From Publishers Weekly

Making his fiction debut, "Sandford," a Pulitzer Prize-winning journalist using a pseudonym, has taken a stock suspense plot--a dedicated cop pursuing an ingenious serial killer--and dressed it up into the kind of pulse-quickening, irresistibly readable thriller that many of the genre's best-known authors would be proud to call their own. A killer who calls himself the "maddog" has been murdering Minneapolis women, seemingly without pattern or motive. The crimes are linked only by their brutality and by the slayer's "signature": at each scene, he leaves a written rule of crime, such as "Never kill anyone you know," or "Never carry a weapon after it has been used." Into the case comes Lucas Davenport, a policeman with five kills in the line of duty, a surefire sense of how to handle the thirsty media and strong instincts about the killer's psyche. Sandford offers no mystery here; the killer's identity is revealed in the first pages, and the suspense comes in waiting for him or Davenport to slip up. Despite one or two beginner's mistakes (an overly obvious red herring, a character inconsistency), the author knows his territory well; the result is a police procedural as effective as it is brutal. The author's second thriller under his own name (John Camp) will be issued by Holt in September. BOMC featured selection; Mysterious Book Club alternate.
Copyright 1989 Reed Business Information, Inc.

From Library Journal

Lieutenant Lucas Davenport, highly touted killer detective, invents intricate video games that he sells for cash. Called in to aid the Minneapolis team scrambling to stop a psychopathic serial woman-slayer, Lucas almost meets his match. The self-styled "mad dog" murderer views his rape/stabbings as a game as well, setting up obstacles for the police, carefully selecting his victims, and priding himself on clever moves. Despite his largely deja vu plot, debut novelist Sandford ( also the author of The Fools Run due from Holt in September under the name John Camp; see Prepub Alert, LJ 4/1/89) delivers tense action, chilling excitement, and thrilling suspense. Fast-moving prose and romantic sidelines add a little zest, too. BOMC featured selection.
Copyright 1989 Reed Business Information, Inc.

From Publishers Weekly

The pseudonymous Sandford (he's Pulitzer Prize-winning journalist John Camp) keeps turning out better and better thrillers. In this sixth entry in his Prey series, streetwise Minneapolis deputy police chief Lucas Davenport is beleaguered by perplexing females. Charged with saving the political life of Rose Marie Roux, the ambitious police chief who has her eye on a Senate seat, he's given the assignment of tracking to ground the sex-crazed perpetrator of a series of murders of young women. Davenport's unwelcome colleague in this case is feminist Meagan Connell, an abrasive State Bureau of Criminal Apprehension investigator who's obsessed with catching the killer before she dies of cancer. Also bedeviled by the ill-timed assignment of a new partner, a yuppie who was formerly assigned to the grade schools as "Officer Friendly" and who happens to be the husband of the mayor's niece, Davenport is additionally saddled with the mystifying death of an elderly woman who died rather conveniently, freeing some local hoods to profit from a real-estate scam. Juxtaposing the dark consciousness of the sex-fixated murderer against the narrative perspective of Davenport, Sandford builds a compelling counter-rhythm of suspense. The narrative is sensitively embued with Davenport's humaneness as, in awe, he watches Connell courageously fight to postpone her impending death. Yet, credibly flawed, the cop also displays a roving eye when he's momentarily distracted from his deep commitment to the lovely physician Weather Karkinnen by a beautiful and seductive TV anchor. Literary Guild and Doubleday Book Club main selection; Mystery Guild alternate.
Copyright 1994 Reed Business Information, Inc.

From Library Journal

This novel is sixth in the "Prey" series, written by journalist John Camp under the Sandford pseudonym and featuring Porsche-driving Minneapolis police detective Lucas Davenport. Here Davenport, who has just returned to duty after recovering from a serious gunshot wound, must face a serial killer named Koop, who is dropping bodies all over the metropolitan area. Koop makes the mistake of becoming a little too obsessed with a potential victim and thus leaves a trail that Davenport and his fellow officers finally discover. Despite its length, Night Prey is a tight, fast-moving thriller with appealing good guys and a suitably evil villain. Especially fascinating among the characters is Policewoman Connell, who is dying of cancer and whose fate becomes linked to Koop's in the spectacular climax. Buy wherever thrillers are read.
--A.J. Wright, Univ. of Alabama, Birmingham
Copyright 1994 Reed Business Information, Inc.

Amazon.com Review

In the 10th installment of his popular Prey series, John Sandford (a.k.a. John Camp) pits his popular antihero, Lucas Davenport, against a pair of cunning killers unlike any he has encountered before.

Attorney Carmel Loan is preternaturally beautiful, intelligent, and ambitious. When she becomes infatuated with fellow barrister Hale Allen, she isn't going to let a little thing like his being married get in her way. A quick meeting with an ex-client sets up the hit on Hale's wife, Barbara. The professional killer, Clara Rinker, is one of the best in the business. Smart, attractive, with a gentle Southern drawl, no one would suspect her of being a top Mafia hit man... er, hit person. When she takes the Allen assignment, she figures it will be easy money for a day's work. But things go wrong from the beginning. Loan's ex-client made a tape of the meeting, and is shaking her down for money. Worse, the shooting of a witness--a cop--brings deputy inspector Lucas Davenport into the case. Somehow Davenport has not only linked Loan to the killing, but seems to have a lead on Rinker as well. Carmel and Clara team up to clean up the loose ends, which includes getting Davenport off their back by whatever means necessary.

Like all of Sandford's books, Certain Prey is a fast and furious ride. Fans of previous Prey books will find Davenport a little older, a little more wary, but no less sharp-witted and determined. Though parts of the plot may stretch the limits of credulity and the dialogue falls a little flat in places, this is still a wonderfully crafted thriller, possibly one of the best of 1999. Certain Prey cements Sandford's standing among such luminaries as James Lee Burke, Lawrence Block, and Thomas Harris. --Perry Atterberry

From Publishers Weekly

For all his brooding, Minneapolis cop Lucas Davenport lacks the charisma of, say, Robert B. Parker's Spenser or James Patterson's Alex Cross. The vast popularity of the Prey novels is probably due, then, not so much to this dependable hero as to Sandford's clever plotting, sure pacing and fully rounded villainsAas well as his smart prose. As if acknowledging his series' hero's unflashy demeanor, Sandford, in his 10th Prey book (after Secret Prey), allows two gleefully unrecalcitrant female antagonists to steal the show from Davenport. Clara Rinker's life as a murderer and mob hit woman begins when she is raped at age 16 and beats her assailant dead with a baseball bat. Years later, the other femme fatale, sociopathic Minneapolis defense lawyer Carmel Loan, hires Rinker to kill the wife of property attorney Hale Allen, whom Carmel desires; within days, she has Hale in bed. The storyline spools out as a cat-and-mouse among the women and Davenport, with the villainesses dominating the action, sometimes in tangential scenes. When the junkie who connected Carmel to Rinker blackmails the pair, for instance, Carmel tortures him with an electric drill as Rinker watches. The action doesn't always wash: Davenport tumbles to Carmel's involvement too easily, and Carmel's ferocious response to being framed by Davenport redefines the term "over the top." The play between the two women, who bond like sisters, is as fascinating as the courtship of venomous lizards, and the novel's background humAcomprised of various amatory rustlings, forensic and legal ploys, and maneuvers among cops, FBI agents, mobsters and the killersAis rich in authentic detail. While not the pseudonymous Sandford's best, (he is Pulitzer Prize-winning journalist John Camp) this is a swift, satisfying entry in a series with long, muscular legs. 300,000 first printing; $300,000 ad/promo; BOMC main selection; author tour. (May) FYI: Mind Prey was adapted into a TV movie, John Sandford's Mind Prey, which aired on ABC in March .
Copyright 1999 Reed Business Information, Inc.

Amazon.com Review

When a spring thaw disinters the body of a young woman who's been missing for over a year, Minneapolis detective Lucas Davenport doesn't have much to go on except the victim's rumored connection with an unnamed man, who may be an artist and also, perhaps, a priest. But then the deserted property where her body was discovered turns out to be a killing field full of other young blondes last seen in the company of a man with a nasty habit of superimposing their faces on pornographic drawings. Davenport begins to close in on a serial killer whose perverted hobby provides the clues Davenport needs to stop him in his bloody tracks. James Qatar isn't a priest, and he's not really an artist, but he's definitely a monster, one who's met his match in Davenport.

Davenport is a smart, thoughtful cop whose girlfriend is pressuring him to make a commitment to parenthood and whose boss is about to lose her job in a political turnover. While the search for the killer is handled in author John Sandford's usual, crisp, procedural style, it almost seems to be a pretext for exploring the evolution of Davenport's relationship with Dr. Weather Karkinnen. This 12th adventure in the author's popular Prey series will undoubtedly rocket to the top of the bestseller list, though it's not a standout. The novel displays the solid craftsmanship and narrative drive Sandford's known for, but his hero seems a little dispirited and out of sorts. Perhaps fatherhood will give Davenport a new lease on life. In the meantime, check out Sandford's backlist featuring his other hero, Kidd (__, , ), who has a nice little walk-on here in which he begins a romance with Davenport's partner Marcy Sherrill. --Jane Adams

From Publishers Weekly

HThe 13th title in the Prey series (Easy Prey, etc.) has wealthy Minneapolis Deputy Police Chief Lucas Davenport in up to his Porsche-driving fingertips. Lucas is trying to track an elusive serial killer while reuniting with former fianc‚e Weather Karkinnen who after a couple of years' estrangement following her narrow escape from a crazy biker in one of Lucas's former cases has suddenly decided she wants to have his baby. Weather is a formidable distraction, but the killer revealed to readers from the beginning as James Qatar, a suave professor of art history with a yen for strangulation proves to require even more attention. Soon after the body of a young blonde is found in a partially excavated grave on a remote wilderness hillside, a deputy sheriff from backwater Wisconsin shows up with a file containing case histories of several women reported missing in Wisconsin and Minnesota over a nine-year period. Fearing the worst, Lucas orders the hillside surveyed; subsequent excavation uncovers seven more bodies. The art world connections of some of the victims and the discovery of pornographic drawings suggests a link to the art community around the local Catholic university. As the net tightens, the usually coolheaded Qatar, already plotting the fate of a daring fabric artist in cahoots with the police, gradually loses control. With Lucas and his team watching his every move, he eludes surveillance and carries out a final desperate attack. Sandford is in top form here, his wry humor and his development of Lucas's combative, affectionate relationship with Weather lighting up the dark of another grisly investigation. Simultaneous audio. (May)Forecast: Sandford's thrillers are reliably excellent, and his latest, a BOMC main selection backed by a national ad/ promo campaign and an author tour, marks a high point in the Prey series. The book should hit #1 its first week out.

Copyright 2001 Cahners Business Information, Inc.

Amazon.com Review

Lucas Davenport's boss is about to lose her job as chief of police, his fiancée is distracted with wedding plans, and his house-remodeling project is at a standstill. So when the FBI and DEA draft the Minneapolis cop to head off hit woman Clara Rinker's bloody murder spree, he's glad to oblige. The lady killer and the killer lady have tangled before in Sandford's --Jane Adams

From Publishers Weekly

It's the little things about Lucas Davenport that make him such a kick to follow his ruminations about why a public bus smells like urine, his fear that a cell phone won't work in the bathroom "with all the tile." Davenport is, of course, a marvelous if unorthodox cop from Minneapolis, starring here in his 13th Prey offering, which finds creator Sandford operating at top efficiency and in high style. Clara Rinker, the hit woman extraordinaire who slipped out of Davenport's grasp in 1999's Certain Prey, is now back on the prowl, looking for revenge against old enemies from Kansas City who killed her fiance and shot her in the gut. The bullet spared her life, but not that of her baby. The FBI, knowing she's headed to Missouri, assembles a huge team of shirt-and-tie, laptop-carrying agents, but also taps Davenport to make the trip. Sure enough, Rinker starts knocking off old business partners in creative ways, making the tech-minded FBI look foolish. It's only Davenport and his feet-on-the-street savvy that finally rope Rinker into a furious pursuit and showdown. Sandford's eye for the tell-all character quirk remains finely tuned, as does his deadpan humor, rivaled by few in the crime-drama ranks. Longtime fans should take note that changes are ahead for Davenport. He's marrying his sweetie, Dr. Weather Karkinnen, and they're having a kid. He's also about to leave the city police force, following his boss, Rose Marie Roux, to a job with the state police.
Copyright 2002 Cahners Business Information, Inc.

From Publishers Weekly

Det. Lucas Davenport has battled some real demons over the past 15 Prey novels and drifted in and out of lust and love with a host of women. But now he's happily married to the lovely Weather; has a nine-month-old son, Sam; and takes care of his 12-year-old ward, Letty West. Sure, he's got a measure of the old angst, but he's growing accustomed to the good life, spending quality time alone on the couch drinking beer and watching TV golf. His new job is running the Office of Regional Research at the Minnesota Bureau of Criminal Apprehension where he looks into various crimes and "fixes shit" for the governor. So when a dead Russian shows up on the docks in Duluth, Lucas is assigned to shepherd the lady investigator, Nadya Kalin, being sent by the Russian government. From the very first pages, the reader knows it's teenager Carl Walther who has killed the Russian. What makes the book intriguing is the manner in which the sagacious Davenport goes about uncovering the rest of the co-conspirators-a gang of Minnesota-based Communist spies headed by Carl's grandpa, 92-year-old ex-KGB colonel Burt Walther. That Sandford makes this unlikely plot believable is a mark of his mastery of the technical aspects of the mystery form and a testament to his overall writing skills. Readers will be pleased with this relaxed version of the moody Minneapolis investigator. In past novels, the womanizing Davenport would have romanced the good-looking Russian lady, but the new Davenport is content to play the part of friend and protector and go back to his cozy family with an unstained and remarkably contented soul.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From

A Russian sailor is the victim of a professional assassination on the docks of Duluth. Wary of international implications, the governor of Minnesota asks Lucas Davenport, the chief investigator for the state's Bureau of Criminal Apprehension, to investigate. Major Nadezhda Kalin, a representative of Russian law enforcement, assists Davenport. The murder may be linked to the remnants of a dormant Soviet Union network established between the world wars but forgotten by the motherland. The descendants of the original network members have all melded into the American mainstream. Davenport and Kalin pursue the case through the rural mining towns of northern Minnesota even as they become the targets of the shadowy assassin. The sixteenth Prey novel is less harrowing and not as dark as many of its predecessors. It's also more humorous--even the suicide of a key character is accompanied by a sly, graveyard one-liner--with deft Davenport observations on the curious behavior of the opposite sex in general and on Russian women in particular. Similarities to previous Prey thrillers: high entertainment value; deftly rendered characterizations; and clever, believable dialogue. Expect another best-seller and stock up accordingly. Wes Lukowsky
Copyright © American Library Association. All rights reserved