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When the bandages came off, Parker looked in the mirror at a stranger. He had come in to the doctor with a face that the New York syndicate wanted to put a bullet in. Now he was going back out with a face that they were going to learn to fear. It cost him a lot. But it would be cheap at twice the price if it kept him alive while he did what he had to do. And what he had to do was steal. Because a new face couldn't keep Parker from his old life of crime and kicks...where money was there for the taking, and where nobody did it better than Parker.

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Horror, thrills, and chills abound when plus-size ants take over a small town in this 2002 Dream Realm Award Finalist for Best Horror novel.

The murder of Abraham Lincoln set off the greatest manhunt in American history. From April 14 to April 26, 1865, the assassin, John Wilkes Booth, led Union cavalry and detectives on a wild twelve-day chase through the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia, while the nation, still reeling from the just-ended Civil War, watched in horror and sadness. James L. Swanson's Manhunt is a fascinating tale of murder, intrigue, and betrayal. A gripping hour-by-hour account told through the eyes of the hunted and the hunters, this is history as you've never read it before.<

EDITORIAL REVIEW: Here are the famous sutras, or sermons, of the Buddha; the gathas, or hymns; the intriguing philosophical puzzles known as koan; and the dharanis, or invocations to expel evil spirits. Included also are the recorded conversations of the great Buddhist monks — intimate dialogues on subjects of momentous importance. In addition to the written selections, all of them translated by Dr. Suzuki, there are reproductions of many Buddhist drawings and paintings, including religious statues found in Zen temples, each with an explanation of its significance, and the great series of allegorical paintings “The Ten Oxherding Pictures." <

When accused of witchcraft, John does the only thing he’s ever done—Run! That is, until he meets Jane, who lives in the bleak, imprisoned town of Marysvale. As their love grows, the dangers of Marysvale unfold; and for the first time in his life, John discovers there is something worth dying for. Marysvale is an action-packed story filled with monsters and tyrants, heroes and heroines.<

EDITORIAL REVIEW: Set at the time of the Jacobite uprising, The Master of Ballantrae tells of a family divided. James Durie, Master of Ballantrae, abandons his ancestral home to support the Scottish rebellion - leaving his younger brother Henry, who is faithful to the English crown, to inherit the title of Lord Durrisdeer. But he is to return years later, embittered by battles and a savage life of piracy on the high seas, to demand his inheritance. Turning the people against the Lord, he begins a savage feud with his brother that will lead the pair from the Scottish Highlands to the American Wilderness. Satanic and seductive, the Master was regarded by Stevenson as all I know of the devil'; his darkly manipulative schemes dominate this subtle and compelling tragedy. This edition takes as its text the Edinburgh Edition of the novel, the last approved by the author. The introduction considers the novel's inspiration and its place as one of Stevenson's greatest studies in cruelty.<

From back of dust jacket: "Out of the rose clump, a face stared fixedly at me -- a cat face. The whishers. The owel eyes. The grin. Entranced and frightened, I moved forward slowly, the gun at ready. Iwas close now. Colser, something told me, than I should be. But I took another step, and on that step I stumbled. Recovering from the stumble, I noticed the rose bush was no longer there and neither was the henhouse. I stood on a little slope that was covered with short grass. It was the longer night. The sun was shining, but with little warmth. The cat face was gone. Then suddenly from behind me I heard a shuffling, thumpin sound and I pivoted around. The thumping shurffling thing stood ten feet tall. It had gleaming tusks and a long trunk. A mastadon, I told myself. A mastadon! Aind it was coming straight toward me..."

This series presents Clark Ashton Smith's fiction chronologically, based on composition rather than publication. Editors Scott Connors and Ron Hilger have compared original manuscripts, various typescripts, published editions, and Smith's notes and letters, in order to prepare a definitive set of texts. The Maze of the Enchanter includes, in chronological order, all of his stories from "The Mandrakes" (February, 1933) to "The Flower-Women" (May, 1935). This volume also features an introduction, and extensive notes on each story.