SIXTY-NINE

Meanwhile Titus, whose journeyings in search of his home and of himself had taken him through many climates, was now at rest in a cool grey house in the quiet of whose protecting walls he lay in fever.

His face, vivid and animate for all its stillness, lay half submerged in the white pillow. His eyes were shut: his cheeks flushed and his forehead hot and wet. The room about him was high, green, dusky and silent. The blinds were drawn and a sense of an underwater world wavered through the room.

Beyond the windows lay stretched a great park, in whose south-east corner a lake (for all its distance) stabbed the eye with a wild dazzle of water. Beyond the lake, almost on the horizon, arose a factory. It took the sky in its stride, its outline cruising across a hundred degrees, a masterpiece of design. Of all this Titus knew nothing, for his room was his world.

Nor did he know that sitting at the foot of his bed with her eyebrows raised was the scientist’s daughter.

It was well for Titus that he was unable to see her through the hot haze of his fever. For hers was a presence not easily forgotten. Her body was exquisite. Her face indescribably quizzical. She was a modern. She had a new kind of beauty. Everything about her face was perfect in itself, yet curiously (from the normal point of view) misplaced. Her eyes were large and stormy grey, but were set a thought too far apart; yet not so far as to be immediately recognized. Her cheekbones were taut and beautifully carved, and her nose, straight as it was, yet gave the impression of verging, now on the retroussé side, now on the aquiline. As for the curl of her lips, it was like a creature half asleep, something that like a chameleon could change its colour (if not at will, at any rate at a minute’s notice). Her mouth, today, was the colour of lilac blossom, very pale. When she spoke, her pale lips drew themselves back from her small white teeth, and allowed a word or two to wander like a petal that is blown listlessly away. Her chin was rounded like the smaller end of a hen’s egg, and in profile it seemed deliciously small and vulnerable. Her head was balanced upon her neck, and her neck on her shoulders like a balancing act, and the bizarre diversity of her features, incongruous in themselves, came together and fused into a face quite irresistible.

From far below were cries and counter-cries, for the house was full of guests.

‘Cheeta,’ they shouted, ‘where are you? We’re going riding.’

‘Then go!’ said Cheeta, between her pretty teeth.

Great blond men were draped over the banisters, two floors below.

‘Come on, Cheeta,’ they yelled. ‘We’ve got your pony ready.’

‘Then shoot the brute,’ she muttered.

She turned her head from Titus for a moment, and all her features, orientated thus, provoked a new relationship … another beauty.

‘Leave her alone,’ cried the young ladies, who knew that with Cheeta alongside there would be no fun for them. ‘She doesn’t want to come … she told us so,’ they squealed.

Nor did she. She sat quite upright, her eyes fixed upon the young man.

The Illustrated Gormenghast Trilogy
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