Early evening. We were in your car, at the end of your block, at a stop sign. The streets were empty. My window was open because I hated closed windows—probably because I thought my why drive if you can’t feel the wind attitude made me profound. We were sixteen.

I just needed to leave my house, you said.

With a few classmates, we’d been cramming for an exam about waves and optics and contemplating why our accomplished physics teacher taught at our poorly ranked public high school. Cost of living? Witness protection? He actually likes Sandusky? When we left, our classmates were writing formulas on their wrists with fine-point markers.

Let’s drive until we hit civilization, I said.

You stared straight ahead at something, it seemed, that couldn’t be seen.

Somewhere with a bookstore, I said, like a real bookstore. One with a poetry section that’s more than one shelf.

You squeezed the steering wheel and suddenly your pale knuckles looked cartoonish, like a badly rendered, unshaded drawing of knuckles. I barely glanced at your face. I sensed you were resisting tears.

You told me I was important to you. I told you I knew that, and you said, No, really, you’re the only one who understands me.

You turned, looked at me, then quickly looked away. I had never seen you cry before. I hadn’t seen many teenage boys cry, but I didn’t say that.

I know you understand this, you said. I just get so lonely.

This is probably my favorite memory of us.

I know you’re sad now, I said, but I promise this will be a happy memory someday. Us at this perfectly straight stop sign.

You nodded, and I wonder if I explained my observation, or if my observation was insightful enough to imply its metaphoric meaning, as in: let’s notice when things are right.

The memory stops there. If you were critiquing this, you might say, Come on, Jeannie, it’s a little too perfect, don’t you think? The memory stopping at a stop sign.