Fortress AnooYoo

The Crakers are entranced by the AnooYoo Spa. They walk carefully along the hallways, bending to touch the smooth, polished floor. They lift the pink towels that Toby had hung over the mirrors, glimpse the people in there, look behind the mirrors; then, when they realize the people are themselves, they touch their hair and smile to make their reflections smile too. They sit on the beds in the bedrooms, gingerly, then stand up again. In the gymnasium the children bounce on the trampolines, giggling. They sniff at the pink soap in the washrooms. There is still a lot of pink soap.

“Is this the Egg?” they ask. Or the younger ones do. They have a faint memory of a similar place, with high walls and smooth floors. “Is this the Egg where we were made?” “No, the Egg is not the same.” “The Egg is far. It is more far than this.” “The Egg has Crake in it, the Egg has Oryx. They are not here.” “Can we go to the Egg?” “We do not want to go to the Egg now, it is dark.” “Does the Egg have the pink things in it, like this? The flower-smelling things we can eat?” “That is not a plant, that is a soap. We do not eat a soap,” and so on.

At least they aren’t singing, thinks Toby. They haven’t sung much on the way here either. They’ve been looking and listening. They seem to know there is danger.

Fortunately there haven’t been any leaks in the roof. Toby is happy about that: it means the beds, despite being slightly musty, are still sleepable. As de facto hostess, she assigns rooms. For herself she picks a Couples room. The Spa contained three of those, in the unlikely event that a husband and wife or equivalent would check in together, to undergo joint facials and cleansings and tweaks and polishes. But this offering was not popular, or not among heterosexual couples – usually women liked to have such adjustments done in private so they could emerge like butterflies from a perfumed cocoon and astound the multitudes with their ravishing beauty. Toby used to run this place, so she knows. She knows, also, about the disappointment felt by these women, when, despite the large amounts of money they’d spent, they did not look very much better.

In the closet she stashes her belongings, such as they are. Her well-worn binoculars: she hasn’t had much use for them at the cobb house because there were few vistas there, but they’ll be essential now. Her rifle, and the ammunition. She left a cache of bullets here at the Spa, so she can top up her supply now. Once that’s gone the rifle will be of no use, unless she can learn to make gunpowder.

She places her toothbrush in the ensuite bathroom. She needn’t have bothered bringing the one from the cobb house: there are a lot of toothbrushes at the Spa, all pink; and, in the supply room, a whole shelf of AnooYoo’s guest mini-toothpastes, two kinds: Cherry Blossom Organic, biodegradable with anti-plaque micro-organisms; and Kiss-in-the-Dark Chromatic Sparkle Enhancer.

The second one claims to make your entire mouth glow in the dark. Toby never tried it out, but some women swore by it. She wonders how Zeb would react if he were to be confronted with a disembodied glowing mouth. Tonight will not be the night to find out, however: she’ll be on sentry duty, up on the rooftop, and a light-up mouth would make an excellent target for a sniper.

Her old journals; she’s gathered them up from where she’d slept on one of the massage tables, out of some nun-like sense of penitence. Here they are, written in AnooYoo appointment books, with the kissy-mouth logo and the winking eye. She’d recorded the Gardener days, the Feasts and Festivals, and the phases of the moon; and the daily happenings, if any. It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she’d abandoned it here. Now it’s a whisper from the past.

Is that what writing amounts to? The voice your ghost would have, if it had a voice? If so, why is she teaching this practice to little Blackbeard? Surely the Crakers would be happier without it.

She slides the journals into a dresser drawer. She’d like to read them over sometime, but there’s no space for that right now.

The toilets still have water in them, plus a lot of dead flies. She flushes: the collector barrels on the roof must be functional, which is a blessing. And there’s a vast supply of pink toilet paper, with flower petals pressed into it. Some of the earlier AnooYoo botanical-items toilet paper experiments had not gone well, as there had been some unexpected allergies.

She needs to post a Boil Water advisory, however. Seeing water actually coming out of a tap, some people might get carried away.

After washing her face and putting on a clean pink top-to-toe from the Housekeeping closet, she rejoins the others. There’s a heated discussion going on in the main foyer: what to do with the Mo’Hairs overnight? The broad AnooYoo lawn is now thigh-high in meadow growth, so grazing them in the daytime won’t pose a problem, but they’ll need to be sheltered or guarded once darkness falls: there may be liobams. Crozier is all for herding them into the gym: he’s become quite attached to them, and is worried. Manatee points out that the floor is slippery and they may skid and break their legs, not to mention the sheep-shit factor. Toby suggests the kitchen garden: it has a fence, which is still largely intact – the Pigoons have entered by means of the holes they dug, but these can be quickly filled. Then a sentry on the rooftop can keep an eye on the flock and report any unusual bleating.

But where will the Crakers sleep? They don’t like sleeping inside buildings. They want to sleep in the meadow, where there are a lot of leaves for them to eat as well. But with the Painballers on the loose and possibly in a hunting mood, that’s out of the question.

“On the roof,” says Toby. “There are some planters up there in case they want a snack.” So that’s decided.

The afternoon thunderstorm comes and goes. Once it’s over the Pigoons go for a dip in the swimming pool; the fact that it’s growing algae and waterweeds and has a lively population of frogs does not deter them. They’ve solved the problem of how to get in and out of it by shoving a collection of poolside furniture into the shallow end: the deck chairs make a sort of ramp, which provides a foothold. The younger ones enjoy splashing and squealing; the older sows and boars take brief dips, then watch over their piglets and shoats indulgently, lounging at poolside. Toby wonders if pigs get sunburn.

Dinner is somewhat haphazard, though served in grand style on the round tables and pink tablecloths of the main dining room. A foraging posse has scoured the meadow, so there’s a hefty salad of wild greens. Rebecca has found a small unopened bottle of olive oil and made a classic French dressing. Steamed purslane, parboiled burdock root, wolvog jerky, Mo’Hair milk. There was a residual jar of sugar in the kitchen, so each of them has a teaspoonful of it for dessert. Toby isn’t used to sugar any more: the potent sweetness goes through her head like a blade.

“I’ve got some news for you,” says Rebecca when they’re cleaning up. “Your pals caught a frog for you. They asked me to cook it.”

“A frog?” says Toby.

“Yeah. They couldn’t get a fish.”

“Oh crap,” says Toby. The Crakers will be asking for their nighttime story. With any luck, they’ve forgotten to bring the red Snowman hat.

It’s mellow evening now, the sun subsiding. Crickets trill, birds flock to roost, amphibians ribbet from the swimming pool or twang like rubber bands. Toby looks for something to wrap herself in while standing sentry: the rooftop can be cool.

As she’s swaddling up in a pink bedspread, little Blackbeard sidles into her room. He spots himself in the mirror, smiles, waves at himself, does a tiny dance. Once that’s over, he delivers his message: “The Pig Ones are saying that the three bad men are over there.”

“Over where?” says Toby, her heart quickening.

“Across the flowers. Behind the trees. They can smell them.”

“They shouldn’t go too close,” says Toby. “The bad men might have sprayguns. The sticks that make holes. With blood coming out.”

“The Pig Ones know that,” says Blackbeard.

Toby climbs the stairs to the rooftop, binoculars around her neck, rifle slung and ready. A number of the Crakers are already up there, waiting expectantly. Zeb is there too, leaning against the railing.

“You’re very pink,” he says. “The colour suits you. The silhouette too. Michelin Tire Man?”

“Are you being an asshole?”

“Not on purpose,” he says. “Crows making a racket.” And they are making one. Caw caw caw over at the edge of the forest. Toby lifts the binoculars: nothing to be seen.

“It could be an owl,” she says.

“Could be,” says Zeb.

“The Pigoons keep saying there are three men. Not two.”

“I’d be surprised if they’re wrong,” says Zeb.

“Do you think it might be Adam?” says Toby.

“Remember what you said about hope?” says Zeb. “You said it can be bad for you. So I’m trying not to.”

There’s a flicker of something light, over among the branches. Is it a face? Gone again.

“The worst thing,” says Toby, “is the waiting.”

Blackbeard tugs at her bedspread. “Oh Toby,” he says. “Come! It is time for us to hear the story that you will tell to us. We have brought the red hat.”

The MaddAddam Trilogy: Oryx and Crake; The Year of the Flood; MaddAddam
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