25
THE SLAUGHTER FROM THE HEAVENS that Marco Celere
dreamed of would demand flying machines not yet built. Such
warships of the sky would have two or three, even four, motors on
enormous wings and carry many bombs for long distances. Smaller,
nimble escort machines would protect them from counterattack.
Celere was fully aware that his was not a new idea.
Visionary artists and cold-blooded soldiers had long imagined
speedy airships capable of carrying many passengers, or many bombs.
But other men’s ideas were his lifeblood. He was a sponge, as
Danielle Di Vecchio had screamed at him. A thief and a
sponge.
So what if Dmitri Platov, the fictional Russian
aeroplane mechanician, machinist, and thermo engine designer, was
his only original invention? An Italian proverb said it all:
Necessity is the mother of invention. Marco Celere needed to
destroy his competitors’ flying machines to guarantee that
Josephine won the race with his machine. Who better to sabotage
them than helpful, kindly “Platov”?
Celere was truly an expert toolmaker, with a
peculiar talent for picturing the finished product at the outset.
The gift had set him above common machinists and mechanicians when
he apprenticed at age twelve in a Birmingham machine shop—a
position that his father, an immigrant restaurant waiter, had
procured by seducing the owner’s wife. When metal stock was put on
a lathe to be turned into parts, the other boys saw a solid block
of metal. But Marco could visualize the finished part even before
the stock started spinning. It was as if he could see what waited
inside. Releasing the part waiting inside was a simple matter of
chiseling away the excess.
It worked in life, too. He had seen inside Di
Vecchio’s first monoplane a vision of Marco Celere himself winning
contracts to build warplanes to defeat Italy’s archenemy, Turkey,
and seize the Turkish Ottoman Empire’s colonies in North
Africa.
Soon after the machine he copied had smashed, he
saw vindication “waiting inside” a luxurious special train that
rolled into San Francisco’s First California Aerial Meet. Off
stepped Harry Frost and his child bride. The fabulously wealthy
couple—the heavy bomber and the nimble escort—richer by far than
the King of Italy—had given him a second chance to sell futuritial
war machines.
Josephine, desperate to fly aeroplanes and starved
for affection, was seduced without difficulty. Remarkably
observant, decisive, and brave in the air, she was easily led down
on earth, where decisiveness turned impulsive, and where she seemed
curiously unable to predict the consequences of her actions.
Along had come the Whiteway Cup Cross-Country Air
Race to prove his aeroplanes were the best. They had to be. He had
copied only the best. He had no doubt that Josephine would win with
her flying skill and with him sabotaging the competition. Winning
would vindicate him in the eyes of the Italian Army. Past smashes
would be forgotten when his warplanes vanquished Turkey, and Italy
took Turkey’s colonies in North Africa.
Two yellow specks appeared in the distance:
Josephine, with Isaac Bell right behind and above, following like a
shepherd. The crowd began cheering “Josephine! Josephine!” Whiteway
was a genius, Celere thought. They truly loved their Sweetheart of
the Air. When she won the cup, everyone in the world would know her
name. And every general in the world would know whose flying
machine had carried her to victory.
If Steve Stevens managed to finish, all the
better—Celere would sell the Army heavy bombers as well as nimble
escorts. But that was a very big if. Uncontrollable vibration, due
to a failure to synchronize the twin engines, was shaking it to
pieces. If Stevens smashed before he finished, Celere could blame
it on the farmer’s weight and poor flying. He had to admit that, by
now, young Igor Sikorsky would have solved the vibration problem,
but it was beyond Celere’s talents. And it was too late in the game
to steal those ideas even if Sikorsky were here instead of in
Russia. If only the thermo engine he had bought in Paris had worked
out, but that, too, had been beyond his talents.
THE VAN DORN PROTECTIVE SERVICES operators
guarding the roof of the armory had kept a sharp eye on the door
from the stairs, as instructed by Joseph Van Dorn, though every
cheer that went up had drawn their attention to the parade ground
and bleachers below and the next machine descending from the
sky.
Now they lay unconscious at Harry Frost’s feet,
surprised by hammer blows of his fists after he sprang not from the
stairs’ penthouse but from the elevator’s, where he had hidden
since dawn.
Frost steadied a Marlin rifle on a square stone
between two notches in the parapet and waited patiently for
Josephine’s head to completely fill the circle of his telescopic
sight. She was coming straight at him, preparing to circle the
armory as required by the rules, and he could see her through the
blur of her propeller. This might not be as satisfying a kill as
strangling her, but the Van Dorns had left him no opportunity to
get close. And there were times a man did best to take what he
could get. Besides, the telescope made it seem as if they were
facing each other across the dinner table.
THE INSTANT ISAAC BELL saw the stone notches in
the armory’s crenellated parapet, he rammed his control wheel
forward as hard as he could and made the Eagle dive. That
roof was precisely where he would lay an ambush. The rules
of the race guaranteed that Frost’s victim would have to fly so
close, he could hit her with a rock.
Driving with his right hand, he swiveled his
Remington autoload rifle with his left. He saw a startled
expression on Josephine’s face as he hurtled past her. Ahead, among
the stone notches, he saw the sun glint on steel. Behind the flash,
half hidden in shadow, the bulky silhouette of Harry Frost was
drawing a bead on Josephine’s yellow machine.
Then Frost saw the American Eagle plummeting
toward him.
He swung his barrel in Bell’s direction and opened
fire. Braced on the solid roof of the armory, he was even more
accurate than he had been from the oyster boat. Two slugs stitched
through the fuselage directly behind the controls, and Bell knew
that only the extraordinary speed of his dive had saved him when
Frost underestimated how swiftly he would pass.
Now it was his turn. Waiting until his spinning
propeller was clear of the field of fire, the tall detective
triggered his Remington. Stone chips flew in Frost’s face, and he
dropped his rifle and fell backwards.
Isaac Bell turned the Eagle sharply—too
sharply—felt it start to spin, corrected before he lost control,
and swept back at the armory. Frost was scrambling across the roof,
leaping over the bodies of two fallen detectives. He had left his
rifle where he had dropped it and was holding a hand to his eye.
Bell fired twice. One shot shattered glass in the structure that
housed the elevator machinery. The other nicked the heel of Frost’s
boot. The impact of the powerful centerfire .35 caliber slug
knocked the big man off his feet.
Bell wrenched the Eagle around again,
ignoring the protesting shriek of wind in the stays and an ominous
grinding sound that vibrated through the controls, and raced back
at the red brick building to finish him off. Across the roof, the
door of the stair house flew open. Soldiers with long, clumsy
rifles tumbled through it and fanned out, forcing Bell to hold his
fire to avoid hitting them. Frost ducked behind the elevator house.
As Bell roared past, he saw the killer open a door and slip
inside.
He looked down at the avenue in front of the
building, saw that Josephine had alighted and that there was space
for him. Down he went, blipping his motor. He hit the cobblestones
hard, spun half around, recovered, and, when the tail skid had
slowed him nearly to a stop, jumped down and ran up the front steps
of the armory, drawing his pistol.
An honor guard of soldiers in dress uniforms
holding rifles at port arms blocked his way.
“Van Dorn!” Bell addressed their sergeant, a
decorated man of action whose chestful of battle ribbons included
the blue-and-yellow Spanish-American War Marine Corps Spanish
Campaign Service Medal. “There’s a murderer in the elevator house.
Follow me!”
The old veteran sprang into action, running after
the tall detective and calling upon his men. The inside of the
armory was an enormous cathedral-like drill space as wide as the
building and half as deep. The coffered ceiling rose as high as the
roof. Bell raced to the elevator and stair shafts. The elevator
doors were closed, and the brass arrow that indicated its location
showed that the car was at the top of the shaft.
“Two men here!” he ordered. “Don’t let him out if
the car descends. The rest, follow me.”
He bounded up four flights of stairs, with the
soldiers clattering behind, reached the roof, and stepped outside
just as Joe Mudd’s red Liberator roared around the building, yards
ahead of Sir Eddison-Sydney-Martin’s blue Curtiss Pusher.
Bell ran to the elevator house. The door was
locked.
“Shoot it open.”
The soldiers looked to their sergeant.
“Do it!” he ordered. Six men pumped three rounds of
rifle fire into the door, bursting it open. Bell bounded in first,
pistol in hand. The machine room was empty. He looked through the
steel grate floor. He could see into the open, unroofed car, which
was still at the top of the shaft immediately under him. It, too,
was empty. Harry Frost had disappeared.
“Where is he?” shouted the sergeant. “I don’t see
anyone. Are you sure you saw him in here?”
Isaac Bell pointed at an open trapdoor in the floor
of the car.
“He lowered himself down the traction rope.”
“Impossible. There’s no way a man could hold on to
that greasy cable.”
Bell dropped into the elevator car and looked down
through the trap. His sharp eyes spotted twin grooves in the grease
that thickly coated the braided steel wire that formed the traction
rope. He showed the sergeant.
“Where the heck did he get a cable brake?”
“He came prepared,” said Bell, climbing up the side
of the car to run for the stairs.
“Any idea who he was?”
“Harry Frost.”
Fear flickered across the old soldier’s face. “We
were chasing Harry Frost?”
“Don’t worry. He won’t get far.”
“Chicago’s his town, mister.”
“It’s our town, too, and Van Dorns never give
up.”