Charlie Opera: A Novel of Crime
From Publishers Weekly
For his third brilliant crime novel, following Jimmy Bench-Press (2002), Stella once again assembles a huge cast of Made Men, DEA and FBI agents, plus local cops and gangstas, hookers and a woman on the run from her abusive husband. Charlie Pellecchia, recently retired from a successful window-washing business, thought a Vegas vacation would offer some fun, a little gambling, for him and his wife, but "early the next morning, Charlie woke up in a ditch behind a construction site." Gradually, he learns that the obnoxious guy whose jaw he broke in a New York club is Nicholas Cuccia, nephew of the acting Mafia underboss, that his love for arias has gotten him dubbed "Charlie Opera" by the cops back home, and that his wife is leaving him. "His marriage was over. The sooner he accepted it, the better." To Cuccia and his goons, however, he figures he'll devote a little more effort. Stella's dialogue is electric and funny, as when a hit man asks Cuccia if he really wants him to whack a guy for breaking his jaw. "Cuccia shook his head. No,' he said,
I want you to whack a guy for forty grand.' " This outing Stella offers us quite a few sympathetic characters, from Charlie and the cocktail waitress he's falling for, to strong-arm men Francone and Lano. You actually feel sorry for the poor New York Mafioso, dropped in Las Vegas like sharks flipped into a pool of piranhas.
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From Booklist
Starred Review Charlie Pellecchia is young, but he still put in 30 years as a high-rise window washer and business owner before selling out to retire. He and wife Lisa are in Vegas when Lisa announces she is leaving him. A distraught Charlie hits a casino, flirts with a barmaid, and gets mugged as he tries to walk off the booze. Mugged but wallet not taken? It turns out the mugging is connected to an incident in New York when Charlie took a swing at a guy flirting with Lisa. Unfortunately, the guy was the hotheaded son of a New York crime family, Nicky Cuccia, who now sports a broken jaw and a black heart set on revenge. DEA types, who have Nicky in their web and don't want him distracted by personal vendettas, think it would be handy if Charlie left Vegas. Charlie, mad at the world and inherently stubborn, stays and unwittingly places himself in the center of a maelstrom fueled by a high-level heroin sting, mob vendettas, a steroid-addled button man, and two homicidal Asian drug pirates. With his third novel, Stella is carving himself a niche in crime literature somewhere between the late Eugene Izzi's street noir and Elmore Leonard's ironic tragicomedies. Bottom line: it works. Stella is a rising star. Wes Lukowsky
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