Many feet below the houses of the
city lay one of the city’s beer cellars, which offered the local
beer and plenty of it, in addition to plates of greasy chops so
thick you could just fit your jaws around them, a sort of porridge,
rich veined cheeses, large hocks of ham with knives stuck deeply in
them to encourage the appetite, dishes of mustard and cabbage, and
so on. It was a place where the hour and day were forgotten, for no
light penetrated the vaulted, subterranean chambers that were
inadequately lit by too few candles, enough to make a shapely buxom
shadow of the hostess, and a lean knifelike shadow of the host.
These shadows, and that of the resentful beer house boy, dipped and
danced with their trays against the stone walls. The smell of beer
was so great that one could imagine it rising in a flood beneath
the flagstones, then seeping and leaking through the whole city,
street by street, until it found its way to the river.
To enter this establishment you opened a heavy door
in an alley behind a group of stables and made your way at your
peril down the steep, worn, centuries-old steps. Women were here,
shrieking in laughter, sometimes suddenly throwing up their skirts
to their knees, and in the dim light their white hose glimmered.
Law students came, as did actors and poor musicians. Here Mozart
came with his friend, the horn player Leutgeb, one week following
the completion of the first flute concerto.
They had taken possession of part of a long table
in the rear, where the air was thick with pipe smoke. Mozart’s
shirt was open, and Leutgeb was pouring more beer. Leutgeb was also
a native of Salzburg, where he played horn for the chapel
orchestra; he was twenty-five, pleasantly fat and big, with a
booming, raucous laugh that shook his whole body. His face was
fleshy and never well shaven, as if to say to the world, See what
an easy-going fellow I am!
“So you had your cousin with her drawers half down,
you dog,” he cried above the noise of music and voices. “My God,
Mozart, I’ll make you drunk until you tell me all of it. How much
did you have of her?”
“Near to all, by heaven.”
“You were on the sofa at your uncle’s, and her hand
was ...”
“Where I’d have it, friend, where I’d have it; but
the story ends ridiculously. We heard the door open, and I raised
my head over the sofa back; standing there was my own blessed
mother. The high sofa back was between us; I’m sure she didn’t
know how close we’d come. I thought she was out having her hat
trimmed, by God, but there she stood.”
Leutgeb roared. “Devil take it, my cock would have
fallen off like the handle of a cracked china cup if my mother had
stumbled on such a thing.”
Mozart dosed his small hands slowly, as if the
girl’s flesh was within them, and leaned back like a prince
leisurely surveying his domain. He said, “I won’t mince words with
you; I won’t tell you anything but the truth. I could have had her
all, I know I could have had her all, but my mother and I were
leaving within the hour to come here, so I can’t sleep
contemplating it.” He gazed intensely into the smoky air. “If
letter writing were copulating, my cousin and I would have done it
a dozen times. I tell you it was the best part of our stay in
Augsberg! The orchestra there, my friend, could bring on
cramps.”
Now he turned his head to study a few noisy
students, and slowly leaned forward, arms on the table. “I mustn’t
think about her,” he said seriously. “You led me on, you dog. I
can’t become involved with a woman for a long time. They don’t want
me to marry until I’m thirty. I must secure a decent income for my
father, for without my earnings they’ll live wretchedly. I have to
make good on the promise of my childhood.” He selected a bone with
some meat left on it, and resumed eating.
“What promise?” the horn player asked, wiping his
greasy mouth with a large white handkerchief. He thrust back his
fair hair, which was already receding slightly.
“You know, you crazed shit! Here I am at one and
twenty trying to live up to what I was as a little boy. My good,
honorable father thought to make a future with me and my sister by
taking us on tour all over Europe.” Mozart took Leutgeb’s
handkerchief and wiped his own mouth broadly. “I was five years old
when we began to tour, the protégé in a little white wig. Let me
have that vinegar.”
Leutgeb slid the bottle adroitly down the
table.
Mozart sprinkled it on the bone. “I’m told Empress
Maria Theresa in Vienna took me on her knee and kissed me; I don’t
much remember. Now my sister’s grown, and my father is back once
more in Salzburg licking the arse of the Archbishop, in whose
dismal employment he has earned his bread as church musician these
many years. He hints I must return there and play organ for his
Arch Grossness’s chapel for a pitiful stipend and eat at table with
the cooks if I can’t do well here. What a fate; hang me first for a
bastard thief.”
Leutgeb offered a bowl of onions. “We won’t have to
hang you. I’ve found some work here; you will as well.”
Mozart shook his head. “Some work, but not enough.
I’ve this flute commission, and maybe a mass for the court chapel.
Unfortunately, I’ve grown up, and people still expect the darling
prodigy. They don’t know what to do with a man below middle height
whose nose is too big. I’m to play at the Elector’s palace in a
week. God willing, he won’t present me with another gold watch, as
Princes are inclined to do. I speak lightly, but I tell you, old
friend, there’s a sense of urgency in me.”
Mozart began piling up the bones, absorbed, for a
moment, as if it were a complicated game of chess he was playing
for some great wager. Delicately balancing the top one, he drew in
his breath as they all fell to a heap beside the onions, then
turned away from them to face his old friend with a wry smile. “I’m
much afraid if I don’t make enough money, my father will insist I
return to Salzburg where I was born and beg the Archbishop to
employ me as His Holiness employs him, when the truth is His
Holiness loathes the sight of me and knows I despise that mangy,
provincial town. I may go to Paris; I may remain here. In any case,
I must succeed for my family. My parents and sister have always
given their lives for me. Leutgeb, old friend, what a thing to have
to repay.”
Leutgeb whistled for the boy to bring beer. Leaning
on the table, he patted the young composer’s hand. “Come!” he said
happily. “We’re young, why worry? Look, if music fails us, we can
both retreat to my grandfather’s cheese shop in Vienna, and live on
great mounds of the stuff, then invite the cousin and both share
her. She seems to have enough to go round. Vienna is the most
marvelous place in the world; this town is dung compared to it.” He
thrust his arm around Mozart’s shoulders, and shook him lightly.
“Does your family really expect you to live like a monk for the
best years of your life? At least enjoy the society of women if you
must keep your breeches buttoned for nine more years. I know some
sweet girls here. I believe you said you’ve been to the Webers for
one of their musical Thursdays. Two are little girls, but I tell
you, Aloysia, the second eldest, is the loveliest apple cake with
cream you ever saw; you could eat her in two bites and lick your
fingers. But of course they’re good girls, and a decent man
wouldn’t—” Leutgeb stood up suddenly. “By God, look!” he said,
peering through the smoky room. “There’s a couple of pretty tarts
coming this way. Don’t go home with them; they’ll make you sick (by
God! I knew a fellow who lost his nose to syphilis!). Still, let’s
buy them beer.”
And the girls rushed shrieking at them, feathers in
their tangled hair, moist sweat beneath clustered powder on the
skin visible above their low-cut dresses, one showing the edge of a
hard, brown nipple. Beneath the smoke the two musicians and the
girls in their faded dresses caught fingers. It was a dark, hot,
secret world here, Mozart thought. One could be another man.
Twenty or thirty feet up in the street the
constables walked, and some men and women made their way home from
a lecture about freedom of thought and free love.