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"Jemc's novel is a brilliant, haunting, and heartbreaking debut that explores themes of loss and love." —

A thief steals the air from a room. Children invent a nursery rhyme to make sense of their fate. A band of girls rot from the outside in. These characters stumble through joy and murder and confusion, only to survive and wait for the next catastrophe to arrive. Moments so brief and disturbing you can't afford to look away. Jac Jemc's affecting stories mine the territory between what is real and the stories we tell to create understanding.

The place is the chilly border between Russia and China. The time is the early 1970s when the two giants were poised on the brink of war. And the characters in this thrilling collection of stories are Chinese soldiers who must constantly scrutinize the enemy even as they themselves are watched for signs of the fatal disease of bourgeois liberalism.

In , the Chinese writer Ha Jin explores the predicament of these simple, barely literate men with breathtaking concision and humanity. From amorous telegraphers to a pugnacious militiaman, from an inscrutable Russian prisoner to an effeminate but enthusiastic recruit, Ha Jin's characters possess a depth and liveliness that suggest Isaac Babel's Cossacks and Tim O'Brien's GIs. is a triumphant volume, poignant, hilarious, and harrowing.

"A compelling collection of stories, powerful in their unity of theme and rich in their diversity of styles."-New York Times Book Review

"Extraordinary…[These stories are shot through with wit and offer glimpses of human motivation that defy retelling…Read them all."-Boston Globe

"An exceptional new talent, capable of wringing rich surprises out of austere materials."-Portland Oregonian

Wir schreiben das Jahr 3000, und das Universum ist komplett erforscht. Die Menschheit hat die nächste Entwicklungsstufe erklommen und zusammen mit den anderen zivilisierten Völkern des Universums den „Großen Ring“ gegründet, eine Art intergalaktischen Staatenbund, der sich hauptsächlich der Weiterentwicklung von Wissenschaft und Kunst verschrieben hat. Als ein Forscherteam der Erde auf einem namenlosen Planeten notlanden muss und dort ein verlassenes Raumschiff entdeckt, das anscheinend von einer bisher unbekannten Zivilisation konstruiert wurde, steht die Menschheit vor einem Rätsel…<

Set in the future — a world where the past is a dangerous country, not to be talked about or visited — J is a love story of incomparable strangeness, both tender and terrifying.

Two people fall in love, not yet knowing where they have come from or where they are going. Kevern doesn't know why his father always drew two fingers across his lips when he said a world starting with a J. It wasn't then, and isn't now, the time or place to be asking questions. Ailinn too has grown up in the dark about who she was or where she came from. On their first date Kevern kisses the bruises under her eyes. He doesn't ask who hurt her. Brutality has grown commonplace. They aren't sure if they have fallen in love of their own accord, or whether they've been pushed into each other's arms. But who would have pushed them, and why?

Hanging over the lives of all the characters in this novel is a momentous catastrophe — a past event shrouded in suspicion, denial and apology, now referred to as What Happened, If It Happened.

Max Glickman, a Jewish cartoonist whose seminal work is a comic history titled "Five Thousand Years of Bitterness," recalls his childhood in a British suburb in the 1950s. Growing up, Max is surrounded by Jews, each with an entirely different and outspoken view on what it means to be Jewish. His mother, incessantly preoccupied with a card game called Kalooki, only begrudgingly puts the deck away on the High Holy Days. Max's father, a failed boxer prone to spontaneous nosebleeds, is a self-proclaimed atheist and communist, unable to accept the God who has betrayed him so unequivocally in recent years.But it is through his friend and neighbor Manny Washinsky that Max begins to understand the indelible effects of the Holocaust and to explore the intrinsic and paradoxical questions of a postwar Jewish identity. Manny, obsessed with the Holocaust and haunted by the allure of its legacy, commits a crime of nightmare proportion against his family and his faith. Years later, after his friend's release from prison, Max is inexorably drawn to uncover the motive behind the catastrophic act — the discovery of which leads to a startling revelation and a profound truth about religion and faith that exists where the sacred meets the profane.

Spanning the decades between World War II and the present day, acclaimed author Howard Jacobson seamlessly weaves together a breath-takingly complex narrative of love, tragedy, redemption, and above all, remarkable humor. Deeply empathetic and audaciously funny, "Kalooki Nights" is a luminous story torn violently between the hope of restoring and rebuilding Jewish life, and the painful burden of memory and loss.

Frank Ritz is a television critic. His partner, Melissa Paul, is the author of pornographic novels for liberated women. He watches crap all day; she writes crap all day. It's a life. Or it was a life. Now they're fighting, locked in oral combat. He won't shut up, and she's putting her finger down her throat again. So there's only one thing to do: Frank has to go.

But go where? And do what? Frank Ritz has been in heat more or less continuously since he could speak his own name. Let him out of the house and his first instinct is to go looking for sex. Deviant sex, treacherous sex, even conventional sex, so long as it's immoderate-he's never been choosy. But what happens when sex is all you know and yet no longer what you want?