When a deadly alien attack is launched across the galaxy, humankind finds itself under-prepared and overwhelmed. As star systems begin to fall, privateers take up the battle alongside the military forces and a desperate plan is hatched to stop the invaders once and for all, before humanity is eradicated.
Yara is beginning to understand just how much her life will change now that her Waker abilities have emerged. She has come to terms with the fact that seeing ghosts is part of her life, but she isn t ready to let being a Waker dictate her choices. All she wants is a ghost-free senior year with her boyfriend, Brent, and her best friend, Cherie. But Yara soon discovers that there are more dark secrets in her school s history than just the curse she broke. While an angry ghost makes Yara question everything she thought she knew about spirits, she and Brent learn that there are long reaching consequences to last year s adventures. As new enemies emerge and old ghosts resurface, Yara finds herself in the center of another deadly mystery, and this time she has to contend with the living as well as the dead.
Lani Woodland has been an avid reader since elementary school when she first discovered the Babysitters Club and Sweet Valley Twins series. In sixth grade she began writing plays and recruiting (with force when necessary) her friends to act them out. Most of these early works were inspired by She-Ra, the epitome of girl power to her young self.
She graduated from BYU with a BS in Family Science. Lani has always loved scary stories, and has a hard time enjoying any book without at least a little romance in it. She lives in Southern California with her husband, their two children and a large collection of board games. She has worked as a spot-welder, babysitter, janitor, photographer, gymnastics coach, and movie extra. She enjoys bonfires at the beach, hole-in-the-wall restaurants, speed talking, chocolate as a cure-all, and the word "precisely". Indelible is the sequel to her debut novel, Intrinsical.
SUMMARY: In a sprawling, wild, super-hyped magnum opus, David Foster Wallace fulfills the promise of his precocious novel The Broom of the System. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction, features a huge cast and multilevel narrative, and questions essential elements of American culture - our entertainments, our addictions, our relationships, our pleasures, our abilities to define ourselves. --This text refers to an out of print or unavailable edition of this title. With its baroque subplots, zany political satire, morbid, cerebral humor and astonishing range of cultural references, Wallace's brilliant but somewhat bloated dirigible of a second novel (after The Broom in the System) will appeal to steadfast readers of Pynchon and Gaddis. But few others will have the stamina for it. Set in an absurd yet uncanny near-future, with a cast of hundreds and close to 400 footnotes, Wallace's story weaves between two surprisingly similar locales: Ennet House, a halfway-house in the Boston Suburbs, and the adjacent Enfield Tennis Academy. It is the "Year of the Depend Adult Undergarment" (each calendar year is now subsidized by retail advertising); the U.S. and Canada have been subsumed by the Organization of North American Nations, unleashing a torrent of anti-O.N.A.N.ist terrorism by Quebecois separatists; drug problems are widespread; the Northeastern continent is a giant toxic waste dump; and CD-like "entertainment cartridges" are the prevalent leisure activity. The novel hinges on the dysfunctional family of E.T.A.'s founder, optical-scientist-turned-cult-filmmaker Dr. James Incandenza (aka Himself), who took his life shortly after producing a mysterious film called Infinite Jest, which is supposedly so addictively entertaining as to bring about a total neural meltdown in its viewer. As Himself's estranged sons?professional football punter Orin, introverted tennis star Hal and deformed naif Mario?come to terms with his suicide and legacy, they and the residents of Ennet House become enmeshed in the machinations of the wheelchair-bound leader of a Quebecois separatist faction, who hopes to disseminate cartridges of Infinite Jest and thus shred the social fabric of O.N.A.N. With its hilarious riffs on themes like addiction, 12-step programs, technology and waste management (in all its scatological implications), this tome is highly engrossing?in small doses. Yet the nebulous, resolutionless ending serves to underscore Wallace's underlying failure to find a suitable novelistic shape for his ingenious and often outrageously funny material. Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. Wallace's second novel is not for the faint-hearted or the weak-wristed. Wallace (The Girl with Curious Hair, LJ 7/89) throws everything he knows-and he knows plenty-into this river of stories. If you can stand the extreme length, ignore the footnotes, and have a bed-desk to rest this tome on, this book can be fun. Wallace sandwiches more than you'd ever want to know about a private tennis boarding school, Quebec separatists, a drug-and-alcohol addict's halfway house, potheads, and other topics-both trendy and not-in between E-mail messages, admissions reports, headlines, and other real-life documents, or pseudo-documents. Too much happens here even to begin to summarize, but the author has a wicked sense of humor and a wonderful eye for capturing the odd juxtapositions of modern life. Besides his lack of conciseness, Wallace's other main weakness is dialog: nobody talks as cleverly as most of his characters do. Distinct, idiomatic, wild, and crazy, this book is destined to have a cult following. Recommended for most fiction collections. Doris Lynch, Monroe Cty. P.L., Bloomington, Ind. Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. Wallace offers huge entertainment...only Gaddis and Pynchon have this range. So brilliant you need sunglasses to read it, but it has a heart as well as a brain. Infinite Jest is both a vast, comic epic and a profound study of the post-modern condition. -- Review of Contemporary Fiction --This text refers to an out of print or unavailable edition of this title.
Containing a foe is sound military thinking—unless it's carried out so literally that everybody becomes an innocent Trojan Horse!
Egypt, January-February, 2011: It is indeed a brave new world. A handful of people, a simple message, and some social-media savvy can launch a revolution. But the image of an impromptu, leaderless Egyptian uprising, sprung spontaneously via Facebook and Twitter, was at least in part "preconceived, nurtured, and set in motion" by the organizing activists themselves. For several years David Wolman communicated with one of the central figures, Ahmed Maher, and The Instigators tells both his and the Egyptian revolution's story. Although relatively peaceful, the overturning of power was by no means bloodless, and Wolman documents its development--from the blogosphere to Tahrir Square--with deep reverence for its central lesson about the evolution of democracy: Citizens of the world, we still need principles, and we still need leaders, but we already have the tools._--Jason Kirk_
In 2008, a small band of political activists in Egypt led by a young engineer named Ahmed Maher began organizing on Facebook under the moniker April 6 Youth. Dodging the secret police both online and off, they built a Web page into a movement. Then, in January 2011, they helped architect a final showdown with the country's dictator. David Wolman unspools the riveting behind-the-scenes story of these daring activists and how they planted the digital seeds of a revolution.
Award-winning journalist and author David Wolman is a contributing editor at Wired, a former Fulbright journalism fellow and a winner of the 2011 Oregon Arts Commission individual artists fellowship. He is the author of two works of nonfiction. His third book, The End of Money, will be published in February.
The Atavist is a digital publisher of longform journalism and nonfiction tales, researched and written by skilled reporters and authors. Atavist stories are longer than magazine articles but shorter than books, and each one is sold individually on portable devices. More information about The Atavist and our other stories is available at www.atavist.net.
SUMMARY:
Now working for the CIA, ex-chief-of-police Holly Barker joins the elite task force tracking Teddy Fay-a man who kills his political targets for sport. As he begins to pick off America's enemies one by one, Holly unexpectedly finds herself face-to-face with the killer, kick-starting a high-speed chase through the streets of Manhattan.
H.G. Wells's science fiction classic, The Island of Doctor Moreau, asks the reader to consider the limits of natural science and the distinction between men and beasts. A strange mix of science fiction, romance, and philosophical meandering, it is one of the standards of early science fiction.
It begins with the protagonist, an upper class gentleman named Prendick, finding himself shipwrecked in the ocean. A passing ship takes him aboard, and a doctor named Montgomery revives him. He explains to Prendick that they are bound for an unnamed island where he works, and that the animals aboard the ship are traveling with him. Prendick also meets a grotesque, bestial native named M'ling who appears to be Montgomery's manservant.
When they arrive on the island, however, both the captain of the ship and Doctor Moreau refuse to take Prendick. The crew pushes him back into the lifeboat from which they rescued him, but seeing that the ship really intends to abandom him, the islanders take pity and end up coming back for him. Montgomery introduces him to Doctor Moreau, a cold and precise man who conducts research on the island. After unloading the animals from the boat, they decide to house Prendick in an outer room of the enclosure in which they live. Prendick is exceedingly curious about what exactly Moreau researches on the island, especially after he locks the inner part of the enclosure without explaining why. Prendick suddenly remembers that he has heard of Moreau, and that he had been an eminent physiologist in London before a journalist exposed his gruesome experiments in vivisection.
Is life offering fewer and fewer options? Then join the dead.
When Annelise meets dark and seductive Ronan, he promises her a new life-if she has the courage to chance the unknown. Now, she's whisked away to a mysterious island and pitted against other female recruits to become a Watcher-girls who are partnered with vampires and assist them in their missions. To survive and become a Watcher, Annelise has to beat out every other girl, but she's determined to do so, because to fail doesn't mean dishonor-it means death.
Jak is a space pilot who would rather kick back with a cold drink than stick his neck out to save the galaxy. But, as we all know, life often gets in the way of these ‘big dreams.’ In the spirit of space operas of old, comes an action packed novel following the exploits of the best low quality pirate in the galaxy, Jak Phoenix.
David Wong has updated the Lovecraft tradition and infused it with humor that rather than lessening the horror, increases it dramatically. Every time I set the book down down, I was wary that something really was afoot, that there were creatures I couldn't see, and that because I suspected this, I was next. Engaging, comic, and terrifying.-- Joe Garden, Features Editor, The Onion
"Wong is like a mash-up of Douglass Adams and Stephen King... 'page-turner' is an understatement."
--Don Coscarelli, director, Phantasm I-V, *Bubba Ho-tep*
"That rarest of things--a genuinely scary story."--David Wellington, author of *Monster Island, Vampire Zero*
"JOHN DIES AT THE END has a cult following for a reason: it's horrific, thought-provoking, and hilarious all at once. This is one of the most entertaining and addictive novels I've ever read."--Jacob Kier, Publisher, Permuted Press
STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.
The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.
**
In this reissue of an Internet phenomenon originally slapped between two covers in 2007 by indie Permutus Press, Wong—Cracked.com editor Jason Pargin's alter ego—adroitly spoofs the horror genre while simultaneously offering up a genuinely horrifying story. The terror is rooted in a substance known as soy sauce, a paranormal psychoactive that opens video store clerk Wong's—and his penis-obsessed friend John's—minds to higher levels of consciousness. Or is it just hell seeping into the unnamed Midwestern town where Wong and the others live? Meat monsters, wig-wearing scorpion aberrations and wingless white flies that burrow into human skin threaten to kill Wong and his crew before infesting the rest of the world. A multidimensional plot unfolds as the unlikely heroes drink lots of beer and battle the paradoxes of time and space, as well as the clichés of first-person-shooter video games and fantasy gore films. Sure to please the Fangoria set while appealing to a wider audience, the book's smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Praise for John Dies at the End:
"John Dies at the End...[is] a case of the author trying to depict actual, soul-sucking lunacy, and succeeding with flying colors." -*Fangoria *
"David Wong is like a mash-up of Douglas Adams and Stephen King . . . 'page-turner' is an understatement." --Don Coscarelli, director, Phantasm I-V and Bubba Ho-tep
"David Wong has managed to write that rarest of things---a genuinely scary story." --David Wellington, author of Monster Island and Vampire Zero
"The rare genre novel that manages to keep its sense of humor strong without ever diminishing the scares." --*The Onion AV Club *
"Sure to please the Fangoria set while appealing to a wider audience, the book's smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next." -*Publishers Weekly *
A serial killer is murdering senior citizens. No one can stop him. Not the local authorities or the FBI. A special team working as a covert force directly for the President of the United States is called upon to stop this killer. Brad Pratt and his team are led on a merry chase with the killer leaving tauting clues. A unique ending awaits the reader.
Larry Watson's bestselling novel Montana 1948 was acclaimed as a "work of art" (Susan Petro, San Francisco Chronicle), a prize-winning evocation of a time, a place, and a family. Justice is the stunning prequel that illuminates the Hayden clan's early years, and the circumstances that led to the events of Montana 1948. With the precision of a master storyteller, Watson moves seamlessly among the strong and hard-bitten characters that make up the Hayden family, and in the process opens an evocative window on the very heart of the American West.
In Homer's epic poem, The Odyssey, we are told of Odysseus' great adventures following the destruction of Troy - his desperate homeward journey back to his patiently waiting wife and child. Yet he spent seven years of that journey in one place - the island of Ogygia. There he remained with Kalypso until she finally asked him to leave. How could a man known for besting a great Cyclops, defying an enchantress, and bringing about the end of the Trojan war with his great inventive mind, not manage to escape from one 'goddess' for seven years? Could he really have been kept there against his own will? Kalypso may be a minor part in the ancient tale, but it is she who loved the convalescing warrior all those years, and she alone who knows the truth. In her twilight years, before a warming fire and an eager chorus, Kalypso tells her own version of the story and reveals the secrets her love kept from the world...
“Weisman is perhaps wired more tightly into the reclusive special operations community than any other writer, and his knowledge of weaponry and field techniques is staggering.”
—Washington Times
“A pro who knows his stuff.”
—Oliver North
John Weisman, whose expertise in the field of covert military operations is unsurpassed, delivers a stunning fictional account of the most extraordinary mission of the century: the hunting down and assassination of Osama Bin Laden, the most reviled killer of the twenty-first century, by US Navy SEALs. With KBL: Kill Bin Laden the critically acclaimed author of SOAR and Jack in the Box goes behind the headlines, carrying readers along on a breakneck, breathtakingly realistic chase—from planning to training to execution—as the evil mastermind behind the horror of 9/11 is finally brought to justice.