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In her debut story collection , Maryse Meijer peels back the crust of normalcy and convention, unmasking the fury and violence we are willing to inflict in the name of love and loneliness. Her characters are a strange ensemble — a feral child, a girl raised from the dead, a possible pedophile — who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground.
One of the greatest raconteurs of the 20th century, Saadat Hasan Manto declares that he was forced to write when his wife routinely demanded that he put bread on the table for the family. He doesn’t attribute any genius to his skills as a writer and convinces his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treats his tryst with Bollywood with disdain and unmasks the cardboard lives of tinsel town when a horse is painted to double up for a zebra or multiple fans rotate to create a deluge. Two of Manto’s favourite and recurring themes — Women and Partition — find special mention.
For the first time ever, this unique collection of non-fiction writing from the subcontinent’s greatest writer, translated by well known author and journalist, Aakar Patel showcases Saadat Hasan Manto’s brilliance while dealing with life’s most mundane things — graveyards, bumming
cigarettes, a film crew with motley characters from mythology — and a sharp dissection of what ails the subcontinent even after 6 decades — Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear.
Ada Sibelius is raised by David, her brilliant, eccentric, socially inept single father, who directs a computer science lab in 1980s-era Boston. Home-schooled, Ada accompanies David to work every day; by twelve, she is a painfully shy prodigy. The lab begins to gain acclaim at the same time that David's mysterious history comes into question. When his mind begins to falter, leaving Ada virtually an orphan, she is taken in by one of David's colleagues. Soon after she embarks on a mission to uncover her father’s secrets: a process that carries her from childhood to adulthood. What Ada discovers on her journey into a virtual universe will keep the reader riveted until heart-stopping, fascinating conclusion.
"A short but intense novel. Big, believe me." — Joan Josep Isern,
"A little masterpiece." — Giancarlo Montalbini,
"A refined book. One of those books one should add to one's book collection, that one should re-read when looking for emotions in the silent world of writing." — Matteo Chiavarone,
Brandes, a painter living in the Nazi-occupied Paris, will have to make a tough decision: Goering has taken away all his work and asked him to hand him over his Lucas Cranach painting, a family relic. If he does so, he will retrieve them, if he refuses to do it, he will never get them back.
On the surface, his move to the isolated village on the coast makes perfect sense. But the experience is an increasingly unsettling one for Timothy Bucchanan. A dead man no one will discuss. Wasted fish hauled from a contaminated sea. The dream of faceless men. Questions that lead to further questions. What truth are the villagers withholding? What fuels their interest and animosity towards him? And what pushes Timothy to dig deeper?
As bestselling author Walter Kirn says, “This scathing novel of our strange new century is like nothing else I’ve read in years.”
*Kirkus (Starred review): "A novel of unrelenting tension."
*Booklist: (Starred review): "Powerful"
*Publishers Weekly: "Propulsive…electric."
Following the breakout success of his “searing” () debut novel , Joe McGinniss Jr. returns with : a bold, original, and exhilarating novel of marriage as blood sport that reads like for the era of .
Nick and Phoebe Maguire are a young couple with big dreams who move across the country to Southern California in search of a fresh start for themselves and their infant son following a devastating trauma. But they move at the worst possible time, into an economic crisis that spares few. Instead of landing in a beachside property, strolling the organic food aisles, and selecting private preschools, Nick and Phoebe find themselves living in the dark heart of foreclosure alley, surrounded by neighbors being drowned by their underwater homes who set fire to their belongings, flee in the dead of night, and eye one another with suspicion while keeping twelve-gauge shotguns by their beds. Trapped, broke, and increasingly desperate, Nick and Phoebe each devise their own plan to claw their way back into the middle class and beyond. Hatched under one roof, their two separate, secret agendas will collide in spectacular fashion.
A blistering and unforgettable vision of the way we live now, paints a darkly honest portrait of modern marriage while also capturing the middle-class America of vanished jobs, abandoned homes, psychotropic cure-alls, infidelity via iPhone, and ruthless choices.
The Navy brass is satisfied when a yeoman, the prime suspect in the murder of beautiful, dedicated Navy nurse, dies, but Lieutenant Chuck Masters disagrees.
In this stunningly original tale, acclaimed author Wil McCarthy imagines a wondrous future in which the secrets of matter have been unlocked and death itself is but a memory. But it is also a future imperiled by a bitter rivalry between two brilliant scientists—one perhaps the greatest genius in the history of humankind; the other, its greatest monster.
During the wedding festivities of his king, Cyan Dag, a knight of Gloinmere, is sought out by a mysterious bard and told a terrifying tale: that the king has married a false queen—a lie cloaked in ancient and powerful sorcery. Spurred on by his steadfast honor and loyalty, Cyan departs on a dangerous quest to rescue the real queen from her tower prison, to prevent war, and to awaken magic in a land that has lost its way…
Jay McInerney's first novel since the best-selling a sexy, vibrant, cross-generational New York story — a literary and commercial read of the highest order.
Russell and Corrine Calloway seem to be living the New York dream: book parties one night and high-society charity events the next; jobs they care about (and actually enjoy); twin children, a boy and a girl whose birth was truly miraculous; a loft in TriBeCa and summers in the Hamptons. But all of this comes at a high cost. Russell, an independent publisher, has cultural clout but minimal cash; as he navigates an industry that requires, beyond astute literary taste, constant financial improvisation, he encounters an audacious, expensive and potentially ruinous opportunity. Meanwhile, instead of seeking personal profit in this incredibly wealthy city, Corrine is devoted to feeding its hungry poor, and they soon discover they're being priced out of their now fashionable neighborhood.
Then Corrine's world is turned upside down when the man with whom she'd had an ill-fated affair in the wake of 9/11 suddenly reappears. As the novel unfolds across a period of stupendous change-including Obama's historic election and the global economic collapse he inherited — the Calloways will find themselves and their marriage tested more severely than they ever could have anticipated.
'What makes me saddest, is the double silence of her being. Language has packed its bags and jumped over the railing of the capsizing ship, but there is also another silence in her or around her. I can no longer hear the music of her soul.' One day, the author's mother no longer remembers the word for 'book'. This seemingly innocuous moment of distraction is the first sign of the slow disintegration of her mind. As Alzheimer's disease sets in and language increasingly escapes her, her son attempts to gather the fragments of what she has become, writing a moving, loving chronicle of the gradual descent into dementia of someone who 'no longer knows who she is, where she is or what will happen'.
Augusto Monterroso is widely known for short stories characterized by brilliant satire and wit. Yet behind scathing allusions to the weaknesses and defects of the artistic and intellectual worlds, they show his generous and expansive sense of compassion.
This book brings together for the first time in English the volumes 1959) and 1972). Together, they reveal Monterroso as a foundational author of the new Latin American narrative.
1941. In the chaos of wartime Marseilles, American engineer—and occult disciple—Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever.
1950. A lone surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts—and by the forces of hell. To escape the city, he must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse.
But Sam is being hunted. And new secrets will emerge that will test all their loyalties—to each other, to Paris old and new, and to reality itself.
With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together — to the seaside, perhaps.
The new novel from the author of the Man Booker-shortlisted is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.
A woman battles bluebottles as she plots an ill-judged encounter with a stranger; a young husband commutes a treacherous route to his job in the city, fearful for the wife and small daughter he has left behind; a mother struggles to understand her nine-year-old son’s obsession with dead birds and the apocalypse. In Danielle McLaughlin’s stories, the world is both beautiful and alien. Men and women negotiate their surroundings as a tourist might navigate a distant country: watchfully, with a mixture of wonder and apprehension. Here are characters living lives in translation, ever at the mercy of distortions and misunderstandings, striving to make sense both of the spaces they inhabit and of the people they share them with.
As they make their way toward the place where their lives changed forever, Mainardi draws on his knowledge of art history and culture to try to explain a misfortune that could have been avoided. From Marcel Proust to Neil Young, Sigmund Freud to Humpty Dumpty, Renaissance Venice to Auschwitz, he charts the trajectory of the Western world, with Tito at its center.
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