The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

As the saying goes, one good turn deserves another. The title of Kate Atkinson’s novel, One Good Turn, could describe the way that one character’s Good Samaritan behavior leads to him being robbed, mistakenly identified as a murder victim, and more. His is only one of several plot threads this novel, which is a suspenseful journey through the underworld of Edinburgh. One Good Turn certainly deserves the attention of readers looking for a novel that’s superbly-crafted and beautifully-written.

A day like any other for security chief Tracy Waterhouse, until she makes a purchase she hadn't bargained for. One moment of madness is all it takes for Tracy 's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn.

Witnesses to Tracy 's Faustian exchange in the Merrion Centre in Leeds are Tilly, an elderly actress teetering on the brink of her own disaster, and Jackson Brodie, who has returned to his home county in search of someone else's roots. All three characters learn that the past is never history and that no good deed goes unpunished.

Kate Atkinson dovetails and counterpoints her plots with Dickensian brilliance in a tale peopled with unlikely heroes and villains. Started Early, Took My Dog is freighted with wit, wisdom and a fierce moral intelligence. It confirms Kate Atkinson’s position as one of the great writers of our time.

Atkins Nieuwe dieetrevolutie

Dr. Atkins Superdieet

Op een zomerse dag tijdens het Edinburgh Festival is een handvol festivalgangers getuige van een verkeersruzie die al snel uitmondt in een vechtpartij. Het incident ontketent een bizarre reeks gebeurtenissen die de levens zal veranderen van alle betrokkenen: de huurmoordenaar, de schaapachtige schrijver, de vervelende cabaretier, een paar Russische prostituees, de hatelijke vastgoedontwikkelaar en diens lankmoedige vrouw. Jackson Brodie, ex-privédetective en sinds de gebeurtenissen van Oude zaken ook gepensioneerd miljonair, is eveneens een onschuldige toeschouwer, en wordt algauw zelf een verdachte in de zaak.

Zaak 1: Olivia Land, de jongste van het gezin en favoriet, verdwijnt op een nacht en wordt nooit meer weergezien. Dertig jaar later doen haar zussen een schokkende ontdekking in de studeerkamer van hun onlangs overleden vader.
Zaak 2: Laura is haar vaders oogappel. Maar de dag waarop zij bij hem op kantoor in dienst treedt, wordt zijn wereld op zijn kop gezet.
Zaak 3: Michelle is achttien jaar oud en wordt knettergek van haar huilende baby en veeleisende man. Ze voelt zich als een gevangene - totdat ze zich van alles bevrijdt in een angstaanjagende vlaag van woede. Privédetective Jackson Brodie wordt aangesteld om onderzoek te doen naar deze schijnbaar niet verwante zaken. Hoe dieper hij graaft, des te meer verrassende verbindingen en ontdekkingen bovenkomen. En des te meer hij verstrikt raakt in het verdriet, de vreugde en het verlangen van zijn klanten.

Voor Tracy Waterhouse, een overtuigde single, een geharde oud-rechercheur van de zedenpolitie in Leeds en tegenwoordig hoofd beveiliging van een winkelcentrum, zou het een gewone werkdag achter de monitoren worden – totdat ze een oude bekende van de politie tegenkomt. Kelly Cross, drugsverslaafde en prostituee, dendert door haar territorium en sleurt een verontrustend krijsend meisje mee. In een flits neemt Tracy een besluit dat haar leven voorgoed zal veranderen – en ze gaat naar huis als de kersverse, onzekere moeder van een kleuter. Ondertussen is Jackson Brodie in zijn eigen reddingsactie verwikkeld, ten behoeve van een hond die door zijn baas wordt mishandeld. Dit vormt een kleine afleiding van zijn werkelijke opdracht: de ware herkomst achterhalen van een ander meisje dat dertig jaar geleden onder duistere omstandigheden in Leeds blijkt te zijn geadopteerd.

Dokter Jo Hunter is als klein meisje getuige geweest van het verschrikkelijke misdrijf waardoor ze half wees werd, maar ze lijkt het verleden achter zich te hebben gelaten. Ze is getrouwd met een welgestelde zakenman, woont in een chique buurt van Edinburgh en geniet met volle teugen van haar jonge moederschap. Totdat een onverwacht nieuwtje haar perfecte leventje in gevaar dreigt te brengen. De zestienjarige Regina probeert op eigen benen te staan nadat ze haar moeder heeft verloren bij een afschuwelijk ongeluk. Haar baantje als oppas bij de familie Hunter is een van de weinige lichtpuntjes in haar verder eenzame bestaan - totdat dokter Hunter, samen met de baby, plotseling verdwijnt.

EDITORIAL REVIEW: **From the critically acclaimed, award-nominated author comes a new noir crime classic about one of the most notorious trials in American history.** Critics called Ace Atkins’s *Wicked City* “gripping, superb” (*Library Journal*), “stunning” (*The Tampa Tribune*), “terrific” (Associated Press), “riveting” (*Kirkus Reviews*), “wicked good” (*Fort Worth Star-Telegram*), and “Atkins’ best novel” (*The Washington Post*). But *Devil’s Garden* is something else again. San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel: girls, jazz, bootleg hooch . . . and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her—crushing her under his weight—and brings him up on manslaughter charges. William Randolph Hearst’s newspapers stir up the public and demand a guilty verdict. But what really happened? Why do so many people at the party seem to have stories that conflict? Why is the prosecution hiding witnesses? Why are there body parts missing from the autopsied corpse? Why is Hearst so determined to see Fatty Arbuckle convicted? In desperation, Arbuckle’s defense team hires a Pinkerton agent to do an investigation of his own and, they hope, discover the truth. The agent’s name is Dashiell Hammett, and he’s the book’s narrator. What he discovers will change American legal history—and his own life—forever. “The historical accuracy isn’t what elevates Atkins’ prose to greatness,” said *The Tampa Tribune*. “It’s his ability to let these characters breathe in a way that few authors could ever imagine. He doesn’t so much write them as unleash them upon the page.” You will not soon forget the extraordinary characters and events in *Devil’s Garden*.

EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction. EDITORIAL REVIEW: ** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. ** He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*. In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oil­man. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.

Amazon.com Review

"I exist!" exclaims Ruby Lennox upon her conception in 1951, setting the tone for this humorous and poignant first novel in which Ruby at once celebrates and mercilessly skewers her middle-class English family. Peppered with tales of flawed family traits passed on from previous generations, Ruby's narrative examines the lives in her disjointed clan, which revolve around the family pet shop. But beneath the antics of her philandering father, her intensely irritable mother, her overly emotional sisters, and a gaggle of eccentric relatives are darker secrets--including an odd "feeling of something long forgotten"--that will haunt Ruby for the rest of her life. Kate Atkinson earned a Whitbread Prize in 1995 for this fine first effort.

From Publishers Weekly

The narrator's insistent voice and breezy delivery animates this enchanting first novel by a British writer who won one of the 1993 Ian St. James Awards for short stories. Ruby Lennox is a quirky, complex character who relates the events of her life and those of her dysfunctional family with equal parts humor, fervor and candor-starting with her moment of conception in York, England, in 1959: "I exist!" Ruby then describes the family she is to join. Her parents own a pet shop; her mother, Bunty, bitterly rues having married her philandering husband, George, and daydreams about what her life might have been. Ruby has two older sisters, willful Gillian and melancholy Patricia. Through its ambitious structure, the novel also charts five generations and more than a century of Ruby's family history, as reported in "footnotes" that follow relevant chapters. (For example, a passage about a pink glass button reveals the story of its original owner, Ruby's great-grandmother Alice, who will abandon her young family and run off with a French magician.) Ruby's richly imagined account includes both the details of daily life and the several tragic events that punctuate the family's mundane existence. Though the "footnote" entries are not quite as gripping as those rendered in Ruby's richly vernacular, energetic recitation, Atkinson's ebullient narrative style captures the troubled Lennox family with wit and poignant accuracy.
Copyright 1995 Reed Business Information, Inc.

Case Historiesis Kate Atkinson's first foray into crime fiction, and introduces the popular Jackson Brodie, who returns in One Good Turn, When Will There Be Good News?and Started Early, Took My Dog. A six-part BBC1 drama series starring Jason Isaacs as Jackson Brodie and set in Edinburgh is scheduled for transmission in autumn 2011. A sweltering, unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet – Lost on the left, Found on the right – and the two never seem to balance. Surrounded by death, intrigue and misfortune, his own life haunted by a family tragedy, Jackson attempts to unravel three disparate case histories and begins to realise that in spite of apparent diversity, everything is connected&

"When all is said and done, Dark End sheds light on the underbelly of politics, racism and the junking of American culture. Atkins is an astute observer of life as well as a singular voice in fiction."—USA Today"Ace Atkins writes like a crime beat reporter jacked on passion and ambition."—George Pelecanos"One of best crime writers at work today."—Michael ConnellyThe plan is simple. All Nick Travers, a former professional football player turned professor, has to do is drive up Highway 61 from New Orleans to Memphis and track down the lost brother of one of his best friends. But, as Travers knows, these simple jobs seldom turn out smoothly.This new edition features:New foreword by Robert Gordon (Can't Be Satisfied: The Life and Times of Muddy Waters) New afterword by Ace AtkinsAce Atkins, a former journalist, has written eight novels. His writing career began at age twenty-eight when the first of four Nick Travers novels was published in 1998. In 2001 he earned a Pulitzer Prize nomination for his investigation into a 1950s murder that inspired his 2006 novel White Shadow. He followed with three more true-crime novels, including Infamous (Putnam, 2010). His original short story "Last Fair Deal Gone Down" (in Busted Flush Press' 2009 reprint of Crossroad Blues) was nominated for the Edgar Award. Atkins lives on a historic farm outside Oxford, Mississippi, with his family.

From Publishers Weekly

This richly atmospheric yet action-starved crime drama is the fourth installment in Atkins's New Orleansâ€"based series featuring Nick Travers, a former professional football player turned amateur sleuth. Here, Travers agrees to help an old football teammate, now a wealthy music mogul, find nearly $1 million conned from one of his record labels' marquee stars, a 15-year-old rapper known only as ALIAS. Travers meets with ALIAS, but the brooding, self-involved punk is either too embarrassed to say how he got swindled or may have something more to protect than just his pride. Prowling the seedy side of New Orleans, Travers rubs up against social extremes - rival record producers, street urchins, old athletes and wealthy agents who make sport of separating entertainment stars from their money. In the process, Travers attracts a long list of enemies, several of whom make it openly known that he'd best butt out if he knows what's good for him. Atkins (Dark End of the Street) writes with the same lean prose and descriptive acumen that earned him praise for earlier efforts. Yet the plot of his latest is thin, sluggish and confusing (exactly who is the corpse-like figure who tries to kill Travers on two separate occasions?). Fans of the Delta blues will appreciate Atkins's inarguably deep musical knowledge - Travers teaches blues history at Tulane in his spare time - yet those looking for a good yarn may find themselves hopelessly tangled by the end.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

In his Nick Travers books, Atkins has demonstrated that writing a mystery is a lot like playing the blues: innovation and virtuosity are less important than the ability to find a comfortable groove. Reading him is like settling into the passenger seat for a curb-crawling drive from the staccato noise of New Orleans, through the slow funk of the swamp, to the dusty twang of the Mississippi Delta. And wiseass Travers, "roots music field researcher" and ex-pro footballer, is just the guy to steer the car and tune the dial on the dashboard radio. Here, Travers' former teammate is now a rap producer who needs big bucks to call off a death threat--and someone just conned his 15-year-old prodigy out of half-a-million bucks. After blues- and soul-related mysteries, this foray into the world of MTV and BET is a logical development. The new guard doesn't know their booming beats and angry rhymes have roots in the past, and Travers has a hard time realizing that rap might just be the blues of a new generation. Keir Graff
Copyright © American Library Association. All rights reserved

On A Peat And Heather Island Off The West Coast Of Scotland, Effie And Her Mother Nora Take Refuge In The Large Mouldering House Of Their Ancestors And Tell Each Other Stories. Nora, At First, Recounts Nothing That Effie Really Wants To Hear, Like Who Her Father Was Variously Jimmy, Jack, Or Ernie. Effie Tells Of Her Life At College In Dundee, The Land Of Cakes And William Wallace, Where She Lives In A Lethargic Relationship With Bob, A Student Who Never Goes To Lectures, Seldom Gets Out Of Bed, And To Whom The Klingons Are As Real As The French And The Germans (More Real Than The Luxemburgers). But Strange Things Are Happening. Why Is Effie Being Followed? Is Someone Killing The Old People? And Where Is The Mysterious Yellow Dog?In A Brilliant Comic Narrative Which Explores The Nonsensical Nature Of Language And Meaning, Kate Atkinson Has Created Another Magical Masterpiece.

Amazon.com Review

Human Croquet is a game in which some people act as hoops while others propel a blindfolded "ball" around the course. Though the game is never actually played in Kate Atkinson's remarkable novel, Human Croquet, the parallels between plot and pastime are undeniable. Atkinson, winner of the 1995 Whitbread Award in Britain, tells the story of Isobel Fairfax and her older brother, Charles. The children's parents vanished when they were young, leaving them to the care of their grandmother, now dead, and their Aunt Vinny. Recently their father has returned with "the Debbie-wife" in tow, and they all live in Arden, the family's ancestral home built on the foundations of the original manor house that burned to the ground in 1605. According to family legend, the first Fairfax took a wife who mysteriously disappeared one day, leaving in her wake a curse on the Fairfax name. More than 300 years later, Fairfax descendants are still struggling with this painful legacy.

Atkinson's novel is obviously not rooted in dull reality. Narrator Isobel has an uncanny knowledge of past and future events; Charles is obsessed with the concept of parallel universes and time travel; and a faery curse hangs over everybody. Fortunately, Kate Atkinson is a masterful writer who manages to keep her world of wonders in check. Human Croquet is no ordinary novel, and readers who venture into the Fairfax universe are in for a magical ride.

From Library Journal

This ambitious and unusual novel concerns the nature of time, memory, and, most poignantly, identity. Young Isobel and her brother, Charles, are abandoned by their parents to the loveless care of a sour aunt, stern grandmother, and evil schoolmaster. They spend seven years yearning for the truth about their parents' disappearance and for their mother's return. It is their father, however, who returns?with a new young wife. The home of the protagonists is built on a site where, in the late 16th century, parallel events took place, and the novel warps and wends from past to present to future. British author Atkinson (Behind the Scenes at the Museum, St. Martin's, 1995) here focuses on Isobel's 16th year in 1960. Dopplegangers abound; people long-dead manifest themselves to the living. As the fantastic and the mundane combine almost seamlessly, incest, puppy love, and dysfunctional families mix to darkly comic effect. For most fiction collections; get Atkinson's first book, too.?Judith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, N.Y.
Copyright 1997 Reed Business Information, Inc.