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With (originally published in the Philippines as ), F. Sionil Jose begins his five-novel Rosales Saga, which the poet and critic Ricaredo Demetillo called "the first great Filipino novels written in English." Set in the 1880s, records the exile of a tenant family from its village and the new life it attempts to make in the small town of Rosales. Here commences the epic tale of a family unwillingly thrown into the turmoil of history. But this is more than a historical novel; it is also the eternal story of man's tortured search for true faith and the larger meaning of existence. Jose has achieved a fiction of extraordinary scope and passion, a book as meaningful to Philippine literature as is to Latin American literature.

"The foremost Filipino novelist in English, his novels deserve a much wider readership than the Philippines can offer."-Ian Buruma, New York Review of Books

"Tolstoy himself, not to mention Italo Svevo, would envy the author of this story."-Chicago Tribune

Written in elegant and precise prose, contains two novels in F. Sionil José's classic . The saga, begun in José's novel Dusk, traces the life of one family, and that of their rural town of Rosales, from the Philippine revolution against Spain through the arrival of the Americans to, ultimately, the Marcos dictatorship.

The first novel here, , is told by the loving but uneasy son of a land overseer. It is the story of one young man's search for parental love and for his place in a society with rigid class structures. The tree of the title is a symbol of the hopes and dreams-too often dashed-of the Filipino people.

The second novel, , follows the misfortunes of two brothers, one the editor of a radical magazine who is tempted by the luxury of the city, the other an activist who is prepared to confront all of his enemies, real or imagined. The critic I. R. Cruz called it "a masterly symphony" of injustice, women, sex, and suicide.

Together in , they form the second volume of the five-novel Rosales Saga, an epic the Chicago Tribune has called "a masterpiece."

With these two passionate, vividly realistic novels, The Pretenders and Mass, F. Sionil José concludes his epochal Rosales Saga. The five volumes span much of the turbulent modern history of the Philippines, a beautiful and embattled nation once occupied by the Spanish, overrun by the Japanese, and dominated by the United States. The portraits painted in The Samsons, and in the previously published Modern Library paperback editions of Dusk and Don Vicente (containing Tree and My Brother, My Executioner), are vivid renderings of one family from the village of Rosales who contend with the forces of oppression and human nature.

Antonio Samson of The Pretenders is ambitious, educated, and torn by conflicting ideas of revolution. He marries well, which leads to his eventual downfall. In Mass, Pepe Samson, the bastard son of Antonio, is also ambitious, but in different ways. He comes to Manila mainly to satisfy his appetites, and after adventures erotic and economic, finds his life taking a surprising turn. Together, these novels form a portrait of a village and a nation, and conclude one of the masterpieces of Southeast Asian literature.

Inside Out - 3.2

An Inside Out Novella in Mark's POV

While Chris and Sara have traveled to Paris to avoid the chaos of press and police after the tragic night we’d shared, I have stayed to face the reality of what has happened. But there is no peace to be found in facing the truth, and no truth to be found in the confessions that have been made and retracted. I am a Master, all about control, and yet right now, facing great tragedy, I feel as if I have none. With my club and my relationships of the past in the spotlight, I find sanctuary in the one place I’ve promised I will never be again, but cannot seem to resist. Her arms.

***Mark and Crystal's story begins in the novella Master Undone.

Fascinated by the dark fantasies in the journals she’s discovered, and the two men who have now found a place in her life, Sara McMillan finds herself torn between her new life and her past. Now, more than ever, Sara identifies with the lost journal writer, Rebecca, and is certain that something sinister has happened.

In the arms of the sexy, tormented artist Chris Merit, Sara seeks answers about Rebecca and ends up discovering things about herself she never knew existed. Chris forces Sara to reconsider who she is and what she truly wants from life, but not before his dark desires threaten to tear them apart. Her boss, Mark Compton, offers her the shelter to understand just what those needs mean to her, and what they might have meant to Rebecca, but can she trust him to lead her to a final conclusion to Rebecca’s story?

After a particularly difficult operation in Somalia, Master Sergeant Wyatt Magnus is stuck with "light" duty providing anti-terrorist security for delegates at the International Trade Convention in San Antonio.

As he settles in for what he expects will be an easy assignment, he discovers he's got a whole new kind of battle on his hands with the convention's director, a tightly packaged, five-foot-nothing, sexy piece of work with an iron fist.

Under pressure to bring foreign dignitaries to the River Walk without a hitch, Fiona Allen doesn't have time to babysit a Special Forces grunt with a superiority complex. Even if just looking at him makes her mouth water.

When a hotel snafu lands them in the same room, at first she's steaming mad. Then burning up in smoking-hot desire. But even as she tells herself he's a one-time ride, trouble is brewing behind the scenes. The kind of trouble with a vendetta-and a detonator.

Warning: Contains one hot hero with a gift for strategic placement of his hands, one fiery redhead who'd like to make a career out of exploring every rippling muscle, and one hotel room that's about to see some serious action. Fire extinguisher recommended.

In the course of a single extensive interview, this novel recounts the colorful life of a wealthy, eccentric Italian composer through multiple layers of unreality. As Massimo recalls what his master, Tancredo Pavone, told him about his life, he often repeats Pavone’s outrageous opinions on everything from the current state of the world to the inner life of each musical note. Eventually, it becomes comically clear that not only does Pavone not always distinguish between memory and imagination, but also that Massimo does not always understand what it is he is repeating. A moving portrait of a close bond between two people from utterly different social spheres, this narrative is an insightful look into the world of a composer and the process of artistic creation.<

Asking how it is possible to feel at home in the world, given that the world is independent of and indifferent to our wishes, this text draws on books, films and cultural history to argue that we can feel comfortable in the world and in relationships with others only if we value touch over sight.<

Three novellas-including and -examine the Philippine experience through the lives of three female characters, a prostitute, a student activist, and a politician.<

Meili, a young peasant woman born in the remote heart of China, is married to Kongzi, a village school teacher, and a distant descendant of Confucius. They have a daughter, but desperate for a son to carry on his illustrious family line, Kongzi gets Meili pregnant again without waiting for official permission. When family planning officers storm the village to arrest violators of the population control policy, mother, father and daughter escape to the Yangtze River and begin a fugitive life.

For years they drift south through the poisoned waterways and ruined landscapes of China, picking up work as they go along, scavenging for necessities and flying from police detection. As Meili's body continues to be invaded by her husband and assaulted by the state, she fights to regain control of her fate and that of her unborn child.