SIXTY-TWO

Titus got to his feet and turned to Muzzlehatch. He saw at once by the distant look in his friend’s eye that he was in no talking mood. He seemed to have forgotten the long shattered man at his feet, and to be brooding on some other matter. When Black Rose came stumbling up, her hands clasped, he took no notice of her. She turned to Titus.

At once, Titus drew back. Not because she repelled him, for even in the drawn and sunken condition she was in, she was still beautiful. But now, she had no option but to arouse pity: she could not help it. It was a beauty to beware of. Her enormous eyes so often big with fear were now big with hope … and Titus knew that he must get away. He could see at once that she was predatory. She did not know it, but she was.

‘She goes through hell,’ muttered Titus. ‘She wades in it, and the thicker and deeper it is, the more I long to escape. Grief can be boring.’ Titus was immediately sickened by his own words. They tasted foul on the tongue.

He turned to her and was held again by the gaping tragedy of her eyes. Whatever she said could be nothing but mere corroboration. It could merely repeat or embroider the reality of her eloquent eyes. The trembling of her hands, and the wetness of her cheekbones. These and other signs were redundant. He knew that were he to let fall the smallest seed of kindness, then that seed would inevitably grow into some kind of weird relationship. A smile might set the avalanche moving.

‘I can’t, I can’t,’ he thought. ‘I can’t sustain her. I can’t comfort her. I can’t love her. Her suffering is far too clear to see. There is no veil across it: no mystery: no romance. Nothing but a factual pain, like the pain of a nagging tooth.’

Again he turned his eyes to her as though to verify what he had been thinking, and at once he was ashamed.

She had become emptied. Pain had emptied her. There was nothing left. What could he do?

He turned to Muzzlehatch: there was something about him that baffled the boy. For the first time it seemed as though his friend had a weakness: some vulnerable spot. Somebody or something had searched it out. As Titus watched, and as Black Rose stood with her eyes fixed upon him, Muzzlehatch turned to the great crowd.

He had heard without knowing it the first murmur, and he now became aware of a widespread stirring, as gradually the crowd began to crumble, grain by grain, making its way to the arena, gradually as though a great hill of sugar were on the move.

But what was more important, the incredulous population appeared to be drifting in the direction of the three. Within a minute, they (the Black Rose, Titus and Muzzlehatch) would, if they stayed where they were, be caught up in an insufferable press.

Before them, inexorably, came spilling out the tide. The tide of the unwanted, the dispossessed: the dross of the Under-River. Among them came Crabcalf and the bird-headed man who fed the hounds; came the old man, and his squirrel: came Crack-Bell: came Sober-Carter.

There was no time to lose. ‘This way,’ said Muzzlehatch, and Titus with the Black Rose clinging to his arm hurried after him, as the gaunt man strode into a blanket of darkness. Not a lantern burned: not a candle even. Only by the sound of his footsteps was Titus able to keep contact with his friend.

After what seemed an hour or more, they turned to the south. He seemed to have eyes like a cat’s, this silent Muzzlehatch; for dark as it was, he never faltered.

Then, after yet an hour or more of walking, this time with the Black Rose slung over his shoulders, Muzzlehatch at last came to a long flight of steps. As they climbed, they became aware, momently, of a percolation of faint light, and then, all at once, of a small white opening in the darkness, the size of a coin. When at last they reached it, they found it to be an entrance, or for themselves an egress. They had reached one of the secret mouths of the under-river world, and Titus was amazed to see, on wriggling himself out into the air, that they were in the silent heart of a forest.

The Illustrated Gormenghast Trilogy
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