Fourteen
It’s a short walk to the Rite Aid
from school and I head in that direction as soon as I clock out for
lunch, with no explanation to Violet or Javier as to why I’m not
going with them for SanSai sucky sushi. They’re used to my
fluctuating moods. It’s not unusual for me to wander off once in a
while.
I enter the drugstore and circle around and around
the labyrinth of aisles, which contain only a handful of customers
and the possibility of a troll popping out and posing a riddle that
you have to answer or live with him forever next to the scented
candles. Didn’t there used to be employees in stores who wore
little vests with name tags, carried price guns, rolled carts
stacked with canned peas, and pointed you toward the aisle with the
Scotch tape or the nasal spray? No one.
I pass the candy aisle without even a thought,
which never happens, but right now I’m on a mission. I have tunnel
vision, literal, not metaphorical, which may or may not be caused
by my medication. At the end of the tunnel are stacks of tampon
boxes and I follow their blue beacon. Next to the tampons loom the
pregnancy tests—cheery-colored, shiny boxes ranging from $9.99 to
$21.99. I settle for one that costs $16.99. I glance at the
ovulation kit nearby, with the fleshy baby crawling right at me on
the front of it, caught in a moment of impossible cuteness. It is
natural selection’s way of giving babies a chance, this cuteness.
So we don’t leave them out in the middle of the woods somewhere
when things get tough. But I’m not fooled.
I buy the test, my tunnel vision shifting in and
out, making me seasick. On the walk back to the school, I’m
completely devoid of past or future, totally unable to contemplate
either. My breasts bulge in swollen crescents over the top of my
bra. I thought I was just getting fat. I put shoe to pavement,
right shoe, left shoe, head down as if I am leaning into the wind
but I’m not because it’s an L.A. sunny seventy-two-degree day with
clouds like spun sugar and I fucking hate weather like this
sometimes. Like God designed L.A. weather for the very beautiful
and very successful and very rich. If you’re not all of those
things or at least two out of three this weather is like God
laughing in your face.
Jesus is in the wind that isn’t here. Jesus is
in the meringue peaks of cheap stucco. Jesus is in those shoes in
the window shiny red shiny red.
I reach school and walk down the aisle with empty
stations on either side of me, then upstairs to the back bathroom.
I pass the lunchroom, where the Armenian women laugh and talk
loudly with each other. They always seem to be having fun even
though I know their lives must suck, too. They are in this same
decrepit school as me, on top of immigrating from some former
communist country or whatever the hell is going on in Armenia that
they all came over here to wind up forty years old and trying to be
hairdressers. But they don’t seem to walk around all day long
needing a bucket of pills or a boatload of heroin or the lit end of
a cigarette held to their forearm flesh. They do things like cook
lunch and share it with their friends. Vera calls after me to come
and eat, but I motion to my belly and make a face like I’m not
feeling well. I motor past the door.
The bathroom smells of sulfur from the old pipes
and of shit covered up with freesia air freshener from the hundred
people in here before me and of perfume from the same. And if I was
feeling like retching before, now I actually start to gag.
The bathroom is wood paneled and strictly
seventies, like this whole building. Even the toilet seat is that
wood kind. They warn you against cutting boards made of wood so who
thought it was a real good and sanitary idea to make toilet seats
out of wood, I wonder. The room is so small that when you sit on
the microbe farm toilet seat your legs hit the sink. Mrs. Montano
would never consider a renovation without a direct order from the
Department of Public Health, which I am amazed she doesn’t have
already. Tacked to the door is a poster of a cat wearing a nightie,
with a silver dryer bonnet on her head as if she is setting her
curlers. The caption: “I’m too pretty for mousework!”
I open the box and unfold the directions, but they
basically say to pee on the stick, which is what I assumed. I
maneuver in the small space, hold the absorbent tip of the white
plastic stick in my pee stream for the allotted three seconds, then
put the pink cap neatly back on and leave it facedown on the back
of the toilet so I won’t watch it while I wash my hands. A bar
equals a negative result; a cross equals a positive result.
Someone knocks on the door and my surprising
reaction is fury. I could open the door and punch her in the face.
I could throw her to the ground. I could knock her head into the
floor like you see in the movies. Grab her by the hair and bash it
again and again. I want a fucking toilet to sit on in my life where
no one can knock on the door.
But what I say is, “Sorry, I’m sick in here. Could
you please use the downstairs bathroom?”
The footsteps fade away. It’s the longest,
smelliest three minutes. I crumple the box and cover it with toilet
paper so no one will see it in the trash. I don’t bother with dread
or hope. A profound tiredness saturates my arms and my legs. I
could curl myself into a ball and go to sleep on this filthy
floor.
I watch the second hand go around the Minnie Mouse
watch Jake bought me at Disneyland a couple of months ago. The
hands of the watch are Minnie’s arms and her big white balloon
hands always make me think of bandages.
I hadn’t wanted to go to Disneyland. I had always
thought it was, like, some corporate plot to take over the world by
brainwashing kids. I was surprised when Jake contradicted me,
because he’s usually eager to jump on any brainwashing conspiracy
train that passes his way. I dreaded the eternal lines and the
inedible food and the twelve billion kids wiping their boogers on
every possible surface. I dreaded interactions with their fat,
miserable parents, who probably came in the day before from my
hometown. Just kill me.
But Jake had promised Milla that on our next
babysitting day he’d take her to see some fairies. So we went to
see the fairies. And the ghosts and pirates and princesses, and in
every new land he had a new story for her. And when she got tired
he carried her piggyback.
One of the fairies we saw was so bogus and bitchy
that Milla called her on it.
“You’re not Tinkerbell.”
Jake took her aside and said, “You’re right. I
think that fairy is a fake fairy. But where there are fake fairies,
there are usually real fairies, too. You can’t always see them but
you can tell because if you listen really close, you can hear them
sing. And you can be sure that somewhere there’s a fairy who’s
watching you and who thinks you’re the greatest little girl
anywhere. And she can’t wait to meet you. She’s just waiting for
the right moment.”
If you were Susan Schmidt you’d say that I’m with
Jake because I’m so fucked up and I think I deserve someone headed
on an obvious crash course. She’d say that my own guilt and
self-hatred prompts my self-destructive choice in boyfriend. But
Susan Schmidt never looked at that little girl’s face when Jake
told her about the fairies.
When Minnie’s hand hits the twelve for the third
time, I turn the stick over and face my fate.
What I see is a cross. A cross equals positive
results.
It’s a mistake. I can’t possibly grow anything. No
seed would take root here, in this poison ground.
I hold on to the stick and slide down the wall,
where I sit for a minute with my knees tucked under my chin.
Jesus is in the cross. Jesus is in the
cross. Get it? It’s funny.

I don’t eat lunch, which is appropriately
dramatic but leaves me starving hungry.
I clock back in, sit at my station, and stare into
the mirror, but not at myself, through me to somewhere else.
Jesus is in the buckets of bleach. Jesus is in
my hungry belly. Jesus is in the wide, wide windows.
“You are feeling unwell?” asks Vera, towering over
my station with a concerned look on her impeccably made-up,
glamorous face. She puts her hand over mine, which I hadn’t noticed
was gripping the edge of the table. There is the line of
demarcation at her wrist that you get from a spray-on tan. Vera
works evenings at Wet Seal in the Glendale Galleria. She should be
a Transylvanian countess who feasts on the blood of virgins, not
working at the Galleria with a fake tan.
“I’m okay. Little stomach thing,” I say, starting
to set up my station so I don’t have to look her in the eye.
“You are needing some cola?” she asks.
“I’m good, thanks,” I say. She mercifully moves on
to her own station and begins meticulously prepping her foils to do
Lila’s highlights. Lila and Vera are inseparable. They married two
brothers and live in adjoining condos. Each carries a wedding
picture around in her purse. Vera was Lila’s maid of honor and vice
versa; the pictures are nearly identical with the roles switched
around. That’s a different kind of family than I know anything
about.
Javier and Violet saunter back in. Since we have
been upstairs learning about Charm Gels and the Meaning of Life all
morning, we first set up our stations now. I put my rollers and
clips and combs out in front of me, arranging and rearranging them,
forcing a fake smile at Javier and Violet. Javier raises his
eyebrow at me, then goes on about the elaborate task of his daily
decorating.
With tiny pieces of Scotch tape, Javier attaches
pictures of Milla and Paul and their fat, well-dressed Chihuahua,
really named Zuzu but nicknamed Butterball, around the perimeter of
his mirror. Since it’s nearly spring, Butterball features pastel
bonnets and matching capes. I guess Javier couldn’t find a real
flower today, so he puts a silk flower studded with rhinestones on
the corner of his station. He sings under his breath: “Don’t
tell me not to live, just sit and putter . . .”
“I have a surprise for you,” he says as he fusses,
setting his doll head on her stand and preparing to sculpt his
latest creation. Lorelei Lee must be the luckiest doll head in the
world. Whatever impoverished teenage slave in Burma shaved her head
so that we could have real human hair to practice on has had
justice of some sort done for her lost locks.
“No.” I stop, lean back in my chair, and look at
his reflection dead in the eye. “I have a surprise for
you.”
He grabs my hand and leads me into the back shampoo
room, which is still empty from lunch. We sit in the shampoo chairs
next to each other. I rest my elbows on my knees and hold my head
in my hands.
“Okay,” he says, cheerfully. “You first. Does not
look good. Looks decidedly ungood. What are you, pregnant?”
I stare at him in astonishment.
“A mother knows, honey. You’ve been a weepy pain in
the ass for the last week. Plus, your ta-tas are positively
voluminous. I merely observed your look of hopeless devastation and
connected the dots.”
“Shit.” I lean my head over onto his shoulder.
“What am I going to do?”
That’s what you say, right? You say, What am I
going to do.
“Well, honey, that would seem to be the question of
the hour, now wouldn’t it? Wait here a sec. I still have my
surprise for you.”
Javier leaves me sitting alone.
The thought blindsides me that if I had gotten
pregnant when I was with Aaron at least I’d have some piece of him
still. It wrenches my already wrenched gut even further. I’d have
something more than an old guitar. But I didn’t and now I have
nothing. Not nothing exactly, but almost nothing. I can barely
imagine a life for myself. I never think further than hoping to
pass the State Board and get a good job in a salon. So I should get
rid of it, right? Because I’m unfit. In some countries they
sterilize people like me. MDD, CD, ADD: potentially genetic and
definitely no good for a baby. I had a father like that myself. I
was crazy about him. He didn’t last long.
Javier walks in holding a modified Barbie doll and
sits back down next to me. Like Kitty Hawk, the doll has a tiny
star painted in nail polish around one eye. Her dyed red hair is
styled into perfect Farrah Fawcett feathers. She wears a rainbow
tube top and sparkly silver shorts. Her tiny heels are painted
silver to match. Around her shoulders are little rubber band straps
that hold a pair of pink construction paper wings, covered in
iridescent glitter.
“Milla wanted me to give you this. We were doing
makeovers on her Barbie doll collection all day Sunday. She asked
me to tell her a story about the dollies at school and I told her
about the adventures of Bella Donna and Kitty Hawk and Lorelei Lee.
Anyway, she made this for you.” He hands me the doll and I take her
gently by the spindly plastic legs, trying not to rip her wings,
which sprinkle glitter every time she moves. “She wanted to give it
to you herself but she’s with the Cuntessa this week.”
“Milla made this for me?” I turn it over in my
hands and look at her fragile paper wings. This is the most
precious thing. “Why?”
“You’re Milla’s fave babysitter fairy ever. She
asks about you all the time.” Javier sighs and leans back in the
shampoo chair. I lie back, too.
Javi goes on as we stare up at the ceiling, “You
think you’re the only loser trying to change your life? I’m a fat,
broke, thirty-eight-year-old faggot who goes to beauty school and
lives in a Woodland Hills cardboard town house with my boyfriend.
True, he’s gorgeous and, true, I’m fabulous, but still. Milla’s the
one who saves my life.”
“I don’t know.”
Could this save me? A baby doesn’t save everyone’s
life, does it? Some people it ruins their lives and then they ruin
its life right back. And haven’t I learned my lesson yet about
trying to get saved?
“I guess you got to tell Mr. Handsome, is the first
thing.” Javier thinks Jake is dreamy handsome in a bad boy kind of
way, which he is.
“Me and Mr. Handsome got into it last night. Want
to know the funny thing? Can you believe there’s a funny
thing?”
“There’s always a funny thing,” he answers, sitting
up straight now and fluffing his Mohawk.
“He asked me to marry him.”
“I hope you said no. He may be handsome but that
man is nobody’s husband.”
“Of course I said no. He can’t keep a job for five
minutes and when he gets stressed he tends to talk to spirits and
thinks the zombies are coming. Which brings me back to What am I
going to do?”
We hear the creaking of the floorboards over us,
followed by the unmistakable labored steps and wheezing of Mrs.
Montano coming down the stairs.
“Quick,” Javier says. “Look miserable.”
Javier and I stand and pretend to be getting some
setting gel down from one of the cupboards. Mrs. Montano walks into
the room and stands at the door like a battleship. Her upper lip
curls into a sneer and her makeup sits on top of the poreless,
crinkled fabric of her skin.
“Bebe,” she says, “you have a phone call.”
“I do?”
“Please come up to the office. And Javier . .
.”
“Jes, Meeses?” Javier says in his Mexican maid
accent.
“Do something useful, please.”
I hand Javier the Barbie and follow Mrs. Montano up
the stairs.

The beauty school office is decorated with
generic, bargain basement office furniture and walls of filing
cabinets. On the desks sit ancient phones that actually have cords.
There are little souvenir shop plaques around that say things like
What part of “NO” didn’t you understand? and A Woman
without a Man Is Like a Fish without a Bicycle. A calendar from
the Pechanga Resort and Casino hangs on the wall.
I perch on the edge of a mammoth metal desk and
pick up the cradle of the archaic receiver.
“Hello, Beth. How are you?” asks Susan Schmidt. I
can tell she is trying not to sound pissed at me.
This whole therapist thing really involves being a
studied, manipulative phony, if you think about it. And that’s
who’s supposed to help people get better?
“I’m fine. Is everything okay?”
“Beth, I’m going to ask you some questions, and I
need you to answer me honestly because it concerns the safety of
one of our residents here with whom you are close. I want to
express to you that you will in no way be penalized for anything
you reveal to me right now. Do you understand?”
“Susan, you’re freaking me out.”
“Jacob Hill is missing. I stress to you that we’re
concerned for his safety and for the safety of those he may come
into contact with. This is very important. If you have any ideas as
to where he might be headed, please tell me now, Beth.”
I have some ideas where he’s going. I almost
consider telling her, but she’ll sic the cops on him for being a
danger to himself and others. He’ll get arrested and then slapped
back in the hospital so fast, and who knows when he’ll get
out.
“I have no idea where he is,” I say. “I haven’t
seen him in days.”
My cell phone vibrates in my smock pocket. I check
it and the screen lights up: BUCK. Calling to warn me. Too
late.
“Beth,” Susan goes on in that reasonable voice, “we
all care about Jacob. He’s a unique and fascinating man, but he’s
deeply troubled. We have access to the resources that may be able
to help him. If Jacob winds up hurt and there’s something you
haven’t told us, you’ll regret it for the rest of your life. Is
that a risk you’re willing to take?” she asks in a loaded way.
Bitch.
“I’m sorry I can’t help you.”
“I’m sorry, too. I truly am. Please call us
immediately if anything comes to you.”
“I’ll do that.”
As I hang up the phone, one thing is as clear to me
as a rare L.A. day when the smog blanket lifts and if you stand on
top of a tall hill you can see the whole city glitter all the way
out to the ocean. I’ve got to go find him. Before he does something
reckless and they lock him up until forever.
I look at the intrepid hulk of Mrs. Montano at the
desk across the room, thumbing through a stack of papers. I
immediately revert to the fake crying face, which never loses its
effectiveness on most normal people; but this is not your average
foe. Mrs. Montano is a perfect example of what Jake calls a
zombie.
She looks up at me with one drawn-on eyebrow
arching sharply, like a stretched rubber band that could snap and
shoot straight off her face. At least three pictures of the same
mean, yellow-eyed cat stare out at me from ornate frames on her
desk. A ray of light breaks through the water-stained ceiling—the
perfect excuse.
“My cat is sick and she needs to go to the vet
really badly. May I be excused for the day?”
Mrs. Montano casts a sidelong glance at her nice
secretary sidekick. They’re Tweedledee and Tweedledum, if
Tweedledee and Tweedledum had been huffing bleach fumes for twenty
years. The secretary is a little dippy and, I suspect, a little
tipsy most of the time. She likes to gamble on the weekends and the
Pechanga calendar is hers. She looks to Mrs. Montano and then to
me, her fleshy face creasing with concern.
Mrs. Montano looks back down at her work and moves
a few pieces of paper from one pile to another. I watch as a drop
of sweat trails from behind her ear down the side of her neck. I
stand there, conscious of my hands hanging awkwardly at my sides.
The tight skin itches around the scars on my palms.
“You’ll have to come at night,” she says finally.
“Miss any more hours and you won’t graduate with your class. You’ll
have to wait another month until the next group graduates.”
She sizes me up, as if looking at a spider on the
floor and deciding if she is going to step on it. But I have
already seen the flicker of weakness behind her eyes. I found the
key to the zombie heart. She spares me the sole of her shoe and
instead she says, “Go, then. I hope your kitty’s okay. Don’t forget
to clock out.”
“Thank you,” I say, nearly trotting out the door
and down the stairs, thinking that she’s not so bad; she loves
something.
I stride to my station, maniacally wrap all my
equipment in a towel, throw it over my shoulder like a sack, and
lug it toward the back bays of lockers. Javier and Violet look up
at me, surprised, and then follow me. They stand there as I attempt
to force the unwieldy mound into my locker.
“Slow down, crazy,” Javier says.
“I’ve got to get out of here. Drama. Big. Bad,” I
say, shoving on the locker door until it is mostly closed then
kicking it and fastening the lock.
“That was the uptight socialite social
worker.”
“And?”
“And Jake’s gone missing.”
Javier puts his arms up as if in surrender and then
starts to fan himself with one hand. “It’s getting hot in here,” he
says. “What are you going to do?”
“Well, honey, that seems to be the question of the
hour, now, doesn’t it? I guess I’m going to find him.”
“This isn’t your crisis, doll. You’ve got your own
crisis to deal with.”
“I’d say this crisis and my crisis are kind of
related.”
“You can’t just go running out into the world
trying to find someone. What are you going to use, a dowsing
rod?”
I pause. I hadn’t thought much beyond
leaving.
“Wait,” Javi says. He grabs me by the arms. “Just
wait one tiny, tiny second. It’s important.”
Javier runs to the other room, leaving Violet and
me staring at each other.
“Bebes, stay. This is a terrible idea.”
Javi returns, holding the Barbie that Milla
made.
“Take her with you. She’ll be like your little
fairy.”
“You’re my fairy,” I say to him, but I take
the doll.
Javier wraps his arms around me and kisses me on
one cheek and then the other.
“Go on, then,” he says. “Go get your man.”
1550 hours down. 50 hours left to go.