Acknowledgments
Okay, so, at the end of the day, when it’s time to write a book, it’s just me and the computer ... me, glaring balefully at same; computer refusing to make eye contact in the childish way it has.
(I should probably rewrite that: it should be the computer and me, right? Cuz I’m tryin’ to write good n’ stuff. Enh. I’ve already lost interest.)
But! For me to have the time to sit my big white butt down in the seat and get the work done? Tons of people help with that. And since I willfully ignore them most of the time, when I’m not figuring out how to frame them for felony assault, I’ll go on ahead and drop a few names.
First, many thanks to my valiant yet self-effacing assistant, Tracy Fritze. The poor woman no doubt assumed, well over a year ago, that it’d be a typical office job. Working for a writer was probably like working for an accountant: it sounded important but was ultimately mind-numbingly dull.
Sure, her workplace was my very own home, but how much different would it be from driving to an office three days a week?
Tracy likely assumed her duties would fall along the lines of word processing, setting up meetings, arranging interviews, proofing ARCs, booking speaking engagements, working with copyeditors, and occasionally running tornado drills.
Instead, the poor woman has been forced, in pretty rapid succession, to endure: being greeted by my pantsless son on more than one occasion, being interviewed by a German magazine (them: “How terrific is it to work for the MaryJanice Davidson?” Tracy: “Um ... ”), fighting off our overly affectionate dogs, enduring the smells of McDonald’s chicken nuggets and pots of chocolate Malt O’Meal when she’s trying to eat like a grown-up (and set me an example of same), and ceaselessly trying to encourage me to sit down to make decisions (on PR products, on book signings, on answering reader questions, on turning in interview questions the day I agreed to do so, on why I shouldn’t wolf down a half dozen Reese’s Cups at 9:30 a.m.) like a grown-up.
Not to mention being locked out of my house when I’ve crawled back into bed with a migraine (see above: greeted by pantsless son: “Hi, Tracy. Mom’s sick. Can I have some Malt O’Meal?”), and holding her ground when I ruthlessly set the dogs upon her (I found my dogs are especially fond of her if I rub bacon grease into her shoes while she’s hard at work in the office).
Tracy is an assistant as the dictionary defines it: she contributes to the fulfillment of a need; she assumes some of my responsibilities. She rescues me from the minutiae that nearly everyone has to endure if they want to be a functioning member of society. She’s smart, she’s quick, she never has to be told anything twice, she’s discreet (nobody knew about my pantsless son or Malt O’Mealgate until I stuck it right in my acknowledgments page). Also, she smells terrific.
Thanks are also due, as always, to the awesomest of awesome husbands, Anthony Alongi (he also cowrites the Jennifer Scales series with me). He tirelessly reads, suggests, edits, mocks, enrages, inspires, and annoys. Without him, there’s absolutely nothing for me.
My folks and sister, for being completely unwavering in their support, one hundred percent of the time. They wouldn’t abandon that stance if I stuck a gun in their ear. Do not ask me how I know that.
The Magic Widows, who have endured me for years and pretend that I’m worth the trouble.
The best of agents, Ethan Ellenberg, who paid me the ultimate compliment of calling me low maintenance. That was a wonderful lie for him to tell!
The always terrific Cindy Hwang, who reads my book suggestions and synopses, edits my manuscripts, exudes copious enthusiasm for same, and doesn’t smack herself on the forehead when I can see it, or hear it. (Though I do occasionally hear odd background sounds when I’m on the phone with her.)
And to Leis Pederson, kick-ass assistant editor, who is repeatedly forced to track me down and corner me like a rat to get edits out of me, but does it with such style I feel wanted, not stalked.
Thanks also to the Yahoos, my fans on Facebook, the readers kind enough to write to me, and the readers who don’t go near Facebook or the Web, who don’t have computers but who write to me, care of my publisher, with real pens on real paper. (I feel bad I received one such snail mail and instantly assumed, as comedian Jim Gaffigan suggested, that someone had been kidnapped.)
I write for myself—I always have. I think if you write for other people, the end result is something of a cheat, for you and for them.
But you guys make the writing that much more fun, for which I am continually humbled and slavishly grateful.
 
—MaryJanice,
Winter 2009
Undead and Unfinished
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