FORTY-EIGHT

For all the noise of water overhead, there was silence also. For all the murk there were the shreds of light. For all the jostling and squalor, there were also the great spaces and a profound withdrawal.

Long fleets of tables were like rafts with legs, or like a market, for there were figures seated at these tables with crates and sacks before them or at their sides or heaped together upon the damp ground … a sodden and pathetic salvage, telling of other days in other lands. Days when hope’s bubble, bobbing in their breasts, forgot, or had not heard of dissolution. Days of bravado. Gold days and green days. Days half forgotten. Days with a dew upon them. And here they were, the hundreds of them, at their stalls, awaiting, or so it seemed, the hour that never came, the hour for the market to open and the bells to ring. But there was no merchandise. Nothing to buy or sell. What they had left was what they meant to keep. There was also something of a dreadful ward, for throughout the dripping halls that led in all directions there were beds and berths of every description, pallets, litters and mattresses of straw.

But there were no doctors and there was no authority: and the sick were free to leap among the shadows and soar with their own fever. And the hale were free to spend their days in bed, curled up like cats, or at full stretch, rigid as men in armour.

A world of sound and silence stitched together. A habitation under the earth … under the river: a kingdom of the outcasts; the fugitives; the failures; the mendicants; the plotters; a secret world with a roof that leaked eternally, so that wide skirts of water reflected the beds and the tables, and the denizens who leaned against pit-props or pillars, and who long ago had been forced to form themselves into ragged groups so that it seemed that the dark scene was seismic and had thrown up islands of wood and iron. All was reflected here in the dim glazes. If a hand moved, or a head was flung back, or if anyone stumbled the reflection stumbled with him, or gestured in the depths of the sheen. It did not seem to brighten but rather to intensify the darkness that there were hundreds of lamps and that many of them were reflected in the ‘lakes’. It was so vast a district that there were of necessity deep swaths of darkness hanging beyond reach of brand or lantern, dire volumes at whose centres the air was thick with dark, and smelt of desolation. The candles guttered even at the verge of these deadly pockets, guttered and failed as though from a failure of the candle’s nerve.

A wilderness of tables, beds and benches. The stoves and curious ranges. The figures moving by at various levels, with various distinctness, some silhouetted, sharp and edged like insects, some pale and luminous against the gloom. And the ‘lakes’ changing their very nature: now ankle-deep, the clear water showing the pocked and cheesy bricks beneath and then, a moment later, at a shift of the head, revealing a world in so profound and so meticulous an inversion as to swallow up the eye that gazed upon it and drag it down, out-fathoming invention.

And overhead the eternal roar of the river: a voice, a turmoil, a lunatic wrestling of waters, whose muffled reverberations were a background to all that ever happened in the Under-River.

To those ignorant of extreme poverty and of its degradations; of pursuit and the attendant horrors; of the crazed extremes of love and hate; for those ignorant of such, there was no cause to suffer such a place. It was enough for the great city to know and to have heard of it by echo or by rumour and to maintain a tacit silence as dreadful as it was accepted. Whether it was through shame or fear or a determination to ignore, or even to disbelieve what they knew to be true, it was, for whatever reason, an unheard-of thing for the outrageous place to be mentioned by those who, being less desperate, were able to live out their lives in either of the two great cities that faced one another across the river.

And so the halls and tunnels of the cold sub-river life where it throbbed beneath the angry water were, to the populace on the opposing banks, in the nature of a bad dream, both too bizarre to be taken seriously, yet horrid enough to speculate upon, only to recoil, only to speculate again, and recoil again, and tear the clinging cobwebs from the brain.

What were the thoughts of those who lived and slept in the fastness beneath the water? Were these thieves and broken poets, these fugitives affected by some stigma; were they jealous or afraid of the world? How had they all foregathered in this crepuscular region? What had they so much in common that they needed each other’s presences? Nothing but hope. Hope like a wavering marsh-light: hope like a pale sun: hope like a floating leaf.

All at once and very close a harsh and unexpected noise of metal being sharpened was in horrid contrast to the soft drip … drip … drip … of water from above.

Far away there was an angry sound that broke into fragments that echoed for a while in hollow dungeons.

Somewhere, someone was adjusting the shutter of a lantern so that for a little while a shaft of light played erratically to and fro across the darkness, picking out groups of figures at varying distances, groups like hummocks of varying sizes, some pyramidal, some irregular, each with a life and shape of its own.

Before the door of the lantern was finally fastened the thread of light had come to rest upon a group of them. For a long while they had been silent; beneath the light the colour of a bruise. It hung above them, casting the kind of glow that suggested crime. Even the kindest smile appeared ghastly.

The Illustrated Gormenghast Trilogy
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