В повести «Бритт Мари изливает душу» юная Бритт Мари обожает печатать письма на старенькой печатной машинке. Веселые, умные и откровенные письма Бритт Мари рисуют увлекательную картину ее жизни.
За внимание Бритт Мари борются два молодых человека — коварный соблазнитель Стиг и положительный юноша Бертиль. Кого выберет Бритт Мари? И какие еще интересные события произойдут в жизни неунывающей девушки?
It’s 2001 and zombies have taken over Tom’s town. Meth zombies. The drug rips through Blackwater, PA, with a ferocity and a velocity that overwhelms everyone.
It starts small, with petty thefts of cleaning supplies and Sudafed from the supermarket where Tom works. But by year's end there will be ruined, hollow people on every street corner. Meth will unmake the lives of friends and teachers and parents. It will fill the prisons, and the morgues.
Tom’s always been focused on getting out of his depressing coal mining town, on planning his escape to a college somewhere sunny and far away. But as bits of his childhood erode around him, he finds it’s not so easy to let go. With the selfless heroism of the passengers on United Flight 93 that crashed nearby fresh in his mind and in his heart, Tom begins to see some reasons to stay, to see that even lost causes can be worth fighting for.
Edward Bloor has created a searing portrait of a place and a family and a boy who survive a harrowing plague year, and become stronger than before.
Главные героини повести — 16-летние подруги Эффи, Лена, Бриджит и Тибби. Истории, происходящие с девушками, — грустные и веселые, обыденные и странные, — настолько реальны, что читатель сразу становится их участником.
А при чем здесь Волшебные Штаны? В этой книге они — символ дружбы, доверия, справедливости, и, главное, ЛЮБВИ.
An electrifying story of science, faith, love, and self-destruction in a world on the brink. It is a June unlike any other before, with temperatures soaring to asphyxiating heights. All across the world, freak weather patterns—and the life-shattering catastrophes they entail—have become the norm. The twenty-first century has entered a new phase.
But Gabrielle Fox’s main concern is a personal one: to rebuild her life after a devastating car accident that has left her disconnected from the world, a prisoner of her own guilt and grief. Determined to make a fresh start, and shake off memories of her wrecked past, she leaves London for a temporary posting as an art therapist at Oxsmith Adolescent Secure Psychiatric Hospital, home to one hundred of the most dangerous children in the country. Among them: the teenage killer Bethany Krall.
Despite two years of therapy, Bethany is in no way rehabilitated and remains militantly nonchalant about the bloody, brutal death she inflicted on her mother. Raised in evangelistic hellfire, the teenager is violent, caustic, unruly, and cruelly intuitive. She is also insistent that her electroshock treatments enable her to foresee natural disasters—a claim which Gabrielle interprets as a symptom of doomsday delusion.
But as Gabrielle delves further into Bethany’s psyche, she begins to note alarming parallels between her patient’s paranoid disaster fantasies and actual incidents of geological and meteorological upheaval—coincidences her professionalism tells her to ignore but that her heart cannot. When a brilliant physicist enters the equation, the disruptive tension mounts—and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator or a harbinger of global disaster on a scale never seen before? Where does science end and faith begin? And what can love mean in “interesting times”?
With gothic intensity, Liz Jensen conjures the increasingly unnerving relationship between the traumatized therapist and her fascinating, deeply calculating patient. As Bethany’s warnings continue to prove accurate beyond fluke and she begins to offer scientifically precise hints of a final, world-altering cataclysm, Gabrielle is confronted with a series of devastating choices in a world in which belief has become as precious—and as murderous—as life itself.