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Kwei-lan is a traditional Chinese girl — taught by her mother to submit in all things, “as a flower submits to sun and rain alike.” Her marriage was arranged before she was born. As she approaches her wedding day, she’s surprised by one aspect of her anticipated life: Her husband-to-be has been educated abroad and follows many Western ideas that Kwei-lan was raised to reject. When circumstances push the couple out of the family home, Kwei-lan finds her assumptions about tradition and modernity tested even further.

This deeply felt novel tells the story of William Lane and Clem Miller, Americans who meet in China as youths at the end of the nineteenth century. Separated by the Boxer Rebellion, they’re destined to travel wildly different courses in life. From a background of wealth and privilege, William becomes a power-hungry and controlling media magnate. By contrast, Clem, whose family survived on charity growing up, is engrossed by a project — which he works on ceaselessly, perhaps naively, together with his chemist wife — to eliminate world poverty. The two wind up in America and meet again, each successful in his own area, and as similar in their intensity as they are different in their values. is a rich and layered portrayal of lives set alight by ambition.

In , a sharp dissection of the expatriate experience, Pearl S. Buck unfurls the story of a Chinese family living in New York. Dr. Liang is a comfortably well-off professor of Confucian philosophy, who spreads the notion of a pure and unchanging homeland. Under his influence, his four grown children decide to move to China, despite having spent their whole lives in America. As the siblings try in various ways to adjust to a new place and culture, they learn that the definition of home is far different from what they expected.

Elizabeth and Gerald MacLeod are happily married in China, bringing up their young son, Rennie. But when war breaks out with Japan, Gerald, who is half-Chinese, decides to send his wife and son back to America while he stays behind. In Vermont, Elizabeth longingly awaits his letters, but the Communists have forbidden him from sending international mail. Over time, both the silences and complications grow more painful: Gerald has taken up a new love and teenager Rennie struggles with his mixed-race heritage in America. Rich with Buck’s characteristic emotional wisdom, focuses on the ordeal of a family split apart by race and history.

When Wu I-wan starts taking an interest in revolution, trouble follows: Winding up in prison, he becomes friends with fellow dissident En-lan. Later, his name is put on a death list and he’s shipped off to Japan. Thankfully, his father, a wealthy Shanghai banker, has made arrangements for his exile, putting him in touch with a business associate named Mr. Muraki. Absorbed in his new life, I-wan falls in love with Mr. Muraki’s daughter, and must prove he is worthy of her hand. As news spreads of what the Japanese army is doing back in China, I-wan realizes he must go back and fight for the country that banished him. is an engrossing story of revolution, love, and reluctantly divided loyalties.

At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought.

Young Peony is sold into a rich Chinese household as a bondmaid — an awkward role in which she is more a servant, but less a daughter. As she grows into a lovely, provocative young woman, Peony falls in love with the family's only son. However, tradition forbids them to wed. How she resolves her love for him and her devotion to her adoptive family unfolds in this profound tale, based on true events in China over a century ago.<

Second in the trilogy that began with The Good Earth, Buck's classic and starkly real tale of sons rising against their honored fathers tells of the bitter struggle to the death between the old and the new in China. Revolutions sweep the vast nation, leaving destruction and death in their wake, yet also promising emancipation to China's oppressed millions who are groping for a way to survive in a modern age.<

On a mountainside in Japan, two boys enjoy a humble life governed by age-old customs. Jiya belongs to a family of fishermen; his best friend, Kino, farms rice. But when a neighboring volcano erupts and a tidal wave swallows their village — including Jiya’s family — life as they know it is changed forever. The orphaned Jiya must learn to come to terms with his grief. Now facing a profoundly different life than the one he’d always taken for granted, he must decide on a new way forward. Written with graceful simplicity, won the Children’s Book Award of the Child Study Association of America when it was first released.

Pearl S. Buck’s groundbreaking memoir, hailed by James Michener as “spiritually moving,” about raising a child with a rare developmental disorder.

The Child Who Never Grew is Buck’s candid memoir of her relationship with her oldest daughter, who was born with a rare type of mental retardation. A forerunner of its kind, the memoir was published in 1950 and helped demolish the cruel taboos surrounding learning disabilities. Buck describes life with her daughter, Carol, whose special needs led Buck to send her to one of the best schools for disabled children in the United States — which she paid for in part by writing The Good Earth, her multimillion-selling classic novel. Brave and touching, The Child Who Never Grew is a heartrending memoir of parenting. As Buck writes, “I learned respect and reverence for every human mind. It was my child who taught me to understand so clearly that all people are equal in their humanity and that all have the same human rights.”

At forty-three, Edith has lost a husband, and has children who have children of their own. Living in a large Vermont house, her days are spent idly reading and playing music. But all of this is to change when two candidates for her affection arrive on the scene. The first is thirty years her senior, a philosopher named Edwin with whom she enjoys an enriching intellectual friendship. The second, Jared, is twenty years her junior: a handsome scientist, he attracts Edith in mind and body. But even if Jared shares her passion, does he have enough life experience to know whether such a union is in his best interests? In this exquisite and probing examination of desire, contrasting passions come to a head.

“The year was 4214 after Tangun of Korea, and 1881 after Jesus of Judea.” So begins , Pearl S. Buck’s epic historical novel about four generations of one aristocratic family in Korea. Through the story of the Kims, Buck traces the country’s journey from the late nineteenth century through the end of the Second World War. The chronicle begins as the Kims live comfortably as advisors to the Korean royal family. That world is torn apart with the Japanese invasion, when the queen is killed and the Kims are thrust into hiding. Regarded by Buck as “the best among my Asian books,” is a gripping account of a nation’s fight for survival, and a detailed portrait of one family’s entanglement in the ebb and flow of history.

Dickensian in its epic sweep, one of Buck’s finest novels centers on an unnamed peasant woman in pre-revolutionary China. Without warning, her restless husband abandons her. Shamed by the experience, she is left to work the land, raise their three children on her own, and care for her aging mother-in-law. To save face with her neighbors, she pretends her husband is traveling, and sends letters to herself signed in his name. Surrounded by poverty, despair, and a growing web of lies meant to protect the family, her children grow up and enter society with only the support of their mother’s unbreakable will. An unforgettable story of one woman’s strength and a remarkable fable about the role of mothers, this novel is a powerful achievement by a master of twentieth-century fiction.

Burma is under attack from the Japanese army, and a unit of Chinese soldiers is sent to aid endangered British forces trapped behind enemy lines. China’s assistance hinges on a promise: In return, the Allies will supply China with airplanes and military equipment, much needed to protect their own civilian population. But the troops — including a young commander named Lao San, whom Buck fans will remember from —are met with ingratitude on both sides. The Burmese deplore any friend of their abusive colonizers, and the prejudiced British soldiers can’t bring themselves to treat the Chinese as true allies. As the threat of disaster looms and the stakes grow higher, the relations between the British and Chinese troops become ever more fraught. A trenchant critique of colonialism and wartime betrayal, is Buck at her evocative best.

Considered to be one of Pearl S. Buck’s most autobiographical novels, was kept from publication for decades on account of its personal resonance. The book tells the story of Joan Richards and her journey of self-discovery during the first half of the twentieth century. As a child, family and small-town life obscure Joan’s individuality; as an adult, it’s inhibited by an unhappy marriage. After breaking free of the latter, she begins a stark reassessment of the way she’s been living — and to her surprise, learns to appreciate all that lies ahead. is a humble, elegant tale of chances lost and reclaimed, and remains beautifully affirming today.

When a new art-talent fairy name Scarlett arrives, Bess thinks she needs to teach her a thing or two. But in the end it might be Bess who has something to learn!<

Auditions for Flop Starz! are in town and Candace is determined to make the cut. But she didn’t count on Phineas and Ferb throwing their creative hat into the ring. And as if that weren’t enough, the next day Candace’s dreams to become a famous movie star change to nightmares when it turns out Phineas and Ferb are directing the vehicle for her debut! This time Candace will stop at nothing to show her mom just how Phineas and Ferb are spending their days-and ruining her life! Meanwhile, Dr. Doofenshmirtz has created a machine that will shrink everything he dislikes. Will this mean the end for Perry the Platypus?<

Meet Sophie, a little girl with a big goal: to find the perfect title for herself. Look out — here’s Sophie the Awesome!

Sophie Miller’s life is boring. Average. Blah. She’s not the oldest or the youngest, the tallest or the shortest. She’s not even the only Sophie in her third-grade class!

Sophie knows she’s special. And she’s come up with the perfect name to show it: Sophie the Awesome! But living up to her new name won’t be easy — especially if super-annoying Toby Myers has anything to say about it.

Can Sophie prove her awesomeness… and prove everyone wrong?