XX. The Flower of Eden
Phoebe, coming so suddenly from the sunny daylight, was altogether
bedimmed in such density of shadow as lurked in most of the
passages of the old house. She was not at first aware by whom she
had been admitted. Before her eyes had adapted themselves to the
obscurity, a hand grasped her own with a firm but gentle and warm
pressure, thus imparting a welcome which caused her heart to leap
and thrill with an indefinable shiver of enjoyment. She felt
herself drawn along, not towards the parlor, but into a large and
unoccupied apartment, which had formerly been the grand
reception-room of the Seven Gables. The sunshine came freely into
all the uncurtained windows of this room, and fell upon the dusty
floor; so that Phoebe now clearly saw—what, indeed, had been no
secret, after the encounter of a warm hand with hers—that it was
not Hepzibah nor Clifford, but Holgrave, to whom she owed her
reception. The subtile, intuitive communication, or, rather, the
vague and formless impression of something to be told, had made her
yield unresistingly to his impulse. Without taking away her hand,
she looked eagerly in his face, not quick to forebode evil, but
unavoidably conscious that the state of the family had changed
since her departure, and therefore anxious for an explanation. The
artist looked paler than ordinary; there was a thoughtful and
severe contraction of his forehead, tracing a deep, vertical line
between the eyebrows. His smile, however, was full of genuine
warmth, and had in it a joy, by far the most vivid expression that
Phoebe had ever witnessed, shining out of the New England reserve
with which Holgrave habitually masked whatever lay near his heart.
It was the look wherewith a man, brooding alone over some fearful
object, in a dreary forest or illimitable desert, would recognize
the familiar aspect of his dearest friend, bringing up all the
peaceful ideas that belong to home, and the gentle current of
every-day affairs. And yet, as he felt the necessity of responding
to her look of inquiry, the smile disappeared. "I ought not to
rejoice that you have come, Phoebe," said he. "We meet at a strange
moment!" "What has happened!" she exclaimed. "Why is the house so
deserted? Where are Hepzibah and Clifford?" "Gone! I cannot imagine
where they are!" answered Holgrave. "We are alone in the house!"
"Hepzibah and Clifford gone?" cried Phoebe. "It is not possible!
And why have you brought me into this room, instead of the parlor?
Ah, something terrible has happened! I must run and see!" "No, no,
Phoebe!" said Holgrave holding her back. "It is as I have told you.
They are gone, and I know not whither. A terrible event has, indeed
happened, but not to them, nor, as I undoubtingly believe, through
any agency of theirs. If I read your character rightly, Phoebe," he
continued, fixing his eyes on hers with stern anxiety, intermixed
with tenderness, "gentle as you are, and seeming to have your
sphere among common things, you yet possess remarkable strength.
You have wonderful poise, and a faculty which, when tested, will
prove itself capable of dealing with matters that fall far out of
the ordinary rule." "Oh, no, I am very weak!" replied Phoebe,
trembling. "But tell me what has happened!" "You are strong!"
persisted Holgrave. "You must be both strong and wise; for I am all
astray, and need your counsel. It may be you can suggest the one
right thing to do!" "Tell me!—tell me!" said Phoebe, all in a
tremble. "It oppresses, —it terrifies me,—this mystery! Anything
else I can bear!" The artist hesitated. Notwithstanding what he had
just said, and most sincerely, in regard to the self-balancing
power with which Phoebe impressed him, it still seemed almost
wicked to bring the awful secret of yesterday to her knowledge. It
was like dragging a hideous shape of death into the cleanly and
cheerful space before a household fire, where it would present all
the uglier aspect, amid the decorousness of everything about it.
Yet it could not be concealed from her; she must needs know it.
"Phoebe," said he, "do you remember this?" He put into her hand a
daguerreotype; the same that he had shown her at their first
interview in the garden, and which so strikingly brought out the
hard and relentless traits of the original. "What has this to do
with Hepzibah and Clifford?" asked Phoebe, with impatient surprise
that Holgrave should so trifle with her at such a moment." It is
Judge Pyncheon! You have shown it to me before!" "But here is the
same face, taken within this half-hour" said the artist, presenting
her with another miniature. "I had just finished it when I heard
you at the door." "This is death!" shuddered Phoebe, turning very
pale. "Judge Pyncheon dead!" "Such as there represented," said
Holgrave, "he sits in the next room. The Judge is dead, and
Clifford and Hepzibah have vanished! I know no more. All beyond is
conjecture. On returning to my solitary chamber, last evening, I
noticed no light, either in the parlor, or Hepzibah's room, or
Clifford's; no stir nor footstep about the house. This morning,
there was the same death-like quiet. From my window, I overheard
the testimony of a neighbor, that your relatives were seen leaving
the house in the midst of yesterday's storm. A rumor reached me,
too, of Judge Pyncheon being missed. A feeling which I cannot
describe—an indefinite sense of some catastrophe, or consummation
—impelled me to make my way into this part of the house, where I
discovered what you see. As a point of evidence that may be useful
to Clifford, and also as a memorial valuable to myself,—for,
Phoebe, there are hereditary reasons that connect me strangely with
that man's fate,—I used the means at my disposal to preserve this
pictorial record of Judge Pyncheon's death." Even in her agitation,
Phoebe could not help remarking the calmness of Holgrave's
demeanor. He appeared, it is true, to feel the whole awfulness of
the Judge's death, yet had received the fact into his mind without
any mixture of surprise, but as an event preordained, happening
inevitably, and so fitting itself into past occurrences that it
could almost have been prophesied. "Why have you not thrown open
the doors, and called in witnesses?" inquired she with a painful
shudder. "It is terrible to be here alone!" "But Clifford!"
suggested the artist. "Clifford and Hepzibah! We must consider what
is best to be done in their behalf. It is a wretched fatality that
they should have disappeared! Their flight will throw the worst
coloring over this event of which it is susceptible. Yet how easy
is the explanation, to those who know them! Bewildered and
terror-stricken by the similarity of this death to a former one,
which was attended with such disastrous consequences to Clifford,
they have had no idea but of removing themselves from the scene.
How miserably unfortunate! Had Hepzibah but shrieked aloud,—had
Clifford flung wide the door, and proclaimed Judge Pyncheon's
death,—it would have been, however awful in itself, an event
fruitful of good consequences to them. As I view it, it would have
gone far towards obliterating the black stain on Clifford's
character." "And how" asked Phoebe, "could any good come from what
is so very dreadful?" "Because," said the artist, "if the matter
can be fairly considered and candidly interpreted, it must be
evident that Judge Pyncheon could not have come unfairly to his
end. This mode of death had been an idiosyncrasy with his family,
for generations past; not often occurring, indeed, but, when it
does occur, usually attacking individuals about the Judge's time of
life, and generally in the tension of some mental crisis, or,
perhaps, in an access of wrath. Old Maule's prophecy was probably
founded on a knowledge of this physical predisposition in the
Pyncheon race. Now, there is a minute and almost exact similarity
in the appearances connected with the death that occurred yesterday
and those recorded of the death of Clifford's uncle thirty years
ago. It is true, there was a certain arrangement of circumstances,
unnecessary to be recounted, which made it possible nay, as men
look at these things, probable, or even certain—that old Jaffrey
Pyncheon came to a violent death, and by Clifford's hands." "Whence
came those circumstances?" exclaimed Phoebe. "He being innocent, as
we know him to be!" "They were arranged," said Holgrave,—"at least
such has long been my conviction,—they were arranged after the
uncle's death, and before it was made public, by the man who sits
in yonder parlor. His own death, so like that former one, yet
attended by none of those suspicious circumstances, seems the
stroke of God upon him, at once a punishment for his wickedness,
and making plain the innocence of Clifford, But this flight,—it
distorts everything! He may be in concealment, near at hand. Could
we but bring him back before the discovery of the Judge's death,
the evil might be rectified," "We must not hide this thing a moment
longer!" said Phoebe. "It is dreadful to keep it so closely in our
hearts. Clifford is innocent. God will make it manifest! Let us
throw open the doors, and call all the neighborhood to see the
truth!" "You are right, Phoebe," rejoined Holgrave. "Doubtless you
are right." Yet the artist did not feel the horror, which was
proper to Phoebe's sweet and order-loving character, at thus
finding herself at issue with society, and brought in contact with
an event that transcended ordinary rules. Neither was he in haste,
like her, to betake himself within the precincts of common life. On
the contrary, he gathered a wild enjoyment,—as it were, a flower of
strange beauty, growing in a desolate spot, and blossoming in the
wind, —such a flower of momentary happiness he gathered from his
present position. It separated Phoebe and himself from the world,
and bound them to each other, by their exclusive knowledge of Judge
Pyncheon's mysterious death, and the counsel which they were forced
to hold respecting it. The secret, so long as it should continue
such, kept them within the circle of a spell, a solitude in the
midst of men, a remoteness as entire as that of an island in
mid-ocean; once divulged, the ocean would flow betwixt them,
standing on its widely sundered shores. Meanwhile, all the
circumstances of their situation seemed to draw them together; they
were like two children who go hand in hand, pressing closely to one
another's side, through a shadow-haunted passage. The image of
awful Death, which filled the house, held them united by his
stiffened grasp. These influences hastened the development of
emotions that might not otherwise have flowered so. Possibly,
indeed, it had been Holgrave's purpose to let them die in their
undeveloped germs. "Why do we delay so?" asked Phoebe. "This secret
takes away my breath! Let us throw open the doors!" "In all our
lives there can never come another moment like this!" said
Holgrave. "Phoebe, is it all terror?—nothing but terror? Are you
conscious of no joy, as I am, that has made this the only point of
life worth living for?" "It seems a sin," replied Phoebe,
trembling,"to think of joy at such a time!" "Could you but know,
Phoebe, how it was with me the hour before you came!" exclaimed the
artist. "A dark, cold, miserable hour! The presence of yonder dead
man threw a great black shadow over everything; he made the
universe, so far as my perception could reach, a scene of guilt and
of retribution more dreadful than the guilt. The sense of it took
away my youth. I never hoped to feel young again! The world looked
strange, wild, evil, hostile; my past life, so lonesome and dreary;
my future, a shapeless gloom, which I must mould into gloomy
shapes! But, Phoebe, you crossed the threshold; and hope, warmth,
and joy came in with you! The black moment became at once a
blissful one. It must not pass without the spoken word. I love
you!" "How can you love a simple girl like me?" asked Phoebe,
compelled by his earnestness to speak. "You have many, many
thoughts, with which I should try in vain to sympathize. And I, —I,
too,—I have tendencies with which you would sympathize as little.
That is less matter. But I have not scope enough to make you
happy." "You are my only possibility of happiness!" answered
Holgrave. "I have no faith in it, except as you bestow it on me!"
"And then—I am afraid!" continued Phoebe, shrinking towards
Holgrave, even while she told him so frankly the doubts with which
he affected her. "You will lead me out of my own quiet path. You
will make me strive to follow you where it is pathless. I cannot do
so. It is not my nature. I shall sink down and perish!" "Ah,
Phoebe!" exclaimed Holgrave, with almost a sigh, and a smile that
was burdened with thought. "It will be far otherwise than as you
forebode. The world owes all its onward impulses to men ill at
ease. The happy man inevitably confines himself within ancient
limits. I have a presentiment that, hereafter, it will be my lot to
set out trees, to make fences,—perhaps, even, in due time, to build
a house for another generation,—in a word, to conform myself to
laws and the peaceful practice of society. Your poise will be more
powerful than any oscillating tendency of mine." "I would not have
it so!" said Phoebe earnestly. "Do you love me?" asked Holgrave.
"If we love one another, the moment has room for nothing more. Let
us pause upon it, and be satisfied. Do you love me, Phoebe?" "You
look into my heart," said she, letting her eyes drop. "You know I
love you!" And it was in this hour, so full of doubt and awe, that
the one miracle was wrought, without which every human existence is
a blank. The bliss which makes all things true, beautiful, and holy
shone around this youth and maiden. They were conscious of nothing
sad nor old. They transfigured the earth, and made it Eden again,
and themselves the two first dwellers in it. The dead man, so close
beside them, was forgotten. At such a crisis, there is no death;
for immortality is revealed anew, and embraces everything in its
hallowed atmosphere. But how soon the heavy earth-dream settled
down again! "Hark!" whispered Phoebe. "Somebody is at the street
door!" "Now let us meet the world!" said Holgrave. "No doubt, the
rumor of Judge Pyncheon's visit to this house, and the flight of
Hepzibah and Clifford, is about to lead to the investigation of the
premises. We have no way but to meet it. Let us open the door at
once." But, to their surprise, before they could reach the street
door,—even before they quitted the room in which the foregoing
interview had passed,—they heard footsteps in the farther passage.
The door, therefore, which they supposed to be securely locked,
—which Holgrave, indeed, had seen to be so, and at which Phoebe had
vainly tried to enter,—must have been opened from without. The
sound of footsteps was not harsh, bold, decided, and intrusive, as
the gait of strangers would naturally be, making authoritative
entrance into a dwelling where they knew themselves unwelcome. It
was feeble, as of persons either weak or weary; there was the
mingled murmur of two voices, familiar to both the listeners. "Can
it be?" whispered Holgrave. "It is they!" answered Phoebe. "Thank
God!—thank God!" And then, as if in sympathy with Phoebe's
whispered ejaculation, they heard Hepzibah's voice more distinctly.
"Thank God, my brother, we are at home!" "Well!—Yes!—thank God!"
responded Clifford. "A dreary home, Hepzibah! But you have done
well to bring me hither! Stay! That parlor door is open. I cannot
pass by it! Let me go and rest me in the arbor, where I used,—oh,
very long ago, it seems to me, after what has befallen us,—where I
used to be so happy with little Phoebe!" But the house was not
altogether so dreary as Clifford imagined it. They had not made
many steps,—in truth, they were lingering in the entry, with the
listlessness of an accomplished purpose, uncertain what to do
next,—when Phoebe ran to meet them. On beholding her, Hepzibah
burst into tears. With all her might, she had staggered onward
beneath the burden of grief and responsibility, until now that it
was safe to fling it down. Indeed, she had not energy to fling it
down, but had ceased to uphold it, and suffered it to press her to
the earth. Clifford appeared the stronger of the two. "It is our
own little Phoebe!—Ah! and Holgrave with, her" exclaimed he, with a
glance of keen and delicate insight, and a smile, beautiful, kind,
but melancholy. "I thought of you both, as we came down the street,
and beheld Alice's Posies in full bloom. And so the flower of Eden
has bloomed, likewise, in this old, darksome house to-day."