LAPD homicide detective Peter Decker and his wife, Rina Lazarus, will be blindsided by a brutal multiple murder in this twisting tale of suspense from New York Times bestselling author Faye Kellerman.
"They say dead men don't talk, but if you listen, they do."
As a lieutenant in the LAPD, homicide detective Peter Decker doesn't get many calls at 3 a.m. unless a case is nasty, sensational – or both. Someone has broken into the exclusive Coyote Ranch compound of billionaire developer Guy Kaffey and viciously gunned him down, along with his wife and four employees.
A well-known figure on both the business and society pages, Kaffey, with his sons and his younger brother, Mace, built most of the shopping malls in Southern California and earned a reputation for philanthropy, donating millions to worthy causes. It doesn't take long for Peter, his trusted detectives Scott Oliver and Marge Dunn, and the rest of his homicide team to figure out that the gruesome killings must be an inside job. Things become even more entangled when they discover that Kaffey's largesse had included organizations that extended second chances to delinquents, many of whom Kaffey had hired for his personal security. But was the job pure murder/robbery or something even more twisted? A developer of Kaffey's magnitude doesn't make billions without making more enemies with blood grudges.
With leads taking the team across L.A., up and down the Golden State, and into Mexico, Decker is plenty busy – and plenty thankful not to have to worry about his wife, Rina Lazarus, getting caught up in this deadly case. Rina is out of harm's way, serving on a jury at the courthouse.
But then a chance encounter with a court translator who needs her help leads Rina into the terrifying heart of her husband's murder investigations – and straight into the path of a gang of ruthless killers. To protect Rina, Decker must find his prey before death unites his two worlds.
A fast-paced tour through the urban landscape of L.A., Blindman's Bluff is a riveting mile-a-minute thrill ride from a formidable master of her craft.
Two masters of the thriller genre break new ground with their first collaboration, introducing two different sets of cops in two different cities, faced with two very different murders. In Santa Fe, Darrel Two Moons and Steve Katz are working the 4pm-2am Special Investigation shift when they're called to the scene of a blunt-force homicide. The victim: a wealthy art dealer with a shady reputation, very few friends and an awful lot of enemies who're not sorry to see him dead. Did he stumble on a burglar stealing a priceless painting, or did someone whose life he'd ruined finally seek revenge? Dorothy Breton and her partner McCain are called to downtown Boston the same night Dorothy found a revolver in her teenage son's backpack. Now her elder son is a witness to the killing of a promising athlete in a shoot-out. At least the evidence is stacked against the obvious culprit – until the autopsy shows the young man didn't die of gunshot wounds, and Dorothy has to dig a lot deeper to find the shocking truth.
The brutal murder of Dr. Azor Sparks in an alley behind a restaurant is greeted with public outrage and a demand for swift, sure justice. But the investigation into the well-known surgeon's death is raising too many questions and providing too few answers for homicide detective Lieutenant Peter Decker.
Why, for example, would the family of a man so beloved respond to his slaying with more surprise than grief? And what linked a celebrated doctor with strict fundamentalist beliefs to a gang of outlaw bikers? But the most unsettling connection of all is the one that ties the tormented Sparks family to Peter Decker's own – and the secrets shared by a renegade Catholic priest…and Decker's wife, Rina Lazarus.
While on a camping trip, Detective Peter Decker and his two young charges come across the charred remains of two teenage girls. Embroiled in a disturbing case, Decker's only unifying thread in a network of violence and corruption is the deaths of the two apparently very different young girls.
“It was the stunned, pale look of bad news” The call was from Rabbi Jonathan Levine, Decker’s recently discovered half brother. There has been a murder in Jonathan’s family; his brother-in-law, a Hassidic Jew and former drug addict, was found naked in a seedy Manhattan hotel, a single gunshot wound to his head. And his niece, fifteen-year-old Shaynda, is missing… In a desperate bid to track down the missing girl, Decker finds himself in an alien city and a maze of deceit and danger, on a twisted journey that takes him from the darkened slums of New Jersey and the deserted industrial streets of New York, to the hidden meeting places of Hassidic outcasts…
When Cindy finds a new-born baby in a rubbish bin, she can't imagine who would commit such a crime. Surely abandoning a baby is the biggest taboo of motherhood? The usual suspects – prostitutes, homeless women and drug abusers – aren't responsible. In fact, the culprit is a woman who appears almost as vulnerable as her own baby. As the case continues, Cindy realises she's in deep – her own life in danger – and there's only one person who can help, her father and boss, Lieutenant Peter Decker. They both know the key to a successful investigation is keeping a cool, professional head, but with a father and daughter detective team, can it ever be anything other than personal?
At 8:15 in the morning, a small commuter plane carrying forty-seven passengers crashes into an apartment building in Granada Hills, California. Shock waves ripple through Los Angeles, as L.A.P.D. Lieutenant Peter Decker works overtime to calm rampant fears of a 9/11-type terror attack. But a grisly mystery lives inside the plane's charred and twisted wreckage: the unidentified bodies of four extra travelers. And there is no sign of an airline employee who was supposedly on the catastrophic flight.
Decker and his wife, Rina, have personal reasons for being profoundly shaken by the tragedy, since the "accident" occurred frighteningly close to their daughter Hannah's school. Luckily, their child and her schoolmates escaped unscathed. But the fate of the unaccounted-for flight attendant-twenty-eight-year-old Roseanne Dresden-remains a question mark more than a month after the horrific event, when the young woman's irate stepfather calls, insisting that she was never onboard the doomed plane. Instead, he claims, she was most likely murdered by her abusive, unfaithful husband. But why, then, was Roseanne's name included on the passenger list?
Under intense pressure from the department to come up with answers, Decker launches an investigation that carries him down a path of tragic history, dangerous secrets, and deadly lies-and leads him to the corpse of a three-decades-missing murder victim. And as the jagged pieces slowly fall into place, a frightening picture begins to form: a mind-searing portrait of unimaginable evil that will challenge Decker's and Rina's own beliefs about guilt and innocence and justice.
Bestseller Kellerman's hardcore fans will welcome this eclectic volume, whose 17 selections include two new tales about her series husband-and-wife team, LAPD Lt. Peter Decker and Rina Lazarus; two stories with family themes, one coauthored with Kellerman's two daughters ("The Luck of the Draw"); and a pair of autobiographical essays, one a poignant tribute to her late father ("The Summer of My Womanhood"). Kellerman's short stories may lack the intricate plotting of her novels (Stone Kiss, etc.), but a typical effort like the title story, in which Decker notices some things out of place when a friend dies of an apparent heart attack, is never less than entertaining. Brief comments at the start of each entry provide context.
Billionaire genius Genoa Greeves never got over the shocking death of her favorite teacher, Bennett "Dr. Ben" Alston Little, murdered execution-style and stuffed into the trunk of his Mercedes-Benz. No arrests were ever made, no killer charged for the brutal crime. Fifteen years later, the high-tech CEO reads about another execution-style murder; this time the victim is a Hollywood music producer named Primo Ekerling. There is no obvious connection, but the case is eerily similar to Little's and Genoa feels the time is right to close Dr. Ben's case once and for all – offering the L.A.P.D. a substantial financial "incentive" if justice is finally served for Little.
Lieutenant Peter Decker resents having to commit valuable manpower to a fifteen-year-old open case simply because a rich woman says "Jump!" Still, the recent murder of Primo Ekerling does bear a disturbing resemblance to Little's case, even though two thug suspects are currently behind bars for the Ekerling murder. Decker can't help but wonder about a connection. His first phone calls are to the two primary investigators in the Little case, retired detectives Calvin Vitton and Arnie Lamar. Lamar is cooperative, but Vitton is not only reluctant to talk, he winds up dead of a suspicious suicide twelve hours later. Plunging into this long-buried murder, Decker discovers that even though the two slayings are separated by a decade and a half, there is still plenty of greed, lust, and evil to connect the dots.
Decker's team of top investigators not only includes his favorite homicide detectives, Scott Oliver and Marge Dunn, but also his newly minted Hollywood detective daughter, Cindy Kutiel, whose help proves to be invaluable. His wife, Rina Lazarus, continues to be his backbone of support, offering a cool, rational outlook despite her growing concern for her husband's welfare and safety. Rina's worries and fears begin to build at a fevered pitch as past and present collide with a vengeance, catapulting an unsuspecting Peter Decker closer and closer to the edge of an infinite dark abyss.
A relentlessly gripping tale spun by a master, Faye Kellerman's The Mercedes Coffin races through a dangerous urban world of fleeting fame and false dreams, making heart-pumping hairpin turns at each step of a terrifying journey, where truth and justice are fine lines between life and death.
Sergeant Decker is called to investigate a rape charge in an isolated Orthodox Jewish Community. Rina Lazarus, a young widow who found the victim, guides Decker through her suspicious community as all the signs point to the rapist's first crime not being their last.
Juliet Kipper, a gifted painter, is strangled in the LA gallery where her first solo show has opened to critical acclaim, and Milo Sturgis takes on the murder investigation as a favour to an old friend. He consults Alex Delaware, who, researching parallels with other deaths, looks for artists killed when on the verge of a breakthrough or comeback. And he finds two others. A few weeks earlier, blues player Edgar Michael 'Baby Boy' Lee was stabbed just after finishing his set at The Snakepit. The remains of China Maranga, a punk singer, were found by the Hollywood sign a month after her disappearance three years ago. And Alex discovers both were clients of Robin Castagna, his ex-lover. The investigation points to a gruesome, sadistic pattern of death, taking Milo and Alex into the dark side of the art world, and Robin into terrible danger.
It came in a plain brown wrapper, no return address – a tape recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message:
'Bad love. Bad love. Don't give me the bad love…'
For child psychologist Dr Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. Others soon follow: disquieting laughter echoing over a phone line that suddenly goes dead, a chilling trespass outside his home, a sickening act of vandalism. A carefully orchestrated campaign of vague threats and intimidation rapidly builds to a crescendo as harassment turns to terror, mischief to madness.
Searching his memory for the phrase 'bad love', Alex recalls a symposium he attended over a decade ago commemorating the work of Dr Andres de Bosch who ran a clinic for troubled adolescents. But when he tries to contact the other delegates, Alex discovers a seemingly random series of violent deaths amongst them.
As he delves deeper into the history of the clinic, the escalating pattern of violence becomes inescapably clear. And if Alex fails to decipher the twisted logic of the stalker's mind-games, he will be the next one to die.
Internationally bestselling husband and wife Jonathan and Faye Kellerman team up for a powerful one-two punch with Capital Crimes, a gripping pair of original crime thrillers.
MY SISTER'S KEEPER: BERKELEY
Some of progressive state representative Davida Grayson's views have made her unpopular. Although her foes are numerous no one suspects that any buttons Davida might push could evoke deadly force.
But now Davida lies brutally murdered in her office, and Berkeley homicide detectives Will Barnes and Amanda Isis must unravel Davida's complex, before the killer pulls off a repeat performance.
MUSIC CITY BREAKDOWN: NASHVILLE
Baker Southerby, the son of musicians, was a child prodigy performer. But something Baker won't talk about leads him to quit the honky-tonk circuit, become a Nashville cop, and never look back. His partner, Lamar Van Gundy, is a would-be studio bassist from up North who never quite made the cut in Music City, so instead earned himself a detective's badge. Now both men are members of Nashville PD's elite Murder Squad, with a solid record for solves. But when they catch a homicide that's high-profile even for a city where musical celebrity is routine, their skills are tested: Jack Jeffries, a rock legend who cast aside personal demons and emerged from retirement to perform at a charity benefit, has been discovered in a ditch near the Cumberland River, his throat slashed.
Un día en una fiesta, el psicólogo infantil Alex Delaware se reencuentra con un viejo amor, Sharon Ransom. Ella solicita su ayuda, pero Alex, demasiado embebido en sus propios asuntos sentimentales, no le hace caso. Dos días más tarde, Sharon se suicida. Alex no puede dejar de sentirse responsable de la desesperada decisión de Sharon.
Y en parte por ello, en parte por resolver los enigmas de aquella relación -la mayoría creados por la oscura personalidad de Sharon- el psicólogo se embarca en una investigación en la que el dinero, el azar de los genes y un pasado trágico configuran el escenario de una prolongada orgía de sexo, dominio y manipulación psicológica al servicio de los menos nobles impulsos del ser humano.
"[Kellerman] has shaped the psychological mystery novel into an art form." – Los Angeles Times Book Review
"More than satisfying… Kellerman delves deep into the psyche of his characters, peeling back the layers of secrets to uncover a stunning truth." -The Orlando Sentinel
"Kellerman uses bloody killings, psychological intrigue and a straight-ahead writing style to keep readers turning pages well into the night." -The Denver Post
"Often, mystery writers can either plot like devils or create believable characters. Kellerman stands out because he can do both. Masterfully." – USA Today
"[An] intriguing thriller… A heady blend of criminal profiling and police procedural and another surefire hit for the bestselling Kellerman." -Booklist
People are voluntarily dying before their time in California. Some call it assisted suicide when cancer or heart disease or painful old age make the quality of life unbearable. Others say it is murder, that no-one has the right to help others take their own life.
As the debate rages over whether euthanasia should be legalised or not the man at the centre of the row, nick-named Doctor Death, continues his work. Dr Alex Delaware joins in the argument, but when Detective Milo Sturgis comes to him with the suspicion that some of Doctor Death's patients are not willing collaborators, Delaware finds himself on the front line of the affair, and increasingly believes that euthanasia is not the prime motivation. So what is driving Doctor Death to kill so many?
#1 New York Times bestselling author Jonathan Kellerman writes unforgettable tales of crime and detection that expose the shadowy side of glittering Los Angeles. And in Evidence, readers are once again in the dexterous grip of a master storyteller and stylist equally skilled at teasing your brain and taking your breath away.
In the half-built skeleton of a monstrously vulgar mansion in one of L.A. 's toniest neighborhoods, a watchman stumbles on the bodies of a young couple-murdered in flagrante and left in a gruesome postmortem embrace. Though he's cracked some of the city's worst slayings, veteran homicide cop Milo Sturgis is still shocked at the grisly sight: a twisted crime that only Milo 's killer instincts-and psychologist Alex Delaware's keen insights-can hope to solve.
While the female victim's identity remains a question mark, her companion is ID'd as eco-friendly architect Desmond Backer, who disdains the sort of grandiose superstructure he's found dead in. And the late Mr. Backer, it's revealed was also notorious for his power to seduce women.
The rare exception is his ex-boss, Helga Gemein, who's as indifferent to Desmond's death as she apparently was to his advances. Though Milo and Alex place her on their short list of suspects, the deeper they dig for clues the longer the list grows. An elusive prince who appears to harbor decidedly American appetites, an eccentric blueblood with an ax to grind, one of Desmond's restless ex-lovers and her cuckolded husband-all are in the homicidal mix spiced with eco-terrorism, arson, blackmail, conspiracy, and a vendetta that runs deep. But when the investigation veers suddenly in a startling direction, it's the investigators who may wind up on the wrong end of a cornered predator's final fury.
When Alex Delaware first saw Lauren Teague she was a sullen teenager with the usual problems: bad grades at school, moody, uncommunicative with her parents – which is why they thought she needed to see a psychologist. Then years later, a shock: at a bachelor party for a fellow doctor, Delaware finds himself uncomfortably watching two strippers going through a degrading display – and one of them is Lauren Teague. And now her mother is pleading for help once again. Lauren has disappeared – and she thinks Delaware can find her. He's not so sure – but when her disappearance turns into a murder investigation, he knows he owes it to the dead girl to find out what demons drove her to such a horrifying end
No one conducts a more chilling, suspenseful, thoroughly engrossing tour through the winding corridors of criminal behavior and the secret chambers of psychopathology than Jonathan Kellerman, the bestselling “master of the psychological thriller” (People). Now the incomparable team of psychologist Alex Delaware and homicide cop Milo Sturgis embark on their most dangerous excursion yet, into the dark places where risk runs high and blood runs cold.
It's a story tailor-made for the nightly news: Dylan Meserve and Michaela Brand, young lovers and fellow acting students, vanish on the way home from a rehearsal. Three days later, the two of them are found in the remote mountains of Malibu -battered and terrified after a harrowing ordeal at the hands of a sadistic abductor.
The details of the nightmarish event are shocking and brutal: The couple was carjacked at gunpoint by a masked assailant and subjected to a horrific regimen of confinement, starvation and assault.
But before long, doubts arise about the couple's story, and as forensic details unfold, the abduction is exposed as a hoax. Charged as criminals themselves, the aspiring actors claim emotional problems, and the court orders psychological evaluation for both.
Michaela is examined by Alex Delaware, who finds that her claims of depression and stress ring true enough. But they don't explain her lies, and Alex is certain that there are hidden layers in this sordid psychodrama that even he hasn't been able to penetrate.
Nevertheless, the case is closed – only to be violently reopened when Michaela is savagely murdered. When the police look for Dylan, they find that he's gone. Is he the killer or a victim himself? Casting their dragnet into the murkiest corners of L.A., Delaware and Sturgis unearth more questions than answers – including a host of eerily identical killings. What really happened to the couple who cried wolf? And what bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?
Hay algo espectral en este caso. El suicidio de un violador de niños, una red oculta de pervertidos, todos ellos gente de clase alta, y una aterrada niña que podría atar cabos sueltos… si el psicólogo infantil Alex Delaware logra hacerle recordar los horrores de que ha sido testigo. Pero cuando lo hace, la policía parece falta de interés. Obsesionado por un caso que pone en peligro tanto su carrera como su vida, Alex queda atrapado en una telaraña de maldad, acercándose más y más a un antiguo secreto que hace que incluso el asesinato parezca un asunto limpio.
Patty Bigelow pensaba que por fin había conseguido enderezar su vida, pero de repente, su rebelde hermana Leila abandona a su hija, Tanya, en la puerta de su casa. Tía y sobrina aprenden con dificultad a vivir juntas con la ayuda profesional del doctor Alex Delaware, psiquiatra. Ahora, quince años después, Tanya acude de nuevo a la consulta de Alex porque la única madre que ha tenido, Patty Bigelow, ha fallecido dejando a la joven un extraño legado: le confesó, en su lecho de muerte, haber matado a un hombre años atrás. Este acto de barbarie abrirá inevitablemente un túnel al pasado en el que los secretos, junto con los cadáveres, han sido profundamente enterrados.
Where there is life there is devotion. Where there is death there is obsession. Patty Bigelow thought she’d finally figured life out. Then her wayward sister Leila abandons her child, Tanya, on her doorstep. The aunt and troubled niece slowly learn to live together, with the help of Dr Alex Delaware’s counselling. Now, fifteen years later, Tanya is back in Alex’s office, a self-possessed Harvard student, about to enter graduate school in clinical psychology. Patty – the only real mother she's ever known – has died and left Tanya with a chilling legacy: a deathbed confession that her aunt murdered a man years earlier. Tanya has tried to let go of the confession. But it soon becomes clear that nothing short of finding out the truth will do. And she needs Alex’s help…
Psychologist Dr Alex Delaware has always looked on Melissa Dickinson as one of his greatest triumphs. A terrified, tormented seven-year-old when she first appeared in his Los Angeles surgery, Melissa after two years seemed totally recovered. But nine years later Melissa contacts Alex again, anxious this time for her mother. As Alex recalls, weatlthy widow Gina Dickinson has problems of her own. For two decades she has hidden herself away from the eyes of the world – ever since a vicious acid attack destroyed the face of Hollywood actress Gina Prince. Then the reclusive Gina climbs into her car – and totally disappears. And as Alex and Detective Milo Sturgis lead the search for her, they find their quest taking them out of the here and now and into a grotesque, labyrinthine private history as violent and sinister as any bad dream… How well did Alex ever understand his star patient Melissa? How could he have 'cured' her when he never even guessed at the evil and hatred that formed her inheritance?
Dr Alex Delaware doesn't see many private patients any more, but for a young woman called Lucy Lowell he's prepared to make an exception. Referred to him by the police detective Milo Sturgis, Lucy had been a juror at the harrowing trial of a serial killer, and having survived that trauma is now being subjected to further emotional stress: a recurrent nightmare of a young child in a forest at night, watching something as furtive as it is disturbing.
Now Lucy's dream is starting to disrupt her waking life, and Alex believes the power of the dream and its grip on her emotions may be a repressed childhood memory of something very real.
Una e un quarto di notte. Petra Connor, l’affascinante detective della squadra Omicidi di Los Angeles, è svegliata da una telefonata del distretto di polizia: strage al Paradiso Club. Quattro morti. Adolescenti che avevano partecipato a un concerto hip-hop. Perché quell’orrendo massacro? Oltre al gravoso incarico di decifrare il rebus, Petra deve fare da baby sitter al ventiduenne dottorando Isaac Gomez, impegnato in una ricerca statistica sui crimini avvenuti in città dal 1991 al 2001. Il suo Q.I. è superiore alla media, come la sua timidezza e la miseria in cui versa la sua famiglia. E se fosse proprio il giovane e impacciato cervellone a fornire la chiave dell’enigma? Incrociando i dati risultano infatti sei efferati delitti commessi negli ultimi sei anni, tutti subito dopo la mezzanotte. E tutti il 28 giugno. L’assassino sembra divertirsi un mondo a fracassare il cranio delle vittime osservandone colare la materia grigia. Quale disegno segue la follia? E quale legame con la carneficina del Paradiso?
The slightly retarded fifteen-year-old daughter of a diplomat dies on a school field trip – forced or lured into a deserted corner of the Santa Monica mountains and killed in cold blood. Her father adamantly denies the possibility of a political motive, which leaves LAPD detective Milo Sturgis and his longtime friend Alex Delaware to pose the question: why? The victim's father is so intent on controlling the investigation that Alex and Milo start to wonder if he wants to bring out the truth – or make sure it stays buried. Then there is another killing, and within days Alex finds himself ensnared in one of the darkest, most menacing cases of his career. Driven to find answers, he and Milo will work closely with Inspector Daniel Sharavi, the brilliant Israeli police detective introduced in Jonathan Kellerman's The Butcher's Theatre, but it is Alex who goes undercover, alone, to expose the smug brutality of a murderous conspiracy and a terrifying contempt for human life. Weaving together the threads of a mystery that lead from a child's murder to a young scientist's suicide, Jonathan Kellerman draws one of the most chilling, frighteningly realistic portraits of evil you will ever experience.
Alex Delaware nigdy jeszcze nie spotkał się z podobnym przypadkiem. Pięcioletni Woody Swope jest bardzo ciężko chory, a jednak jego rodzice nie wyrażają zgody na kurację, która może uratować mu życie. Alex jedzie do szpitala, by przekonać ich do zmiany decyzji. Na miejscu okazuje się, że zarówno rodzice, jak i syn zniknęli, a w obskurnym pokoju hotelowym, w którym się zatrzymali, pozostałą tylko plama krwi a podłodze… Delaware i jego przyjaciel, detektyw z wydziału zabójstw, Milo Sturgis, nie mają wyboru – będą musieli działać na pograniczu prawa. Przenikają zatem do amoralnego półświatka, w którym można kupić wszystko: narkotyki, marzenia i seks…
She was found stabbed to death on a quiet, shaded street in one of Los Angeles ' safest neighbourhoods. For three months the police have found no clues to the murder of Hope Devane, psychology professor and controversial author of a pop-psych bestseller, and angry indictment of men. Now homicide detective Milo Sturgis, newly assigned to the case, turns to his friend, psychologist Dr Alex Delaware, looking for insights into Devane's life. To both men the cold stalking of Hope Devane suggests calculation fuelled by hate – an execution. They discover why as they unlock, one by one, the very private compartments of her life: her marriage, her shadowy work for a Beverly Hills clinic, the Conduct Committee she ran with an iron hand at the University, and her baffling link to another murder victim. But it is when Alex delves into her childhood that he begins to understand the formidable woman she was – and the ties that entangled her life until the horrifying act of betrayal that ended it.
Dedicated young psychologist Dr. Jeremy Carrier is unschooled in the ways of violent crime and incalculable evil – until his life is irreversibly touched by both. When his romance with nurse Jocelyn Banks is cut short by her kidnapping and brutal murder, he is left emotionally devastated and being warily eyed by police seeking a prime suspect in the unsolved killing. To escape the pain, he buries himself in his work. But when more women turn up murdered in the same gruesome fashion as Jocelyn, the suspicion surrounding Jeremy intensifies and the only way for him to prove his innocence is to follow the trail of a cunning psychopath.
Spurring on Jeremy's investigation is Dr. Arthur Chess, an enigmatic pathologist who harbors a keen fascination with the darker deeds committed by the living. Arthur draws Jeremy into the confidence of a cryptic society devoted to matters unknown and unspoken. But when Arthur suddenly slips away, Jeremy is left to contend with an onslaught of anonymous clues – and the growing realization that a harrowing game of cat and mouse has been set in motion.
Alex Delaware's relationship with his longterm partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour. But he soon has other things to think about. He is sent an envelope with no return address. Inside, he finds an album with gold letters on it – THE MURDER BOOK. It's full of macabre pictures of murders, with brief descriptions of how, and why, the victims died. One picture is marked 'Not solved' – the horrifically mutilated body of a young woman. Unsettled, Alex calls his friend, LAPD detective Milo Sturgis, who seems strangely familiar with the case. What connects the photograph with Milo 's past? What's more, why has it been sent to Alex – and by whom? Ingenious, shocking, unpredictable, THE MURDER BOOK is a masterpiece of suspense fiction that is Jonathan Kellerman at his best.
Kellerman returns to series hero Alex Delaware after last year's gripping stand-alone, The Conspiracy Club. The success of the long-running Delaware series is testament to both the author's skills and the reading public's hunger for mysteries featuring compassionate, intelligent protagonists, interesting secondary characters (including complex villains), strong plot lines and clear, unpretentious writing. Kellerman delivers all these once again in a tale that opens with Alex at dinner with his best friend, L.A. police lieutenant Milo Sturgis, when the sound of a police siren calls them to a nearby double homicide. The two victims are found in a Mustang convertible; the young man's zipper is open, the young woman's pants are down and each has a bullet in the brain. The man is identified as Gavin Quick, but little is known about the woman other than she's wearing Armani perfume and Jimmy Choo shoes. Milo and Alex interview Gavin Quick's nutty mother, Sheila, and his father, Jerry, a metals dealer and all-around shady character, as well as Gavin's therapist, Mary Lou Koppel. From there, the list of characters branches into an ever-widening delta of suspects and dead bodies. The investigation marches relentlessly on as Milo and Alex run each new lead to ground, slowly constructing an intricate motive that includes abusive boyfriends, eccentric ex-husbands, Medi-Cal fraud, a bent parole officer and Rwandan genocide. This one's more methodical than suspenseful and the final shoot-out and revelations feel tacked on, but fans won't mind as Alex and Milo eventually wrap everything up nicely, and Kellerman provides intriguing details of Alex's new love interest, Allison Gwynn.
The cheerful chaos of a California schoolyard is shattered one autumn day by gunfire. No children are hurt, but a sniper is shot down – and psychologist Dr Alex Delaware is called in to help the kids cope with the trauma. Then comes another stunning surprise: the identity of the sniper. And Delaware is intrigued by the chance to explore intimately the forces that created such a twisted personality. But as he becomes more deeply involved, he discovers an ever-widening net of malice has been cast – one that reaches far beyond the school compound, and which may already have claimed innocent lives… TIME BOMB is a masterpiece of psychological suspense which shocks…and shocks again.
TRUE DETECTIVES follows Moe Reed and Aaron Fox on the twisted trail of a missing girl, a dark, baffling whodunit that forces the brothers to put aside their mutual animus – and to confront the unresolved family mystery that turned them into enemies. PIs can do things, legally, that cops can't. And cops have access to resources denied their private counterparts. Only by pooling their efforts – and by consulting a man both brothers respect, psychologist Alex Delaware, do Fox and Reed stand a chance of peeling back the secrets in high places that explain the fate of an outwardly innocent young woman. And, by doing so, the brothers learn about much more than murder.
It began with a double murder: particularly vicious, particularly gruesome. There was only one witness: but little Melody Quinn can't or won't say a word. Which is where child psychologist Alex Delaware comes in - and takes the first step into a maelstrom of atrocities…A breathtaking novel about the sewer of perversion and corruption lying below the glittering surface of California cool.