16.
That Evening
Toast May Be Injurious to Health
That was the shock statement put out by a joint
Kaine-Goliath research project undertaken last Tuesday morning. “In
our research we have found that in certain circumstances eating
toast may make the consumer writhe around in unspeakable agony,
foaming at the mouth before death mercifully overcomes them.” The
scientists went on to report that although these findings were by
no means complete, more work needed to be done before toast had a
clean bill of health. The Toast Marketing Board reacted angrily and
pointed out that the “at risk” slice of toast in the experiment had
been spread with the deadly poison strychnine and these
“scientific” trials were just another attempt to besmirch the
board’s good name and that of their sponsee, opposition leader
Redmond van de Poste.
Report in Goliath Today!, July 17,
1988
How was your day?” asked Mum, handing me a
large cup of tea. Friday had been tuckered out by all the activity
and had fallen asleep into his cheesy bean dips. I had bathed him
and put him to bed before having something to eat myself. Hamlet
and Emma were out at the movies or something, Bismarck was
listening to Wagner on his Walkman, so Mum and I had a moment to
ourselves.
“Not good,” I replied slowly. “I can’t dissuade an
assassin from trying to kill me; Hamlet isn’t safe here, but I
can’t send him back; and if I don’t get Swindon to win the
SuperHoop, then the world will end. Goliath somehow duped me into
forgiving them, I have my own stalker, and also have to figure out
how to get the banned books I should be hunting for SO-14
out of the country. And Landen’s still not back.”
“Really?” she said, not having listened to me at
all. “I think I’ve got a plan how we can deal with that annoying
offspring of Pickwick’s.”
“Lethal injection?”
“Not funny. No, my friend Mrs. Beatty knows a dodo
whisperer who can work wonders with unruly dodos.”
“You’re kidding me, right?”
“Not at all.”
“I’ll try anything, I suppose. I can’t understand
why he’s so difficult—Pickers is a real sweetheart.”
We fell silent for a moment.
“Mum?” I said at last.
“Yes?”
“What do you think of Herr Bismarck?”
“Otto? Well, most people remember him for his
‘blood and iron’ rhetoric, unification arguments, and the wars—but
few give him credit for devising the first social security system
in Europe.”
“No, I mean . . . that is to say . . . you
wouldn’t—”
At that moment we heard some oaths and a slammed
door. After a few thumps and bumps, Hamlet burst into the living
room, stopped, composed himself, rubbed his forehead, looked
heavenwards, sighed deeply and then said:
“O, that this too too solid flesh would melt, thaw
and resolve itself into a dew!”1
“Is everything all right?” I asked
“Or that the Everlasting had not fix’d his canon
’gainst self-slaughter!” 2
“I’ll make a cup of tea,” said my mother, who had
an instinct for these sorts of things. “Would you like a slice of
Battenberg, Mr. Hamlet?”
“O God! God! How weary, stale, flat and
unprofitable—yes, please—seem to me all the uses of this
world!”3
She nodded and moved off.
“What’s up?” I asked Emma, who had entered with
Hamlet, as he strutted around the living room, beating his head in
frustration and grief.
“Well, we went to see Hamlet at the
Alhambra.”
“Crumbs!” I muttered. “It . . . er . . . didn’t go
down too well, I take it?”
“Well,” reflected Emma, as Hamlet continued his
histrionics around the living room, “the play was okay apart from
Hamlet shouting out a couple of times that Polonius wasn’t
meant to be funny and Laertes wasn’t remotely handsome. The
management weren’t particularly put out—there were at least twelve
Hamlets in the audience, and they all had something to say about
it.”
“Fie on’t! Ah, fie!” continued Hamlet. “ ’Tis an
unweeded garden that grows to seed; things rank and gross in nature
possess it merely—!”4
“No,” continued Emma, “it was when we and the
twelve other Hamlets went to have a quiet drink with the play’s
company afterwards that things turned sour. Piarno Keyes—who was
playing Hamlet—took umbrage at Hamlet’s criticisms of his
performance; Hamlet said his portrayal was far too indecisive. Mr.
Keyes said Hamlet was mistaken, that Hamlet was a man racked by
uncertainty. Then Hamlet said he was Hamlet so should know a
thing or two about it; one of the other Hamlets disagreed and said
he was Hamlet and thought Mr. Keyes was excellent. Several
of the Hamlets agreed, and it might have ended there, but Hamlet
said that if Mr. Keyes insisted on playing Hamlet, he should look
at how Mel Gibson did it and improve his performance in light of
that.”
“Oh, dear.”
“Yes,” said Emma. “Oh, dear. Mr. Keyes flew right
off the handle. ‘Mel Gibson?’ he roared. ‘Mel ****ing Gibson?
That’s all I ever ****ing hear these days!’ and he then tried to
punch Hamlet on the nose. Hamlet was too quick, of course, and had
his bodkin at Keyes’s throat before you could blink, so one of the
other Hamlets suggested a Hamlet contest. The rules were
simple: they all had to perform the ‘To be or not to be’ soliloquy,
and the drinkers in the tavern gave them points out of ten.”
“And . . . ?”
“Hamlet came last.”
“Last? How could he come last?”
“Well, he insisted on playing the soliloquy less
like an existential question over life and death and the
possibility of an afterlife, and more about a postapocalyptic
dystopia where crossbow-wielding punks on motorbikes try to kill
people for their gasoline.”
I looked across at Hamlet who had quieted down a
bit and was looking through my mother’s video collection for
Olivier’s Hamlet to see if it was better than
Gibson’s.
“No wonder he’s hacked off.”
“Here we go!” said my mother, returning with a
large tray of tea things. “There’s nothing like a nice cup of tea
when things look bad!”
“Humph,” grunted Hamlet, staring at his feet. “I
don’t suppose you’ve got any of that cake, have you?”
“Especially for you!” My mother smiled, producing
the Battenberg with a flourish. She was right, too. After a few
cups and a slice of cake, Hamlet was almost human again.
I left Emma and Hamlet arguing with my mother over
whether they should watch Olivier’s Hamlet or Great
Croquet Sporting Moments on the television and went to sort
some washing in the kitchen. I stood there trying to figure out
just what sort of brain-scrubbing technique Goliath had used on me
to get me to sign their Forgiveness Release. Oddly, I was still
getting pro-Goliath flashbacks. In absent moments I felt they
weren’t so bad, then had to consciously remind myself that they
were. On the plus side, there was a possibility Landen might be
reactualized, but I didn’t know when it would be, or how.
I was just getting around to wondering if a cold
soak might remove ketchup stains better than a hot wash when there
was a light crackling sound in the air, like crumpled cellophane.
It grew louder, and green tendrils of electricity started to
envelop the Kenwood mixer, then grew stronger until a greenish glow
like St. Elmo’s fire was dancing around the microwave. There was a
bright light and a rumble of thunder as three figures started to
materialize into the kitchen. Two of them were dressed in body
armor and holding ridiculously large blaster-type weapons; the
other figure was tall and dressed in jet black high-collared robes
that hung to the floor in one direction and buttoned tightly up to
his throat in the other. He had a pale complexion, high cheekbones
and a small and very precise goatee. He stood with his arms crossed
and was staring at me with one eyebrow raised imperiously. This was
truly a tyrant among tyrants, a cruel galactic leader who had
murdered billions in his never-ending and inadequately explained
quest for total galactic domination. This . . . was Emperor
Zhark.