The reporters reminded Frank of locusts. They moved in swarms and consumed everything in their path. True, they were only doing their job, but that excuse could be used by anyone. Even the killer, who kept pulling the wool over everyone’s eyes – and they kept following, like sheep. He, too, was doing his job, and Frank hoped he would burn in hell for it.

He had stopped inside the lobby and glanced out of the window at the crowd.

‘Claude, is there a side entrance?’

‘Of course, the service entrance.’

‘Where is it?’

‘The service lift is behind the stairs. Press S and you’ll be in the courtyard next to the ramp that goes to the garage. Turn right, go up the ramp, and you’re on the street.’

Hulot had looked at him, confused. Frank didn’t want to do too much explaining. Not then, anyway.

‘I’ve got a couple of things to do, Nicolas, and I’d like to do it without half the reporters in Europe at my heels. Can I borrow your car?’

‘Sure. Keep it for now. I won’t be needing it.’

Hulot had handed him the keys without another word. The inspector was so tired that he even lacked the strength for curiosity. All three were unshaven and looked as though they had been through a war, all the worse for the fact that they had just lost another battle.

Frank had left them there and followed Morelli’s directions. He had crossed the basement that smelled of mould and oil and reached the street. He had gone over to the car that was parked on the other side of Avenue Princesse Grace, right behind the reporters who were bombarding poor Nicolas with questions. Luckily, nobody had noticed him.

Frank parked Nicolas Hulot’s Peugeot in a no-parking zone in front of Roby Stricker’s building. He took the POLICE ON DUTY sign out of the glove compartment and placed it on the rear window under the windscreen wiper. A cop walked towards him as he was getting out of the car, but he saw the sign and raised a hand to show that everything was okay. Frank answered with a nod, crossed the street, and headed over to Les Caravelles.

He pushed the glass doors and went into the building. The doorman was not at his post. Looking at his watch, Frank saw that it was exactly 7 a.m. He fought back a yawn. The lack of sleep was beginning to get to him. First the radio station, then the hunt for Roby Stricker, then standing guard at his house. The hope, the disappointment and, finally, the new murder, the disfigured body of Gregor Yatzimin.

Outside, the sky and sea were tinged with the blue of a new day. How he would have liked to forget everything and relax in his comfortable Parc Saint-Roman apartment, close the shutters and his eyes, and stop thinking about blood and words on walls.

I kill…

He remembered the wall in Yatzimin’s bedroom. If they didn’t stop him, that bastard would never stop. There wouldn’t be enough walls to write on or cemeteries for the dead.

It was not yet time to sleep, even if he could. He still had to clear up the unfinished business with Roby Stricker. He wanted to know how and why Ryan Mosse had got in touch with him, although he could probably guess. He had to know how far the general had got with his investigation and what else the soldiers were planning.

Frank looked around. Just then, the doorman came out of what must have been his apartment, buttoning his jacket. He approached, hurriedly chewing something. Caught in the act of eating his petit déjeuner. He went into the guard box and looked Frank over from behind the glass.

‘Can I help you?’

‘Roby Stricker.’

‘My orders are to say that he’s sleeping.’

Frank pulled out his badge. As he removed it from his jacket, he made sure that the doorman saw the Glock hanging from his belt. ‘This says you can wake him.’

The doorman changed his tune immediately. The saliva he swallowed was harder to get down than that last mouthful of food. He picked up the intercom and punched in the number in a single nervous movement, letting it ring for a long time before pronouncing his verdict.

‘No answer.’

Odd. Stricker couldn’t have slept through those rings. Frank didn’t think he had the balls to skip town. He had scared him badly enough to keep him from doing anything rash. Though if he had taken off, it would be more of a nuisance than a tragedy. If they needed him, that asshole would be very easy to find. Even hidden behind his father’s legal protection.

‘Try again.’

The doorman shrugged.

‘Still no answer.’

Frank had a sudden, terrible premonition. He thrust his hand at the guard.

‘Give me the master key, please.’

‘But I’m not authorized-’

‘I said please. If that’s not enough, I can be less polite.’ Frank’s tone was final. The doorman swallowed nervously. ‘And then go outside and tell the policeman there to come up to Stricker’s apartment.’

The man opened a drawer and gave him a key on a BMW key chain. He shifted his weight as if he were about to get up. ‘Get moving!’ Frank headed towards the lift and pressed the button.

Why aren’t lifts ever there when you need them? And why are they always on the top floor when you’re in a hurry? Damn Murphy and his law…

The door finally slid open and Frank got in, hurriedly pressing the button of Stricker’s floor. In the eternity of that ride, he hoped that he was wrong. He hoped that his sudden suspicion would not become a mocking reality.

When he reached the fifth floor, the lift opened with the same soft whoosh. Frank saw that the door to the playboy’s apartment was ajar. Taking out his Glock, he pushed the barrel against the door to avoid touching the handle.

The hallway was the only thing in order. The living room where he had sat with Stricker and the girl was a complete mess. The curtain of the French door was half torn from the rod and hanging down like a flag at half mast. There was a glass on the floor and the bottle of whisky that Stricker had been drinking from earlier lay shattered on the pearl-grey carpet. The contents had spilled on to the floor, leaving a dark stain. A painting had fallen, revealing a small safe in the wall. The glass had slipped off the table, strangely enough without breaking, and lay on the floor beside the crooked frame. Cushions lay scattered on the floor. There was nobody in the room.

Frank crossed the living room and turned right, down the short hallway that led to the bedroom. On the left, a door opened on to the bathroom. Empty. The room was neat and untouched. He reached the doorway of the bedroom and had to catch his breath.

‘Shit. Shit. Shit. Motherfucking shit,’ he uttered.

Frank stepped forward, careful where he placed his foot. Roby Stricker’s body lay on the marble floor in the centre of the room, in a pool of blood. The entire room seemed covered in it. He was wearing the same shirt he had on when Frank had left, except now it was soaked red and glued to his body. There were a number of stab wounds on his back. His face was heavily bruised and there was a deep cut on his cheek. His mouth was a bloody mess and Frank could see that his left arm, bent at an unusual angle, was broken. Frank leaned over and touched his throat. No pulse. Roby Stricker was dead. Frank jumped up and tears of rage obstructed his vision.

Another one. The same night. Another fucking murder just hours later. He silently damned the world, the day, the night, and his role in the whole thing. Damn Nicolas for involving him. Damn himself for letting him do it. He damned everything he could think of.

He removed the walkie-talkie from his belt, hoping they could pick up his signal. He pressed the button.

‘Frank Ottobre for Nicolas Hulot.’

A crackle, a sputter, and finally the inspector’s voice. ‘Nicolas here. What’s up, Frank?’

‘Now I’m the one who has to give you some bad news, Nick. Really bad.’

‘What the hell happened now?’

‘Roby Stricker’s dead. In his apartment. Murdered.’

Hulot let loose with a string of curses that ordinarily he would seem incapable of pronouncing. Frank knew exactly how he felt. When his anger cooled down, and after a little more crackling, the inspector asked what he wanted to know most.

‘No One?’

‘No, just plain murdered. His face is still there and there’s no writing on the wall.’

‘Describe it.’

‘I’ll tell you what I see at first glance. Death probably wasn’t instantaneous. He was attacked and stabbed. There are signs of a struggle everywhere and blood all over the floor. His murderer thought he was dead and left while he was still alive. It sounds strange, but that poor bastard Roby Stricker accomplished much more as he was dying than he managed to do in his whole life…’

‘Meaning?’

‘Before he died, he wrote the name of his killer on the floor.’

‘Do we know him?’

Frank lowered his voice slightly, as if he wanted to let Hulot digest what he was about to say.

‘I do. If I were you, I would call Durand and have him issue a warrant for the arrest of Ryan Mosse, captain in the US Army.’

THIRTY-FIVE

The door opened and Morelli entered the small, windowless room and placed a stack of black-and-white photos, still damp from printing, on the grey Formica table where Frank Ottobre and Nicolas Hulot were sitting. Frank leafed through them, chose one, and turned it in the direction of the man in front of him. Leaning forward, he pushed it to the other end of the table.

‘Here we are. Let’s see what this tells you, Captain Mosse.’

Ryan Mosse, sitting handcuffed, lowered his gaze to the photo with complete indifference. He turned his expressionless hazel eyes back to Frank.

‘So what?’

Morelli, who was leaning against the door beside the one-way mirror that covered the entire wall, shifted at the sound of Frank’s voice. On the other side of the mirror were Roncaille and Durand, who had rushed to headquarters at the news of the two new murders and the arrest.

Frank was conducting the interrogation in English and they were both speaking quickly. Morelli missed a word here and there, but he understood enough to realize that this suspect had steel cables instead of nerves. Confronted with the evidence, he was about as emotional as an iceberg. Even the most hardened criminal would give in and start blubbering in a situation like that. This guy made you feel uneasy despite his being handcuffed. Morelli imagined Roby Stricker face-to-face with this guy holding a knife. It was not pretty.

Frank leaned back in his chair.

‘Well, this here on the floor looks like a dead body, right?’

‘So?’ repeated Mosse.

‘So, doesn’t it seem strange to you that your name is written next to the dead body?’

‘You need a good imagination to get my name out of that scribble.’

Frank leaned his elbows on the table. ‘You’d have to be illiterate not to.’

‘What’s wrong, Mr Ottobre?’ Mosse smiled. ‘The stress getting to you?’ It was the smile of a hangman opening the trap door.

And Frank’s smile was that of a condemned man hanged by a rope that had suddenly broken.

‘No, Captain Mosse. The stress got to you last night. I saw you talking to Stricker in front of Jimmy’z when we came for him. You cleared out when you saw us, but not quite fast enough. If you like, I can guess what happened next. You were watching his house and then you waited a little longer after you saw us leave. You saw Stricker’s girlfriend leave, too, and then you went upstairs. You had an argument. The poor guy must have freaked out and then so did you. There was a fight and you knifed him. You thought he was dead and you left, but he had time to write your name on the floor.’

‘You’re hallucinating, Ottobre, and you know it. I don’t know what drugs you’re on, but you’re taking too much. Obviously, you don’t know me very well.’ Mosse’s eyes turned to steel. ‘If I use a knife on someone, I make sure he’s dead before I go.’

‘Maybe you’re losing your touch, Mosse,’ Frank said with a wave of his hand.

‘Okay. At this point I have the right not to answer without a lawyer present. It’s the same law in Europe, isn’t it?’

‘Sure. If you want a lawyer, you’ve got a right to one.’

‘Okay then. Go fuck yourselves, both of you. That’s all I’m saying.’

Mosse closed himself off. His eyes settled on his reflection in the mirror and went blank. Frank and Hulot looked at each other. They would get nothing more out of him. Frank gathered the photos on the table and they got up and went to the door. Morelli opened it to let them through and followed them out of the room.

In the next room, Roncaille and Durand were on edge. Roncaille turned to Morelli. ‘Give us a minute, would you, sergeant?’

‘Sure, I’ll go and get some coffee.’

Morelli left the four of them alone. On the other side of the mirror they could see Mosse, sitting in the middle of the room like a soldier fallen into enemy hands.

Captain Ryan Mosse, US Army, number…

Durand nodded in his direction. ‘A tough nut to crack,’ he said.

‘Worse. A tough nut to crack, who knows he has all the connections he needs. But even if he’s connected to the Holy Ghost, he can’t get out of this one.’

The attorney general took the photos from Frank’s hand and examined them once more.

The image showed Stricker’s body on the marble floor of his bedroom, his right arm bent at a right angle, his hand on the floor. He died writing the word that nailed Ryan Mosse.

‘It’s a little confusing.’

‘Stricker was dying and his left arm was broken.’ He pointed to the arm bent in the unnatural position. Frank remembered the agility Mosse had displayed during their fight. He had experienced it in person. Mosse knew how to break someone’s arm very easily. ‘In the apartment we found some pictures of Stricker playing tennis. He was clearly left-handed. Here, he was writing with his right hand. It’s obviously not his normal handwriting.’

Durand kept staring at the photo, puzzled.

Frank waited. He looked at Hulot, leaning silently against the wall. He, too, was waiting to see what was coming. Durand made up his mind. He finally took the bull by the horns, as though the study of the picture had helped him find the right words.

‘All hell will break loose because of this. The diplomats will be on to it soon and it’ll sound like the start of the Grand Prix. Right now we’re just holding Captain Mosse. If we actually charge him, we’re going to need incontrovertible proof so we don’t end up with egg on our face. The No One affair has already made us look ridiculous enough.’

Durand wanted to emphasize that the prompt arrest of Roby Stricker’s probable killer did not in any way make up for the murder of Gregor Yatzimin, a new slap in the face for the Principality’s police force in charge of the investigation. Frank’s participation was simply a collaboration between investigative bodies, and the main responsibility still fell on the local police. They were the butts of biting newspaper headlines and caustic op-ed pieces by TV commentators.

‘As far as Mosse is concerned,’ said Frank with a shrug, ‘it’s obviously your decision. In my opinion, for what it’s worth, we have more than enough evidence to go forward. We’ve got proof that Ryan Mosse knew Stricker. I saw them myself last night in front of Jimmy’z. There’s his name in the photo. I don’t see what else we need.’

And General Parker?’

Frank had been there when they had gone to pick up the captain that morning at Beausoleil. On reaching the courtyard of the Parker family’s rented house, the first thing Frank had noticed was that, except for a few small details, the house was almost identical to Jean-Loup’ s. He made a quick mental note of it, soon buried by other considerations. He had expected the general to kick up a fuss, but he realized that he had underestimated him. Parker was too smart to create a scene. He was impeccably dressed when he greeted them, as though he had been expecting their visit. When they had asked, he had simply nodded and called Mosse. When the police had told him to accompany them to headquarters, Mosse was visibly tense and had thrown an enquiring glance at the old man. Waiting for orders, sir.

Frank suspected that, if Parker had asked him, Mosse would have exploded in fury at the men who had come to arrest him. The general had simply shaken his head ever so slightly and the tension in Mosse’s body had relaxed. He had held out his wrists and accepted the indignity of handcuffs without a word.

Parker had found a way to be alone with Frank as they were taking Mosse to the car. ‘This is bullshit, Frank, and you know it.’

‘What your man did last night was bullshit, general. Serious bullshit.’

‘I could testify that Captain Mosse never left this house last night.’

‘If you do and they find out it’s not true, not even the President could get you off charges of aiding and abetting and perjury. Nobody in North America would risk protecting you. Want my advice?’

‘Let’s hear it.’

‘If I were you, general, I’d just keep out of it. Captain Mosse is in deep trouble and not even you can get him out. Military tactics provide for situations like these, don’t they? Sometimes you simply have to cut your losses and leave one of your men to his fate.’

‘No one gives me lessons in military tactics. Especially you, Frank. I’ve taken people who were harder than you’ll ever be and torn them to pieces. You’ll just be one more, mark my words.’

‘Everyone’s got to take his chances, general. That’s the rule of war.’

Frank had turned his back and left. On the way out he had seen Helena standing at the living room door, to the right of the hallway. Frank could not help thinking how beautiful she was, with her luminous eyes and skin. Her blonde hair. Their eyes had met as he passed. Frank had noticed that, contrary to his initial impression, her eyes were blue, not grey. And her gaze held all the sorrow of the world.

Driving downtown, Frank had leaned back in his seat, his eyes studying the plastic lining of the ceiling. He had kept trying to erase two overlapping images from his mind. Harriet and Helena. Helena and Harriet. The same eyes. The same sadness.

Frank had tried to think of something else. As they reached headquarters on Rue Notari, he had pondered the general’s mocking words. No One gives me lessons in military tactics. The general didn’t realize all the implications of what he had said. Just then, there was a killer at large who could give lessons to them all.

‘I said, what do you think General Parker will do?’ repeated the attorney general.

Frank was so deep in thought that he had let Durand’s question go unanswered for a little too long.

‘Sorry. I think Parker will do everything in his power to help Mosse, but he won’t throw himself off a cliff. The consulate will surely get into this, but there’s one important fact to be noted. Mosse was arrested by an American FBI agent. We wash our dirty laundry among ourselves and we save face. We’re the country that came up with impeachment, after all, and we’ve never been afraid to use it.’

Durand and Roncaille exchanged glances. He was right. There were no problems there. Durand took his time getting to the point.

‘Your presence here is a guarantee that everyone has the best intentions. Unfortunately, the road to hell is paved with them. Right now, we – and I mean the Principality police – need results. The Roby Stricker case has apparently nothing to do with the killer we’re after.’

Frank felt Nicolas Hulot standing behind him. They both knew what Durand was driving at. There were dark clouds hanging over them. And behind those clouds, there was an axe raised, ready to strike.

‘There was another victim last night. The fourth. We can’t just sit here letting garbage get dumped on our heads. I repeat, your collaboration is greatly appreciated, Frank.’

Politely tolerated, Durand. Only politely tolerated. Why don’t you use the right words, even if I did just hand you General Parker and his thug on a silver platter?

Durand went on in the same vein, dumping the garbage at Hulot’s door.

‘I’m sure you realize that the authorities simply cannot continue to watch a chain of murders like this without taking steps, unpleasant as they might be.’

Frank watched Nicolas. He was leaning against the wall, suddenly alone on the battlefield. He looked like a man refusing a blindfold before a firing squad. Durand had the decency to look him in the eye as he spoke.

‘I’m sorry, inspector. I know you’re an excellent officer, but at this point I have no choice. You are removed from the case.’

‘I understand, Dr Durand,’ Hulot said, nodding simply. He was probably too tired to protest. ‘There won’t be any problems.’

‘You can take a holiday. This case has been extremely wearing for you. The press, of course-’

‘I said there was no problem. There’s no need for you to sugar the pill. We’re all adults and we know the rules of the game. The department must do as it sees fit.’

If Durand was impressed with Hulot’s reply, he did not let on. He turned to Roncaille. Until then, the police chief had listened in silence.

‘Good. You’ll take over the investigation, Roncaille. As of today. Please keep me informed of every development. Any time of day or night. Goodbye, gentlemen.’ And the ever polite attorney general Alain Durand walked away, leaving a silence behind him that he was relieved not to share.

Roncaille ran a hand through his already smooth hair.

‘I’m sorry, Hulot. I would have liked to avoid this.’

The police chief’s words were not just a formality. The man was genuinely sorry, but not for the reasons he wanted them to believe. Now he was in the lion’s cage, and it was up to him to tame the wild beasts.

‘Get some sleep. You both need it. Then I’d like to see you in my office as soon as possible, Frank. There are some details I’d like to discuss with you.’ With the same apparent composure as Durand, Roncaille escaped from the room as well. Frank and Hulot were left alone.

‘See? I hate to say “I told you so,” but I can’t blame them.’

‘Nicolas, I don’t think either Roncaille or Durand could have done any better than we did. This is politics, not reason. But I’m still in it.’

‘You. And what do I have to do with it?’

‘You’re still a police inspector, Nicolas. You were taken off a case, not suspended from the force. And you’ve got something that nobody else on the case has.’

‘What’s that?’

‘Twenty-four hours a day to work on it, without having to account to anyone, without having to waste your time writing reports.’

‘Through the back door, huh?’

‘Right. There’s still something we have to check out, and you seem the best person to do it now. Actually, I don’t think it was I who noticed that record sleeve in the video.’

‘Frank, you’re a son of a bitch. A real son of a bitch.’

‘I’m your friend. And I owe it to you.’

Hulot changed his tone. He stretched his neck to relieve the tension. ‘I think I’ll get some shut-eye. I guess I can now, right?’

‘Yeah, and I can’t have heard Roncaille say he wants to see me “as soon as possible”. I’m practically asleep already.’

THIRTY-SIX

Frank rubbed his eyes and looked up at the blue rectangle framed by the window. When he had returned home to his apartment he had been too tired even to shower. He had collapsed on the bed after peeling off his clothes, leaving the shutters open.

I’m not in Monte Carlo, he thought. I’m still in that house on the beach, trying to pull myself together. Harriet is sunbathing next to me, lying on a towel, the wind in her hair and a smile on her face. Now I’m getting up and going to her, and there will be no one dressed in black. There will be no one between us.

‘No One…’ he said aloud.

The two deaths of the night before came back to him and he got up reluctantly. Through the window he could see a strip of sea where gusts of wind had formed whitecaps far offshore. He went over to open the window. A gust of warm air rushed in and swept what was left of the nightmares from the room. He had slept only a few hours and felt as though he could have slept for ever.

He showered, shaved and put on fresh clothes. As he made himself some coffee, he mused over the new developments. Now that Nicolas was out of the game, things would be a lot more complicated. Roncaille wasn’t capable of handling things on his own, at least not from an investigative point of view. He might be a genius at PR and talking to the media, but field investigations were not his cup of tea. Maybe a long time ago they had been, but now he was more politician than cop. However, he had a good team working for him. The Principality’s police force wasn’t considered one of the best in the world for nothing… blah blah blah…

His own presence in Monaco was becoming a diplomatic necessity. As with everything, it had advantages and disadvantages. Frank was sure that Roncaille would try to maximize the first and minimize the second. He was well acquainted with the methods of the Monte Carlo police. Nobody ever said anything, but they knew everything.

Everything except the name of the killer

He decided not to worry about the police. He had felt that way all along. This was not a joint police investigation. Even if Roncaille and Durand represented authority, it didn’t matter. Neither did America nor the Principality. This was a personal matter between him, Nicolas Hulot and a man dressed in black who collected the faces of his victims in a gory, delirious carnival. All three of them had put their lives on hold, waiting to see how this no-holds-barred struggle between three dead men pretending to be alive would end.

They had to change.

He sat down at the computer and opened an e-mail from Cooper. The attachments held the information he had found on Nathan Parker and Ryan Mosse. It wasn’t much use now that Mosse was in jail and Parker was temporarily harmless. Temporarily, he repeated. He had no illusions about Parker. The general was a man you couldn’t rule out until there were worms in his dead body.

There was a note from Cooper in his e-mail.

Give me a call after you’re done sailing the seas with your new cruiser and have a free second. At any time. I need to talk to you. Coop.

He wondered what was so urgent and looked at his watch. At this hour, he could call him at home. He wouldn’t be disturbing anyone. Cooper lived alone in a loft overlooking the Potomac.

His friend’s sleepy voice answered after a few rings. ‘Hello?’

‘Coop? It’s Frank.’

‘Oh, it’s you. How’s it goin’?’

‘A huge oil tanker just crashed and you wouldn’t believe the size of the spill.’

‘What happened?’

‘Two more murders last night.’

‘Oh, man!’

‘You said it. One was killed according to the usual ritual – he’s the fourth. My friend the inspector was politely kicked off the case. The other guy’s dead thanks to our dear friend Ryan Mosse. They’ ve got him in jail now and the general is raising hell to get him out.’

‘Jesus, Frank.’ Cooper was fully awake now. ‘What the fuck’s going on over there? Next, you’ll tell me it’s nuclear war.’

‘Don’t rule that out. What did you have to tell me that was so urgent?’

‘There’ve been some new developments here. The Larkin case, I mean. The things we’re finding out make us think they’ve got a good cover somewhere, a joint venture with something big. But we don’t know what it is yet. And Hudson McCormack’s in from New York.’

‘Who’s he? What does he have to do with Larkin?’

‘That’s what we want to know. Officially, he’s a lawyer, defence counsel for Osmond Larkin. That surprised us because the bastard could get himself someone better. He has done in the past. This McCormack’s a mediocre thirty-five-year-old attorney from the Big Apple. He’s better known for being on the Stars and Stripes ocean yachting team at the Louis Vuitton Cup than for his legal success.’

‘Checked him out?’

‘Sure. Turned him inside out. Nothing doing. Lives within his means, not a penny more. No vices, no women, no coke. All he cares about besides work is sailing. And now he comes out like a jack-in-the-box to show us what a small world it is.’

‘What does that mean?’

‘I mean that right now Hudson McCormack is on his way to Monte Carlo.’

‘Great. This isn’t the best time to visit.’

‘Apparently he’s going for a pretty important regatta. But…’

‘But?’

‘Frank, doesn’t it seem strange that a modest New York lawyer, unknown and unproven, gets the first important case of his career and takes off, even for a few days, to go sailing in Europe? Anyone else would have thrown himself into it 24/7.’

‘When you put it that way… But what’s it got to do with me?’

‘You’re there and you know the story. Right now this guy is Osmond Larkin’s only link to the rest of the world. Maybe he’s just his lawyer, but it might be more than that. There’s a lot of money and a lot of drugs at stake. We all know what goes on in Monte Carlo and the money that goes through there, but in cases of terrorism and drugs we could get a few safes opened. You’re in with the police there – it wouldn’t be difficult for you to have McCormack watched, discreetly and efficiently.’

‘I’ll see what I can do.’

He didn’t tell Cooper that in Monte Carlo almost everyone, including him, was being discreetly and efficiently watched.

‘I attached a photo of him to the e-mail, and there’s some other info on McCormack’s visit to Monaco.’

‘Okay. Go back to sleep. Guys with low IQs need sleep so their brains can function in the morning.’

‘Thanks, asshole. Break a leg.’

Another lap, another race, another mess. He saved the Hudson McCormack attachment on to a floppy disk without even opening it. He found a label in the drawer and wrote ‘Cooper’.

His brief conversation had taken him home for a moment, although home was an elusive concept. He felt displaced from the ruins of his existence, like an invisible ghost who sees without being seen.

He closed his eyes and in his mind returned to a conversation he had once had with Fr Kenneth, a priest who was also a psychologist at the private clinic where Frank had been admitted after Harriet’s death. When Frank had been pulled down as far as he could go. The time when, if he hadn’t been in therapy or analysis, he’d sat on a bench in the park of that luxury asylum, staring into the void and fighting the desire to follow Harriet. One day, Fr Kenneth had walked silently across the grass and sat down next to him on the bench, wrought-iron with dark wooden slats.

‘How’s it going, Frank?’

Frank had looked at him carefully before answering. He’d studied his long, pale face, that of an exorcist, aware of the contradiction between his role as man of science and man of faith. He hadn’t been wearing his collar and could easily have passed as a relative of any of the patients.

‘I’m not insane, if that’s what you want to hear.’

‘I know you’re not insane and you know that’s not what I was asking. When I asked you how it was going, I really wanted to know how things were going.’

Frank had spread out his arms in a gesture that could mean many things.

‘When do I get out of here?’

Fr Kenneth had answered his question with a question. ‘Are you ready?’

‘If you ask me, I’ll never be ready. That’s why I asked you.’

‘Do you believe in God, Frank?’

He’d turned to the priest with a bitter smile. ‘Please Fr, try to avoid clichés like “Seek God and He will hear you.”’

‘Stop offending my intelligence and, most of all, stop offending yours. If you insist on assigning me a role to play, maybe it’s because you’ve decided to play one yourself. There’s a reason that I asked you if you believe in God.’

Frank had raised his eyes to stare at a gardener who was planting an oak sapling.

‘I don’t care. I don’t believe in God, Fr Kenneth. And that’s not to my advantage, whatever you might think.’ He’d turned to look at him. ‘It means there’s no one to forgive me for the evil that I do.’

And I never thought I had done any. But it turns out, I did a great deal. Bit by bit, I took life away from the person I loved, the person whom I should have protected more than anyone else.

As he slipped on his shoes, the ring of the phone brought him back to the present.

‘Hello.’

‘Frank, it’s Nicolas. Are you out of bed?’

‘Awake and ready for action.’

‘Good. I just phoned Guillaume Mercier, the kid I was telling you about with the video analysis skills. He’s waiting for us. Want to come?’

‘Sure. It might help me face another night at Radio Monte Carlo. Have you read the papers yet?’

‘Yes. They went wild. You know the sort of thing.’

‘Sic transit gloria mundi. Who gives a shit? We’ve got other things to do. Come pick me up.’

‘I’ll be there in two minutes.’

Frank went to put on a clean shirt. The intercom rang as he was unbuttoning the collar.

‘Monsieur Ottobre? There’s someone here to see you.’

At first Frank thought that Nicolas was being literal when he said two minutes. ‘I know, Pascal. Tell him I need another minute and to come up if he doesn’t want to wait downstairs.’

As he slipped on the shirt, he heard the lift stop at his floor. He went to open the door and found her outside.

Helena Parker was standing in front of him, with her blue-grey eyes that were meant to reflect starlight, not pain. She was in the shadow of the hallway, looking at him. Frank was holding his shirt open over his bare chest. It was the scene with Dwight Bolton, the consul, all over again, except that the woman’s eyes lingered over the scars on his chest before moving up again to his face. He hurriedly buttoned up his shirt.

‘Hello, Mr Ottobre.’

‘Hello. Sorry I’m not dressed. I thought you were someone else.’

‘Don’t worry about it.’ Helena’s brief smile resolved any awkwardness. ‘I suspected that from the doorman’s answer. May I come in?’

‘If you like.’

Frank stood aside to let her in. Helena entered, brushing him with one arm and a delicate perfume, soft as a memory. For an instant, the room was filled with nothing but her.

Her eyes fell on the Glock that Frank had placed on the table next to the stereo. Frank quickly hid it in a drawer.

‘I’m sorry that’s the first thing you had to see.’

‘It doesn’t matter. I grew up surrounded by weapons.’

Frank had a brief image of Helena as a child in the home of Nathan Parker, the inflexible soldier whom fate had dared to cross by giving him two daughters.

‘I can imagine.’

Frank felt slightly uncomfortable. The presence of this woman in his apartment was a source of questions for which Frank was unprepared. Nathan Parker and Ryan Mosse were his real concern – they were people with voices, weight, feet that left tracks and arms that could strike. Until then, Helena had been a silent presence, nothing more. A mournful beauty. Frank was not interested in the reason she was there and hoped there was no reason in particular. He interrupted the silence with a voice that sounded harsher than he had intended.

‘There must be a reason you’re here.’

Helena Parker had eyes and hair and a face and a smell, and Frank turned his back on her as he tucked his shirt into his trousers, as if turning his back on everything she represented. Her voice came from behind him as he slipped on his jacket.

‘Of course. I need to talk to you. I’m afraid I need your help. That is, if anyone can help me.’

When he turned around again, Frank had shielded himself with a pair of dark glasses.

‘My help? You live in the house of one of the most powerful men in America and you need my help?’

‘I don’t live in my father’s house. I’m a prisoner in my father’s house.’ A bitter smile flitted over Helena Parker’s lips.

‘Is that why you’re so afraid of him?’

‘There are many reasons to be afraid of Nathan Parker. But I’m not afraid for myself. I’m worried about Stuart.’

‘Stuart is your son?’

Helena hesitated a moment. ‘Yes, my son. He’s the problem.’

‘And what does that have to do with me?’

Without warning, the woman went over to him, raised her hands and removed his Ray-Bans. She looked into his eyes with an intensity that pierced Frank harder than the sharpest knife Ryan Mosse could ever find.

‘You’re the first person I’ve ever seen who can stand up to my father. If anyone can help me, it’s you.’

Before Frank could say anything, the cordless phone rang again. He picked it up with the relief of someone who finally has a weapon to wield against an enemy.

‘Hello?’

‘It’s Nicolas. I’m downstairs.’

‘Okay, I’m coming down.’

‘This probably isn’t a good time,’ Helena sighed, handing him back his sunglasses.

‘I have to do a few things right now. I’ll be out late and I don’t know-

‘You know where I live. You can come see me whenever you like, even if it’s late.’

‘Do you think Nathan Parker would appreciate a visit from me?’

‘My father’s in Paris. He went to speak to the ambassador and to find a lawyer for Captain Mosse.’ A brief pause. ‘He took Stuart with him as… as a companion. That’s why I’m here alone.’

For a moment, Frank thought she was going to use the word hostage. Maybe that’s what she had meant.

‘Okay. But I have to go now. There are a number of reasons why I don’t want the person downstairs to see us leaving together. Would you mind waiting a couple of minutes before going down?’

Helena nodded. The last thing he saw before he closed the door were her shining eyes and the suggestion of a smile, with all the bitterness gone.

As he rode down in the lift, Frank looked at himself in the artificial light of the mirror. The reflection of his wife’s face was still in his eyes. There was no room for others, for other eyes, other hair, other pain. And, most of all, he did could not help anyone – and no one could help him.

He went out though the glass doors and crossed the marble lobby of Parc Saint-Roman into the sunlight. Hulot was waiting for him in his car. There was a pile of newspapers on the back seat. The top headline read ‘My Name Is No One’, with references to the bluffing game of the night before. The other headlines were probably similar. Nicolas didn’t seem to have slept any better than Frank.

‘Hey.’

‘Hey, Nick. Sorry to make you wait.’

‘That’s okay. Did anyone call you?’

‘Total silence. I don’t think your department is dying to see me, even though Roncaille is officially expecting me for a briefing.’

‘You’ll have to check in sooner or later.’

‘Of course. For more reasons than one. But meanwhile, we have some private business to take care of.’

Hulot started the car and drove down the short driveway to the plaza where he could make a U-turn. ‘I stopped in at the office. One of the things I took from my desk was the original videotape, which was still there. I left the copy in its place.’

‘Think they’ll notice?’

‘I can always say I made a mistake,’ Hulot said with a shrug. ‘I don’t think it’s too serious. It’ll be a lot worse if they find out we have a lead and haven’t told them about it.’

All Frank saw when they drove back past the glass doors of Parc Saint-Roman was a reflection of the sky. He turned his head to look out the rear window. As the car turned right on to Rue des Giroflées, he had a fleeting vision of Helena Parker leaving the building.

THIRTY-SEVEN

Guillaume Mercier was waiting in the garden when they reached his house in Eze-sur-Mer. As soon as he saw the Peugeot drive up, he pressed the remote on the gate and it opened slowly. Behind him was a white single-storey house. It had a dark roof and blue shutters with a Provençal look. Nothing fancy, but solid and functional.

The garden was quite large. On the right, past the house, there was a tall pine tree surrounded by a cluster of small evergreens. Beyond the shadow of the tree were some yellow and white lantana in full bloom, planted around a lemon tree. Laurel bushes ran around the property, over the grating set into the top of the wall, thus hiding the view from the road completely. Flower beds and bushes were clambering everywhere, contrasting skilfully with the neatly mowed lawn and flagstone footpath that matched the patio where Guillaume was standing. The house had a calm, peaceful air about it, a sense of comfort without the ostentation that often seemed obligatory on the Côte d’Azur.

Inside the gate, Hulot turned right and parked the car under a wooden carport next to a Fiat and a large motorcycle, a BMW Enduro.

Guillaume walked over to them with a lanky gait. He was an athletic-looking guy with a pleasant if not handsome face, and the muscular arms and sun-bleached hair of someone who plays outdoor sports. He was wearing a sky-blue T-shirt over khaki Bermuda cargo shorts and had on yellow sailing shoes without socks.

‘Hello, Nicolas.’

‘Hi, Guillaume.’ The boy shook the inspector’s hand and Nicolas nodded towards his companion. ‘This strong silent type is Frank Ottobre, FBI special agent.’

Guillaume put out his hand and pretended to whistle. ‘So the FBI actually exists – not just in the movies. Nice to meet you.’

As he shook the kid’s hand, Frank felt relieved. He looked into his eyes, dark and deep-set in a face freckled by the sun. He could tell that Guillaume was the right guy for the job. He had no idea if he was any good, but he knew he’d keep his mouth shut if they asked nicely and told him the seriousness of the situation.

‘That’s right, we’re very important in American movies and culture. And now we’ve gone global, as you can see.’

Guillaume smiled, but the grin barely masked his curiosity. He had probably guessed that they were there for something very important, since Nicolas Hulot had come as a policeman, not a friend of the family.

‘Thanks for helping us out.’

Guillaume nodded, shrugged his shoulders as if to say ‘don’t mention it’, and led the way.

‘I don’t have much work right now. I’m editing a couple of underwater documentaries. Easy stuff. Doesn’t take much time. And I could never say no to this man here.’ He pointed his thumb at the inspector.

‘You said your parents are out?’

‘Out? Out of their minds is more like it. After Dad stopped working, they blew on the embers and found out there was still some life in there. They’re on their tenth honeymoon, or something like that. Last time they called, it was from Rome. They should be back tomorrow.’

They continued along the flagstone path, crossed the neat green lawn and reached the side entrance. To their right was a wooden gazebo with a blue canvas roof over a patio table. The remains of a dinner, most likely from the night before, were still on the table. ‘While the cat’s away the mice play, I see.’

Guillaume followed Nicolas’s gaze and shrugged. ‘Some friends came over last night and the cleaning woman didn’t show up today.’

‘Friends, eh? I’m a cop. Think I can’t see the table’s set for two?’

Guillaume opened his arms wide to say that anything was possible.

‘Listen, old man. I don’t drink, I don’t smoke, and I’m not tempted by any artificial paradise. Can’t I have a little fun?’

He slid open the wooden door and invited them in. He followed and closed the door behind him. Once inside, Hulot felt the cool air through his light jacket. ‘Chilly in here.’

Guillaume pointed to the equipment lining the wall opposite, where two air-conditioners were humming.

‘This stuff is sensitive to heat, so I have to keep the air on high. If your rheumatism’s acting up, I can lend you one of Dad’s winter coats.’

Nicolas grabbed his neck and gave him a bear hug.

‘Respect your elders or what you’ll hear cracking will be your neck, not my joints.’

Guillaume raised his arms in surrender.

‘Okay, okay. I give up.’

When Hulot let go, Guillaume collapsed on to a leather armchair in front of the machines. He smoothed down his ruffled hair and waved them on to the couch against the wall between the two windows. He pointed an accusing finger at Nicolas. ‘Don’t forget that I surrendered only out of respect for your age.’

Hulot sat down and leaned back against the padded cushions of the couch, pretending to be out of breath. ‘Thank goodness. Between you and me, you might be right about the rheumatism.’

Guillaume spun around in his chair and faced Frank and Hulot. His expression was suddenly serious.

Good, thought Frank. The boy knows when enough is enough.

He was even more convinced that this was the right person. Now he just hoped that Guillaume was an expert, like Nicolas said he was. He had other hopes as well. Now that they were coming to the point, Frank realized that his heart was beating faster. He looked out the window for a moment at the the dappled sunlight below the swaying lemon tree. The peace and quiet of that place made everything seem far away.

His mind momentarily reflected on his own story, and Helena’s, and that of a general who refused to lose at any cost, of an inspector who wanted only to find a reason for outliving his son, of an insatiable killer acting out his madness and ferocity. If only it were all so far away.

‘Have you been following the No One story?’ Frank asked, returning to the present. His voice barely rose above the sound of the air-conditioning.

Guillaume eased back in his chair.

‘The murders in Monaco, you mean? Who hasn’t? I listen to the programme every night on Radio Monte Carlo or Europe 2. Their ratings must be incredible by now.’

Frank turned back to the garden. A faint breeze rustled the laurel bushes against the wall.

‘Yeah. Five people have been killed. Four of them were horribly defaced. And we haven’t made much progress because we don’t have the faintest idea of who the killer might be or how to stop him. Aside from the little information he gave us himself, that madman hasn’t left the slightest clue. Except perhaps for one tiny detail.’

His pause gave Nicolas the floor. The inspector sat up on the edge of the couch and handed Guillaume the videotape he pulled from his jacket pocket.

‘This is really the only trace we have. There’s something on this tape that we want you to look at for us. It’s very important, Guillaume, and people’s lives may depend on it. So we need your help and your discretion. This is confidential. Absolutely confidential. Do you understand?’

Nodding gravely, Guillaume took the cassette from Hulot and held it in his hand as if it might explode.

‘What’s on this?’

Frank looked at him carefully. There was no irony in the boy’s voice.

‘You’ll see. But I have to warn you that it’s not easy to watch. Just so you know what to expect.’

Guillaume said nothing. He got up and went over to draw the curtains to keep the glare off the screen. In the deep-gold diffused light he sat back down and turned on the flat screen and the computer monitor. He inserted the tape and the coloured bars appeared on the screen, then the first images.

As Guillaume took in the scene of Allen Yoshida’s murder, Frank decided to let him watch the whole thing. He could have skipped directly to the point that interested him without any further explanation, but now that he knew him, he wanted the boy to understand who they were dealing with and how important his own role was. He wondered whether Guillaume felt the same horror that he, Frank, had when he had seen it for the first time. He had to admit in spite of himself that the movie was a sort of diabolical work of art, for the purpose of destruction not creation, and yet it did convey emotion.

A minute later, Guillaume reached out and paused the tape. The killer and his bloodied victim were stopped in the position that fate and the camera had dictated.

‘Is this real or fake?’ he asked in a low voice, looking at them wide-eyed.

‘Unfortunately it’s very real. I told you it wasn’t pretty.’

‘Yes, but this butchery is beyond belief. How can this be possible?’

‘It’s possible. It really happened, as you can see for yourself. And we’re trying to stop this butchery, as you rightly call it.’

Frank could see two dark patches of sweat under the boy’s arms that hadn’t been there before. He was sweating despite the cold in the room, a physical reaction to what he had just seen.

Death is hot and cold, both at the same time. Death is sweat and blood. Death is unfortunately our only true reminder that life really exists. Come on, kid. Don’t let us down.

As if he could hear Frank’s thoughts, Guillaume leaned back his chair with a little squeak, as if to get further away from the images he was seeing. He pressed the button and the figures resumed their dance, up to the mocking final bow and the ending static. Guillaume stopped the tape.

‘What do you want me to do?’ he asked.

Frank could tell from his voice that he wished he were elsewhere; he wished he had not just seen that figure of death and his surreal bow, soliciting the applause of an audience of the damned. Frank went over and placed a hand on the boy’s shoulder.

‘Rewind it, but slowly so we can see.’

Guillaume turned a wheel and the images started flowing swiftly in reverse. In spite of the rapid backward motion, usually an entertaining caricature of human movement, the vision lost none of its horror.

‘Here, slow down. Now stop.’

At Guillaume’s careful touch, the image stopped a few frames too soon. ‘Go forward, just a little bit. Very slowly now.’

Guillaume moved the handle gently and the film advanced frame by frame like a series of overlapping photographs.

‘Stop!’ Frank stood next to Guillaume and pointed at the screen, touching it with his finger. ‘There, right there, on the cabinet. There’s something leaning there that looks like a record sleeve. We can’t see that. Can you isolate it and enlarge it so we can read what it says?’

Guillaume moved over to the computer on his desk, still looking where Frank was pointing.

‘I can try. Is this the original or a copy?’

‘It’s the original.’

‘Good. VHS isn’t the greatest support, unless it’s the original. First I’ll have to make a digital image. We’ll lose a little quality, but I can work better that way.’

His voice was steady and calm. Now that he was in his element, Guillaume seemed to have overcome his shock. He started clicking the mouse at the computer screen. The same image that was in front of Frank appeared on the monitor. Guillaume typed for a second and the image grew clearer.

‘Okay. Now, let’s see what happens if we highlight that part.’

He used his mouse to draw a square with a broken line around the part of the frame that Frank had indicated. Guillaume pressed a button on his keyboard and the screen was filled with an electronic mosaic of coloured pixels.

‘You can’t see anything.’ The words escaped Frank’s lips and he immediately regretted them.

Guillaume turned to him and raised his eyebrows. ‘Keep calm, ye of little faith. We’ve only just begun.’

He typed a flurry of commands and an image appeared on the monitor, sharp enough to make out a dark record sleeve. In the centre of the picture was the silhouette of a man playing a trumpet. He was bending backwards in the stance of a musician reaching an impossibly high note, to his own and the audience’s amazement. It was the supreme moment, when an artist forgets time and place and is possessed by music itself, as both its victim and executioner. The white letters below the picture read:

Robert Fulton-Stolen Music.

Frank said the words on the screen aloud, as if he were the only one in the room who knew how to read. ‘Robert Fulton – Stolen Music. What does that mean?’

‘I have no idea,’ said Nicolas, standing behind them now. ‘Have you heard of it, Guillaume?’

The boy continued to stare at the picture on the monitor.

‘Never seen it before. Never heard of Robert Fulton. But I would guess it’s an old jazz record. It’s not really the kind of music I listen to.’

Nicolas went back to the couch and Frank scratched his chin. He paced back and forth with his eyes half closed. Then he started to talk, but he was obviously thinking out loud: the monologue of a man with a heavy burden on his shoulders.

‘Stolen Music. Robert Fulton. Why did No One need to listen to that music during the murder? Why did he take it with him? What’s so special about it?’

The room was filled with the silence of unanswered questions, the silence on which the mind feeds as it devours infinite distances searching for a sign, a trace, a clue. Chasing an answer that keeps receding to the horizon.

The clatter of Guillaume’s fingers running over the keyboard marked the end of that momentary pause, during which the only sound had been the hum of the air-conditioning.

‘There’s something here, maybe.’

‘What?’ Frank spun back towards him as if he had just been released from a hypnotic trance.

‘Just a minute. Let me check.’

Guillaume rewound the tape to the beginning and started watching it very slowly, stopping the images occasionally and using the zoom to make out a particular detail that interested him. It was cold in the room, but Frank could feel his temples throbbing. He didn’t know what Guillaume was doing, but whatever it was, he wished he could do it faster.

The boy stopped the image at the point where the killer was bending over Yoshida in a position that could be interpreted as confiding. He was probably whispering something into his ear and Frank was sorry there was no soundtrack. No One was far too smart to give them a sample of his natural voice, even through a ski mask.

Guillaume returned to the computer and transferred the fragment he had captured from the video to the LED monitor. He used the arrow of the mouse to select a portion of the image and typed something on the keyboard. There was another blotch, as the first time, that seemed to be made of coloured pieces placed haphazardly by a drunken artist.

‘What you see here are the pixels. They’re like the tiny mosaic tiles that make up the image, the pieces of a puzzle, basically. If you enlarge them a great deal, the picture is very confused and illegible. But I -’ his fingers flew over the keyboard, alternating with the mouse – ‘I have a program that examines the pixels damaged by enlargement and reconstructs them. There was a reason that I paid a fortune for this junk. Come on baby, don’t let me down.’

He hit the RETURN key. The image resolved a little but was still confused and indecipherable.

‘Shit, no. Let’s see who’s smarter now, you or me!’

Guillaume leapt over to the monitor, threateningly. He ran his hand through his hair and then his fingers went back to the keyboard. He typed furiously for a few seconds and then stood up and started fiddling with the equipment on the shelves in front of him, pressing buttons and turning levers. Red and green lights started flashing.

‘Here we are. I was right.’

He went back to his chair and moved it in front of the screen where he had stopped the image. A couple of buttons were pressed and suddenly there were two images side by side, the picture of the LP cover and the one he was examining now. He touched the first with his finger.

‘Here, see this? I checked, and this is the only place where you can see the entire album cover. Not completely though, because, if you look here, the top left corner is covered by the sleeve of the man with the knife. We didn’t notice it in the enlargement because the sleeve is dark, like the cover. But there are mirrors on the opposite sides of the room and the record’s reflection is bounced from one to another. I thought I saw a slight difference in colour compared to the picture I got from the video.’ Guillaume’s fingers again flew over the keyboard. ‘I thought that, in the image reflected in the mirror, the complete one here in the centre, we might see the label on the cover.’

He pressed the RETURN key with the cautious finger of someone launching a missile to destroy the world. Slowly, before their eyes, the confused blotch on the monitor blended together and took shape. Dark letters, slightly distorted and out of focus but legible, appeared against a gold background.

‘The label of the shop that sold the record, perhaps. Here we are: “Disque à Risque”, Cours Mirabeau something or other, Aix-en-Provence. Can’t read the building number. Or the phone number. Sorry, you’ll have to find that out yourselves.’

There was a note of triumph in Guillaume’s voice. He turned to Hulot with the gesture of an acrobat acknowledging the audience after a triple somersault.

Frank and Nicolas were speechless.

‘Guillaume, you’re fantastic!’

The boy shrugged and smiled. ‘Come on, don’t overdo it. I’m just the best there is, that’s all.’

Frank leaned down on the chair and bent closer to the monitor. Incredulously, he read the writing on the screen. After so much nothing, they finally had something. After so much aimless sailing on the sea, they finally had, far on the horizon, a dark line that could be land, but might simply be a mass of dark clouds. They were looking at it now with the fearful eyes of someone expecting another deception.

Nicolas stood up. ‘Can we print these out?’

‘Sure, no problem. How many copies?’

‘Four should do it, I think. Just in case.’

Guillaume turned back to the computer and a printer started working. He got up as the pages fell on to the tray, one by one.

Frank stood in front of the boy and sought his gaze, thinking that sometimes, with some people, words weren’t really necessary.

‘You have no idea how much you’ve helped us and so many others this afternoon. Is there anything we can do for you?’

Guillaume turned away without speaking. He ejected the tape from the VCR and handed it to Frank. He held it firmly, without hiding his gaze.

‘Just one thing. Catch the guy who did that.’

‘You can count on it. And it’ll be partly thanks to you.’

As Nicolas removed the copies from the tray, there was a positive note in his voice for the first time in a long while.

‘Okay, we’ve got work to do. A lot of work. You don’t have to show us out if you’re busy. I know the way.’

‘Go on. I’ve worked enough today. I’m closing up shop and going for a ride. After what I just saw, I have to get out of the house.’

‘Bye, Guillaume. And thanks again.’

Outside, they were greeted by a languorous sunset in the garden that seemed enchanted after the vile images they had just seen. There was a warm, early-summer breeze, splashes of colour from the flower beds, the brilliant emerald lawn and the darker green of the laurel bushes. Frank noted with a sense of relief that none of the flowers were blood red. He took that as a good omen and smiled.

‘Why are you smiling?’ asked Nicolas.

‘A silly thought. Forget it. A touch of optimism after what Guillaume just gave us.’

‘Great kid,’ Hulot said. ‘He was my son’s best friend. They were very much alike. Every time I see Guillaume, I can’t help thinking that if Stéphane had lived, he would probably be very much like him. A crazy way to continue being proud of your son.’

Frank didn’t need to look at him to know that there were tears in Nicolas’s eyes.

They walked the short distance to the car in silence. When they were inside, Frank took the printouts that the inspector had placed on top of the glove compartment and looked at them, in order to give Nicolas a moment to recover. When Hulot started the engine, Frank put the pages back and leaned against the seat. As they buckled their seat belts, he realized that he was excited. ‘Know your way around Aix-en-Provence, Nicolas?’

‘Not in the least.’

‘Then you’d better get a map, my friend. You’re about to take a little trip.’

THIRTY-EIGHT

Hulot pulled up at the corner of Rue Princesse Florestine and Rue Suffren Raymond, just a few dozen yards from police headquarters. Ironically, there was an advertisement just ahead that said ‘PEUGEOT 206 – BAD BOY.’

Nicolas nodded towards the ad with a derisive grin. ‘There you go, the right car for the right man.’

‘Okay, bad boy. It’s in your hands now. Go for it.’

‘I’ll let you know if I find anything.’

Frank opened the door and got out. He pointed a finger at the inspector through the open window.

‘Not if you find anything. When. Or did you buy that story about a vacation?’

Hulot saluted him as a sign of farewell. Frank closed the door and stood there an instant, watching the car as it drove away and disappeared in the traffic.

The lead from the video was a gust of optimism to stir the stagnant investigation, but as yet it was too weak to mean a great deal. All Frank could do now was keep his fingers crossed.

He turned down Rue Suffren Raymond and started walking towards headquarters. On their way back from Eze-sur-Mer, Roncaille had called, telling him to come to the office for ‘important planning’. From his voice, Frank could imagine what the meeting would be like. He had no doubt that Roncaille and Durand had also paid dearly for last night’s failure, the new victim – victims – that had led to Nicolas’s removal from the case.

Frank entered headquarters. The guard let him through without a glance. He was at home now, here in France. He wasn’t sure how long it would last, but that was how he felt at that moment. He reached Roncaille’s office and knocked. The Sûreté chief’s voice told him to come in.

Frank opened the door and was not surprised to see Attorney General Durand there as well. What he hadn’t expected was the presence of Dwight Bolton, the US Consul. It was justified, of course, but Frank thought that diplomacy would be involved on a much higher level than h