[4]
An hour later Breaker was exhausted,
sweating despite the coolness of the air, and very unsure of his
own abilities, despite the old man's praise. The Swordsman had
taken the sword from his hand—without asking, and without Breaker
intentionally releasing it—and had then sheathed the blade and
given the youth a willow twig, so that they were evenly
matched.
The twig's ler was warm and green and soft,
completely unlike the sword's, but still, it fit his hand and was
about the right length.
The old man had then demonstrated that he could
do things with his hands and a willow stick that Breaker would
never have thought possible. He could move it with a degree of
speed and precision more reminiscent of Harp's hands plucking
strings in one of her fastest reels than of anything else Breaker
could think of; he could put the point on any portion of Breaker's
body in seconds, no matter how Breaker might dodge or twist or
struggle, or how fiercely he might wave his own willow twig about
trying to ward off the touch.
An hour of waving a willow
twig left Breaker shaken and shivering, as tired as if he had been
hauling heavy loads uphill.
And at the end of it the
Swordsman looked at him, nodded, and said, "That was good. Be here
again tomorrow, and we'll work on it some more." Then he turned and
marched back into Elder Priestess's house. Breaker wordlessly
watched him go, then angrily flung the willow twig aside and
stalked around the house to the village square. He wiped the sweat
from his brow with his sleeve, then rubbed at the spot on his
chest, right over his heart, where the Swordsman's stick had jabbed
him repeatedly.
"Breaker," someone
said.
He turned to see his sister
Harp standing in the break between Priest's house and the village
shrine, and for an
instant he wondered what she
might have been asking the ler; then he remembered that that
passage could be
used as a shortcut down to
the blacksmith's forge and the smith's adjoining house, a house
that was also home
to the old blacksmith's
youngest son, Harp's friend and perhaps future husband
Smudge.
A visit there was far more likely than consulting priests or ler.
"Hello, Harp," Breaker said. "Are you on your way home?" "Yes. You?"
She didn't bother to answer, but fell in beside him as they walked up the winding lane.
It was a beautiful day, a
gentle breeze rippling leaves that were just beginning to turn to
red or brown or gold. The sky above was richly blue, arching from
the pavilion atop the ridge in the southwest to the distant cliffs
in the east. The fields at the foot of the slope were bare and
dark, and some of the village children were picking through the
debris left by the harvest, looking for barleycorns to chew or
scraps they could incorporate into toys or games. The trees beyond
the farthest field hid the river and docks from sight, but Breaker
knew they were there, marking the boundary of Mad Oak, the edge of
his family's world.
The weather and Harp's presence swiftly eased
his temper, and the view down the ridge reminded him of his place
in Mad Oak, and that becoming one of the Chosen would mean a place
in the wider world beyond. "So," Harp said, as they left the
square, "are you serious about this?"
"About what?" He didn't really need to ask, but
he wanted to hear her say it.
"About becoming the next Swordsman."
He didn't answer immediately, but rubbed absently at the bruise on his chest.
"I'm not sure," he said at
last, as they passed the house adjoining their own. "I thought I
was, but I keep changing my mind."
"It's a big decision," Harp agreed. Breaker nodded.
They stopped in front of the family home by
silent mutual consent, and stood for a moment. Then Breaker said,
"I don't want to be just a barley farmer all my life. I don't want
to be just the kid who broke things." "You don't have to be," Harp
said. "I was called Spiller when I was little, you know, and
everyone thought I'd just be a farmwife like our mother, raising
beans and children, canning and sewing and cooking."
"And you think you won't be?
You won't just marry Smudge and grow beans and barley, and bear his
children?"
"Oh, I might—but when was the
last time anyone called me Spiller?" She smiled.
"That's different. You've
been playing the harp since . . . well, since . . ."
"Since I was ten, and you
were six," Harp finished. "Thirteen years. And no one's called me
Spiller since I was twelve."
"It's a little late for me to
take up anything like that, then. I never had your ear for
music."
"You never tried."
"I never wanted
to."
"But you want to wield a
sword?"
"I don't. . . well, I..." He
frowned, remembering the cold ferocity of the blade when he first
held it, and the exhausting hour with the willow branch. "I don't
know," he admitted.
"Erren," she said, "tell me
what you do know. What do you want? Not just what you don't want,
but what you
do."
Startled by the
almost-forbidden use of a piece of his true name, which
demonstrated just how seriously Harp took this question, Breaker
hesitated a moment longer to gather his thoughts. Hearing that bit
of his real identity spoken aloud seemed to help, and at last he
said, "I want to be a part of something bigger than Mad Oak. I want
to see more than Mad Oak. Sometimes it feels as if I'm closed in
here, trapped in this place, caught between the ridge and the
river, as if the ler are holding me here against my will, and I
need to escape. But I don't want to just wander aimlessly around
Barokan, like a rogue wizard—I have roots here, I know that, my
true name tells me as much. I want to stay here, but at the same
time I want to see more, to be more. I want to see the ocean, and
the Midlands, and the salt marshes, and to stand at the foot of the
Eastern Cliffs to see how high they truly are—but not as a
stranger; as someone who belongs there, just as I belong here. I
want a role, a place in the world, but a
bigger one than growing barley in Mad Oak. It's not enough, being here. I see Joker and Brokenose and the rest, and they're fine here, they're happy, they don't want anything more, but I do. "But I don't know what." "Just more, huh?" "Yes. And becoming one of the Chosen—how much more could there be? I would be a part of all of Barokan, not just Mad Oak or Longvale."
"So that's why you agreed to
be the Swordsman?" "Yes. But then—there's the whole thing about
killing. A sword is made for killing—I was holding a sword earlier,
and I could feel how cold and hungry it was, how ready to kill.
It's not like a hunter's arrows, where the prey's ler surrenders
itself to feed us—the sword is meant to take that which no one
wants to give, and that frightens me a little. I don't want to kill
anyone. And if I don't, if I'm not ready to use the sword as I'm
meant to, then what am I really accomplishing by being one of the
Chosen? Killing the Wizard Lord is what they're chosen
for, after all. And that means they're useless, really—the Chosen don't do anything." "They will if there's another Dark Lord." "But there won't be." "Because the Chosen are there. It's like some of the priests you hear about, in other towns—they do things to
stop the ler from doing things. They offer prayers and sacrifices and rituals not to make the crops grow or the game come close, but so the ler won't carry off the children or blight the land. If they weren't there, the towns would be just as uninhabitable as any wilderness. And if the Chosen weren't there, the Wizard Lord could turn dark in an instant, and no one would stop him."
"But why would he turn dark?"
He waved a hand at the sky. "Look at the weather he gives us! It's
beautiful. He's doing fine. Why would that ever change? Most people
don't go about stealing and raping and murdering, even if they have
the chance."
'The wizards did, though, in the old stories.
Maybe it's something about being a wizard, about binding ler with
talismans. Or maybe it's just that some people are like that, even
if we aren't, and they would go stealing and raping and murdering
if they had the chance. A few do, you know, despite everything, and
the Wizard Lord hunts them down to bring them to justice, so we
know such people still exist. Perhaps there are many more of them,
but knowing that the priests and the Wizard Lord would catch them
keeps most of them from doing anything bad—but if one of them were
the Wizard Lord . . ."
"So don't choose people like
that to be Wizard Lord."
She shrugged. "Maybe you
can't tell them in advance, even with magic."
"It still seems ..." He groped for a word, and
finally said, ".. . clumsy."
'The system's worked for
hundreds of years. So the question is, do you want to be part of
it? Or would you rather not have the responsibility? If you don't
want to be a farmer or a musician, there are still plenty of other
choices besides being the world's greatest swordsman. You could
become a guide, maybe, or a bargeman, if you want to
travel."
Breaker nodded. He had
sometimes thought about exactly those options.
"The Swordsman says I have
the ability, though," he said, remembering the feel of the sword in
his hand. It had felt strange, but somehow right.
"Did he?"
Breaker nodded. "He tested me
this morning. In fact, we practiced for an hour. With sticks." He
grimaced. "He hit me a lot."
"Well, after all, he's not just a swordsman, but the world's greatest swordsman. He can defeat anyone. But he
said you have the ability you need?" "He did."
"Then maybe the ler led him here deliberately. Maybe you're meant to be the next Swordsman."
"Or maybe he's lying—he wants to retire and will take the first willing candidate, no matter how inept I am."
"Maybe. But he's one of the Chosen. He's supposed to be a potential hero. Would he lie and shirk his duty?"
"He might," Breaker said, without much conviction.
"I suppose he might. So what
it comes down to, baby brother, is whether you trust him, and
whether you trust yourself to be one of the Chosen, and whether you
want to be the Swordsman. If you'd be satisfied being a guide—
well, the Greenwater Guide has no heir that I know of, and they
don't ever have to kill anyone."
"Well, maybe if some fool of
a traveler wandered off and offended the wrong ler . .."
"Even then, it wouldn't be
the guide's job—he'd just let nature take its course. So which
would you rather carry— ara feathers, or a sword?"
"Most guides only ever learn
and work one or two routes. The Chosen protect all of
Barokan."
"Yes. It's quite a
responsibility."
Breaker stood silently for a moment,
considering, and remembering the morning's experiences; then he
smiled and shrugged.
"Someone has to do it," he
said. "It might as well be me." Harp smiled back, and the two
entered the house.
Perhaps an hour later their mother, known in
Mad Oak as White Rose, returned and saw Breaker seated at the
kitchen table.
"So you've given up on that foolishness?" she
demanded, without preamble.
Breaker did not pretend to misunderstand her.
"On the contrary," he said. "I'll be practicing with the Swordsman
for an hour every day until he feels I'm ready, and then a wizard
will transfer the magic to me, and I'll be one of the
Chosen."
She started to open her mouth to argue, then
saw the expression on his face.
"You're sure, then," she said. "I am."
"Even if it means killing a man."
Breaker had had time to
prepare for this. "If the Chosen are ever sent to kill the Wizard
Lord, Mother, I think we can all be sure he deserves it. It hasn't
happened in a century, and it probably won't happen in my lifetime—
but if it does, then yes, I'll kill him if I must. This is a good
role, an important role."
She stared at him for a moment, and he gazed steadily back.
"Well," she said at last, "you're nineteen, you're a man—I can't stop you. But I think you're being a fool."
"Someone has to do it," Breaker said, as he had
to Harp. "It might as well be me. And if that makes me a fool, then
so be it—I'm a fool. But remember, we live in peace, untroubled by
rogues or bad weather, because the Wizard Lord watches over us—and
we can trust him to do that because the Chosen watch over him. I
learned that from you, Mother. Am I a fool to do my part to
maintain that peace?"
White Rose sighed.
"I hope not," she said. "By
all the ler, I hope not!"